Stefano Bollani Trio Vincent Peirani Mitglieder Der Berliner Philharmoniker
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Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
La Storia Del Cinema a Monza E Dintorni
LA STORIA DEL CINEMA A MONZA E DINTORNI 1966 Monza 1973 Arcore 1981 Monza Le cinque giornate 1999 Vimercate Grand Prix Asso 2009 Arcore REGIA: John Frankenheimer REGIA: Dario Argento REGIA: Castellano e Pipolo Tutti gli uomini 1951 Monza ATTORI: James Garner: Pete Aron, Eva Marie Saint, Yves Mon- ATTORI: Adriano Celentano, Enzo Ceru- ATTORI: MAdriano Ce- 2006 Vimercate Giallo a Milano tand, Toshirô Mifune, Brian Bedford, Jessica Walter sico, Marilù Tolo, Sergio Graziani lentano, Edwige Fenech, del de ciente Ultimo PREMI: Premio Oscar per il miglior montaggio, il miglior sonoro, REGIA: Paolo Costella 2004 Vimercate La cura del gorilla REGIA: Sergio Basso Renato Salvatori, Sylva ATTORI: Wen Zhang, Jessica Pattuglio, incontro il miglior montaggio sonoro; Golden Globe (nomination per il Mi- Koscina ATTORI: Claudia Gerini, Arnoldo Foà, glior attore debuttante ad Antonio Sabàto e Miglior attrice debut- Paolo Hendel, Marina Massironi, Fran- Volevo solo REGIA: Carlo A. Sigon Cristiano Pattuglio, David Chao, Wu REGIA: Gianni Franciolini tante a Jessica Walter) cesco Salvi dormirle addosso ATTORI: Ernest Borgnine, Claudio Bisio, Stefania Xiaoyun ATTORI: Alida Valli, Ame- Rocca, Bebo Storti, Antonio Catania deo Nazzari, Jean-Pierre 1970 Vedano REGIA: Eugenio Cappuccio Aumont, Leda Gloria, Vit- Monza 1999 Vimercate ATTORI: Giorgio Pasotti, Giuseppe Gandini, 2011 Monza torio Sanipoli, Giovanna 1961 Il Giardino dei Finzi Contini Elizabeth Fajuyigbe, Massimo Molea, Eleo- GallettiTesti; Premio Bafta La notte REGIA: Vittorio De Sica Svitati nora Mazzoni -
The Myth of the Good Italian in the Italian Cinema
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 5 No 16 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2014 The Myth of the Good Italian in the Italian Cinema Sanja Bogojević Faculty of Philosophy, University of Montenegro Doi:10.5901/mjss.2014.v5n16p675 Abstract In this paper we analyze the phenomenon called the “myth of the good Italian” in the Italian cinema, especially in the first three decades of after-war period. Thanks to the recent success of films such as Tarantino’s Inglorious Basterds or Academy Award- winning Benigni’s film La vita è bella and Spielberg’s Schindler’s List it is commonly believed that the Holocaust is a very frequent and popular theme. Nevertheless, this statement is only partly true, especially when it comes to Italian cinema. Soon after the atrocities of the WWII Italian cinema became one of the most prominent and influential thanks to its national film movement, neorealism, characterized by stories set amongst the poor and famished postwar Italy, celebrating the fight for freedom under the banners of Resistance and representing a nation opposed to the Fascist and Nazi regime. Interestingly, these films, in spite of their very important social engagement, didn’t even mention the Holocaust or its victims and it wasn’t until the 1960’s that Italian cinema focused on representing and telling this horrific stories. Nevertheless, these films represented Italians as innocent and incapable of committing cruel acts. The responsibility is usually transferred to the Germans as typically cold and sadistic, absolving Italians of their individual and national guilt. -
69 Muestra Internacional De Cine Secretaría De Cultura
