Copernicus in the Amazon: Ontological Turnings from the Perspective of Amerindian Ethnologies
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Heidegger and Indian Thinking: the Hermeneutic of a “Belonging-Together” of Negation and Affirmation
Comparative Philosophy Volume 6, No. 1 (2015): 111-128 Open Access / ISSN 2151-6014 www.comparativephilosophy.org HEIDEGGER AND INDIAN THINKING: THE HERMENEUTIC OF A “BELONGING-TOGETHER” OF NEGATION AND AFFIRMATION JAISON D. VALLOORAN ABSTRACT: According to Heidegger the questioning of Being is unique to western philosophical tradition, however we see that the hermeneutic of Being is explicit in inter- cultural context of thinking. Understanding Brahman as “one” and “the same” Śankara speaks together with Heidegger the same hermeneutic of ontological monism. Due to the reason that there is no explicit terminological equivalent of the word ‘Being’ in Śankara’s thinking, the hermeneutic of Śankara’s ontological understanding of Brahman and its distinction as “Saguna” and “Nirguna” are not sufficiently explored. In an inter-cultural ontological context, it is important not to insist on terminological equivalence, but to search for hermeneutic depth. Similarly Madhyamaka-Buddhism of Nāgārjuna describes the universe as totally devoid of reality, called ‘Śūnya’ or void, which is an expression of nihilism; it is comparable to Heidegger’s observation of the concealing of Being as “nihil”. The hermeneutic of these explicit ontological characters of Being, as concealment and un- concealment allow us to discover a sabotaging brotherhood, because the nihil and something are ontologically two essential sides of the same thinking. Keywords: Heidegger, Śankara, Nāgārjuna, Inter-cultural Ontology, Indian Philosophy 1. INTRODUCTION Philosophies give explanations of the world, of “what” of beings, and set norms for the right relationships between human beings. Therefore it is an exclusive property of mankind; still it is an intellectual engagement in an individual culture in its highest level. -
The Languages of Amazonia Patience Epps University of Texas at Austin
Tipití: Journal of the Society for the Anthropology of Lowland South America Volume 11 Article 1 Issue 1 Volume 11, Issue 1 6-2013 The Languages of Amazonia Patience Epps University of Texas at Austin Andrés Pablo Salanova University of Ottawa Follow this and additional works at: http://digitalcommons.trinity.edu/tipiti Part of the Anthropology Commons Recommended Citation Epps, Patience and Salanova, Andrés Pablo (2013). "The Languages of Amazonia," Tipití: Journal of the Society for the Anthropology of Lowland South America: Vol. 11: Iss. 1, Article 1, 1-28. Available at: http://digitalcommons.trinity.edu/tipiti/vol11/iss1/1 This Article is brought to you for free and open access by Digital Commons @ Trinity. It has been accepted for inclusion in Tipití: Journal of the Society for the Anthropology of Lowland South America by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Epps and Salanova: The Languages of Amazonia ARTICLE The Languages of Amazonia Patience Epps University of Texas at Austin Andrés Pablo Salanova University of Ottawa Introduction Amazonia is a linguistic treasure-trove. In this region, defined roughly as the area of the Amazon and Orinoco basins, the diversity of languages is immense, with some 300 indigenous languages corresponding to over 50 distinct ‘genealogical’ units (see Rodrigues 2000) – language families or language isolates for which no relationship to any other has yet been conclusively demonstrated; as distinct, for example, as Japanese and Spanish, or German and Basque (see section 12 below). Yet our knowledge of these languages has long been minimal, so much so that the region was described only a decade ago as a “linguistic black box" (Grinevald 1998:127). -
Another Way to Compose the Common World Bruno Latour
Another way to compose the common world Bruno Latour To cite this version: Bruno Latour. Another way to compose the common world. Journal of Ethnographic Theory - HAU, HAU-N.E.T, 2014, 4 (1), pp.301 - 307. hal-02175275 HAL Id: hal-02175275 https://hal-sciencespo.archives-ouvertes.fr/hal-02175275 Submitted on 5 Jul 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 2014 | Hau: Journal of Ethnographic Theory 4 (1): 301–307 COLLOQUIUM Another way to compose the common world Bruno Latour, Sciences Po The Inquiry into Modes of Existence is an attempt to build on the work of several anthropologists who have tried to go, as Philippe Descola said, “Beyond Nature and Culture.” Since this movement is itself one of the consequences of a reappraisal of the function of science, a new space has been opened up for an anthropology of modernity by using several yardsticks to define the reality of the beings informants say they encounter. It is those connections between science studies, anthropology, and modernity that will be followed in this colloquium. Keywords: Moderns, bifurcation of nature, collectives, interagentivity, practice, universality, multiplicity If it is notably difficult to do the anthropology of those who invented the anthropol- ogy of “others,” it is in part because they have managed to avoid doing their own.1 This most primitive and most aboriginal lack of reflexivity makes any sort of self- examination a skewed enterprise. -
Why Mahku – Movimento Dos Artistas Huni Kuin – Sing?
