Visual Identity Guidelines
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Discourse, Materiality and Power: Dietary Supplements and Their Users Susan Roberton Bidwell a Thesis Submitted for the Degree
Discourse, Materiality and Power: Dietary Supplements and their Users Susan Roberton Bidwell A thesis submitted for the degree of Doctor of Philosophy of the University of Otago, Dunedin March 2020 Abstract Throughout human existence people have used herbs and other medicinal substances to protect themselves against illness and treat their ailments. Gathering wild herbs has, however, been replaced today by the many products on the shelves of health stores and pharmacies in developed countries with health systems similar to New Zealand. Previous studies of supplements and their use have largely focused on how many people use them, or subsumed supplement use within wider studies of complementary and alternative medicine (CAM). Supplement use, however, has characteristics that make it different from CAM therapies more broadly. Yet there have been only a few investigations where supplement users have been asked directly about their practices, and those that have been done have tended to be under- theorised and so lack depth. This study used a constructionist approach, within which supplements and their users were examined from both humanist and post-humanist perspectives. I used semi-structured interviews to generate data with 36 participants who were regular users of supplements. The interviews were supplemented by observations of the displays of products that participants brought to my attention in the home and retail settings where the interviews took place. A critical theoretical analysis was undertaken, framed by Deleuze and Guattari’s concept of the rhizomatic assemblage of multiple, interconnected actants which are always in a process of change. Within this wider framework, aspects of the data were examined using other theoretical concepts including deconstruction, the agency of matter, and Foucault’s ideas of power and caring for the self. -
Suitcase Fusion 8 Getting Started
Copyright © 2014–2018 Celartem, Inc., doing business as Extensis. This document and the software described in it are copyrighted with all rights reserved. This document or the software described may not be copied, in whole or part, without the written consent of Extensis, except in the normal use of the software, or to make a backup copy of the software. This exception does not allow copies to be made for others. Licensed under U.S. patents issued and pending. Celartem, Extensis, LizardTech, MrSID, NetPublish, Portfolio, Portfolio Flow, Portfolio NetPublish, Portfolio Server, Suitcase Fusion, Type Server, TurboSync, TeamSync, and Universal Type Server are registered trademarks of Celartem, Inc. The Celartem logo, Extensis logos, LizardTech logos, Extensis Portfolio, Font Sense, Font Vault, FontLink, QuickComp, QuickFind, QuickMatch, QuickType, Suitcase, Suitcase Attaché, Universal Type, Universal Type Client, and Universal Type Core are trademarks of Celartem, Inc. Adobe, Acrobat, After Effects, Creative Cloud, Creative Suite, Illustrator, InCopy, InDesign, Photoshop, PostScript, Typekit and XMP are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Apache Tika, Apache Tomcat and Tomcat are trademarks of the Apache Software Foundation. Apple, Bonjour, the Bonjour logo, Finder, iBooks, iPhone, Mac, the Mac logo, Mac OS, OS X, Safari, and TrueType are trademarks of Apple Inc., registered in the U.S. and other countries. macOS is a trademark of Apple Inc. App Store is a service mark of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. Elasticsearch is a trademark of Elasticsearch BV, registered in the U.S. -
Wensum Glass Co
