DAILY LIFE in the SOVIET UNION the Greenwood Press "Daily Life Through History" Series
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I Was First Assigned to the American Embassy in Moscow in 1961
Remembering Vasya Aksyonov With Bella Akhmadulina and Vasily Aksyonov Photo by Rebecca Matlock I was first assigned to the American Embassy in Moscow in 1961. This was when the “Generation of the Sixties” (шестидесятники) was beginning to rise in prominence. It was an exciting development for those of us who admired Russian literature and were appalled at the crushing of creativity brought on by Stalin’s enforced “socialist realism.” I read Vasya’s Starry Ticket with great interest, particularly since it seemed to deal with the same theme as the American writer J.D. Salinger did in his The Catcher in the Rye—a disaffected adolescent who runs away from humdrum reality to what he imagines will be a more glamorous life elsewhere. I then began to follow the stories Vasya published in Yunost’. “Oranges from Morocco” was one that impressed me. Much later, he told me that the story was inspired by an experience while he was in school in Magadan. The original title had been “Oranges from Israel.” He was instructed to replace Israel with Morocco in the title after the Soviet Union broke relations with Israel following the 1967 war. Although I was a young diplomat not much older than Vasya, my academic specialty had been Russian literature and I was eager to meet as many Soviet writers as possible. In fact, one of the reasons I entered the American Foreign Service was because it seemed, while Stalin was still alive, one of the few ways an American could live for a time in the Soviet Union and thus have direct contact with Russian culture. -
Of Russian Literaturepart I Russian Literature: Background, Foreground, Creative Cognition
The Mythopoetic “Vectors” of Russian LiteraturePART I Russian Literature: Background, Foreground, Creative Cognition Chapter 1 The Mythopoetic “Vectors” of 27. Russian Literature1 Any national literature is to some significant extent a mirror held up to its people’s collective countenance: its myths, aspirations, national triumphs and traumas, current ideologies, historical understanding, lin guistic tra- ditions. But it is also more than that — more than a reflection in the glass of what has come before and what is now, even as one glances into it, passing from view. It is, in a real sense, generative of new meaning, and thus capable of shaping that countenance in the future. For the society that takes its literary products seriously, the text of a novel or poem can be a kind of genetic code2 for predicting, not concrete outcomes or actual progeny, but something no less pregnant with future action: the forms of a culture’s historical imagination. The variations seem limitless, and yet how is it we are able to determine any given work of literature is clearly identifiable as Russian? Why could Flaubert’s Emma Bovary in some sense not be imagin- ed by the great realist who created Anna Karenina? How is Dostoevsky’s 1 Originally appeared 2 See Chapter 4 in Part 1 as part 1 of the essay/chapter of the present volume with its “Russian Literature,” in Cambridge discussion of how genes and Companion to Modern Russian “memes” work together to create Culture, ed. Nicholas Rzhevsky an individual’s and a culture’s (Cambridge: Cambridge University views of itself. -
Spring 2004 Professor Caroline A. Jones Lecture Notes History, Theory and Criticism Section, Department of Architecture Week 9, Lecture 2
MIT 4.602, Modern Art and Mass Culture (HASS-D) Spring 2004 Professor Caroline A. Jones Lecture Notes History, Theory and Criticism Section, Department of Architecture Week 9, Lecture 2 PHOTOGRAPHY, PROPAGANDA, MONTAGE: Soviet Avant-Garde “We are all primitives of the 20th century” – Ivan Kliun, 1916 UNOVIS members’ aims include the “study of the system of Suprematist projection and the designing of blueprints and plans in accordance with it; ruling off the earth’s expanse into squares, giving each energy cell its place in the overall scheme; organization and accommodation on the earth’s surface of all its intrinsic elements, charting those points and lines out of which the forms of Suprematism will ascend and slip into space.” — Ilya Chashnik , 1921 I. Making “Modern Man” A. Kasimir Malevich – Suprematism 1) Suprematism begins ca. 1913, influenced by Cubo-Futurism 2) Suprematism officially launched, 1915 – manifesto and exhibition titled “0.10 The Last Futurist Exhibition” in Petrograd. B. El (Elazar) Lissitzky 1) “Proun” as utopia 2) Types, and the new modern man C. Modern Woman? 1) Sonia Terk Delaunay in Paris a) “Orphism” or “organic Cubism” 1911 b) “Simultaneous” clothing, ceramics, textiles, cars 1913-20s 2) Natalia Goncharova, “Rayonism” 3) Lyubov Popova, Varvara Stepanova stage designs II. Monuments without Beards -- Vladimir Tatlin A. Constructivism (developed in parallel with Suprematism as sculptural variant) B. Productivism (the tweaking of “l’art pour l’art” to be more socialist) C. Monument to the Third International (Tatlin’s Tower), 1921 III. Collapse of the Avant-Garde? A. 1937 Paris Exposition, 1937 Entartete Kunst, 1939 Popular Front B. -
