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20200430 Eindstand HIMYM Quiz
Pos. Teamnaam Score 1 Pipquiz Rob 83 2 The Suit Ups (Denise de Corte) 82 3 Muggle Masterminds (Martina) 82 4 WhackeNifters 81 5 VictoryRoyale (Jim, Kev, Kay) 81 6 Nora Wopereis 81 7 Zwanst na nie heeeeeeeeeeeeeeeeeeeeee 80 8 Yellow Umbrella (Tjeerd / Eva) 80 9 The Mosby Boys/Twan 80 10 FC Merten/- Maarten Hogerheyde 80 11 DeCooleMensenHilde 80 12 How Jenny met my colleagues (Christiane) 79 13 How I Met Je Moeder (Romy Holweg) 79 14 Femke+ 79 15 BACO 1 79 16 Voor de haven (Lobke&co) 78 17 Piuspauwer 78 18 mup special 78 19 Moonneenjan 78 20 Manonna 78 21 Whoo Girls (Anneloes) 77 22 The Slutty Pumpkins - Cora 77 23 The Lusty Leopard (Thiemen) 77 24 Team Fix those Puzzles (Iris) 77 25 Supergeheim 77 26 Mutsketiers 77 27 LoutjeWentje Sebas 77 28 How I Met Your Coronavirus (Kasper) 77 29 How I met your Chromosome (09) 77 30 Glitterpony (Thijs) 77 31 Esther van den Heuvel 77 32 mosbyboys (sander) 76 33 Kippekluif united en kale klets 76 34 De Grietjes (Camille) 76 35 Cat Funeral #Bickel 76 36 Bubble buddies (Inge) 76 37 Team Possimpable-LotteH 75 38 Slagboom(Joris) 75 39 Mike Oxlong 75 40 Los Omnicientos Boberio 75 41 Legen-wait-for-it-and-I-hope-youre-not-lactose-intolerant-because-the-second-half-of-the-word-is-dary75 42 Legen Keizerstad dary 75 43 Josien is The Blitz! (Charlotte) 75 44 De Familie Pauwlll 75 45 Cool Team / Roeland 75 46 Big 5 Em Val (Han) 75 47 The Red Boothill, Pulling them off - Melt 74 48 The naked men (Maarten) 74 49 Suit Up, Swarley! (Debbie) 74 50 Sir Walter Dibs (Tom van der Meer) 74 51 Name That Bitch Maarten Heynderickx 74 52 McRooijen pub (Nina/Maya) 74 53 Let's go to the mall Mais en Femmie 74 54 JuulStef (Juul) 74 55 Graaf Arnulf en de gillende geiten (Mily) 74 56 Ginger Squad 74 57 Generaal Woef (Babs) 74 58 For Fawkes' Sake (Daan, Miek & Jo) 74 59 WOO-gurlsz (Confetii) 73 60 Lepels 73 61 JustAwesomeUnicornfighters 73 62 Jezus .. -
Magisterarbeit
MAGISTERARBEIT Titel der Magisterarbeit „Sie jobbt, Er liebt.“ Geschlechtsunterschiede in der humorvollen Darstellung von Liebe im deutschsprachigen Marktführer „How I Met Your Mother“ verfasst von Anne-Marie Darok, Bakk.phil. angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2016 Studienkennzahl lt. Studienblatt: A 066 / 841 Studienrichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreut von: Ass. Prof. Mag. Dr. Johanna Dorer Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am 13.01.2016 Anne-Marie Darok 1 Danksagung „Es braucht ein ganzes Dorf, um ein Kind großzuziehen“ Es braucht auch eine große Menge an Motivation, Unterstützung und Geduld, um eine Magisterarbeit fertigzustellen. Ich danke meinen Eltern, dass sie mir echte Vorbilder für meinen universitären Weg waren. Auch danke ich meinen Freunden, die mich mit dem besten Kaffe der Welt und guten Worten unterstützt haben. Sowie meiner Betreuerin Ass. Prof. Mag. Dr. Johanna Dorer. Mein besonderer Dank gilt meinem Lebensgefährten, Michael Leitner, der fast genauso viel Gehirnschmalz in die Sache gesteckt hat, wie ich. Zuletzt danke ich David Bowie, unter dessen Schirmherrschaft -
TF6 Semaine19 Mise En Page 1
BULLETIN DE PROGRAMMES 19I DU SAMEDI 3 AU VENDREDI 9 MAI 2014 SOIREE BANLIEUE 13 JEUDI 8 MAI A PARTIR DE 20H50 DIFFUSION EN 16/9 ET EN HD DU SAMEDI 3 AU VENDREDI 9 MAI 2014 19I SAMEDI 3 MAI 2014 JOURNEE 05:55 SOUS LE SOLEIL 13:20 UN, DOS, TRES (S.06) 16:55 VAMPIRE DIARIES SÉRIE FRANÇAISE SÉRIE ESPAGNOLE SÉRIE AMÉRICAINE Avec Bénédicte DELMAS (Laure), Tonya KINZINGER Avec Monica CRUZ (Silvia Jauregui), Beatriz LUENGO Avec Nina DOBREV (Elena Gilbert / Katherine Pierce), (Jessica), Adeline BLONDIEAU (Caroline) (Lola Fernandez), Pablo PUYOL (Pedro Salvador), Mi- Paul WESLEY (Stefan Salvatore), Ian SOMERHALDER guel Angel MUNOZ (Roberto Arenales) (Damon