69 Muestra Internacional de Cine 69 Muestra Internacional de Cine Secretaría de Cultura SUBDIRECCIÓN DE PROGRAMACIÓN SECRETARIA Alejandro Gómez Treviño Alejandra Frausto Guerrero Jesús Brito Medina Emilio Rivas González Ana Laura Manzanilla Cineteca Nacional Diana Gutiérrez Porras SUBDIRECCIÓN DE DISTRIBUCIÓN DIRECTOR GENERAL Alejandro Grande Bonilla Alejandro Pelayo Rangel DISEÑO DE ARTE 69 MUESTRA DIRECTOR DE DIFUSIÓN INTERNACIONAL DE CINE Y PROGRAMACIÓN Denisse Beltrán Vargas Nelson Carro Rodríguez DIFUSIÓN DIRECTORA DE ACERVOS Alfredo Del Valle Martínez Dora Moreno Brizuela Ana Rosales Gómez DIRECTOR DE ADMINISTRACIÓN Paola Parra Solorio Y FINANZAS Ana Reza Rojas Vicente Fernando Cázares Áviles Julio Durán Vargas Mauricio Guerrero Martínez Karina Pérez Flores Fernando Torres Belmont CIRCUITO CINETECA Orianna Paz Esmoris Lorena Cid Reyes Programa de mano EDICIÓN Gustavo E. Ramírez Carrasco DISEÑO EDITORIAL Denisse Beltrán Vargas APOYO EDITORIAL Y COLABORACIONES Edgar Aldape Morales Israel Ruiz Arreola INVESTIGACIÓN ICONOGRÁFICA Patricia Talancón Solorio ABREVIATURAS D: Dirección · G: Guion · F en C: Fotografía en Color · F en B/N: Fotografía en Blanco y Negro · M: Música · E: Edición · CP: Compañía(s) Productora(s) · Prod: Producción Dist: Distribución · PC: Procedencia de la Copia. iempos difíciles. 2020 y 2021 se han convertido en años que T no olvidaremos por el miedo, el dolor y la tristeza que la enfermedad ha dejado a su paso. Por un largo periodo, las salas de cine se quedaron vacías, las proyecciones se quedaron sus- pendidas en el aire y el público permaneció en casa esperando. Mientras tanto, los cinéfilos encontraron refugio en el espacio digital, reforzando otro tipo de experiencia cinematográfica más íntima e individual. Pero sabemos bien que nada puede sustituir la experiencia colectiva de compartir la misma risa, el mismo grito de horror o el mismo nudo en la garganta que una película puede provocar. -
5-Stepcoordination Challenge Pat Travers’ Sandy Gennaro Lessons Learned Mike Johnston Redefining “Drum Hero”
A WILD ZEBRA BLACK FADE DRUMKIT FROM $ WIN DIXON VALUED OVER 9,250 • HAIM • WARPAINT • MIKE BORDIN THE WORLD’S #1 DRUM MAGAZINE APRIL 2014 DARKEST HOUR’S TRAVIS ORBIN BONUS! MIKE’S LOVES A GOOD CHALLENGE 5-STEPCOORDINATION CHALLENGE PAT TRAVERS’ SANDY GENNARO LESSONS LEARNED MIKE JOHNSTON REDEFINING “DRUM HERO” MODERNDRUMMER.com + SABIAN CYMBAL VOTE WINNERS REVIEWED + VISTA CHINO’S BRANT BJORK TELLS IT LIKE IT IS + OLSSON AND MAHON GEAR UP FOR ELTON JOHN + BLUE NOTE MASTER MICKEY ROKER STYLE AND ANALYSIS NICKAUGUSTO TRIVIUM LEGENDARYIT ONLYSTARTS BEGINS TO HERE.DESCRIBE THEM. “The excitement of getting my first kit was like no other, a Wine Red 5 piece Pearl Export. I couldn’t stop playing it. Export was the beginning of what made me the drummer I am today. I may play Reference Series now but for me, it all started with Export.” - Nick Augusto Join the Export family at pearldrum.com. ® CONTENTS Cover and contents photos by Elle Jaye Volume 38 • Number 4 EDUCATION 60 ROCK ’N’ JAZZ CLINIC Practical Independence Challenge A 5-Step Workout for Building Coordination Over a Pulse by Mike Johnston 66 AROUND THE WORLD Implied Brazilian Rhythms on Drumset Part 3: Cô co by Uka Gameiro 68 STRICTLY TECHNIQUE Rhythm and Timing Part 2: Two-Note 16th Groupings by Bill Bachman 72 JAZZ DRUMMER’S WORKSHOP Mickey Roker Style and Analysis by Steve Fidyk EQUIPMENT On the Cover 20 PRODUCT CLOSE˜UP • DW Collector’s Series Cherry Drumset • Sabian 2014 Cymbal Vote Winners • Rich Sticks Stock Series Drumsticks • TnR Products Booty Shakers and 50 MIKE JOHNSTON Little Booty Shakers by Miguel Monroy • Magnus Opus FiBro-Tone Snare Drums Back in the day—you know, like ve years ago—you 26 ELECTRONIC REVIEW had to be doing world tours or making platinum records Lewitt Audio DTP Beat Kit Pro 7 Drum to in uence as many drummers as this month’s cover Microphone Pack and LCT 240 Condensers star does with his groundbreaking educational website. -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
Il Contastorie Racconta
