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31. 7. 96 I EN I Official Journal of the European Communities No C 223
31 . 7 . 96 I EN I Official Journal of the European Communities No C 223/23 List of sites registered in the European eco management and audit scheme (Council Regulation ( EEC) No 1836/93 ) ( 96/C 223/02 ) (Text with EEA relevance) The following list is published so as to comply with Article 9 of Council Regulation (EEC ) No 1836/93 C ). This Regulation establishes a voluntary environmental management scheme , based on harmonized lines and principles throughout the European Union, open to companies in the industrial sector operating in the European Union . The overall objective of the scheme is to promote continuous environmental performance improvements of industrial activities by committing sites to evaluate and improve their environ mental performance and provide relevant information to the public . Sites that wish to be registered in the scheme must have their environmental policy, programme , management system, review or audit procedure and environmental statement or statements examined , to verify that that they meet the requirements of this Regulation and the environmental statements validated . This verification and validation must be carried out by an independent, appropriately accredited , environmental verifier . Article 9 of the Regulation specifies that each year the Commission shall publish in the Official Journal of the European Communities a list of all the registered sites in the Community . The list below contains details of all sites whose registration has been notified to the Commission, by the competent bodies or national authorities in the Member States , up to and including 16 February 1996 . C ) OJ No L 168 , 10 . 7 . 1993 . No C 223 /24 EN Official Journal of the European Communities 31 . -
Transition from Analogue to Digital TV in Germany Transition From
Transition from analogue to digital TV in Germany BMWA Federal Ministry of Economics and Labour Jörg Hachmeyer General Frequency matters 1 Transition from analogue to digital TV in Germany Why going digital now? aBroadcasting will become a full part of modern integrated media systems aNew possibilities for value creation aMore efficient use of scarce frequency resources 2 Transition from analogue to digital TV in Germany Steps to reach the goal aResolution of Federal Cabinet of 17 December 1997 `Start of "Digital Broadcasting" Initiative `Mandate to develope a common strategy with relevant organisations/bodies 3 Transition from analogue to digital TV in Germany aResolution of Federal Cabinet of 24 August 1998 `Approval of the strategy `Mandate for further action by Federal Ministry of Economics and Technology (Labour): Continuation of the initiative and implementation of the strategy aLaunch Scenario 2000 `Presented during World Exhibition 2000 in Hannover 4 Transition from analogue to digital TV in Germany Achieved results aConsensus between parties on objectives `Digitalisation as quickly as possible, 2010 at the latest `Separate scenarios for satellite, cable and terrestrial transmission 5 6 7 Transition from analogue to digital TV in Germany Situation of terrestrial television in Germany aTerrestrial broadcasting facing problems `high costs `unattractive (too few channels, no new services) `declining audience aanalogue terrestrial broadcasting has no future aDigitalisation will bring it into line with developments in other areas 8 -
A Tear in the Iron Curtain: the Impact of Western Television on Consumption Behavior
A Tear in the Iron Curtain: The Impact of Western Television on Consumption Behavior Leonardo Bursztyn and Davide Cantoni∗ August 2014 Abstract This paper examines the impact of exposure to foreign media on the economic behavior of agents in a totalitarian regime. We study private consumption choices focusing on former East Germany, where differential access to Western television was determined by geographic features. Using data collected after the transition to a market economy, we find no evidence of a significant impact of previous exposure to Western television on aggregate consumption lev- els. However, exposure to Western broadcasts affects the composition of consumption, biasing choices in favor of categories of goods with high intensity of pre-reunification advertisement. The effects vanish by 1998. Keywords: Consumption, Media, Television, Advertising, East Germany, Communism JEL Classification: D12, E21, Z10 ∗Bursztyn: UCLA Anderson School of Management. Email: [email protected]. Cantoni: University of Mu- nich, CEPR, and CESifo. Email: [email protected]. Previous drafts of this paper have been circulated under the title “Clueless? The