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Iti-Info” № 4 (25) 2014 RUSSIAN NATIONAL CENTRE OF THE INTERNATIONAL THEATRE INSTITUTE «МИТ-ИНФО» № 4 (25) 2014 “ITI-INFO” № 4 (25) 2014 УЧРЕЖДЁН НЕКОММЕРЧЕСКИМ ПАРТНЕРСТВОМ ПО ПОДДЕРЖКЕ ESTABLISHED BY NON-COMMERCIAL PARTNERSHIP FOR PROMOTION OF ТЕАТРАЛЬНОЙ ДЕЯТЕЛЬНОСТИ И ИСКУССТВА «РОССИЙСКИЙ THEATRE ACTIVITITY AND ARTS «RUSSIAN NATIONAL CENTRE OF THE НАЦИОНАЛЬНЫЙ ЦЕНТР МЕЖДУНАРОДНОГО ИНСТИТУТА ТЕАТРА». INTERNATIONAL THEATRE INSTITUTE» ЗАРЕГИСТРИРОВАН ФЕДЕРАЛЬНОЙ СЛУЖБОЙ ПО НАДЗОРУ В СФЕРЕ REGISTERED BY THE FEDERAL AGENCY FOR MASS-MEDIA AND СВЯЗИ И МАССОВЫХ КОММУНИКАЦИЙ. COMMUNICATIONS. СВИДЕТЕЛЬСТВО О РЕГИСТРАЦИИ REGISTRATION LICENSE SMI PI № FS77-34893 СМИ ПИ № ФС77-34893 ОТ 29 ДЕКАБРЯ 2008 ГОДА OF DECEMBER 29TH, 2008 АДРЕС РЕДАКЦИИ: 129594, МОСКВА, EDITORIAL BOARD ADDRESS: УЛ. ШЕРЕМЕТЬЕВСКАЯ, Д. 6, К. 1 129594, MOSCOW, SHEREMETYEVSKAYA STR., 6, BLD. 1 ЭЛЕКТРОННАЯ ПОЧТА: [email protected] E-MAIL: [email protected] НА ОБЛОЖКЕ: СЦЕНА ИЗ СПЕКТАКЛЯ «БОЕВОЙ КОНЬ» COVER: “WAR HORSE” BY MARIANNE ELLIOT/TOM MORRIS. КОРОЛЕВСКОГО НАЦИОНАЛЬНОГО ТЕАТРА ВЕЛИКОБРИТАНИИ, ROYAL NATIONAL THEATRE ПОСТАНОВКА: МЭРИЭНН ЭЛЛИОТТ И ТОМ МОРРИС OF GREAT BRITAIN ФОТО: BRINKHOFF/MOEGENBURG PHOTO BY BRINKHOFF/MOEGENBURG ФОТОГРАФИИ ПРЕДОСТАВЛЕНЫ ОТДЕЛОМ ПО СВЯЗЯМ С PHOTOS ARE PROVIDED BY PR DEPARTMENT ОБЩЕСТВЕННОСТЬЮ И РЕКЛАМЕ ВСЕРОССИЙСКОГО МУЗЕЙНОГО OF MUSEUM ASSOCIATION OF MUSICAL CULTURE NAMED ОБЪЕДИНЕНИЯ МУЗЫКАЛЬНОЙ КУЛЬТУРЫ ИМ. М. И. ГЛИНКИ, AFTER M. GLINKA, PRESS SERVICES OF THE PETR FOMENKO ПРЕСС-СЛУЖБАМИ ТЕАТРА «МАСТЕРСКАЯ ПЕТРА ФОМЕНКО», WORKSHOP AND CHEKHOV INTERNATIONAL THEATRE FESTIVAL, МЕЖДУНАРОДНОГО ТЕАТРАЛЬНОГО ФЕСТИВАЛЯ ИМ. А. П. 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ТИРАЖ 1000 ЭКЗ PUT INTO PRINT 10.09.14 ПОДПИСАНО В ПЕЧАТЬ 10.09.14 THE REVIEW IS DISTRIBUTED THROUGH THE NATIONAL CENTRES OF УРНАЛ РАСПРОСТРАНЯЕТСЯ ЧЕРЕЗ НАЦИОНАЛЬНЫЕ ЦЕНТРЫ Ж THE ITI IN ANGOLA, ARGENTINA, ARMENIA, AUSTRIA, AZERBAIJAN, ЕЖДУНАРОДНОГО ИНСТИТУТА ТЕАТРА NGOLA М (МИТ): A , BANGLADESH, BELARUS, BELGIUM, BENIN, BRAZIL, BULGARIA, ARGENTINA, ARMENIA, AUSTRIA, AZERBAIJAN, BANGLADESH, BELARUS, BURKINA FASO, CAMEROON, CHAD, CHINA, COLOMBIA, CONGO BELGIUM, BENIN, BRAZIL, BULGARIA, BURKINA FASO, CAMEROON, DEM. REP., CONGO REP., COSTA RICA, CRIMEA, CROATIA, CUBA, CHAD, CHINA, COLOMBIA, CONGO DEM. 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НА ЖУРНАЛ МОЖНО, СВЯЗАВШИСЬ С НАМИ ПО ЭЛЕКТРОННОЙ ПОЧТЕ FOR SUBSCRIPTION, PLEASE, CONTACT US ON E-MAIL [email protected] [email protected] OR SEND YOUR ORDER ЧИТАЙТЕ О НАС ПОДРОБНЕЕ READ ABOUT US НА САЙТЕ РОССИЙСКОГО ЦЕНТРА МИТ AT THE WEBSITE OF ITI RUSSIAN CENTRE WWW.RUSITI.RU WWW.RUSITI.RU N4 2014 ITI-INFO 1 6 НОВОСТИ NEWS 16 ФЕСТИВАЛЬ НАЦИОНАЛЬНОЕ РАЗНООБРАЗИЕ ОБЪЕДИНЁННОЙ ЕВРОПЫ FESTIVAL NATIONAL DIVERSITY OF THE UNITED EUROPE 24 ВЫСТАВКИ С ВИДАНИЕ С МАЭСТРО ВЕРДИ EXHIBITIONS 16 A RENDEZVOUS WITH MAESTRO VERDI 30 СОБЫТИЕ Х АОС ЖИВОЙ ЖИЗНИ EVENT THE CHAOS OF A LIVING LIFE 36 СОСЕДИ ТЕАТР – ЭТО ЛЕТО NEIGHBORS 24 THEATRE IS SUMMER 44 ОБЛОЖКА ПОСЛЕДНИЕ ДНИ ЧЕЛОВЕЧЕСТВА COVER THE LAST DAYS OF MANKIND 56 ALMA MATER В АХТАНГОВСКОЕ НАЧАЛО ALMA MATER T HE VAKHTANGOV ORIGINS 68 ДРАМАТУРГ Я РОСЛАВА ПУЛИНОВИЧ PLAYWRIGHT 36 YAROSLAVA PULINOVICH 44 78 ИНОСТРАНЕЦ ФЛЕЙТА В ОРКЕСТРЕ «ФОМЕНОК» FOREIGNER A FLUTE IN THE “FOMENKIAN” ORCHESTRA 88 БУДКА СУФЛЁРА P ROMPT CORNER 2 ITI-INFO N4 2014 АВТОРЫ НОМЕРА КРИСТИНА газах на голое тело, древние римляне в МАТВИЕНКО: тогах и