Ferrari Events 27058 Voghera (PV) Italy Tel. +39 0383-19.12.511 – Cell +39 339-37.99.777 [email protected] www.ferrarieventi.it Tribute to ENNIO MORRICONE The composer of most legendary soundtracks 2007 2016 Academy Award Career Academy Award The soloists of Rondò Veneziano A concert made of music, images and stories. After Master Morricone has received the Academy Award, the Golden Globe, the Critic's choice Award and a Star on the Walk of Fame, here is a concert in which you will find the most famous compositions of the international story of cinematography written by this important musician. The most famous soundtracks. Ensemble “Le Muse” The Ensemble Orchestra 7 elements 11 elements 17 elements 2 violins 2 violins 4 first violins 1 viola 1 viola 3 second violins 1 cello 1 cello 2 violas 1 oboe 1 double bass 1 cello 1 piano/conductor 1 flute 1 double bass 1 vocalist 1 oboe 1 flute 1 horn 1 oboe 1 percussion 1 horn 1 piano/conductor 1 percussion 1 vocalist 1 piano /conductor 1 vocalist Conductor Andrea Albertini Repertoire For a few dollars more (1964 – directed by Sergio Leone) Credits The good, the bad and the ugly (1966 – directed by Sergio Leone) The Bad’s theme Once upon a time in the West (1968 – directed by Sergio Leone) Your Love Indagine su un cittadino al di sopra di ogni sospetto ( 1970 – Elio Petri) Theme A fistful of dynamite (1971 – directed by Sergio Leone) Theme Sacco & Vanzetti (1971 – directed by Giuliano Montaldo) Here’s to you Once upon a time in America (1984 – directed by Sergio Leone) Theme I knew I loved you Mission (1986 – directed by Roland Joffè) The fall Gabriel’s Oboe Cinema Paradiso (1989 – directed by Giuseppe Tornatore) Theme Se…. -
Option Et Spécialité Cinéma-Audiovisuel : Liste Non Exhaustive Des Films À Voir (Ou À Revoir) Pendant Les Vacances Scolaire
Option et spécialité Cinéma-audiovisuel : Liste non exhaustive des films à voir (ou à revoir) pendant les vacances scolaires Quelques chefs-d’œuvre du cinéma muet Naissance d’une Nation de D W Griffith (1915) Les Lumières de la Ville de Charles Chaplin (1931) Le Mécano de la Générale de Buster Keaton (1926) Le Cabinet du Docteur Caligari de Robert Wiene (1920) Metropolis de Fritz Lang (1927) Nosferatu le Vampire de F W Murnau (1922) La Roue de Abel Gance (1923) L’Aurore de F W Murnau (1927) Le Cuirassé Potemkine de Sergei Eisenstein (1925) La Mère de Vsevolod Poudovkine (1926) Un Chien Andalous de Luis Buñuel (1929) Le cinéma français d’entre-deux-guerres Marius de Alexandre Korda (1931) L’Atalante de Jean Vigo (1934) Quai des Brumes de Marcel Carné (1938) Le Jour se Lève de Marcel Carné (1939) La Belle Equipe de Julien Duvivier (1936) Pépé le Moko de Julien Duvivier (1937) La Grande Illusion de Jean Renoir (1937) La Règle du Jeu de Jean Renoir (1939) L’âge d’or des studios hollywoodiens Certains l’aiment chaud de Billy Wilder (1959) Chantons Sous la Pluie de Gene Kelly et Stanley Donen (1952) Gilda de Charles Vidor (1946) Citizen Kane d’Orson Welles (1941) La Dame de Shanghai d’Orson Welles (1947) La Nuit du Chasseur de Charles Laughton (1955) Vertigo d’Alfred Hitchcock (1958) Laura d’Otto Preminger (1944) Mirage de la Vie de Douglas Sirk (1959) La Vie est belle de Franck Capra (1946) L’âge d’or du cinéma japonais Rashomon d’Akira Kurosawa (1950) Les Sept Samouraïs d’Akira Kurosawa (1957) Voyage à Tokyo de Yasujiro Ozu (1953) Le Goût -
Stefano Bollani Piano Variations on Jesus Christ Superstar
2020 Stefano Bollani Piano Variations on Jesus Christ Superstar Pavaglione, Lugo 25 luglio, ore 21.30 Sotto l’Alto Patronato del Presidente della Repubblica Italiana con il patrocinio di Presidenza del Consiglio dei Ministri Ministero per i Beni e le Attività Culturali e per il Turismo Ministero degli Affari Esteri e della Cooperazione Internazionale con il sostegno di con il contributo di Comune di Cervia Comune di Forlì Comune di Lugo Koichi Suzuki partner principale ASSICURATI IN BCC CONVIENE ENTRA IN FILIALE! PERSONA CASA AUTO Da sempre la piccola impresa fa parte del panorama italiano Da sempre Confartigianato la tutela e la rappresenta Una presenza diffusa. La sapienza artigiana si fonde, da sempre, con la cultura del territorio. Un ‘fare impresa’ tipicamente italiano, che sa guardare avanti, alle nuove sfide del digitale e dei nuovi mercati, e che diventa tessuto connettivo di un Paese che vuole crescere. Questa è la realtà che Confartigianato rappresenta e assiste ogni giorno, con servizi innovativi e convenzioni esclusive. Con la forza e la competenza proprie della più rappresentativa associazione italiana dell’artigianato e della piccola e media impresa. Informati sulle opportunità esclusive riservate agli associati Sede Provinciale: Viale Berlinguer, 8 - 48124 Ravenna RA tel. 0544.516111 - fax 0544.407733 www.confartigianato.ra.it in occasione del 50° anniversario dell’uscita dell’album di Andrew Lloyd Webber & Tim Rice Piano solo © Margherita Cenni © Margherita Bollani Superstar “È una storia d’amore. Cresce in bellezza se -
