RAL Colour Chart
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Color Chart ® ® ® ® Closest Pantone® Equivalent Shown
™ ™ II ® Color Chart ® ® ® ® Closest Pantone® equivalent shown. Due to printing limitations, colors shown 5807 Reflective ® ® ™ ® ® and Pantone numbers ® ™ suggested may vary from ac- ECONOPRINT GORILLA GRIP Fashion-REFLECT Reflective Thermo-FILM Thermo-FLOCK Thermo-GRIP ® ® ® ® ® ® ® tual colors. For the truest color ® representation, request Scotchlite our material swatches. ™ CAD-CUT 3M CAD-CUT CAD-CUT CAD-CUT CAD-CUT CAD-CUT CAD-CUT Felt Perma-TWILL Poly-TWILL Thermo-FILM Thermo-FLOCK Thermo-GRIP Vinyl Pressure Sensitive Poly-TWILL Sensitive Pressure CAD-CUT White White White White White White White White White* White White White White White Black Black Black Black Black Black Black Black Black* Black Black Black Black Black Gold 1235C 136C 137C 137C 123U 715C 1375C* 715C 137C 137C 116U Red 200C 200C 703C 186C 186C 201C 201C 201C* 201C 186C 186C 186C 200C Royal 295M 294M 7686C 2747C 7686C 280C 294C 294C* 294C 7686C 2758C 7686C 654C Navy 296C 2965C 7546C 5395M 5255C 5395M 276C 532C 532C* 532C 5395M 5255C 5395M 5395C Cool Gray Warm Gray Gray 7U 7539C 7539C 415U 7538C 7538C* 7538C 7539C 7539C 2C Kelly 3415C 341C 340C 349C 7733C 7733C 7733C* 7733C 349C 3415C Orange 179C 1595U 172C 172C 7597C 7597C 7597C* 7597C 172C 172C 173C Maroon 7645C 7645C 7645C Black 5C 7645C 7645C* 7645C 7645C 7645C 7449C Purple 2766C 7671C 7671C 669C 7680C 7680C* 7680C 7671C 7671C 2758U Dark Green 553C 553C 553C 447C 567C 567C* 567C 553C 553C 553C Cardinal 201C 188C 195C 195C* 195C 201C Emerald 348 7727C Vegas Gold 616C 7502U 872C 4515C 4515C 4515C 7553U Columbia 7682C 7682C 7459U 7462U 7462U* 7462U 7682C Brown Black 4C 4675C 412C 412C Black 4C 412U Pink 203C 5025C 5025C 5025C 203C Mid Blue 2747U 2945U Old Gold 1395C 7511C 7557C 7557C 1395C 126C Bright Yellow P 4-8C Maize 109C 130C 115U 7408C 7406C* 7406C 115U 137C Canyon Gold 7569C Tan 465U Texas Orange 7586C 7586C 7586C Tenn. -
RAL Colour System These Colour Charts Are for Reference Only As They Vary from Computer to Computer
RAL Colour System These colour charts are for reference only as they vary from computer to computer. RAL 1000 RAL 1001 RAL 1002 RAL 1003 RAL 1004 RAL 1005 green beige beige sand yellow signal yellow golden yellow honey yellow RAL 1006 RAL 1007 RAL 1011 RAL 1012 RAL 1013 RAL 1014 maize yellow daffodil yellow brown beige lemon yellow oyster white ivory RAL 1015 RAL 1016 RAL 1017 RAL 1018 RAL 1019 RAL 1020 light ivory sulfur yellow saffron yellow zinc yellow grey beige olive yellow RAL 1021 RAL 1023 RAL 1024 RAL 1027 RAL 1028 RAL 1032 rape yellow traffic yellow ochre yellow curry melon yellow broom yellow RAL 1033 RAL 1034 RAL 2000 RAL 2001 RAL 2002 RAL 2003 dahlia yellow pastel yellow yellow orange red orange vermilion pastel orange RAL 2004 RAL 2008 RAL 2009 RAL 2010 RAL 2011 RAL 2012 pure orange lum. bright traffic orange signal orange deep orange salmon orange orange RAL 3000 RAL 3001 RAL 3002 RAL 3003 RAL 3004 RAL 3005 flame red signal red carmine red ruby red purple red wine red RAL 3007 RAL 3009 RAL 3011 RAL 3012 RAL 3013 RAL 3014 black red oxide red brown red beige red tomato red antique pink RAL 3015 RAL 3016 RAL 3017 RAL 3018 RAL 3020 RAL 3022 light pink coral red rose strawberry red traffic red salmon pink RAL 3027 RAL 3031 RAL 4001 RAL 4002 RAL 4003 RAL 4004 raspberry red orient red red lilac red violet heather violet claret violet RAL 4005 RAL 4006 RAL 4007 RAL 4008 RAL 4009 RAL 4010 blue lilac traffic purple purple violet signal violet pastel violet telemagenta RAL 5000 RAL 5001 RAL 5002 RAL 5003 RAL 5004 RAL 5005 violet blue -