Salvatore), Kat GRAHAM (Bonnie Bennett), 09:35 HOW I MET YOUR MOTHER - L'AMOUR EN DIRECT Steven R. MCQUEEN (Jeremy Gilbert) - LA MAIN DANS LE SAC - KLAUS (S.02) (S.07) - DROLE DE COUPLE SÉRIE AMÉRICAINE - LE DERNIER JOUR (S.02) - LE NEGOCIATEUR Avec Josh RADNOR (Ted Mosby), Neil Patrick HARRIS - LE SOLEIL SE COUCHE (S.02) (Barney Stinson), Alyson HANNIGAN (Lily Aldrin), - AUX PORTES DE LA MORT (S.02) Jason SEGEL (Marshall Eriksen), Cobie SMULDERS - TRISTE ANNIVERSAIRE (S.03) (Robin Scherbatsky) - LA CRAVATE-CANARD - LA CRISE DES MISSILES DE STINSON - L'EXCURSION - IL FAUT QUE JE SACHE - NORETTA - LE RETOUR DE LA CITROUILLE - TETE-A-TETE AVEC MON PERE - 46 MINUTES - L'APICULTEUR EN FEU - LE TRAIN SOUL I 2 DU SAMEDI 3 AU VENDREDI 9 MAI 2014 19I SAMEDI 3 MAI 2014 SOIREE - HONG KONG CONNECTION Ryan dirige aujourd'hui la Division avec Nikita. Ils ont pour première mission de stopper tous les ex-agents qui ont fui la Division après la mort de Percy. -
Peter Pan Syndrome in Italo Calvino's Male Figures Jacob J
The Lost Boys of Italia: Peter Pan Syndrome in Italo Calvino’s Male Figures Jacob J. Shirley Tucson, Arizona Bachelor of Arts in Psychology, Bachelor of Arts in Italian Studies University of Arizona, 2013 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of Spanish, Italian, and Portuguese University of Virginia May 2015 Readers: Enrico Cesaretti Sarah Annunziato 2 Jacob J Shirley Masters Thesis The Lost Boys of Italia: Peter Pan Syndrome in Calvino’s Males ABSTRACT This paper will explore the concepts of scioltezza and the Peter Pan Syndrome as exhibited by the male protagonists in three of Italo Calvino’s key works: Pin (The Path to the Spiders’ Nests), Cosimo Piovasco di Rondò (The Baron in the Trees), and Marcovaldo (Marcovaldo). In each case, scioltezza describes the protagonist’s developmental fluidity as he approaches maturation but retains fundamentally adolescent or childlike qualities. This study will take a developmental approach to reveal elements of war, family values, and economic factors that contribute to Calvino’s portrayal of scioltezza, setting up similar yet contrasting cases of the Peter Pan Syndrome. These factors ultimately confine each protagonist to a state of arrested maturation, in which he faces an identity crisis that prevents him from reaching identity achievement or total self- authorship. In these specific cases, we will also see how the text itself mirrors these developmental crises, and how some of Italy’s pivotal moments in history have shaped this phenomenon. Ultimately, these characters and texts reflect a similar developmental plight in Italy itself. -
Texture, Realism, Performance: Exploring the Intersection of Transtexts and the Contemporary Sitcom
Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom Book or Report Section Published Version Knox, S. and Derhy Kurtz, B. W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671 Available at http://centaur.reading.ac.uk/56220/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Routledge All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Texture, Realism, Performance: Exploring the Intersection of Transtexts and the Contemporary Sitcom (Knox, Simone & Derhy Kurtz, Benjamin W.L.) Contemporary US sitcom is at an interesting crossroads: it has received an increasing amount of scholarly attention (e.g. Mills 2009; Butler 2010; Newman and Levine 2012; Vermeulen and Whitfield 2013), which largely understands it as shifting towards the aesthetically and narratively complex. At the same time, in the post-broadcasting era, US networks are particularly struggling for their audience share. With the days of blockbuster successes like Must See TV’s Friends (NBC 1994-2004) a distant dream, recent US sitcoms are instead turning towards smaller, engaged audiences. -