Music and History in Italian Film Melodrama, 1940-2010
Between Soundtrack and Performance: Music and History in Italian Film Melodrama, 1940-2010 By Marina Romani A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Barbara Spackman, Chair Professor Mary Ann Smart Professor Linda Williams Professor Mia Fuller Summer 2015 Abstract Between Soundtrack and Performance: Music and History in Italian Film Melodrama, 1940-2010 by Marina Romani Doctor of Philosophy in Italian Studies and the Designated Emphasis in Film Studies University of California, Berkeley Professor Barbara Spackman, Chair Melodrama manifests itself in a variety of forms – as a film and theatre practice, as a discursive category, as a mode of imagination. This dissertation discusses film melodrama in its visual, gestural, and aural manifestations. My focus is on the persistence of melodrama and the traces it leaves on post-World War II Italian cinema: from the Neorealist canon of the 1940s to works that engage with the psychological and physical, private, and collective traumas after the experience of a totalitarian regime (Cavani’s Il portiere di notte, 1974), to postmodern Viscontian experiments set in a 21st-century capitalist society (Guadagnino’s Io sono l’amore, 2009). The aural dimension is fundamental as an opening to the epistemology of each film. I pay particular attention to the presence of operatic music – as evoked directly or through semiotic displacement involving the film’s aesthetic and expressive figures – and I acknowledge the existence of a long legacy of practical and imaginative influences, infiltrations and borrowings between the screen and the operatic stage in the Italian cinematographic tradition. -
La Nascita Dell'eroe
Programma del CORSO 1) PARTE GENERALE - “Slide del Corso” - Gian Piero Brunetta, Guida alla storia del cinema italiano 1905-2003, Einaudi, pp. 127-303 (si trova su Feltrinelli a 8,99 e in ebook) 2) APPROFONDIMENTO (A SCELTA) DI DUE TRAI SEGUENTI LIBRI: - Mariapia Comand, Commedia all'italiana, Il Castoro - Ilaria A. De Pascalis, Commedia nell’Italia contemporanea, Il Castoro - Simone Isola, Cinegomorra. Luci e ombre sul nuovo cinema italiano, Sovera - Franco Montini/Vito Zagarrio, Istantanee sul cinema italiano, Rubbettino - Alberto Pezzotta, Il western italiano, Il Castoro - Alfredo Rossi, Elio Petri e il cinema politico italiano, Mimesis Edizioni - Giovanni Spagnoletti/Antonio V. Spera, Risate all'italiana. Il cinema di commedia dal secondo dopoguerra ad oggi, UniversItalia 3) CONOSCENZA DI 15 FILM RIGUARDANTI L’ARGOMENTO DEL CORSO Sugli autori o gli argomenti portati, possono (non devono) essere fatte delle tesine di circa 10.000 caratteri (spazi esclusi) che vanno consegnate SU CARTA (e non via email) IMPROROGABILMENTE ALMENO UNA SETTIMANA PRIMA DELL’ ESAME Previo accordo con il docente, si possono portare dei testi alternativi rispetto a quelli indicati INDIRIZZO SUL SITO: http://www.lettere.uniroma2.it/it/insegnamento/storia-del- cinema-italiano-2017-2018-laurea-triennale ELENCO DEI FILM PER L’ESAME (1) 1) Indagine su un cittadino al di sopra di ogni sospetto (1970) o Todo Modo (1976) di Elio Petri 2) Il conformista (1970) o L’ultimo imperatore (1987) di Bernardo Bertolucci 3) Cadaveri eccellenti (1976) di Francesco Rosi 4) Amici miei (1975) di Mario Monicelli 5) C’eravamo tanto amati (1974) o Una giornata particolare (1977) di Ettore Scola 6) Borotalco (1982) o Compagni di scuola (1984) di Carlo Verdone 7) Nuovo Cinema Paradiso (1988) o Una pura formalità (1994) di Giuseppe Tornatore.