Federal Standard 595 Paint Spec
Federal Standard 595 Paint Spec The colors in the Federal Standard set have no official names, just five-digit numbers. Any names given below are generic. The first figure can be 1,2 or 3 and indicates the level of sheen: . 1 = gloss . 2 = semi gloss . 3 = matt The second figure of the code indicates a general color classification group; 0 = Brown 5 = Blue 1 = Red 6 = Grey 2 = Orange 7 = Other (white, black, violet, metallic) 3 = Yellow 8 = Fluorescent 4 = Green The remaining figures (third to fifth) combined into a number indicate the intensity. Lower value indicates a darker color, higher value - a lighter color, with no other significance. The numbers have been assigned with gaps to allow addition of new colors. Fed-Std-595 is a color collection, not a complete color system, and this has the following implications: . The existence of a color chip 1xxxx in the FS Fan Deck doesn't imply that there is a color chip for 3xxxx. However, references to such "virtual" chips built on the principle "same color, but different sheen" is a widespread practice. The FS in not extensible, i.e. it does not allow to derive new colors form the existing ones. Thus, if you compare i.e. RLM colors to FS codes, you can only refer to the nearest existing FS color, which most often isn't a perfect match. In practice, the FS set is extensive enough to find a good-enough match for almost any color. The following chart is a reference guide only to give you an idea as to the approximate color. -
Safety Color Guide
SAFETY COLOR GUIDE Safety Color Codes For Physical Hazards And Pipe Identification Conforms to OSHA and ANSI Standards Safety Colors SAFETY RED SAFETY GREEN Fire protection equipment Safety Containers of flammable liquids First aid equipment Lights at barricades and obstructions Safety bulletin boards Stop bars and switches on machinery Gas masks Fire alarm boxes Stretchers Fire exit signs Safety deluge showers Sprinkler piping BLACK & WHITE SAFETY ORANGE Traffic and housekeeping markings Dangerous parts of machinery Dead ends of aisles or passageways Inside of movable guards Stairways Safety starting buttons Directional signs Exposed parts Refuse cans SAFETY YELLOW Caution, physical hazard Construction equipment SAFETY PURPLE Handrails, Guardrails Designates radiation hazards. Often used Material Handling Equipment in combination with yellow on tags, labels, Piping systems containing dangerous materials signs, and floor markers. Waste containers Exposed, unguarded edges SAFETY BLUE For more information please reference: Caution, equipment under repair OSHA 29 CFR 1910.144, Warnings should be located at the starting point or power source of Safety Color Code for Marking Physical Hazards machinery. ANSI Z535.1, Safety Color Code Recommended Standards for Color Coding SERVICE SCHEDULE SYSTEM 4000 COLOR BANDS WATER LINES Raw Water Olive Green 4070 Generator Green Settled or Clarified Water Aqua 4068 Alloy Aqua Finished or Potable Water Dark Blue 4086 Safety Blue Sprinklers Dark Red 4081 Safety Red Suction Line (Pump Stations) Mid Blue 4063 -