Universidade Federal do Acre, AMILTON PELEGRINO DE MATTOS Campus Floresta, Cruzeiro do IBÃ HUNI KUIN Sul, Acre, Brazil. MAHKU – Artists Movement WHY MAHKU – Huni Kuin, Jordão, Acre, Brazil. MOVIMENTO DOS ARTISTAS HUNI KUIN – SING? ABSTRACT The article presented is a joint work of the authors cited above. The drawings presented are products of MAHKU – Huni Kuin Artists Movement inspired from the huni meka songs. The nixi pae (ayahuasca) songs are the motive for the commentary of Ibã Huni Kuin and his way of “translation” of the language of songs, which he calls “put in the sense” (pôr ou colocar no sentido). In the first part we make a brief keywords presentation of the Ibã and collective Huni Kuin art- Huni Kuin; Visual anthropology; ists research and the trajectory of MAHKU, portrayed Ethnographic film; Art; in the audiovisual essay The nixi pae’s dream (Dir. Anthropology of music. Amilton Mattos, 2015). 61 São Paulo, v. 2, n.1, p.61-82, may (2017) PRESENTATION This text is a presentation of excerpts from material prepared by Ibã and myself with the intention to compose, in brief, the book É tudo vivo, tudo fica olhando, tudo escutando – O MAHKU – Movimento dos Artistas Huni Kuin (Its all alive, everything is looking, everything is listening – The MAHKU – Huni Kuin Artists Movement). The material has been produced in the context of the research project Espírito da Floresta (Spirit of the Forest), started in 2009, concurrently in the Indigenous land of Alto Rio Jodão and in the Indigenous Licentiate from the Universidade Federal do Acre (Federal University of Acre) UFAC, Cruzeiro do Sul Campus, the University of the Forest, with intentions to expand into other expressive forms such as music and visual arts. -
An Indigenous Feminist's Take on the Ontological Turn
Journal of Historical Sociology Vol. 29 No. 1 March 2016 DOI: 10.1111/johs.12124 An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism ZOE TODD* Abstract In this article, I ask how anthropology can adopt a decolonial approach that incorporates and acknowledges the critical scholarship of Indigenous thinkers whose work and labour informs many current trends in Euro-Western scholarship, activism and socio-political discourse. I also query how to address ongoing structural colonialism within the academy in order to ensure that marginalised voices are heard within academic discourses. ***** Last October I wrote a blog post on the Ontological Turn and citational praxis that went viral—it has now had over 30,000 views. I have now expanded on that post and incorporate material that further elaborates my relationship to turns of thought in anthropology, and the British academy, as an Indigenous feminist (Red River Métis, Otipemisiwak) woman from amiskwaciwâskahikan (Edmonton, Alberta, Canada). Vignette Number One Personal paradigm shifts have a way of sneaking up on you. For me, it started, innocently enough, with a trip to Edinburgh to see the great Latour discuss his latest work in February 2013, as part of the University of Edinburgh’s Gifford Lectures on Natural Theology. I was giddy with excitement: a talk by the Great Latour. live and in colour! Bruno Latour’s work was, in part, the reason that I switched my focus away from a pure science degree in Biology in my under- graduate studies. At the time I was a biology student working in a gastroenterology research laboratory, with vague hopes of pursuing a medical career. -
How JBS Is Still Slaughtering the Amazon