How I Met Your Mother
Industry Insider TV Pilot Proposal HOW I MET YOUR MOTHER 1-SERIES LOGLINE Through a series of flashbacks, Ted Mosby tells his children the (very long) story of how he met their mother and the shenanigans that he and his four best friends had to go through in Manhattan in order to lead him to the love of his life. 2- WRITE A BRIEF DESCRIPTION FOR EACH OF YOUR MAIN CHARACTERS Ted Mosby - The heart and lead of this ensemble cast. He is an architect who thinks of himself as an intellectual. He is on a quest to find "the one," and while he is happy for his friends who are luckier in love than he is, he can't help feeling jealous that it’s taking him so long to find the love of his life. Marshall Eriksen - Ted's best friend from college. Marshall is an environmental lawyer and all-around stand-up guy with Midwest values. Lily Aldrin is the only woman he has ever been with and he is perfectly fine with that. Ted wishes he was so lucky to have met the one his first time at bat. Lily Aldrin - A kindergarten teacher and aspiring actress. She has been friends with Ted and dating Marshall since freshman year of college. She is always ready to put her friends in their places, give sage advice and resolve conflicts with some tough love. Robin Scherbatsky - News reporter from Canada, she puts her work ambitions ahead of relationships. She is introduced to the group when Ted falls for her. -
A Construção Do Humor E Do Tradutor Em How I Met Your Mother
UNIVERSIDADE ESTUDUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CAROLINE RODOVALHO BORIOLO LEGENDADO E ENGRAÇADO? A CONSTRUÇÃO DO HUMOR E DO TRADUTOR EM HOW I MET YOUR MOTHER CAMPINAS 2018 CAROLINE RODOVALHO BORIOLO LEGENDADO E ENGRAÇADO? A CONSTRUÇÃO DO HUMOR E DO TRADUTOR EM HOW I MET YOUR MOTHER Dissertação apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Mestra em Linguística Aplicada na área de Linguagem e Sociedade. Orientador: Profa. Dr.ª Érica Luciene Alves de Lima Este exemplar corresponde à versão final da Dissertação defendida pela aluna Caroline Rodovalho Boriolo e orientada pela Profa. Dra. Érica Luciene Alves de Lima CAMPINAS 2018 Agência(s) de fomento e nº(s) de processo(s): CAPES Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Estudos da Linguagem Crisllene Queiroz Custódio - CRB 8/8624 Boriolo, Caroline Rodovalho, 1994- B644L BorLegendado e engraçado? : A construção do humor e do tradutor em How I Met Your Mother / Caroline Rodovalho Boriolo. – Campinas, SP : [s.n.], 2018. BorOrientador: Érica Luciene Alves de Lima. BorDissertação (mestrado) – Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. Bor1. How I met your mother (Programa de televisão). 2. Tradução e interpretação. 3. Fansubbing. 4. Televisão - Seriados cômicos - Legendas. 5. Humorismo americano - Traduções. I. Lima, Erica Luciene Alves de, 1968-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações -
How I Met Your Mother: Análise De Memória E Identidade
0 Centro Universitário de Brasília – UniCEUB Faculdade de Tecnologia e Ciências Sociais Aplicadas - FATECS ADRIANO CARVALHO NUNES RA: 21318074 How I Met Your Mother Análise de Memória e Identidade Brasília 2016 1 ADRIANO CARVALHO NUNES How I Met Your Mother Análise de Memória e Identidade Trabalho apresentado à Faculdade de Tecnologia e Ciências Sociais Aplicadas, como requisito parcial para a obtenção ao grau de Bacharel em Comunicação Social com habilitação em Jornalismo no Centro Universitário de Brasília – UniCEUB. Orientadora: Professora Dra. Flor Marlene Brasília 2016 2 ADRIANO CARVALHO NUNES How I Met Your Mother Análise de Memória e Identidade Trabalho apresentado à Faculdade de Tecnologia e Ciências Sociais Aplicadas, como requisito parcial para a obtenção ao grau de Bacharel em Comunicação Social com habilitação em Jornalismo no Centro Universitário