Italian Politics and Society
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Chapter One: Introduction
CHANGING PERCEPTIONS OF IL DUCE TRACING POLITICAL TRENDS IN THE ITALIAN-AMERICAN MEDIA DURING THE EARLY YEARS OF FASCISM by Ryan J. Antonucci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2013 Changing Perceptions of il Duce Tracing Political Trends in the Italian-American Media during the Early Years of Fascism Ryan J. Antonucci I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Ryan J. Antonucci, Student Date Approvals: Dr. David Simonelli, Thesis Advisor Date Dr. Brian Bonhomme, Committee Member Date Dr. Martha Pallante, Committee Member Date Dr. Carla Simonini, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date Ryan J. Antonucci © 2013 iii ABSTRACT Scholars of Italian-American history have traditionally asserted that the ethnic community’s media during the 1920s and 1930s was pro-Fascist leaning. This thesis challenges that narrative by proving that moderate, and often ambivalent, opinions existed at one time, and the shift to a philo-Fascist position was an active process. Using a survey of six Italian-language sources from diverse cities during the inauguration of Benito Mussolini’s regime, research shows that interpretations varied significantly. One of the newspapers, Il Cittadino Italo-Americano (Youngstown, Ohio) is then used as a case study to better understand why events in Italy were interpreted in certain ways. -
Italian: Repubblica Italiana),[7][8][9][10] Is a Unitary Parliamentary Republic Insouthern Europe
Italy ( i/ˈɪtəli/; Italian: Italia [iˈtaːlja]), officially the Italian Republic (Italian: Repubblica italiana),[7][8][9][10] is a unitary parliamentary republic inSouthern Europe. Italy covers an area of 301,338 km2 (116,347 sq mi) and has a largely temperate climate; due to its shape, it is often referred to in Italy as lo Stivale (the Boot).[11][12] With 61 million inhabitants, it is the 5th most populous country in Europe. Italy is a very highly developed country[13]and has the third largest economy in the Eurozone and the eighth-largest in the world.[14] Since ancient times, Etruscan, Magna Graecia and other cultures have flourished in the territory of present-day Italy, being eventually absorbed byRome, that has for centuries remained the leading political and religious centre of Western civilisation, capital of the Roman Empire and Christianity. During the Dark Ages, the Italian Peninsula faced calamitous invasions by barbarian tribes, but beginning around the 11th century, numerous Italian city-states rose to great prosperity through shipping, commerce and banking (indeed, modern capitalism has its roots in Medieval Italy).[15] Especially duringThe Renaissance, Italian culture thrived, producing scholars, artists, and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. Italian explorers such as Polo, Columbus, Vespucci, and Verrazzano discovered new routes to the Far East and the New World, helping to usher in the European Age of Discovery. Nevertheless, Italy would remain fragmented into many warring states for the rest of the Middle Ages, subsequently falling prey to larger European powers such as France, Spain, and later Austria. -
Covid-19 and Politics in Italy: Solidarity Between Health and Non- Health Sector by Manav Gupta1
Volume I www.legalspectrumjournal.in Issue I Covid-19 and Politics in Italy: Solidarity between health and non- health sector By Manav Gupta1 ABSTRACT The first European country was Italy to witness a big coronavirus spread and remains one of the countries that is most affected by disasters, and this is the country where the most extreme lockout steps have been forced. It faced significant well-being and socio-economic problems. The government of Italy has introduced a broad range of measures at the national level, despite the varying incidences of the virus across the region. Results indicate that the strictness of containment and alleviation initiatives has performed an important part in combating the Covid pandemic from an economic and health perspective. Technological arbitration has played a key role due to the insufficiency of the arrangements and the hold up in their enactment. The purpose of this research paper is to investigate the different policies of the Italian government and its effect on health as well as non-health outcome, taking note of the impacts on families impacted by poverty and racism. Political leaders are the most portrayed participants, indicating a high degree of crisis activism. For executing this paper, I used a liberal approach to understand the analysis. 