Wensum Glass Co BRITISH STANDARD (BS) 381C Colours The British Standard BS 381C specifies colours used in identification, coding and other special purposes. This is a key reference for specifying a particular paint colour to use in the refurbishment of buildings – especially at Local Authority level or for major works, such as office blocks, airports, schools, hospitals and residential purposes. BS381 101 BS381 102 BS381 103 BS381 104 BS381 105 Sky blue *Turquoise blue Peacock blue Azure blue Oxford blue BS381 109 BS381 106 BS381 107 BS381 108 BS381 110 Middle blue / Royal blue Strong blue Aircraft blue Roundel blue Anchusa BS381 112 BS381 113 BS381 114 BS381 115 BS381 11 Arctic blue / Fiesta Deep saxe blue *Rail blue *Cobalt blue Blue BS381 166 BS381 172 BS381 175 BS381 210 BS381 174 French blue Pale roundel blue Light French blue Sky BS381 216 BS381 217 BS381 218 BS381 220 BS381 221 Eau de Nil Sea green Grass green Olive green Brilliant green BS381 225 BS381 226 BS381 222 BS381 223 BS381 224 Light Brunswick Mid Brunswick *Light bronze green Middle bronze green Deep bronze green green green BS381 267 BS381 227 BS381 228 BS381 241 BS381 262 Deep chrome Deep Brunswick Emerald green / Dark green Bold green green / Traffic green Viridian green BS381 275 BS381 278 BS381 280 BS381 282 BS381 283 *Opaline green *Light olive green Verdigris green *Forest green Aircraft grey green BS381 284 BS381 285 BS381 298 BS381 309 BS381 310 Spruce green NATO green Olive drab Canary yellow Primrose BS381 315 BS381 320 BS381 337 BS381 350 BS381 352 Grapefruit -
Review of 1986 ======
REVIEW OF 1986 ============== ACHILLES HAS NEVER BEEN STRONGER. During its first 50 years Achilles dominated British athletics, laying the foundations for the national development of the sport, and for today's boom in mass participation. The great spread in the popularity of athletics, fostered by our early Members, has enabled other clubs to surpass our once exclusive position. However, although some would say that admissions policies have slowed the advance of standards, University records continue to be broken. More athletes than ever before compete for OUAC and CUAC, both men and women, and the range of events expand year by year. The 3000m Walk was included in the programme as a scoring event for the first time in 1986, and last year's Oxford President, Tim Berrett, is himself a distinguished walker. This year Cambridge have elected a lady, Allison O'Neill, as their President, and for the first time there will be a ladies' second team match in conjunction with this year's 'Varsity Match, demonstrating the great increase in support for ladies' events since Sarah Owen (Bull) and others worked to encourage them ten years ago. As CUAC and OUAC move with the times, so Achilles is responding to the changing requirements of its members, most of whom have already formed allegiances to local clubs before coming up to the Universities. We acknowledge now that the competitive needs of our active Members are for the most part catered for by CUAC, OUAC and home clubs. However, only about 20 percent of our Members are active athletes, and in this Achilles is unique among British athletics clubs. -
ART DIRECTION (Design Elements) Art Direction — Tallit Lines 01
01 ART DIRECTION (design elements) Art Direction — Tallit lines 01 TALLIT (prayer shawl) What / Design / Jewish prayer shawl worn during prayers/ a special The lines of the tallit is something that Jews can easily occassion. It has special twined and knotted fringes identify with and relate to. They can be graphically known as tzitzit attached to it’s four corners. This intepreted into line dividers/ borders/ decorative literally means cloak or sheet. It has remained elements etc and would reiforce the prayer aspect an inseparable part of Jewish worship. of the event, conveying our support for Israel. Art Direction — Tallit lines 02 TALLIT (prayer shawl) Art Direction — Tzitzit 03 TZITZIT (tassels) What / Design / These are knotted fringes tied at the four corners of The intricacy of how the tzitzit threads intertwines is a the tallit. They must be made with intent, with specific beautiful and meaningful symbolism of the rich jewish number of threads that winds around and hangs losely culture and it’s significance today. Many jews still at the end. The number of winds adds up to represent attach tzitzits on their clothings as a reminder of the direct speilling of God’s name. The total number their Jewish laws and traditions. This would be an of threads adds up to the Jewish laws. ideal visual to celebrate their traditions and culture. Art Direction — Tzitzit 04 TZITZIT (tassels) Possible Design Elements a. b. c. (zoom out) (zoom out) . minimal . intricate . intricate . uniform & consistent clean lines . uniform & consistent clean lines . sketchy & fluid strokes . not accurate (no. of strokes) . accurate (no. -