US-Soviet Public Diplomacy (04/01/1985-04/16/1985) Box: RAC Box 11
Ronald Reagan Presidential Library Digital Library Collections This is a PDF of a folder from our textual collections. Collection: Raymond, Walter: Files Folder Title: US-Soviet Public Diplomacy (04/01/1985-04/16/1985) Box: RAC Box 11 To see more digitized collections visit: https://www.reaganlibrary.gov/archives/digitized-textual-material To see all Ronald Reagan Presidential Library inventories visit: https://www.reaganlibrary.gov/archives/white-house-inventories Contact a reference archivist at: [email protected] Citation Guidelines: https://reaganlibrary.gov/archives/research- support/citation-guide National Archives Catalogue: https://catalog.archives.gov/ WITHDRAWAL SHEET Ronald Reagan Library Collection Name RAYMOND, WALTER: FILES Withdrawer KML 2/28/2012 File Folder U.S.-SOVIET PUBLIC DIPLOMACY (04/01/1985- FOIA 04/16/1985) Ml0-326/2 Box Number 11 PARRY 63 ID Doc Type Document Description No of Doc Date Restrictions Pages 132389 MEMO JOHN LENCZOWSKI TO ROBERT 2 4/1 6/1 985 Bl MCFARLANE RE WI CK PROPOSAL R 6/8/2018 M326/2 132390 MEMO ROBERT MCFARLANE TO THE PRESIDENT ND Bl RE WI CK PROPOSAL 132391 MEMO FOR NICHOLAS PLATT RE WICK PROPOSAL ND Bl 132392 MEMO TO CHARLES WICK RE PROPOSAL ND Bl Freedom of Information Act - (5 U.S.C. 552(b)] B-1 National security classified information [(b)(1) of the FOIA] B-2 Release would disclose internal personnel rules and practices of an agency [(b)(2) of the FOIA] B-3 Release would violate a Federal statute [(b)(3) of the FOIA] B-4 Release would disclose trade secrets or confidential or financial information [(b)(4) of the FOIA] B-6 Release would constitute a clearly unwarranted Invasion of personal privacy [(b)(6) of the FOIA] B-7 Release would disclose Information compiled for law enforcement purposes [(b)(7) of the FOIA] B-8 Release would disclose information concerning the regulation of financial institutions [(b)(8) of the FOIA] B-9 Release would disclose geological or geophysical Information concerning wells [(b)(9) of the FOIA] C. -
Read Book Kazimir Malevich
KAZIMIR MALEVICH PDF, EPUB, EBOOK Achim Borchardt-Hume | 264 pages | 21 Apr 2015 | TATE PUBLISHING | 9781849761468 | English | London, United Kingdom Kazimir Malevich PDF Book From the beginning of the s, modern art was falling out of favor with the new government of Joseph Stalin. Red Cavalry Riding. Articles from Britannica Encyclopedias for elementary and high school students. The movement did have a handful of supporters amongst the Russian avant garde but it was dwarfed by its sibling constructivism whose manifesto harmonized better with the ideological sentiments of the revolutionary communist government during the early days of Soviet Union. What's more, as the writers and abstract pundits were occupied with what constituted writing, Malevich came to be interested by the quest for workmanship's barest basics. Black Square. Woman Torso. The painting's quality has degraded considerably since it was drawn. Guggenheim —an early and passionate collector of the Russian avant-garde—was inspired by the same aesthetic ideals and spiritual quest that exemplified Malevich's art. Hidden categories: Articles with short description Short description matches Wikidata Use dmy dates from May All articles with unsourced statements Articles with unsourced statements from June Lyubov Popova - You might like Left Right. Harvard doctoral candidate Julia Bekman Chadaga writes: "In his later writings, Malevich defined the 'additional element' as the quality of any new visual environment bringing about a change in perception Retrieved 6 July A white cube decorated with a black square was placed on his tomb. It was one of the most radical improvements in dynamic workmanship. Landscape with a White House. -
Fourteenth Annual University of California Undergraduate Research Conference on Slavic and East/Central European Studies