de Brasília – UniCEUB. BRASÍLIA, JUNHO, DE 2016 Banca Examinadora _____________________________________________ Professora Flor Marlene Orientadora _____________________________________________ Professor Fred Tomé Examinador _____________________________________________ Professor Gilberto Costa Examinador 3 AGRADECIMENTOS Formar-me em jornalismo foi uma das experiências de mais amadurecimento que tive na vida. Entrei no curso sem ter a certeza se era o que eu queria, mas o desafio se tornou uma caminha de aprendizado e certamente sou grato por todos que conheci e por tudo que vivenciei ao longo desses três anos e meio. Primeiramente, tenho que agradecer à minha família, pelo apoio incondicional e pelos conselhos que me impediram de desistir. Além de custearem todo o meu aprendizado, eles são responsáveis pela minha educação e respeito aos demais, e sem isso, não teria alcançado meu objetivo. São as pessoas que eu mais amo no mundo e imagino que eles estejam tão felizes quanto eu neste momento de conquista. -
Pledging and Delaying Narrative Closure in How I Met Your Mother
Graat On-Line issue #15 April 2014 The Yellow Umbrella Syndrome: Pledging and Delaying Narrative Closure in How I Met Your Mother Florent Favard Université Bordeaux Montaigne The year 2030. Two teenagers, sitting in a living room, listen to their father, as he tells how he met their mother. He warns: this story is going to take a while, since he starts to recount, in great detail, his life as a young—and single—architect in New York City, back in 2005. So begins the pilot of the American sitcom How I Met Your Mother (CBS, 2005–2014): with a promise that the story will eventually lead to the aforementioned meeting. The year 2005. As viewers discover Ted Mosby’s endless quest to meet the mother of his children, American primetime television storytelling has already entered a new era, one of “narrative complexity” as Jason Mittell notably dubbed it1. Rooted in the 1990s popular dramas, such as The X-Files (Fox, 1993–2002) and premium cable shows like The Sopranos (HBO, 1999–2007), this narrational mode is “distinct for its use of narrative complexity as an alternative to the conventional episodic and serial forms that have typified most American television since its inception2.” That is, a narratively complex show is both episodic and serialized at the same time, depending on which story arc one is following: the episodic ones, closed at the end of each episode, or the serialized ones, stretched over numerous episodes and even seasons. The year 2014. While Ted Mosby is about to meet, at last, the woman of his dreams in the midst of his two friends’ eventful wedding, narrative complexity, as explored by Mittell and other academics, has become a standard paradigm for 24 analyzing shows that “represent […] neither the majority of television nor its most popular programs3”, but challenge the audience and motivate active participation. -
The Blue French Horn
Running head: INTERTWINING ORIGIN STORIES IN HOW I MET YOUR MOTHER The Blue French Horn: Intertwining Origin Stories in How I Met Your Mother Sydney Stein Dr. Leah LeFebvre Honors Thesis Department of Communication and Journalism University of Wyoming Spring 2017 INTERTWINING ORIGIN STORIES IN HOW I MET YOUR MOTHER 2 Abstract This study investigates the intertwining origin stories in the television show, How I Met Your Mother. The TV show focuses on the main character, Ted Mosby, on his search for love, a wife, and mother of his children, with the help of his best friends. While research regarding origin stories is incomplete, How I Met Your Mother will allow for framing of origin story research as the show features Ted narrating his quest to his future children. Through the analysis of a popularized television show, origin story research will