RAL Colour Chart
RAL COLOURS RAL 1000 Green beige RAL 1001 Beige RAL 1002 Sand yellow RAL 1003 Signal yellow RAL 1004 Golden yellow RAL 1005 Honey yellow RAL 1006 Maize yellow RAL 1007 Daffodil yellow RAL 1011 Brown beige RAL 1012 Lemon yellow RAL 1013 Oyster white RAL 1014 Dark Ivory RAL 1015 Light Ivory RAL 1016 Sulfur yellow RAL 1017 Saffron yellow RAL 1018 Zinc yellow RAL 1019 Grey beige RAL 1020 Olive yellow RAL 1021 Rape yellow RAL 1023 Traffic yellow RAL 1024 Ochre yellow RAL 1027 Curry RAL 1028 Melon yellow RAL 1032 Broom yellow RAL 1033 Dahlia yellow RAL 1034 Pastel yellow RAL 2000 Yellow orange RAL 2001 Red orange RAL 2002 Vermilion RAL 2003 Pastel orange RAL 2004 Pure orange RAL 2008 Bright red orange RAL 2009 Traffic orange RAL 2010 Signal orange RAL 2011 Deep orange RAL 2012 Salmon orange RAL 3000 Flame red RAL 3001 Signal red RAL 3002 Carmine red RAL 3003 Ruby red RAL 3004 Purple red RAL 3005 Wine red RAL 3007 Black red RAL 3009 Oxide red RAL 3011 Brown red RAL 3012 Beige red RAL 3013 Tomato red RAL 3014 Antique pink RAL 3015 Light pink RAL 3016 Coral red RAL 3017 Rose RAL 3018 Strawberry red RAL 3020 Traffic red RAL 3022 Salmon pink RAL 3027 Rasberry red RAL 3031 Orient red RAL 4001 Red lilac RAL 4002 Red violet RAL 4003 Heather violet RAL 4004 Claret violet RAL 4005 Blue lilac RAL 4006 Traffic purple RAL 4007 Purple violet RAL 4008 Signal violet RAL 4009 Pastel violet RAL 4010 Tele magenta RAL 5000 Violet blue RAL 5001 Green blue RAL 5002 Ultramarine RAL 5003 Sapphire blue RAL 5004 Black blue RAL 5005 Signal blue RAL 5007 Brilliant blue -
2019 Russell Pantone Colour Reference
2019 Russell Pantone Colour Reference Colour Name Pantone Ref® (Fabric) Pantone Ref® (Paper) Pink Marl 18-2133 TPX 205 C Ultra Purple 19-3540-TPX 2623 C White 11-0601 TPX 7541 C Black 19-4005 TPX BLACK C Bottle Green 19-5513 TPX 5477 C Khaki (Collection) 15-1116 TPX 7536 C Burgundy 19-1716 TPX 5195 C Light Blue 14-4110 TPX 2708 C Orange 17-1464 TPX 1665 C Fuchsia 18-1856 TPX 1935 C Turquoise 16-4535 TPX 638 C Purple 19-3737 TPX 7447 C Apple 15-5534 TPX 348 C Black 19-4005 TPX BLACK C Oxford Grey 16-3907 TPX 536 C Convoy Grey 17-4405 TPX 444 C Bright Navy 19-3921 TPX 2380 C Oxford Blue 14-4214 TPX 644 C White 11-0601 TPX 7541 C Bright Royal 18-3949 TPX 2726 C Burgundy Melange 19-1725 TPX 7428 C Stone 15-4101 TPX 421 C Blue 16-4019 TPX 645 C Brick Red Melange 18-1547 TPX 7623 C Bright Red 18-1662 TPX 1797 C Bright Sky 14-4112 TPX 2708 C Carbon Melange 19-3910 TPX Cool Gray 11 C Black 19-4005 TPX BLACK C Carbon Melange 19-3910 TPX Cool Gray 11 C Candy Pink 14-2808 TPX 217 C Convoy Grey 17-4405 TPX 444 C Charcoal Melange 19-4007 TPX 426 C Charcoal Marl 19-4023 TPX 432 C Corporate Blue 16-4021 TPX 652 C Classic Red 19-1764 TPX 1945 C Chocolate (Collection) 17-0812 TPX 439 C Denim Marl 19-3939 TPX 654 C French Navy 19-4010 TPX 532 C Green Marl 14-0156 TPX 7487 C Grey Marl 18-4005 TPX 424 C Indigo Melange 19-4027 TPX 534 C Iron Grey 18-4214 TPX 431 C Yellow 13-0746 TPX 129 C Light Oxford 14-4002 (MARLED) Cool Grey 3 C Burgundy Melange 19-1725 TPX 7428 C ©2017 Russell Brands, LLC Light Blue 14-4110 TPX 2708 C Mid Blue 19-4026 TPX 2377 C Bright -
Origins of the Cambridge Blue