Slaughtering the Amazon In response to a July 2020 letter from Greenpeace UK, Burger King and Tesco confirmed that they were supplied by JBS subsidiaries (Burger King: Moy Park; Tesco: both Moy Park and Tulip). In September 2019, in response to a letter from Greenpeace UK, Aldi and Waitrose both confirmed JBS- linked supplies (Aldi: Moy Park and Tulip; Waitrose: Moy Park). In its FAQs, under ‘Who supplies you with chicken?’, Nando’s names Moy Park as one of its suppliers; Waitrose also lists Moy Park as a long-term poultry supplier on its website under ‘About our chicken’. In January 2020, a Bloomberg database chain- of-custody search identified trade between JBS subsidiary Pilgrim’s Pride (the parent company of both Moy Park and Tulip) and the following: Burger King, McDonald’s, Sainsbury’s, Tesco and YUM! (YUM! is the parent company of a number of fast food chains, including KFC.) Reports of direct links between JBS subsidiaries and KFC include specialist trade media (eg Ridler J (2018), Mulligan J (2017) and Lucas A (2020)). is still Slaughtering the Amazon the still Slaughtering is Additionally, factory codes UK 3005 EC and UK 3011 EC, documented in August 2019 on the labels of chickens in Sainsbury’s stores, link to How Moy Park facilities. Contents Executive summary Part 2: How industrial meat High stakes – how industrial meat is cooking the climate is taking us to the tipping point 1 Taking stock – JBS, the world’s largest What a carve-up – industrial meat producer, is still slaughtering the Amazon 2 meat’s impact 48 Supporting -
Worlds Otherwise: Archaeology, Anthropology, and Ontological
“Worlds Otherwise”: Archaeology, Anthropology, and Ontological Difference Author(s): Benjamin Alberti, Severin Fowles, Martin Holbraad, Yvonne Marshall, Christopher Witmore Reviewed work(s): Source: Current Anthropology, Vol. 52, No. 6 (December 2011), pp. 896-912 Published by: The University of Chicago Press on behalf of Wenner-Gren Foundation for Anthropological Research Stable URL: http://www.jstor.org/stable/10.1086/662027 . Accessed: 16/12/2011 10:05 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Wenner-Gren Foundation for Anthropological Research are collaborating with JSTOR to digitize, preserve and extend access to Current Anthropology. http://www.jstor.org 896 CAz FORUM ON THEORY IN ANTHROPOLOGY “Worlds Otherwise” Archaeology, Anthropology, and Ontological Difference by Benjamin Alberti, Severin Fowles, Martin Holbraad, Yvonne Marshall, and Christopher Witmore The debate concerning ontology is heating up in the social sciences. How is this impacting anthro- pology and archaeology? What contributions can these disciplines make? Following a session at the 2010 Theoretical Archaeology Group conference at Brown University (“‘Worlds Otherwise’: Ar- chaeology, Theory, and Ontological Difference,” convened by Ben Alberti and Yvonne Marshall), a group of archaeologists and anthropologists have continued to discuss the merits, possibilities, and problems of an ontologically oriented approach. -
Catalogo -ENG Low.Pdf
“ “| CURATED BY CATARINA DUNCAN OCTOBER 6TH - NOVEMBER 3RD, 2018 Galeria Leme is pleased to present the group show “ “, curated by Catarina Duncan. Led by a a painting whose background is divided between green and red, the same colours of the research about the use of symbols as language tools, the exhibition features works by seventeen pan-Africanist flag, icon of the intellectual movement that reinforces the union of all African artists in order to construct an imaginary field where the symbols overlap the written word in Diaspora. On the top of these colours are the instruments of the orishas Exu and Ogum, uniting order to communicate on political matters, as well as on the relations between the human the principles of communication, contradiction and dialectic (Exu) with those of technological innovation and fight commitments (Ogum). Its title alludes to a political project on antiracist, being, the occult and the unknown. capitalist and neocolonial government reorganization. This work summarizes the encounter of According