Impact of Television on Consumption Behavior.” We are grateful to Philippe Aghion, Alberto Alesina, Stefano DellaVigna, Nicola Fuchs-Schundeln,¨ Matthew Gentzkow, Larry Katz, David Laibson, Yona Rubinstein, Andrei Shleifer, Nico Voigtlander,¨ Romain Wacziarg, and Noam Yuchtman for helpful comments, as well as seminar audiences at the EEA Annual Meeting, the NBER summer institute, and at Harvard, Heidelberg, HU Berlin, Linz, LSE, UCLA, U Penn, and UPF. We thank Tobias Hauck and Maximilian W. Muller¨ for excellent research assistance; Hans-R. Gunther¨ for letting us access the archives of the IM Leipzig; Jeff Blossom for sharing his GIS expertise with us; and Patrick Rothe for professional support with the German income and expenditure survey data. -
A TEAR in the IRON CURTAIN: the IMPACT of WESTERN TELEVISION on CONSUMPTION BEHAVIOR Leonardo Bursztyn and Davide Cantoni*
A TEAR IN THE IRON CURTAIN: THE IMPACT OF WESTERN TELEVISION ON CONSUMPTION BEHAVIOR Leonardo Bursztyn and Davide Cantoni* Abstract—This paper examines the impact of exposure to foreign media on not only one of the most fundamental economic decisions; the economic behavior of agents in a totalitarian regime. We study private 2 consumption choices focusing on the former East Germany, where differ- it is also a defining feature of the Western way of life. The ential access to Western television was determined by geographic features. destabilizing effects of the desire for higher levels of material Using data collected after the transition to a market economy, we find no consumption have been observed across a variety of totali- evidence of a significant impact of previous exposure to Western television on aggregate consumption levels. However, exposure to Western broadcasts tarian regimes and can, of course, together with the wish for affects the composition of consumption, biasing choices in favor of cate- personal freedom and civil liberties, be seen as one of the gories of goods with a high intensity of prereunification advertisement. The causes of the breakdown of the socialist system.3 effects vanish by 1998. This paper considers how former exposure to foreign television during a communist regime later translated into I. Introduction differences in private consumption. To study this issue, we exploit a natural experiment: the differential access to West N 1980, over 60% of the countries in the world were German television broadcasting in East Germany (the Ger- I ruled by autocratic regimes. As of 2010, this number man Democratic Republic, GDR) during the communist era. -
The Film Music of Edmund Meisel (1894–1930)
The Film Music of Edmund Meisel (1894–1930) FIONA FORD, MA Thesis submitted to The University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis discusses the film scores of Edmund Meisel (1894–1930), composed in Berlin and London during the period 1926–1930. In the main, these scores were written for feature-length films, some for live performance with silent films and some recorded for post-synchronized sound films. The genesis and contemporaneous reception of each score is discussed within a broadly chronological framework. Meisel‘s scores are evaluated largely outside their normal left-wing proletarian and avant-garde backgrounds, drawing comparisons instead with narrative scoring techniques found in mainstream commercial practices in Hollywood during the early sound era. The narrative scoring techniques in Meisel‘s scores are demonstrated through analyses of his extant scores and soundtracks, in conjunction with a review of surviving documentation and modern reconstructions where available. ii Acknowledgements I would like to thank the Arts and Humanities Research Council (AHRC) for funding my research, including a trip to the Deutsches Filminstitut, Frankfurt. The Department of Music at The University of Nottingham also generously agreed to fund a further trip to the Deutsche Kinemathek, Berlin, and purchased several books for the Denis Arnold Music Library on my behalf. The goodwill of librarians and archivists has been crucial to this project and I would like to thank the staff at the following institutions: The University of Nottingham (Hallward and Denis Arnold libraries); the Deutsches Filminstitut, Frankfurt; the Deutsche Kinemathek, Berlin; the BFI Library and Special Collections; and the Music Librarian of the Het Brabants Orkest, Eindhoven. -
2013 Zahlen, Daten, Fakten Kulturelle Bildung