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart Derivan Americana Derivan Americana Matisse Flow Acrylics Matisse Flow Acrylics Alpine Green 2 - DAO82 Evergreen Brilliant Alizarine 2 - DA179 Alizarin Crimson 1 - DA144 Yellow Light 1 - DA159 Cherry Red Antique Blue 1 - DAO38 Wedgewood Blue Burgundy 1 - DA140 Red Violet 1 - DA166 Deep Midnight Blue 1 - DA165 Napa Red 1 - DA172 Black Plum Antique Gold 1 - DA146 Antique Gold Deep Burnt Sienna DA223 Traditional Burnt Sienna ato - DAO67 Lamp (Ebony) Black Antique Green 2 - DA105 Blue Grey Mist Burnt Umber 2 - DA221 Traditional Burnt Umber 1 - DAO84 Midnite Green 1 - DA160 Antique Maroon Antique White 2 - DA239 Warm White Cadmium Orange 8 - DA228 Bright Orange 1 - DAO3 Buttermilk 1 - DAO10 Cadmium Yellow Aqua Green Light 2 - DAO1 Snow (Titanium) White Cadmium Red Medium DAO15 Cadmium Red 1 - DAO47 Bluegrass Green Ash Pink 4 - DA164 Light Buttermilk Cadmium Yellow Light DA144 Yellow Light 3 - DA189 Summer Lilac 2 - DA186 French Mauve Aureolin Yellow 4 - DA144 Yellow Light Cadmium Yellow Medium DA227 Bright Yellow 1 - DA146 Antique Gold Deep 1 - DAO10 Cadmium Yellow Australian Olive Green 10 - DA113 Plantation Pine Carbon Black DAO67 Lamp (Ebony) Black 1 - DAO67 Lamp (Ebony) Black Australian Red Violet DA140 Red Violet Cerulean Blue DAO36 True Blue Australian Sap Green 2 - DA113 Plantation Pine Chromium Green Oxide 2 - DAO51 Leaf Green 1 - DA144 Yellow Light 1 - DAO53 Mistletoe Australian Sienna 1 - DA223 Traditional Burnt Sienna Cobalt Blue 2 - DA141 Blue Violet 1 - DA194 Marigold -
1 = Gloss 2 = Semi Gloss 3 = Matt 0 = Brown 5 = Blue 1 = Red 6 = Grey
Federal Standard 595 Paint Spec Information The following information is made available to our customers as a reference point only. See below for how to request the 595 specification from the US Government. Contact your paint manufacturer such as Sherwin Williams for paint or additional information. The colors in the Federal Standard set have no official names, just five-digit numbers. Any names given below are generic. The first figure can be 1,2 or 3 and indicates the level of sheen: 1 = gloss 2 = semi gloss 3 = matt The second figure of FS code indicates a general color classification group; 0 = Brown 5 = Blue 1 = Red 6 = Grey 2 = Orange 7 = Other (white, black, violet, metallic) 3 = Yellow 8 = Fluorescent 4 = Green The remaining figures (third to fifth) combined into a number indicate the intensity. Lower value indicates a darker color, higher value - a lighter color, with no other significance. The numbers have been assigned with gaps to allow addition of new colors. Fed-Std-595 is a color collection, not a complete color system. How To Request the Spec, Fan Deck, or Paint Chips You can request a copy of the 595 spec, Fan Deck or Paint Chips by contacting the GSA Federal Supply Service Bureau Specification Section at 202-619-8925. These can also be ordered from http://assist.daps.dla.mil. Search on Fed-Std-595. This chart is a reference guide only to give you an idea as to the approximate color. Colors on computer screens may vary based on the graphics card and monitor used in your system. -
Instructions and Techniques *
UvA-DARE (Digital Academic Repository) Discoloration in Renaissance and Baroque Oil Paintings. Instructions for Painters, theoretical Concepts, and Scientific Data van Eikema Hommes, M.H. Publication date 2002 Link to publication Citation for published version (APA): van Eikema Hommes, M. H. (2002). Discoloration in Renaissance and Baroque Oil Paintings. Instructions for Painters, theoretical Concepts, and Scientific Data. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:04 Oct 2021 Verdigriss Glazes in Historical Oil Paintings: Instructions and Techniques * 'Lje'Lje verdegris distillépourglacer ne meurt point? Dee Mayerne (1620-46), BL MS Sloane 2052 'Vert'Vert de gris... ne dure pas & elk devient noire.' Dee la Hire, 1709 InterpretationInterpretation of green glares Greenn glazes were commonly used in oil paintings of the 15th to 17th centuries for the depiction of saturated greenn colours of drapery and foliage. -