ORIGINS OF THE CAMBRIDGE BLUE Improved communications in the early years of the 19th century made possible sporting competitions between such as Oxford and Cambridge, which led in turn to the adoption of different colours, if only to allow the umpire to recognise them. The first sporting competition between the universities was on June 4th 1827 in a cricket match at Lord’s. Both teams wore white with no distinguishing colour. The second competition was the first Boat Race at Henley-on-Thames on 10th June 1829 when Oxford wore dark blue and white striped shirts. The colour was in honour of Christ Church, Head of the River at the time, who provided no fewer than five members of the crew. It is well documented that this race is the origin of the Oxford dark blue. Cambridge wore white shirts with hunting pink ties or sashes in honour of Snow, the Captain of Cambridge and of the Lady Margaret (St John’s College) Boat Club. For the second race in 1836, according to contemporary accounts (e.g. Bell’s Life), Cambridge wore white with no adornment. In 1837 and 1838 there were no intervarsity boat races but Cambridge raced against Leander Club and in both races they wore light blue and white striped shirts. For the third Boat Race in 1839 they adopted light blue, thereby establishing the accepted CUBC colour, and serially the Cambridge colour as each new sport has entered the intervarsity competitive programme. The story behind the adoption of light blue did not appear in print until 1881, almost half a century after the event. -
13A04806 LINUX PROGRAMMING and SCRIPTING UNIT 4 TCL/ TK SCRIPTING:Tcl Fundamentals, String and Pattern Matching, Tcl Data Struct
13A04806 LINUX PROGRAMMING AND SCRIPTING UNIT 4 TCL/ TK SCRIPTING:Tcl Fundamentals, String and Pattern Matching, Tcl Data Structures ,Control Flow Commands, Procedures and Scope , Evel, Working With UNIX, Reflection and Debugging, Script Libraries, Tk Fundamentals ,Tk by Examples, The Pack Geometry Manager, Binding Commands to X Events, Buttons and Menus, Simple Tk Widgets, Entry and Listbox Widgets Focus, Grabs and Dialogs 13A04806 LINUX PROGRAMMING AND SCRIPTING Tcl - Overview Tcl is shortened form of Tool Command Language. John Ousterhout of the University of California, Berkeley, designed it. It is a combination of a scripting language and its own interpreter that gets embedded to the application, we develop with it. Tcl was developed initially for Unix. It was then ported to Windows, DOS, OS/2, and Mac OSX. Tcl is much similar to other unix shell languages like Bourne Shell (Sh), the C Shell (csh), the Korn Shell (sh), and Perl. It aims at providing ability for programs to interact with other programs and also for acting as an embeddable interpreter. Even though, the original aim was to enable programs to interact, you can find full-fledged applications written in Tcl/Tk. Features of Tcl The features of Tcl are as follows − ∑ Reduced development time. ∑ Powerful and simple user interface kit with integration of TK. ∑ Write once, run anywhere. It runs on Windows, Mac OS X, and almost on every Unix platform. ∑ Quite easy to get started for experienced programmers; since, the language is so simple that they can learn Tcl in a few hours or days. ∑ You can easily extend existing applications with Tcl. -
Suitcase Fusion 9 Getting Started Guide
Legal notices Copyright © 2014–2019 Celartem, Inc., doing business as Extensis. This document and the software described in it are copyrighted with all rights reserved. This document or the software described may not be copied, in whole or part, without the written consent of Extensis, except in the normal use of the software, or to make a backup copy of the software. This exception does not allow copies to be made for others. Licensed under U.S. patents issued and pending. Celartem, Extensis, MrSID, NetPublish, Portfolio Flow, Portfolio NetPublish, Portfolio Server, Suitcase Fusion, Type Server, TurboSync, TeamSync, and Universal Type Server are registered trademarks of Celartem, Inc. The Celartem logo, Extensis logos, Extensis Portfolio, Font Sense, Font Vault, FontLink, QuickFind, QuickMatch, QuickType, Suitcase, Suitcase Attaché, Universal Type, Universal Type Client, and Universal Type Core are trademarks of Celartem, Inc. Adobe, Acrobat, After Effects, Creative Cloud, Creative Suite, Illustrator, InCopy, InDesign, Photoshop, PostScript, and XMP are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Apache Tika, Apache Tomcat and Tomcat are trademarks of the Apache Software Foundation. Apple, Bonjour, the Bonjour logo, Finder, iPhone, Mac, the Mac logo, Mac OS, OS X, Safari, and TrueType are trademarks of Apple Inc., registered in the U.S. and other countries. macOS is a trademark of Apple Inc. App Store is a service mark of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. Elasticsearch is a trademark of Elasticsearch BV, registered in the U.S. -