2013 Zahlen, Daten, Fakten Kulturelle Bildung Klimawandel Bildung Internationale Verständigung Integration Wissenschaft Inhalt 04 Vorwort 08 Förderungen 2013 11 Jahresabschluss 12 Unser Carbon Footprint 14 Projekte 2013 30 Impressum Vorwort hinter uns liegt ein Jahr, in dem wir unser Wachstum verstetigt haben: 2013 haben wir rund 62 Mio. Euro für 126 Projekte bewilligt. Damit haben wir unseren Weg planvollen Wachstums weiter fortgesetzt. Alle Bewilligungen und alle Zahlen für 2013 im Detail sowie den Überblick über die finanzielle Entwicklung der vergangenen fünf Jahre finden Sie auch auf unserer Website, ebenso wie unseren Carbon Footprint 2013. Die Stiftung Mercator setzt auf Kontinuität ihrer Ziele und Themen. Sie setzt zugleich auf die Offenheit gegenüber neuen Arbeitsweisen und Kooperationen, mit denen sie ihre gesellschaftlichen Ziele erreichen kann. Als lernende Organisation haben wir unsere Strategie in den vergangenen Monaten von einer neunköpfigen internationalen Kommission unter dem Vorsitz von Prof. Dr. Otfried Jarren, Prorektor der Universität Zürich, und dem stellvertretenden Vorsitz von Dr. Wolf Schmidt, PhiPolisConsult, überprüfen lassen. Die gewonnenen Erkenntnisse wurden in einem Kommissionsbericht festgehalten und sind in die Strategie „Mercator 2020 – Möglichkeiten schaffen, Chancen eröffnen“ eingeflossen. Die neue Strategie knüpft an die Strategiephase „Mercator 2013 – Ideen beflügeln, Ziele erreichen“ an und entwickelt sie planvoll weiter. So stehen auch weiterhin unsere strategischen Ziele in unseren Themenclustern Integration, Klimawandel und Kulturelle Bildung im Fokus unserer Arbeit. Vorwort Vorwort 5 Das Thema Europa hat uns schon lange als Teil der Strategie und als Schwerpunktregion in unseren Projekten begleitet. Darum ist Europa künftig unser viertes Themencluster. Als deutsche und europäische Stiftung sind wir der festen Überzeugung, dass die Europäische Union das bestmögliche Zukunftsmodell für unseren Kontinent ist. -
Brochure (10.81
1 4 Programme information KiKANiNCHEN – The best programme for children 6 Format Facts Successful KiKANiNCHEN model – umbrella brand, programme and role model for children 8 KiKANiNCHEN programme modules Format slot components 12 Figures Friends and companions for pre-schoolers 16 Programme design Kikaninchen‘s stage 18 Education concept KiKANiNCHEN – a programme suitable for children 20 Media research Kikaninchen – a favourite character amongst pre-school children 22 Selected episodes Join us in Kikaninchen‘s world! 24 Cross-media worlds KiKANiNCHEN on all platforms 26 Merchandising Kikaninchen‘s colourful world 30 Credits and sources 2 2 3 3 Programme information KiKANiNCHEN is a successful, multi- bookended by the KiKANiNCHEN media pre-school programme created programme sections. by KiKA [1]. It is tailored to the develop- ment and needs of our youngest An umbrella brand that is fun newcomers to media. With a high- and builds confidence quality TV programme, an award- winning online presence and a KiKANiNCHEN is a “must-see” for child-friendly app, this umbrella three-to six-year-olds. They can watch brand offers children, parents and programmes tailored to their skills, educationalists fun and guidance in competences and needs, with stories a safe environment. and songs which are both funny and The darling of every child is the rabbit inspiring. KiKANiNCHEN has become Kikaninchen, a happy, blue, curious a trusted brand for parents in Germa- and lively animated 3D figure that ac- ny and is a synonym for outstanding companies the children throughout the pre-school viewing – this has been programme. Its grown-up friends Anni, demonstrated by research results as Christian and Jule, who have great well as through the reactions of count- ideas, know stories and provide less viewers. -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. -
The Early Cold
1 Crypto-Convergence, Media, and the Cold War: the Early Globalization of Television Networks in the 1950s Media In Transitions Conference, MIT, May 2002 James Schwoch Northwestern University Center for International and Comparative Studies 618 Garrett Place Evanston IL 60201-4135 USA [email protected] About the Author: James Schwoch is an Associate Professor at Northwestern University, where he works in the Center for International and Comparative Studies and the Department of Communication Studies. Currently the 2001-02 Van Zelst Professor of Communication, Schwoch is working on a book-length study tentatively titled Cold Bandwidth: Television, Telecommunications, and American Diplomacy’s Quest for East-West Security. His work has been funded by, among others, the Center for Strategic and International Studies; the Ford Foundation; the Fulbright Commission (Germany); the National Endowment for the Humanities; and the National Science Foundation. Copyright ã 2002 James Schwoch. All rights reserved by the author. Citation, circulation, and comments from readers are welcome. 