Wensum Glass Co
Wensum Glass Co BRITISH STANDARD (BS) 381C Colours The British Standard BS 381C specifies colours used in identification, coding and other special purposes. This is a key reference for specifying a particular paint colour to use in the refurbishment of buildings – especially at Local Authority level or for major works, such as office blocks, airports, schools, hospitals and residential purposes. BS381 101 BS381 102 BS381 103 BS381 104 BS381 105 Sky blue *Turquoise blue Peacock blue Azure blue Oxford blue BS381 109 BS381 106 BS381 107 BS381 108 BS381 110 Middle blue / Royal blue Strong blue Aircraft blue Roundel blue Anchusa BS381 112 BS381 113 BS381 114 BS381 115 BS381 11 Arctic blue / Fiesta Deep saxe blue *Rail blue *Cobalt blue Blue BS381 166 BS381 172 BS381 175 BS381 210 BS381 174 French blue Pale roundel blue Light French blue Sky BS381 216 BS381 217 BS381 218 BS381 220 BS381 221 Eau de Nil Sea green Grass green Olive green Brilliant green BS381 225 BS381 226 BS381 222 BS381 223 BS381 224 Light Brunswick Mid Brunswick *Light bronze green Middle bronze green Deep bronze green green green BS381 267 BS381 227 BS381 228 BS381 241 BS381 262 Deep chrome Deep Brunswick Emerald green / Dark green Bold green green / Traffic green Viridian green BS381 275 BS381 278 BS381 280 BS381 282 BS381 283 *Opaline green *Light olive green Verdigris green *Forest green Aircraft grey green BS381 284 BS381 285 BS381 298 BS381 309 BS381 310 Spruce green NATO green Olive drab Canary yellow Primrose BS381 315 BS381 320 BS381 337 BS381 350 BS381 352 Grapefruit -
RAL Colour Chart
RAL Colour Chart The colours depicted on the following chart are for guidelines only. The finished colour may not be as shown here. 1000 1001 1002 1003 1004 1005 Green Beige Pale Beige Sand Yellow Signal Yellow Dark Golden Honey Yellow Yellow 1006 1007 1011 1012 1013 1014 Maize Yellow Chrome Yellow Brown Beige Lemon Yellow Pearl White Dark Ivory 1015 1016 1017 1018 1019 1020 Light Ivory Sulphur Yellow Saffron Yellow Zinc Yellow Grey Beige Olive Yellow 1021 1023 1024 1027 1028 1032 Cadmium Yellow Traffic Yellow Ochre Yellow Curry Yellow Mellon Yellow Broom Yellow 1033 1034 2000 2001 2002 2003 Dahlia Yellow Pastel Yellow Yellow Orange Red Orange Vermillion Pastel Orange 2004 2008 2009 2010 2011 2012 Pure Orange Light Red Traffic Orange Signal Orange Deep Orange Salmon Orange Orange 3000 3001 3002 3003 3004 3005 Flame Red RAL Signal Red Carmine Red Ruby Red Purple Red Wine Red 3007 3009 3011 3012 3013 3014 Black Red Oxide Red Brown Red Beige Red Tomato Red Antique Pink 3015 3016 3017 3018 3020 3022 Light Pink Coral Red Rose Strawberry Red Traffic Red Dark Salmon Red 3027 3031 4001 4002 4003 4004 Raspberry Red Orient Red Red Lilac Red Violet Heather Violet Claret Violet 4005 4006 4007 4008 4009 4010 Blue Lilac Traffic Purple Purple Violet Signal Violet Pastel Violet Telemagenta 5000 5001 5002 5003 5004 5005 Violet Blue Green Blue Ultramarine Blue dark Sapphire Black Blue Signal Blue Blue 5007 5008 5009 5010 5011 5012 Brilliant Blue Grey Blue Light Azure Blue Gentian Blue Steel Blue Light Blue 5013 5014 5015 5017 5018 5019 Dark Cobalt Blue -