FOURTEENTH ANNUAL UNIVERSITY OF CALIFORNIA UNDERGRADUATE RESEARCH CONFERENCE ON SLAVIC AND EAST/CENTRAL EUROPEAN STUDIES APRIL 30, 2011 UCLA Jonathan Blaisdell [email protected] Majors: Russian Studies, Political Sciences, Central and East European Languages and Cultures Minor: North African and Middle Eastern Studies, UCLA “The Threat of Russian Disintegration” One major concern for Russia during the early 1990’s was a looming fear of massive territorial fragmentation and erosion of power. Moscow was presenting itself as being incapable of governing effectively and many regions within the Russian Federation felt disinclined to hand over their tax revenues to the central budget. Many regional leaders proclaimed a reluctance to invest in what seemed to be shaping into another failed Russian central authority. President Yeltsin found himself dealing with a very real and fragile situation, which could have easily ended in the complete disintegration of the Russian Federation. In modern Russia, Putin has moved towards a more centralized, authoritarian regime. However, the establishment of a “power vertical” has not been a cure-all remedy against the possible disintegration of the modern Russian state. Through a deeper analysis of Yeltsin’s and Putin’s regimes, this paper will challenge modern concerns of disaggregation of the existing Russian political system. Nadya Dorsht [email protected] Major: Russian Studies, UCLA “The Russian Energy State: An Economic and Legal Assessment” After the collapse of the Soviet Union, the Russian Federation was no longer the bastion of a superpower the world once feared. Plagued by economic troubles, ethnic movements, and mass immigration, Russia was to experience a myriad of phenomena, some novel and others perpetuated from the former regime, that would dictate Russia’s political and business landscape !1 for the next two decades. -
September 20, 1968 Yu. Andropov to the CPSU CC
Digital Archive digitalarchive.wilsoncenter.org International History Declassified September 20, 1968 Yu. Andropov to the CPSU CC Citation: “Yu. Andropov to the CPSU CC,” September 20, 1968, History and Public Policy Program Digital Archive, RGANI, F. 80, Op. 1, D. 513, Ll. 58-60. Obtained and translated by Mark Kramer. https://digitalarchive.wilsoncenter.org/document/188129 Summary: This memorandum from KGB Chairman Andropov to the CPSU Politburo follows up on the initial report from Andropov, Shchelokov, and Malyarov. The document highlights the “malevolent views” of the group that held an unauthorized demonstration in Red Square on 25 August 1968, singling out Pavel Litvinov, Larisa Bogoraz, Viktor Fainberg, and Vadim Delaunay for particular opprobrium. Andropov stresses that the KGB will intensify its crackdown on opposition figures who try to “spread defamatory information about Soviet reality.” Credits: This document was made possible with support from the Blavatnik Family Foundation. Original Language: Russian Contents: English Translation Scan of Original Document Secret Copy No. 1 USSR ___ Committee of State Security of the USSR under the USSR Council of Ministers ______ 20 September 1968 No. 2205-A Moscow To the CPSU CC By way of addendum to our No. 2102 from 5 September 1968, I am reporting that the Moscow procurator, in contact with the Committee of State Security, has completed the investigation and is remanding to the court the criminal case charging L. I. BOGORAZ-BRUKHMAN (the wife of the imprisoned writer [Yulii] Daniel), P. M. LITVINOV, K. I. BABITSKII, V. I. FAINBERG, V. A. DREMLYUGA, and V. N. DELAUNAY. The guilt of these people in staging disturbances on Red Square on 25 August 1968 was confirmed by the testimony of multiple witnesses and by material evidence that was confiscated. -
Through Education
through Education Written submissions from Conference Speakers Table of Contents 3 The Devil’s Seven-Prong Fork 43 Making Americans Illiterate: Charlotte T. Iserbyt • Maine A Key Factor in the Deliberate Dumbing Down of America Samuel L. Blumenfeld • Massachucetts 7 Is Freedom Burning? Cynthia Weatherly • Georgia 49 The Deliberate Destruction of Education in Tennessee and Who Is Behind It 14 The Trojan Horse of Charter Schools Kelleigh Nelson • Tennessee Polly Anglin • Pennsylvania 55 A Teacher’s Testimony: 19 The Prison of the Accountability The Agenda in the Public Schools System: Updates from Texas Jane Aitken • New Hampshire A. Patrick “Pat” Huff, Ph.D. • Texas 59 Developing a Winning Strategy 22 Microcosm of Education’s Role Rosa Koire • California in the Coming World Economy Supplement: What is ICLEI? Donna • Rhode Island 65 Outcome - Based Education and Higher 24 The Golden GEM Years Order Thinking Skills Bettina Dobbs • Maine Jeannie Georges • Indiana 77 21 Ways to Restore Local Control 27 International Baccalaureate Unraveled Cherilyn B. Eagar • Utah Debra K. Niwa • Arizona 79 Obama’s “Race to the Top” Agenda — 37 Created Classroom Chaos to States under Republican Leadership Fall Controlled Cyber Conditioning for the Carrot: Children Sold Out for a Mary Thompson • California Profit Anita B. Hoge • Pennsylvania 2 The Devil’s Seven-Prong Fork By Charlotte T. Iserbyt Our family has seen many changes in the past year which necessitated my pulling a “Houdini the United States and abroad the act” and withdrawing from the political activist reader can go to americandeception. scene. com, a free website, which provides scanned primary research, and click One of the changes in my life was a move on researcher/writer D. -