to Carl G. Jung, in his book The Man and His Symbols, “what we call a symbol is a religious and political symbols, drawing a manifesto through symbolic means. term, a name or image that may be familiar to us in daily life, though it has special connotations The selected works have allegorical, mythical, intuitive and political connotations and use the beyond its obvious and conventional meaning. It implies something vague, unknown or hidden symbols to emanate new ideas and proposals of existence and relationships. The prevalence to us. ”In this sense, evoking the symbolic places us before a process of unlearning, of what we of the symbol over the written word is a proposition of power alternation, so that new tools of cannot define or comprehend integrally. -
Current Studies on South American Languages, [Indigenous Languages of Latin America (ILLA), Vol
This file is freely available for download at http://www.etnolinguistica.org/illa This book is freely available for download at http://www.etnolinguistica.org/illa References: Crevels, Mily, Simon van de Kerke, Sérgio Meira & Hein van der Voort (eds.). 2002. Current Studies on South American Languages, [Indigenous Languages of Latin America (ILLA), vol. 3], [CNWS publications, vol. 114], Leiden: Research School of Asian, African, and Amerindian Studies (CNWS), vi + 344 pp. (ISBN 90-5789-076-3) CURRENT STUDIES ON SOUTH AMERICAN LANGUAGES INDIGENOUS LANGUAGES OF LATIN AMERICA (ILLA) This series, entitled Indigenous Languages of Latin America, is a result of the collaboration between the CNWS research group of Amerindian Studies and the Spinoza research program Lexicon and Syntax, and it will function as an outlet for publications related to the research program. LENGUAS INDÍGENAS DE AMÉRICA LATINA (ILLA) La serie Lenguas Indígenas de América Latina es el resultado de la colabora- ción entre el equipo de investigación CNWS de estudios americanos y el programa de investigación Spinoza denominado Léxico y Sintaxis. Dicha serie tiene como objetivo publicar los trabajos que se lleven a cabo dentro de ambos programas de investigación. Board of advisors / Consejo asesor: Willem Adelaar (Universiteit Leiden) Eithne Carlin (Universiteit Leiden) Pieter Muysken (Katholieke Universiteit Nijmegen) Leo Wetzels (Vrije Universiteit, Amsterdam) Series editors / Editores de la serie: Mily Crevels (Katholieke Universiteit Nijmegen) Simon van de Kerke (Universiteit -
Climate and Security in Latin America and the Caribbean
CLIMATE AND SECURITY IN LATIN AMERICA AND THE CARIBBEAN Adriana Erthal Abdenur, Giovanna Kuele and Alice Amorim, eds. 2019 IGARAPÉ INSTITUTE | DECEMBER 2019 INDEX INTRODUCTION Adriana Erthal Abdenur, Giovanna Kuele and Alice Amorim ................. 2 HOW CLIMATE CHANGE RISKS MAGNIFY ECONOMIC AND SECURITY VULNERABILITIES CASE STUDY: VENEZUELA AND ITS NEIGHBORS Oliver Leighton Barrett ......................................................................................... 13 CLIMATE CHANGE, INEQUALITY AND SECURITY IN COLOMBIA: SOME REFLECTIONS ON THE SUBJECT Saul Rodriguez ............................................ 27 CLIMATE CHANGE, SOCIAL CONFLICT AND THE COMPLEXIFICATION OF CRIME IN BOLIVIA: AN ANALYSIS OF THE IMPACT OF FLOODS AND STORMS IN CHAPARE AS A COCA GROWING REGION Marilia Closs ............ 41 TOWARDS AN INTEGRATED GOVERNANCE OF TRANSBOUNDARY AQUIFERS IN SOUTH AMERICA: BALANCING SECURITY, HUMAN RIGHTS AND TERRITORIALITY Beatriz Mendes Garcia Ferreira ......................................... 53 CLIMATE AND SECURITY IN BRAZIL: THE ROLE OF THE PRESS IN THE DISCUSSION AND PROMOTION OF PUBLIC POLICIES Eloisa Beling Loose ..... 65 CLIMATE CHANGE AND SECURITY IN THE AMAZON: VULNERABILITY AND RISKS FOR INDIGENOUS PEOPLES ON THE ACRE - UCAYALI BORDER Marco Cepik and Hannah Machado Cepik ................................................................ 77 CLIMATE EVIDENCE-BASED POLICING: THE INFLUENCE OF RAINFALL ON THE CRIMINAL DYNAMICS OF THE CITY OF MANAUS Moisés Israel Silva dos Santos, Antônio Gelson de Oliveira Nascimento, Márcio -