2 Crypto-Convergence, Media, and the Cold War: the Early Globalization of Television Networks in the 1950s PLATE 01: The UNITEL Global TV---Telecommunication Network Plan, 19521 The concept of global television networks is usually considered to be a recent phenomenon, emergent in the last years of the Cold War. Seen as an outgrowth of the expansion of the communications satellite, the worldwide plunging costs of television set ownership, the recent global cross-investments involving media industries, and the collapse of the superpower conflict, global television networks represent, for most observers, a relatively new idea. 1 “The UNITEL Relay Network Plan,” October 1952, Jackson, C.D.: Records, 1953-54 (hereafter C. -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
Meine Absicht Geht Dahin, Neben
»Meine Absicht geht dahin, neben der Linderung von allerhand Not, vor allem auf Hebung der sittlichen, gesundheit- lichen und geistigen Kräfte des Volkes hinzuwirken.« Robert Bosch, 1935 Robert Bosch Robert Bosch (1861 bis 1942) hat aus Erträgen seines Unternehmens beträchtliche Mittel für gemeinnützige Zwecke bereitgestellt. »Ihm ging es um das sachliche Helfen-Wollen und Helfen-Können. Er wollte damit weder Ehre noch Ehrung ernten, auch nicht Macht oder Einfluß gewinnen, noch folgte er einem sentimentalen Trieb zur ungestalteten Wohltätigkeit. Die groß artige und in Deutschland außer Vergleich stehende Freiheit, mit der Bosch nun durch Jahrzehnte hindurch kleine re, größere und schließlich riesige Summen für Zwecke der Allgemeinheit zur Verfügung stellte, quillt aus einer souveränen Auffassung des Geldes und aus dem bürgerlichen Pflichtgefühl, ein wachsendes Vermögen für Volkswohlfahrt im weitesten Sinne fruchtbar zu machen.« Theodor Heuss: Robert Bosch – Leben und Leistung, Stuttgart 1946 Bericht 2010 5 Inhalt 5 Einführung 10 Robert Bosch 14 Völkerverständigung 30 Bildung 38 Gesellschaft 46 Wissenschaft 56 Kultur 68 Gesundheit 77 2010 im Blick 94 Gremien der Robert Bosch Stiftung 96 Zahlen, Daten, Fakten 104 Publikationen 109 Impressum Dieter Berg und Dr. Ingrid Hamm 7 Einführung Wie würde Robert Bosch mit den Herausforderungen unserer Zeit umgehen? Auf diese Frage gibt es keine eindeutige oder gar abschließende Antwort. Der kluge Robert Bosch hat sein Vermächtnis vielmehr so formuliert, dass es uns zwingt, sich diese Frage immer wieder aufs Neue zu stellen. Die großen Themen, die er vorgegeben hat, Gesundheit, Bildung und Völkerverständigung, sind un- verändert aktuell. Doch welche Aufgaben ergeben sich heute daraus? Welche Themen müssen neu interpretiert werden? Müssen neue Themen hinzukommen? Wie kann eine Stiftung dabei Nutzen stiften? Mit diesen Fragen hat sich die Geschäftsführung der Robert Bosch Stiftung in der Vorbereitung auf das Jahr 2010 intensiv auseinandergesetzt. -
Television As History: Representations of German Television
Linda Schulte-Sasse 32. Rejlections of Fascism (New York: Harper, 1982). See Rentschler, 59. 33. I am referringto some of the earliest studies on Nazi cinema: David Stewart Hull's Film in the Third Reich (Berkeley: U of Califomia P, 1969) and Erwin Leiser's Nazi Cinema, trans. G. Mander and D. Wilson, (New York: 6 Macmillan, 1974). 34. National,sozialistische Filmpolitik:Eine soziologische Untersuchung über die Spielfilme des dritten Reiches (Stuttgart: Enke, 1969). 35. "Propaganda," Screen 18.3 (Autumn 1977): 31. Television as History: 36. "Propaganda" 31. 37. For some interesting analyses of modern political spectacles in the form of Representations of German "Gesamtkunstwerk," see Eric Rentschler, "The Use and Abuse of Memory: Television Broadcasting, New German Film and the Discourse of Bitburg," New German Critique 36 (Fall 1985): 67-90 or Jochen Schulte-Sasse, "Electronic Media and Cultural 1935--1944 Politics in the Reagan Era: The Attack on Libya and Rands Across America as Postmodern Events," Cultural Critique 8 (Winter 1987/88): 123--52. 38. "Der Messingkauf' 563. William Uricchio Walter Benjamin's "Das Kunstwerk im Zeitalter seiner tech nischen Reproduzierbarkeit" ("The Work of Art in the Age ofMechanical Reproduction") appeared in the Zeitschrif für Sozialorchung several months after the Reich Broadcasting Company announced "the world' s 1 firstregular television service." The near simultaneity of the appearance of a new mass medium and an implicit critique of its cultural inscription marks a striking conjunction. Given the massive cultural role television subsequently assumed, and Benjamin' s relative marginalization to a small circle of intellectuals, it seems astonishing that his essay achieved a much higher profile in cultural memory than did the considerable develop ments of German television broadcasting between 1935 and 1944.