PIGMENTS Pigments Can Be Used for Colouring and Tinting Paints, Glazes, Clays and Plasters
PIGMENTS Pigments can be used for colouring and tinting paints, glazes, clays and plasters. About Pigments About Earthborn Pigments Get creative with Earthborn Pigments. These natural earth and mineral powders provide a source of concentrated colour for paint blending and special effects. With 48 pigments to choose from, they can be blended into any Earthborn interior or exterior paint to create your own unique shade of eco friendly paint. Mixed with Earthborn Wall Glaze, the pigments are perfect for decorative effects such as colour washes, dragging, sponging and stencilling. Some even contain naturally occurring metallic flakes to add extra dazzle to your design. Earthborn Pigments are fade resistant and can be mixed with Earthborn Claypaint and Casein Paint. Many can also be mixed with lime washes, mortars and our Ecopro Silicate Masonry Paint. We have created this booklet to show pigments in their true form. Colour may vary dependant on the medium it is mixed with. Standard sizes 75g, 500g Special sizes 50g and 400g (Mica Gold, Mangan Purple, Salmon Red and Rhine Gold only) Ingredients Earth pigments, mineral pigments, metal pigments, trisodium citrate. How to use Earthborn Pigments The pigments must be made into a paste before use as follows: For Silicate paint soak pigment in a small amount of Silicate primer and use straightaway. For Earthborn Wall Glaze, Casein or Claypaint soak pigment in enough water to cover the powder, preferably overnight, and stir to create a free-flowing liquid paste. When mixing pigments into any medium, always make a note of the amounts used. Avoid contact with clothing as pigments may permanently stain fabrics. -
Review of 1986 ======
REVIEW OF 1986 ============== ACHILLES HAS NEVER BEEN STRONGER. During its first 50 years Achilles dominated British athletics, laying the foundations for the national development of the sport, and for today's boom in mass participation. The great spread in the popularity of athletics, fostered by our early Members, has enabled other clubs to surpass our once exclusive position. However, although some would say that admissions policies have slowed the advance of standards, University records continue to be broken. More athletes than ever before compete for OUAC and CUAC, both men and women, and the range of events expand year by year. The 3000m Walk was included in the programme as a scoring event for the first time in 1986, and last year's Oxford President, Tim Berrett, is himself a distinguished walker. This year Cambridge have elected a lady, Allison O'Neill, as their President, and for the first time there will be a ladies' second team match in conjunction with this year's 'Varsity Match, demonstrating the great increase in support for ladies' events since Sarah Owen (Bull) and others worked to encourage them ten years ago. As CUAC and OUAC move with the times, so Achilles is responding to the changing requirements of its members, most of whom have already formed allegiances to local clubs before coming up to the Universities. We acknowledge now that the competitive needs of our active Members are for the most part catered for by CUAC, OUAC and home clubs. However, only about 20 percent of our Members are active athletes, and in this Achilles is unique among British athletics clubs. -
Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern.