Conference Program
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gènes Et Mythes Littéraires : Pour Un Modèle Biologique Du Dynamisme Mythique
G`eneset mythes litt´eraires: pour un mod`elebiologique du dynamisme mythique Abolghasem Ghiasizarch To cite this version: Abolghasem Ghiasizarch. G`eneset mythes litt´eraires: pour un mod`elebiologique du dy- namisme mythique. Litt´eratures. Universit´eGrenoble Alpes, 2011. Fran¸cais. <NNT : 2011GRENL001>. <tel-00596834> HAL Id: tel-00596834 https://tel.archives-ouvertes.fr/tel-00596834 Submitted on 30 May 2011 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. THÈSE Pour obtenir le grade de DOCTEUR DE L’UNIVERSITÉ DE GRENOBLE Spécialité : Imaginaire Arrêté ministériel : 7 août 2006 Présentée par « Abol Ghasem / GHIASIZARCH » Thèse dirigée par « Philippe / WALTER » préparée au sein du Laboratoire CRI – Centre de Recherche sur l’Imaginaire (EA 610) dans l'École Doctorale Langues, Littératures et Sciences Humaines GÈNES ET MYTHES LITTÉRAIRES : POUR UN MODÈLE BIOLOGIQUE DU DYNAMISME MYTHIQUE Thèse soutenue publiquement le « 14 janvier 2011», devant le jury composé de : M. Jean Bruno RENARD Professeur à l’Université Montpellier 3, Président M. Claude THOMASSET Professeur à l’Université Paris IV Sorbonne, Rapporteur M. Philippe WALTER Professeur à l’Université Grenoble 3, Membre GÈNES ET MYTHES LITTÉRAIRES : POUR UN MODÈLE BIOLOGIQUE DU DYNAMISME MYTHIQUE 2 REMERCIEMENT Qui ne remercie pas le peuple, ne remercie pas Dieu non plus. -
Lights: the Messa Quarterly
997 LIGHTS: THE MESSA QUARTERLY FALL 2012 Volume 2, Issue 1 Copyright © 2012 by the Middle Eastern Studies Students’ Association at the University of Chicago. All rights reserved. No part of this publication’s text may be reproduced or utilized in any way or by any means, electronic, mechanical, including photocopying, recording, or by any information stor- age and retrieval system without written permission from the Middle Eastern Studies Students’ Association board or by the permission of the authors in- cluded in this edition. This journal is supported in parts by the Center for Middle Eastern Studies at the University of Chicago. Lights: The MESSA Journal Fall 2012 Vol. 2 No. 1 The Middle Eastern Studies Students’ Association’s Subcommittee of Publications at The University of Chicago Winter 2012 Staff Executive board: Gwendolyn Collaço, Graphic Design and Digital Editor John Macdonald, Review Editor Nadia Qazi, Production Editor August Samie, Submissions Editor and Managing Editor Peer reviewers: Gwendolyn Collaço Carol Fan Golriz Farshi Gordon Cooper Klose Amr Tarek Leheta Johan McDonald Kara Peruccio Nadia Qazi Tasha Ramos Mohmmad Sagha August Samie Armaan Siddiqi Samee Sulaiman Patrick Thevenow Andy Ver Steegh Patrick Zemanek Editors: Daniel Burnham Amy Frake Gordon Cooper Klose Nour Merza Emily Mitchell Brianne Reeves Faculty Advisors: Dr. Fred M. Donner and Dr. John E. Woods Table of Contents Featured Master’s Thesis: Reading Parsipur through the Eyes of Heday- at’s Blind Owl: Tracing the Origin of Magical Realism in Modern Persian Prose, by Saba Sulaiman................................................................................. 1 Branding a Country and Constructing an Alternative Modernity with Muslim Women: A Content Analysis of the United Arab Emirates, by Kateland Haas............................................................................................... -
Thèse Doctorat-K.Hedayatifar-1Mai