1 1st Year Student of B.A LL.B (Hons.) at OP Jindal Global University, Sonipat, Haryana INTRODUCTION Novel coronavirus outbreak was announced on 11 March 2020 by the World Health Organization (WHO) (WHO, 2019). Governments have adopted several measures to acknowledge the quick rise in death and infection that have had major bleak impacts on society. -
Il Contastorie Racconta
Ferrari Events 27058 Voghera (PV) Italy Tel. +39 0383-19.12.511 – Cell +39 339-37.99.777 [email protected] www.ferrarieventi.it Tribute to ENNIO MORRICONE The composer of most legendary soundtracks 2007 2016 Academy Award Career Academy Award The soloists of Rondò Veneziano A concert made of music, images and stories. After Master Morricone has received the Academy Award, the Golden Globe, the Critic's choice Award and a Star on the Walk of Fame, here is a concert in which you will find the most famous compositions of the international story of cinematography written by this important musician. The most famous soundtracks. Ensemble “Le Muse” The Ensemble Orchestra 7 elements 11 elements 17 elements 2 violins 2 violins 4 first violins 1 viola 1 viola 3 second violins 1 cello 1 cello 2 violas 1 oboe 1 double bass 1 cello 1 piano/conductor 1 flute 1 double bass 1 vocalist 1 oboe 1 flute 1 horn 1 oboe 1 percussion 1 horn 1 piano/conductor 1 percussion 1 vocalist 1 piano /conductor 1 vocalist Conductor Andrea Albertini Repertoire For a few dollars more (1964 – directed by Sergio Leone) Credits The good, the bad and the ugly (1966 – directed by Sergio Leone) The Bad’s theme Once upon a time in the West (1968 – directed by Sergio Leone) Your Love Indagine su un cittadino al di sopra di ogni sospetto ( 1970 – Elio Petri) Theme A fistful of dynamite (1971 – directed by Sergio Leone) Theme Sacco & Vanzetti (1971 – directed by Giuliano Montaldo) Here’s to you Once upon a time in America (1984 – directed by Sergio Leone) Theme I knew I loved you Mission (1986 – directed by Roland Joffè) The fall Gabriel’s Oboe Cinema Paradiso (1989 – directed by Giuseppe Tornatore) Theme Se…. -
Option Et Spécialité Cinéma-Audiovisuel : Liste Non Exhaustive Des Films À Voir (Ou À Revoir) Pendant Les Vacances Scolaire
Option et spécialité Cinéma-audiovisuel : Liste non exhaustive des films à voir (ou à revoir) pendant les vacances scolaires Quelques chefs-d’œuvre du cinéma muet Naissance d’une Nation de D W Griffith (1915) Les Lumières de la Ville de Charles Chaplin (1931) Le Mécano de la Générale de Buster Keaton (1926) Le Cabinet du Docteur Caligari de Robert Wiene (1920) Metropolis de Fritz Lang (1927) Nosferatu le Vampire de F W Murnau (1922) La Roue de Abel Gance (1923) L’Aurore de F W Murnau (1927) Le Cuirassé Potemkine de Sergei Eisenstein (1925) La Mère de Vsevolod Poudovkine (1926) Un Chien Andalous de Luis Buñuel (1929) Le cinéma français d’entre-deux-guerres Marius de Alexandre Korda (1931) L’Atalante de Jean Vigo (1934) Quai des Brumes de Marcel Carné (1938) Le Jour se Lève de Marcel Carné (1939) La Belle Equipe de Julien Duvivier (1936) Pépé le Moko de Julien Duvivier (1937) La Grande Illusion de Jean Renoir (1937) La Règle du Jeu de Jean Renoir (1939) L’âge d’or des studios hollywoodiens Certains l’aiment chaud de Billy Wilder (1959) Chantons Sous la Pluie de Gene Kelly et Stanley Donen (1952) Gilda de Charles Vidor (1946) Citizen Kane d’Orson Welles (1941) La Dame de Shanghai d’Orson Welles (1947) La Nuit du Chasseur de Charles Laughton (1955) Vertigo d’Alfred Hitchcock (1958) Laura d’Otto Preminger (1944) Mirage de la Vie de Douglas Sirk (1959) La Vie est belle de Franck Capra (1946) L’âge d’or du cinéma japonais Rashomon d’Akira Kurosawa (1950) Les Sept Samouraïs d’Akira Kurosawa (1957) Voyage à Tokyo de Yasujiro Ozu (1953) Le Goût -
Peaceful Islamist Movements and the Challenges of Integration in The
Papers alternatives Arab Form For Alternatives Italy’s 2013 General Elections By Andrea Teti Brief written for The Arab Forum for Alternatives ﻣﻧﺗﺩﻯ ﺍﻟﺑﺩﺍﺋﻝ ﺍﻟﻌﺭﺑﻲ ﻟﻠﺩﺭﺍﺳﺎﺕ (A.F.A) ﺍﻟﻌﻧﻭﺍﻥ: ﺷﻘﺔ 4 ـ ﺍﻟﻁﺎﺑﻕ ﺍﻟﺭﺍﺑﻊ ـ 5 ﺷﺎﺭﻉ ﺍﻟﻣﺳﺎﺣﺔ ـ ﺍﻟﺩﻗﻲ ـ ﺍﻟﻘﺎﻫﺭﺓ (ﺝ.ﻡ.ﻉ) Website: www.afaegypt.org Mail: [email protected] Telefax: +202-37629937 Twitter: AFAlternatives 1 Facebook : https://www.facebook.com/AFAlternatives Italy’s 2013 General Elections Italy’s 2013 General Elections By Andrea Teti Brief written for The Arab Forum for Alternatives 2 Arab Form For Alternatives By Andrea Teti Department of Politics and International Relations University of Aberdeen Edward Wright Building Dunbar Street Aberdeen AB24 3QY E-mail: [email protected] Phone: +44 (0)7586481519 Andrea Teti is Director of the Centre for Global Security and Governance and Lecturer in International Relations at the University of Aberdeen, as well as Senior Fellow at the European Centre for International Affairs. His research focuses primarily on political theory and Mediterranean politics. He has published on EU, Egyptian and Italian politics, on democratization theory, constructivism and post-structuralism. 3 Italy’s 2013 General Elections The 2013 Italian elections mark a political shift comparable to the end of the ‘First Republic’ in 1994, which heralded the twenty years dominated by Silvio Berlusconi. In 2013, Berlusconi’s coalition lost over 16% of its support, the main leftist party fared little better, and increasing public anger at a political elite perceived as more brazenly corrupt and self-serving than in 1994 fuelled a massive shift towards the Five Star Movement (M5S) lead by former political satirist, Beppe Grillo. -
Music and History in Italian Film Melodrama, 1940-2010
Between Soundtrack and Performance: Music and History in Italian Film Melodrama, 1940-2010 By Marina Romani A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Barbara Spackman, Chair Professor Mary Ann Smart Professor Linda Williams Professor Mia Fuller Summer 2015 Abstract Between Soundtrack and Performance: Music and History in Italian Film Melodrama, 1940-2010 by Marina Romani Doctor of Philosophy in Italian Studies and the Designated Emphasis in Film Studies University of California, Berkeley Professor Barbara Spackman, Chair Melodrama manifests itself in a variety of forms – as a film and theatre practice, as a discursive category, as a mode of imagination. This dissertation discusses film melodrama in its visual, gestural, and aural manifestations. My focus is on the persistence of melodrama and the traces it leaves on post-World War II Italian cinema: from the Neorealist canon of the 1940s to works that engage with the psychological and physical, private, and collective traumas after the experience of a totalitarian regime (Cavani’s Il portiere di notte, 1974), to postmodern Viscontian experiments set in a 21st-century capitalist society (Guadagnino’s Io sono l’amore, 2009). The aural dimension is fundamental as an opening to the epistemology of each film. I pay particular attention to the presence of operatic music – as evoked directly or through semiotic displacement involving the film’s aesthetic and expressive figures – and I acknowledge the existence of a long legacy of practical and imaginative influences, infiltrations and borrowings between the screen and the operatic stage in the Italian cinematographic tradition. -
La Nascita Dell'eroe