Anaconda-Becoming: Huni Kuin Image-Songs, an Amerindian Relational Aesthetics
Artigos Articles http://dx.doi.org/10.1590/S0104-71832018000200002 Anaconda-becoming: Huni Kuin image-songs, an Amerindian relational aesthetics Devir-anaconda: huni kuin cantos-imagem, uma estética relacional ameríndia Els Lagrou * * Universidade Federal do Rio de Janeiro – Rio de Janeiro, RJ, Brazil [email protected] Horiz. antropol., Porto Alegre, ano 24, n. 51, p. 17-49, maio/ago. 2018 18 Els Lagrou Abstract After depicting the contemporary scene of Huni Kuin ayahuasca shamanism and artistic agency, I analyze a selection of image-songs from this ritual. The songs unveil the workings of embodied perception and synesthesia, that is, the transductions of bodily sensations and perceptions in vision, rhythm, song and sound. The experience entails a process of other-becoming where to know means to see through the eyes of Other; to be covered with the skin/ornaments of those beings one has consumed and to sing through their voice. This other-becoming is a becoming in a deleuzian sense, which means that the lived experience is situated in-between the space of self and other. In this context the expression “you are what you eat” has specifi c implications for one’s health and for the acquisition of agentive and perceptive capabilities of other beings. The ritual technique of almost becoming consists of alternatingly producing and undoing temporary transformations through song. Keywords: shamanism; ayahuasca; Amerindian relational aesthetics; song. Resumo Depois de apresentar a cena contemporânea da agencia artística e do xamanismo ayahuasqueiro dos Huni Kuin, apresento uma seleção de seus cantos-imagem. Os cantos revelam a lógica de uma percepção incorporada e sinestésica, isto é, as trans- duções de sensações corporais e percepções entre visão, ritmo, canto e som. -
The Modern Shamanic Guide to Rapé
The Modern Shamanic Guide to Rapé The Sacred Amazonian Snuff You Blow Up Your Nose Author: Lorna Liana Cover Art Credit: Geenss Archenti Flores | Original Photo: Gustavo Miranda The Modern Shamanic Guide to Rapé Table of Contents Introduction to an Ancient ......................................................................................... 3 Amazonian Healing Tradition .................................................................................... 3 What is Amazonian Rapé? ....................................................................................... 5 The Sacred Art of Making Rapé............................................................................ 7 The Healing Properties of Medicinal Rapé ......................................................... 11 How to Take Sacred, Medicinal Rapé ................................................................ 13 with the Right Intention ........................................................................................ 13 The Right Way (and Wrong Way) ....................................................................... 14 to Consume Rapé ................................................................................................ 14 The Appropriate Set & Setting for a Rapé Ritual ............................................... 16 What to Expect from Your Rapé Experience ..................................................... 17 Rapé Safety Tips for the Modern Shaman ......................................................... 18 Sacred Rapé Kit Storage & Care .......................................................................