Les apports des pratiques performatives et musicales iraniennes au sein du processus de création de l’acteur The achievements of Iranian musical and performative traditions for actor's inventive procedure Thèse de doctorat de l'université Paris-Saclay École doctorale n°629 : Sciences sociales et humanités (SSH) Spécialité de doctorat: musicologie, arts plastiques, arts du spectacle Unité de recherche : Université Paris-Saclay, Univ Evry, SLAM, 91000, Evry Courcouronnes, France Référent : Université d'Évry-Val-d’Essonne Thèse présentée et soutenue à Évry le 4 mars 2021, par KAVEH HEDAYATIFAR Composition du Jury Nathalie GAUTHARD Professeure des Universités Présidente Université ARTOIS Jean-François DUSIGNE Professeur des Universités Rapporteur & Examinateur Université Paris 8 Pierre LONGUENESSE Professeur des Universités Rapporteur & Examinateur Université Paris 3 Brigitte GAUTHIER Professeure des Universités Examinatrice Université Paris-Saclay Yassaman KHAJEHI Maîtresse de Conférences, Examinatrice Université Clermont Auvergne Direction de la thèse Isabelle STARKIER 2021UPASK002 : Maîtresse de Conférences Directrice de thèse Université Paris-Saclay Thèse de de Thèse doctorat NNT 2 Introduction De l’Iran à la France et le retour vers l’Iran En 2003, j’ai entamé presque simultanément ma pratique musicale (apprentissage du setâr), théâtrale (Licence à l’Université Azâd de Téhéran) et l’apprentissage de la langue française. En revanche, il m’aura fallu treize ans pour comprendre comment ces trois pratiques allaient converger vers un projet de recherche-création au sein d’un laboratoire de recherche en France. Quant à la musique, mes premières compositions ont pris forme vers l’année 2007 sous forme de chansons que j’écrivais, composais et interprétais en chantant et jouant du setâr. -
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
Interview with Bahman Jalali1
11 Interview with Bahman Jalali1 By Catherine David2 Catherine David: Among all the Muslim countries, it seems that it was in Iran where photography was first developed immediately after its invention – and was most inventive. Bahman Jalali: Yes, it arrived in Iran just eight years after its invention. Invention is one thing, what about collecting? When did collecting photographs beyond family albums begin in Iran? When did gathering, studying and curating for archives and museum exhibitions begin? When did these images gain value? And when do the first photography collections date back to? The problem in Iran is that every time a new regime is established after any political change or revolution – and it has been this way since the emperor Cyrus – it has always tried to destroy any evidence of previous rulers. The paintings in Esfahan at Chehel Sotoon3 (Forty Pillars) have five or six layers on top of each other, each person painting their own version on top of the last. In Iran, there is outrage at the previous system. Photography grew during the Qajar era until Ahmad Shah Qajar,4 and then Reza Shah5 of the Pahlavi dynasty. Reza Shah held a grudge against the Qajars and so during the Pahlavi reign anything from the Qajar era was forbidden. It is said that Reza Shah trampled over fifteen thousand glass [photographic] plates in one day at the Golestan Palace,6 shattering them all. Before the 1979 revolution, there was only one book in print by Badri Atabai, with a few photographs from the Qajar era. Every other photography book has been printed since the revolution, including the late Dr Zoka’s7 book, the Afshar book, and Semsar’s book, all printed after the revolution8. -
MESA ANNUAL MEETING 2015 Sheraton Denver Downtown Hotel, Denver, CO November 21-24, 2015