хеллоуиновские ведьмочки». «Молодость, невероят- ное оба яние и мягкость, MARIA LVOVA: за которой чувствуется “People on stilts stride along the old cobble- крепкий, «уральский» stones, a bright red piano is riding on a red (на самом деле девушка cart together with a musician, Moliere’s Or- родом из Омска) стер- gon in a velvet robe and slippers is seen near жень – вот главные качества таланта и the market, Colombinas and Avatars jostle личности Ярославы Пулинович». about through the narrow streets, charac- ters from horror movies wearing nothing CHRISTINE MATVIENKO: but gas masks, ancient toga-clad Romans “Youth, incredible charm and gentleness and Halloween witches scurry about in the with a strong “Ural” (the young woman midst of waiters at street cafe.” actually hails from Omsk) core behind it – those are Yaroslava Pulinovich’s principal ОЛЬГА ФУКС: character and personality traits.” «В спектакле Штайна древность примирилась НАТАЛИЯ ЛАНГЕ: с современностью; здесь «Философия фестиваля светит только луна, и VASARA, сосредоточен- кажется, что время во- ная в декларации его обще кончилось». президента Римаса Ту- минаса, проста: театр не OLGA FOUX: может позволить мани- “Antiquity made peace with modernity in пулировать собой и стать Stein’s performance, the moon is the only предметом политической спекуляции». thing that shines here, and it seems as though time has ended altogether.” NATALIA LANGE: “The philosophy of the VASARA festival, АННА ЧЕПУРНОВА: concentrated in President Rimas Tumi- «Любопытно было чи- nas’s declaration, is simple: theatre cannot тать выдержки из места- allow itself to be manipulated and become ми забавного «Трактата an object of political gamble.” о мелодраме» 1817 года, в котором говорится, в МАРИЯ ЛЬВОВА: частности, что для изо- «По старинной брус- бражения боли артист чатке шагают люди на должен приложить руку ко лбу, а чтобы ходулях, ярко-красное передать радость, нужно приподнять пианино вместе с музы- ногу…» кантом едет на красной тачке, у рынка встреча- ANNA CHEPURNOVA: ется мольеровский Ор- “It was interesting to read excerpts from the гон в бархатном халате и тапочках, по at times amusing 1817 “Treatise on Melo- узким улочкам толкаются Коломбины drama” that says, among other things, that и Аватары, между официантами в улич- an actor must put his hand to his forehead ных кафе снуют ужастики в противо- to show pain and lift his foot to convey joy…” 4 ITI-INFO N4 2014 новости NEWS «ГЕЛИКОН» В ГОСТЯХ У «БИРГИТТЫ» “HELIKON” VISITS “BIRGITTA” irgitta, Tallinn’s opera and ballet fes- “Spartacus” (a production by the Leonid B tival that takes place every August on Yakobson Ballet Theatre of St Petersburg) the territory of the Saint Birgitta Convent, and Verdi’s “The Masquerade Ball” staged celebrated its tenth anniversary in 2014. by the Helikon Opera, which became a Over that period it managed to attract fixture at the festival and whose director аллинский оперно-балетный фе- лодёжи во время вьетнамской войны), thousands of spectators from Estonia, as Dmitry Bertman became a recipient of sev- Т стиваль «Биргитта», который про- «Похищение из сераля» Моцарта в well as from other Baltic countries, and eral Estonian awards. ходит в августе на территории монасты- исполнении швейцарского оперно- even from Scandinavia and Russia. Eri ря Святой Биргитты, отметил в 2014 го театра «Биль Золотурн» и другие Klas, a famous Estonian conductor, who году своё десятилетие.
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