Programma del CORSO 1) PARTE GENERALE - “Slide del Corso” - Gian Piero Brunetta, Guida alla storia del cinema italiano 1905-2003, Einaudi, pp. 127-303 (si trova su Feltrinelli a 8,99 e in ebook) 2) APPROFONDIMENTO (A SCELTA) DI DUE TRAI SEGUENTI LIBRI: - Mariapia Comand, Commedia all'italiana, Il Castoro - Ilaria A. De Pascalis, Commedia nell’Italia contemporanea, Il Castoro - Simone Isola, Cinegomorra. Luci e ombre sul nuovo cinema italiano, Sovera - Franco Montini/Vito Zagarrio, Istantanee sul cinema italiano, Rubbettino - Alberto Pezzotta, Il western italiano, Il Castoro - Alfredo Rossi, Elio Petri e il cinema politico italiano, Mimesis Edizioni - Giovanni Spagnoletti/Antonio V. Spera, Risate all'italiana. Il cinema di commedia dal secondo dopoguerra ad oggi, UniversItalia 3) CONOSCENZA DI 15 FILM RIGUARDANTI L’ARGOMENTO DEL CORSO Sugli autori o gli argomenti portati, possono (non devono) essere fatte delle tesine di circa 10.000 caratteri (spazi esclusi) che vanno consegnate SU CARTA (e non via email) IMPROROGABILMENTE ALMENO UNA SETTIMANA PRIMA DELL’ ESAME Previo accordo con il docente, si possono portare dei testi alternativi rispetto a quelli indicati INDIRIZZO SUL SITO: http://www.lettere.uniroma2.it/it/insegnamento/storia-del- cinema-italiano-2017-2018-laurea-triennale ELENCO DEI FILM PER L’ESAME (1) 1) Indagine su un cittadino al di sopra di ogni sospetto (1970) o Todo Modo (1976) di Elio Petri 2) Il conformista (1970) o L’ultimo imperatore (1987) di Bernardo Bertolucci 3) Cadaveri eccellenti (1976) di Francesco Rosi 4) Amici miei (1975) di Mario Monicelli 5) C’eravamo tanto amati (1974) o Una giornata particolare (1977) di Ettore Scola 6) Borotalco (1982) o Compagni di scuola (1984) di Carlo Verdone 7) Nuovo Cinema Paradiso (1988) o Una pura formalità (1994) di Giuseppe Tornatore. -
75-3223 WERTMAN, Douglas Allen, 1948- the ELECTORATE of RELIGIOUSLY-BASED POLITICAL PARTIES: the CASE of the ITALIAN CHRISTIAN DEMOCRATIC PARTY
75-3223 WERTMAN, Douglas Allen, 1948- THE ELECTORATE OF RELIGIOUSLY-BASED POLITICAL PARTIES: THE CASE OF THE ITALIAN CHRISTIAN DEMOCRATIC PARTY. The Ohio State University, Ph.D., 1974 Political Science, general Xerox University Microfilms,Ann Arbor, Michigan 48106 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED. THE ELECTORATE OF RELIGIOUSLY-BASED POLITICAL PARTIES: THE CASE OF THE ITALIAN CHRISTIAN DEMOCRATIC PARTY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Douglas Allen Wertman, B.A., M.A. ***** The Ohio State University 1974 Reading Committee: Approved By Giacomo Sani Loren Waldman C. Richard Hofstetter illO'fAtC Department of Political Science ACKNOWLEDGMENTS I would first of all like to thank Giacomo Sani for his interest, encouragement, and assistance in the writing of thi3 dissertation and in my study of the politics of Italy during the past four years while I have been at Ohio State University. I would further like to thank him for allowing me to use the 1972 Italian survey. I would also like to express my gratitude to Dr. Samuel Barnes of the University of Michigan for permitting me to employ the 1972 Italian data, of which he was co-investigator with Dr. Sani, and the 196 8 Italian survey, which he directed by himself. Funds for these surveys ware provided by the Ford Founda tion and the National Science Foundation. I want to give special thanks to Loren Waldman for his many helpful comments and his willingness to devote so much time and effort to assisting me. -
MARCELLO MASTROIANNI Stile Italiano, Icona Internazionale
COMUNICATO STAMPA MARCELLO MASTROIANNI Stile italiano, icona internazionale 5 - 18 novembre 2014 Cinema Massimo - via Verdi 18, Torino Il Museo Nazionale del Cinema rende omaggio a Marcello Mastroianni, divo italiano per eccellenza che ha fatto la storia del nostro cinema, in occasione del Convegno Internazionale di Studi dell’Università di Torino dal titolo Marcello Mastroianni. Stile italiano, icona internazionale. Italian Style, International Icon (5-8 novembre 2014). La rassegna omonima si terrà al Cinema Massimo da mercoledì 5 a martedì 18 novembre e proporrà una selezione dei film che lo vedono protagonista; l’omaggio sarà inaugurato, mercoledì 5 novembre alle ore 20.30, dal recente restauro de Una giornata particolare di Ettore Scola, premiato alla Mostra del Cinema di Venezia. Prima della proiezione, incontro con Francesca Archibugi, Giulia Carluccio, Emiliano Morreale e Giuseppe Tornatore. Tra i vari appuntamento da non perdere venerdì 7 novembre alle ore 20.30 la proiezione dell’immenso La dolce vita di Federico Fellini presentata al pubblico da Paolo Bertetto, mentre sabato 8 novembre alle ore 20.30 Roberto Faenza introdurrà