MESA ANNUAL MEETING 2015 Sheraton Denver Downtown Hotel, Denver, CO November 21-24, 2015 The following listing of CMES- and Harvard-affiliated speakers was compiled from the MESA Program that was posted in September. Please note that there may have been updates since this time that we were unable to include. For the most current information on times and locations of these panels, visit: https://mesana.org/mymesa/meeting_program.php Pages i.-iii Harvard affiliate listing with session times Pages 9-50 MESA program with Harvard affiliate names highlighted Harvard Affiliate Listing with day(s)/time(s) of MESA sessions Harvard Faculty: . Bayoumi, Soha (Lecturer, History of Science) – Sun, 11-1 . Cammett, Melani (Professor of Government)—Sat, 5:30-7:30 pm; Mon, 5-7 . Dundar Akarca, Halit (Davis Center Visiting Professor)—Sun 8:30-10:30 . Fahmy, Khaled (Shawwaf Visiting Professor in Modern Middle East History)—Sat, 5:30-7:30 . Granara, William (CMES Director, Professor of Arabic, NELC) – Sun, 11-1 . Sullivan, Nevenka Korica (Senior Preceptor NELC, CASA Director)– Sun, 11-1 . Mottahedeh, Roy (Gurney Professor of History) – Sun, 2-4 . Ragab, Ahmed (HDS; Richard T. Watson Assistant Professor of Science and Religion) – Mon, 5-7 Harvard Students: . Agsar Alibhai, Ali (NELC) – Sun, 2-4; Mon, 11-1 . Andani, Khalil (Divinity, NELC) – Mon, 5-7 . Anderson, Paul (NELC) – Mon, 5-7 . Arslan, C. Ceyhun (NELC) – Sun, 4:30-6:30; Mon, 11-1 . Ben Ismail, Youssef (NELC) – Mon, 8:30-10:30 . Blecker, Allison (NELC) – Sun, 11-1 . Elston, Mary (NELC) – Mon, 8:30-10:30 . Gurbuzel, Aslihan (History/MES) – Sun, 11-1 . -
The University of Chicago Old Elites Under Communism: Soviet Rule in Leninobod a Dissertation Submitted to the Faculty of the Di
THE UNIVERSITY OF CHICAGO OLD ELITES UNDER COMMUNISM: SOVIET RULE IN LENINOBOD A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY FLORA J. ROBERTS CHICAGO, ILLINOIS JUNE 2016 TABLE OF CONTENTS List of Figures .................................................................................................................... iii List of Tables ...................................................................................................................... v Acknowledgements ............................................................................................................ vi A Note on Transliteration .................................................................................................. ix Introduction ......................................................................................................................... 1 Chapter One. Noble Allies of the Revolution: Classroom to Battleground (1916-1922) . 43 Chapter Two. Class Warfare: the Old Boi Network Challenged (1925-1930) ............... 105 Chapter Three. The Culture of Cotton Farms (1930s-1960s) ......................................... 170 Chapter Four. Purging the Elite: Politics and Lineage (1933-38) .................................. 224 Chapter Five. City on Paper: Writing Tajik in Stalinobod (1930-38) ............................ 282 Chapter Six. Islam and the Asilzodagon: Wartime and Postwar Leninobod .................. 352 Chapter Seven. The -
Tribes and Empire on the Margins of Nineteenth-Century Iran
publications on the near east publications on the near east Poetry’s Voice, Society’s Song: Ottoman Lyric The Transformation of Islamic Art during Poetry by Walter G. Andrews the Sunni Revival by Yasser Tabbaa The Remaking of Istanbul: Portrait of an Shiraz in the Age of Hafez: The Glory of Ottoman City in the Nineteenth Century a Medieval Persian City by John Limbert by Zeynep Çelik The Martyrs of Karbala: Shi‘i Symbols The Tragedy of Sohráb and Rostám from and Rituals in Modern Iran the Persian National Epic, the Shahname by Kamran Scot Aghaie of Abol-Qasem Ferdowsi, translated by Ottoman Lyric Poetry: An Anthology, Jerome W. Clinton