British Standard Colours: BS 381C
British Standard Colours: BS 381C British Standard colours are the standard colours in the UK used for identification, coding and other special purposes for building and decorative paint. The most commonly used BS colours are BS 381C, BS 2660, BS 5252 and BS 4800. Please note that these colour swatches are for guidance only. Every effort is made to match the BS colours as closely as possible but the colours you see will vary according to your monitor and browser, while pearl and metallic colours cannot be properly displayed. BS381 101 BS381 102 BS381 103 BS381 104 BS381 105 Sky Blue Turquoise Blue Peacock Blue Azure Blue Oxford Blue BS381 106 BS381 107 BS381 108 BS381 109 BS381 110 Royal Blue Strong Blue Aircraft Blue Middle Blue/Anchusa Roundel Blue BS381 111 BS381 112 BS381 113 BS381 114 BS381 115 Arctic Blue/Fiesta Blue Deep Saxe Blue Rail Blue Cobalt Blue BS381 166 BS381 172 BS381 174 BS381 175 BS381 210 French Blue Pale Roundel Blue Light French Blue Sky BS381 216 BS381 217 BS381 218 BS381 220 BS381 221 Eau de Nil Sea Green Grass Green Olive Green Brilliant Green BS381 222 BS381 223 BS381 224 BS381 225 BS381 226 Light Bronze Green Middle Bronze Green Deep Bronze Green Light Brunswick Green Mid Brunswick Green BS381 227 BS381 228 BS381 241 BS381 262 BS381 267 Deep Brunswick Green Emerald Green/Viridian Dark Green Bold Green Deep Chrome Green / Traffic Green BS381 275 BS381 278 BS381 280 BS381 282 BS381 283 Opaline Green Light Olive Green Verdigris Green Forest Green Aircraft Grey Green BS381 284 BS381 285 BS381 298 BS381 309 BS381 -
Indigo Garden October 2021
AVAILABLE OCTOBER 2021 R-2 ©2021 RILEY BLAKE DESIGNS AND HEATHER PETERSON ALL PRINTS AVAILABLE IN 100% FINE COTTON Navy Indigo Garden Main Cream Indigo Garden Mandala Yellow Indigo Garden Scattered Floral Yellow Indigo Garden Diagonal Daisy Wine Indigo Garden Ditzy Navy Indigo Garden Rose Cluster Rouge Indigo Garden Plus Print Navy Indigo Garden Sashiko Rouge Indigo Garden Arrows Oxford Blue Solid Navy Shabby Poppy Textures Yellow Kisses 2 C: COTTON ©2021 RILEY BLAKE DESIGNS AND HEATHER PETERSON ALL PRINTS AVAILABLE IN 100% FINE COTTON Yellow Indigo Garden Main Orange Indigo Garden Mandala Orange Indigo Garden Scattered Floral Orange Indigo Garden Diagonal Daisy Mustard Indigo Garden Ditzy Green Indigo Garden Rose Cluster Green Indigo Garden Plus Print Turquoise Indigo Garden Sashiko Sea Glass Indigo Garden Arrows Persimmon Texture Yellow Swiss Dot Vivid Blossom Sea Glass Bee Cross Stitch 3 C: COTTON ©2021 RILEY BLAKE DESIGNS AND HEATHER PETERSON ALL PRINTS AVAILABLE IN 100% FINE COTTON Red Indigo Garden Main Red Indigo Garden Mandala Turquoise Indigo Garden Scattered Floral Cream Indigo Garden Diagonal Daisy Leaf Indigo Garden Ditzy Teal Indigo Garden Rose Cluster Teal Indigo Garden Plus Print Cream Indigo Garden Sashiko Leaf Indigo Garden Arrows Wagon Red Shades Redwood Kisses Cream Swiss Dot Rainforest Texture 4 C: COTTON ©2021 RILEY BLAKE DESIGNS AND HEATHER PETERSON ALL PRINTS AVAILABLE IN 100% FINE COTTON Midnight Garden by Heather Peterson Quilt Size 621/2” x 711/2” Box Size 11” x 11”x 5” Fabric Requirements 1 10-11270-42 Indigo Garden 10-Inch Stacker 1 Yard C11270 Red Main 1/2 Yard C11273 1/2 Yard Yellow Diagonal Daisy Pre-order the Pre-order the P154 Midnight Garden 3 Yards C11277 Navy Sashiko Midnight Garden Quilt Pattern Quilt Kit 5/8 Yard Binding *Kit includes pattern and fabric for quilt top and binding Available November 2021 * Approximate fabric requirements are listed to aid in estimating the amount of yardage to order and are subject to change.