be expanded to demonstrate that two origin stories can occur side-by-side as the narrator places himself in the story. Ted tells the story to reaffirm his love for the Mother, while subtly using it as a way to position himself close to Robin again. The narrative Ted tells allows him to be in the action, igniting a flame for an old lover through the telling of the story. Keywords: origin stories, How I Met Your Mother, love, television INTERTWINING ORIGIN STORIES IN HOW I MET YOUR MOTHER 3 The Blue French Horn: Intertwining Origin Stories in How I Met Your Mother When Ted Mosby said, “Kids, I’m going to tell you an incredible story, the story of how I met your mother,” his kids did not expect their mother to take so long to arrive in the story, and the audience did not expect Ted to end up with someone other than the mother. -
35473524.Pdf
CONSUMER TO CONSUMER MARKETING: UNDERSTANDING THE NATURE OF PRODUCT AND SERVICE ORIENTED ELECTRONIC WORD OF MOUTH COMMUNICATION VIA INSTAGRAM A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Commerce in Marketing in the University of Canterbury by Nathan Petrie University of Canterbury 2016 I Table of Contents Table of Contents ................................................................................................................................... II List of Tables ...................................................................................................................................... VII List of Figures ....................................................................................................................................... IX Acknowledgements ................................................................................................................................ X Abstract ................................................................................................................................................. XI Abbreviations and Key Terms ............................................................................................................ XII 1 Introduction ..................................................................................................................................... 1 1.1 Introduction .................................................................................................................................. -
The True Hero of How I Met Your Mother
Introduction I originally began this document as a way of channeling my belief that Robin and Barney were meant to be together, and that the final episode of the series, in which they divorce only three years after the wedding, leaving Robin free to finally get together with Ted after all, 25 years after they first met, was a huge mistake on the part of the writers. I felt that Barney had changed and grown beyond recognition, throughout the timeline of the show, and at great personal effort and cost. Any show worth it’s salt would surely have rewarded this with a happily ever after scenario, and it felt cruel not to offer that to poor Barney. The fact is, the programme was built around the character of Ted. Ted is the 2030 narrator, telling the long and involved tale of his twenties and thirties, to his teenaged children. The entire structure is built around Ted as a hero. And Ted is very sweet, and very lovable, for a lot of the time. I quite see, now, that they had written themselves into a corner. Ted had to end up with Robin, eventually, and he could never do that if her marriage to Barney had succeeded. But I maintain that Barney is a far better hero than Ted could ever be. Barney - the true hero of H ow I Met Your Mother It was only on my second watch through of H ow I Met Your Mother that I realised that Barney was not always as out of control as he seems to be for much of the series.