Expanded Edition, edited and translated The Jews in Modern Egypt, 1914–1952 by Walter G. Andrews, Najaat Black, and by Gudrun Krämer Mehmet Kalpaklı Izmir and the Levantine World, 1550–1650 Party Building in the Modern Middle East: by Daniel Goffman The Origins of Competitive and Coercive Rule by Michele Penner Angrist Medieval Agriculture and Islamic Science: The Almanac of a Yemeni Sultan Everyday Life and Consumer Culture by Daniel Martin Varisco in Eighteenth-Century Damascus by James Grehan Rethinking Modernity and National Identity in Turkey, edited by Sibel Bozdog˘an and The City’s Pleasures: Istanbul in the Eigh- Res¸at Kasaba teenth Century by Shirine Hamadeh Slavery and Abolition in the Ottoman Middle Reading Orientalism: Said and the Unsaid East by Ehud R. Toledano by Daniel Martin Varisco Britons in the Ottoman Empire, 1642–1660 The Merchant Houses of Mocha: Trade by Daniel Goffman and Architecture in an Indian Ocean Port by Nancy Um Popular Preaching and Religious Authority in the Medieval Islamic Near East Tribes and Empire on the Margins of Nine- by Jonathan P. -
Deterring Iran After the Nuclear Deal
MARCH 2017 COVER PHOTO NIEL HESTER | FLICKR 1616 Rhode Island Avenue NW Washington, DC 20036 202 887 0200 | www.csis.org Lanham • Boulder • New York • London 4501 Forbes Boulevard Lanham, MD 20706 301 459 3366 | www.rowman.com Deterring Iran After the Nuclear Deal PROJECT DIRECTORS AND EDITORS Kathleen H. Hicks Melissa G. Dalton CONTRIBUTING AUTHORS Melissa G. Dalton Thomas Karako Jon B. Alterman J. Matthew McInnis Michael Connell Hijab Shah Michael Eisenstadt Michael Sulmeyer ISBN 978-1-4422-7993-3 Farideh Farhi Ian Williams Kathleen H. Hicks 1616 Rhode Island Avenue NW Washington,Ë|xHSLEOCy279933z DC 20036v*:+:!:+:! 202-887-0200 | www.csis.org Blank MARCH 2017 Deterring Iran after the Nuclear Deal PROJ ECT DIRECTORS AND EDITORS Kathleen H. Hicks Melissa G. Dalton CONTRIBUTING AUTHORS Melissa G. Dalton Thomas Karako Jon B. Alterman J. Matthew McInnis Michael Connell Hijab Shah Michael Eisenstadt Michael Sulmeyer Farideh Farhi Ian Williams Kathleen H. Hicks Lanham • Boulder • New York • London 594-68742_ch00_6P.indd 1 3/13/17 7:13 AM About CSIS For over 50 years, the Center for Strategic and International Studies (CSIS) has worked to develop solutions to the world’s greatest policy challenges. T oday, CSIS scholars are providing strategic insights and bipartisan policy solutions to help decisionmakers chart a course toward a better world. CSIS is a nonprofit organ ization headquartered in Washington, D.C. The Center’s 220 full- time staff and large network of affiliated scholars conduct research and analy sis and develop policy initiatives that look into the future and anticipate change. Founded at the height of the Cold War by David M. -
UNIVERSITY of CALIFORNIA, IRVINE Translator, Traitor Or
UNIVERSITY OF CALIFORNIA, IRVINE Translator, Traitor or Teacher: A Neophyte-Focused Communication Pedagogy DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Comparative Literature by Ali Massoud Meghdadi Dissertation Committee: Professor Nasrin Rahimieh, Chair Professor Steven Mailloux Professor Jack Miles Professor Ngũgĩ wa Thiong’o 2014 © 2014 Ali Massoud Meghdadi DEDICATION To My Family and Friends Without you, I’d probably have still done this… With whom though would I have celebrated? ii TABLE OF CONTENTS ACKNOWLEDGEMENTS v CURRICULUM VITAE vii ABSTRACT OF THE DISSERTATION xii INTRODUCTION: TRANSLATOR, TRAITOR OR TEACHER 1 Translating Self to Text 3 Traitor or Teacher 5 Cosmopolitanism of the New 7 Translational Ethics 9 Women without Men models the Neophyte 11 TRANSLATION AND TRANSLITERATION 15 CHAPTER 1: ZANAN BEDUN-E MARDAN, INTIMATELY READ 16 Merger of the Classics and Modernism in Parsipur 16 Opening Zanan Bedun-e Mardan by Reading it Close 19 Politics and Metaphor 69 CHAPTER 2: WOMEN WITHOUT MEN, PUBLICALLY TRANSLATED 75 Originary Interpretations 76 Misinterpreted Traditions 79 Translator’s Fidelity to Audience vs. Fidelity to Author 82 Domesticating the Foreign 85 One Novella – Two Translations 88 Filming Words 102 Translation: A Bother Worth Bothering With(!