al pubblico il suo film Sostiene Pereira. Ingresso 6.00/4.00/3.00 euro. Il Museo Nazionale del Cinema, partner dell’iniziativa dell’Università di Torino, è presente anche con la mostra Marcello Mastroianni. Un divo da copertina, curata e organizzata dalla Bibliomediateca “Mario Gromo”, dal 5 al 7 novembre 2014 presso la Biblioteca del Dipartimento di Studi Umanistici “Arturo Graf”. Per maggiori informazione sul convegno: www.actorandstarstudiescenter.it. Marcello Mastroianni, universalmente riconosciuto come il Marcello del cinema italiano, fu un protagonista assoluto nella stagione d'oro tra la fine degli anni Cinquanta e l'inizio degli anni Settanta. -
Stefano Bollani Trio Vincent Peirani Mitglieder Der Berliner Philharmoniker
Stefano Bollani Trio Vincent Peirani Mitglieder der Berliner Philharmoniker Jazz at Berlin Philharmonic VIII Mediterraneo ACT 9849-2 German release date: 27. October 2017 To put the “Sound of Europe” on the big stage is the With his completely individual virtuosity and his mission of “Jazz at Berlin Philharmonic” and of its enjoyment in playing, his Mediterranean ease and well- curator Siggi Loch. Earlier concerts in the series – tracking judged injections of humor, Bollani takes the listener on the down “Celtic Roots” or strolling through “Norwegian Grand Tour through the music of his homeland. Right by his Woods” – have shown how the sheer plenitude of side an exceptional rhythm section with the two Danes: European music has left its mark on the jazz of our time. Jesper Bodilsen and Morten Lund, plus a star guest on the accordion, Vincent Peirani, and 14 intrepid members of the Many of the roots of European music are to be Berliner Philharmoniker. They don't just bring a cultured found in Italy. The country was an early hub for Western sound, they also prove refined improvisers. classical music, and was where opera was born. From Sicily up to Venice, all kinds of gloriously diverse and many- The Norwegian Geir Lysne wrote the arrangements hued folk music heritages are nurtured. There is a for the concert, and also directs the musicians through this nationwide tradition of the “cantautore”, and in film music, Italian night. He is an ideal partner for Bollani. They have Italy sets the trend: Nino Rota's and Ennio Morricone's already won an ECHO prize for their work with the NDR movie scores are known worldwide. -
The Making of the Padanian Nation: Corruption, Hegemony, Globalization And
The making of the Padanian Nation: Corruption, Hegemony, Globalization and Legitimacy Sinan Celiksu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 ©2014 Sinan Celiksu All rights reserved ABSTRACT The making of the Padanian Nation: Corruption, Hegemony, Globalization and Legitimacy Sinan Celiksu This dissertation examines the relationship between state failures and state legitimacy in Italy. The study is based on a one-year ethnographic field research in Varese City. The political party Northern League and its followers (Leghisti) has been chosen to observe the state-society relationships. It has been discovered that among others, three factors were instrumental in the process by which the state-society relationships has been deteriorated so as to open the path for an alternative legitimacy claim such as Padanian nationalism. Initially, revelations of political corruption and illegal state practices, failure of the state to address problems related to globalization such as global economic integration and uncontrolled immigration were instrumental. Later, struggle of hegemony and subjugation between the League and the state has been another important cause for deteriorated relationships. This study also provides qualitative data on the processes by which those deteriorated relationships and state failures contributed the rise of xenophobia and suggests that this failures of the state coupled with the problems brought about by the uncontrolled immigration and global economic expansion is likely to open a path for criminalization of both immigrants and local people. Table of Contents LIST OF GRAPHS, IMAGES, AND ILLUSTRATIONS ...........................................