/?) 113 CHAPTER 3: TRANSLATIONAL ASYMPTOSIS: A HERMENEUTIC INQUIRY 116 Foundational Thoughts 117 Translators Feel Deeply 123 The First Translation 129 A Brief Inquiry into Translation Publication, Or, why a Second -
Arash Zeini 8Th May 2020
Response to ‘Next steps on Book Pahlavi’ (L2/20-135) Arash Zeini 8th May 2020 Introduction Pournader & Hai (2020) might be right in saying that ‘Book Pahlavi may be the best-known complex script not yet encoded in Unicode’. However, I am inclined to add that Book Pahlavi is certainly one of the least researched and understood scripts of late antiquity. Much work is needed before we can make reliable statements about the palaeography of Book Pahlavi. The issues that have puzzled the Unicode experts are in part genuinely difficult to answer. But in my view, the wrong questions have also been asked at times.1 In this document I will attempt to answer the questions raised by Pournader & Hai (2020) which is a very welcome addition to the proposals as it consolidates the questions that have remained unanswered. Please note that my rendering of Middle Persian words and Pahlavi characters is limited by the possibilities offered by the available fonts, which are not designed to accurately represent the scribal idiosyncrasies. If any representations raise more questions, please contact me for clarifications. Question 1 yh/1: The MP suffix -īh, transliterated <-yh>, is written / in Book Pahlavi. Contrary to Meyers (2014:12), the correct analysis of / is ! + + or $ + -. Some- times the scribes abbreviate or rather simplify this sequence of characters to . This happens most commonly at the end of the line, and not in everymanu- script. It is, for instance, very rare in manuscripts of the Pahlavi Yasna. Meyers 1See, for instance, Pournader & Hai (2020:6) on the issue of <b> as raised by Meyers (2014). -
KHERAD-DISSERTATION-2013.Pdf
Copyright by Nastaran Narges Kherad 2013 The Dissertation Committee for Nastaran Narges Kherad Certifies that this is the approved version of the following dissertation: RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY Committee: M.R. Ghanoonparvar, Supervisor Kamran Aghaie Kristen Brustad Elizabeth Richmond-Garza Faegheh Shirazi RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY by Nastaran Narges Kherad, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2013 Dedication Dedicated to my son, Manai Kherad-Aminpour, the joy of my life. May you grow with a passion for literature and poetry! And may you face life with an adventurous spirit and understanding of the diversity and complexity of humankind! Acknowledgements The completion of this dissertation could not have been possible without the ongoing support of my committee members. First and for most, I am grateful to Professor Ghanoonparvar, who believed in this project from the very beginning and encouraged me at every step of the way. I thank him for giving his time so generously whenever I needed and for reading, editing, and commenting on this dissertation, and also for sharing his tremendous knowledge of Persian literature. I am thankful to have the pleasure of knowing and working with Professor Kamaran Aghaei, whose seminars on religion I cherished the most.