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James Dufresne: They Met at Appomattox Court House
November 2017 Vol XXXIII, No 3 Thurs Nov 9 James Dufresne: They Met at Appomattox Court House “From present indications, the retreat of the enemy is rapidly becoming a rout.” So wrote Philip H. Sheridan to Lt Gen Ulysses S. Grant on April 5, 1865, from Jetersville Depot, Virginia, three days after Lee’s army had abandoned the trenches of the fallen cities of Richmond and Petersburg and begun its flight west. From the start, Grant’s goal was not merely to pursue Lee’s army but to intercept it: to cut it off and prevent Lee from veering south and joining the Confederate army of Joseph Johnston in North Carolina. Grant wanted to bring this war to a conclusion, so he ordered his two top generals, Sheridan and Sherman, to keep Lee’s Army of Northern Virginia constantly on the move. Lee’s army was in dire straits with very little food and ammunition remaining. Lee had planned to resupply his army at various points along his march west; however, he had little to no success. Grant had sent Sheridan and his command ahead with orders to destroy any supplies or ammunition that Lee might be able to acquire on his route west. He was also to intercept Lee’s army on its route wherever the time and place would allow. Sheridan did get the opportunity to stop Lee and his army at a place called Appomattox Court House. Gen Grant had been corresponding with Gen Lee for a couple of days previously while both were on the march. -
2010-2011 Newsletter
Newsletter WILLIAMS G RADUATE PROGRAM IN THE HISTORY OF A RT OFFERED IN COLLABORATION WITH THE CLARK ACADEMIC YEAR 2010–11 Newsletter ••••• 1 1 CLASS OF 1955 MEMORIAL PROFESSOR OF ART MARC GOTLIEB Letter from the Director Greetings from Williamstown! Our New features of the program this past year include an alumni now number well over 400 internship for a Williams graduate student at the High Mu- going back nearly 40 years, and we seum of Art. Many thanks to Michael Shapiro, Philip Verre, hope this newsletter both brings and all the High staff for partnering with us in what promises back memories and informs you to serve as a key plank in our effort to expand opportuni- of our recent efforts to keep the ties for our graduate students in the years to come. We had a thrilling study-trip to Greece last January with the kind program academically healthy and participation of Elizabeth McGowan; coming up we will be indeed second to none. To our substantial community of alumni heading to Paris, Rome, and Naples. An ambitious trajectory we must add the astonishingly rich constellation of art histori- to be sure, and in Rome and Naples in particular we will be ans, conservators, and professionals in related fields that, for a exploring 16th- and 17th-century art—and perhaps some brief period, a summer, or on a permanent basis, make William- sense of Rome from a 19th-century point of view, if I am al- stown and its vicinity their home. The atmosphere we cultivate is lowed to have my way. -
LIST of STATUES in the NATIONAL STATUARY HALL COLLECTION As of April 2017
history, art & archives | u. s. house of representatives LIST OF STATUES IN THE NATIONAL STATUARY HALL COLLECTION as of April 2017 STATE STATUE SCULPTOR Alabama Helen Keller Edward Hlavka Alabama Joseph Wheeler Berthold Nebel Alaska Edward Lewis “Bob” Bartlett Felix de Weldon Alaska Ernest Gruening George Anthonisen Arizona Barry Goldwater Deborah Copenhaver Fellows Arizona Eusebio F. Kino Suzanne Silvercruys Arkansas James Paul Clarke Pompeo Coppini Arkansas Uriah M. Rose Frederic Ruckstull California Ronald Wilson Reagan Chas Fagan California Junipero Serra Ettore Cadorin Colorado Florence Sabin Joy Buba Colorado John “Jack” Swigert George and Mark Lundeen Connecticut Roger Sherman Chauncey Ives Connecticut Jonathan Trumbull Chauncey Ives Delaware John Clayton Bryant Baker Delaware Caesar Rodney Bryant Baker Florida John Gorrie Charles A. Pillars Florida Edmund Kirby Smith Charles A. Pillars Georgia Crawford Long J. Massey Rhind Georgia Alexander H. Stephens Gutzon Borglum Hawaii Father Damien Marisol Escobar Hawaii Kamehameha I C. P. Curtis and Ortho Fairbanks, after Thomas Gould Idaho William Borah Bryant Baker Idaho George Shoup Frederick Triebel Illinois James Shields Leonard Volk Illinois Frances Willard Helen Mears Indiana Oliver Hazard Morton Charles Niehaus Indiana Lewis Wallace Andrew O’Connor Iowa Norman E. Borlaug Benjamin Victor Iowa Samuel Jordan Kirkwood Vinnie Ream Kansas Dwight D. Eisenhower Jim Brothers Kansas John James Ingalls Charles Niehaus Kentucky Henry Clay Charles Niehaus Kentucky Ephraim McDowell Charles Niehaus -
FOURTH SUPERSEDING INDICTMENT the Grand Jury Charges That, at All Times Material to This Indictment, on Or About the Dates
REGEIVED MAY 2 5 2021 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA Clerk, U.S. District and Bankruplcy Courts Holding a Criminal Term Grand Jury Sworn in on January 8, 2021 UNITED STATES OF AMERICA CRIMINAL NO. 2l-cr-28-APM VIOLATIONS: THOMAS CALDWELL, 18 U.S.C. $ 371 (Conspiracy) (Counts 1,2, 4,9) l8 u.s.C. $$ lsl2(c)(2),2 DONOVAN CROWL, (Obstruction of an Official Proceeding and (Counts 1,2,,3,4,6) Aiding and Abetting) JESSICA WATKINS, : 18 U.s.C. SS 1361,2 (Counts l,2,3, 4, 6) : (Destruction of Government Property and : Aiding and Abetting) SANDRA PARKER, (Counts 1,2,,3,4,6) r8 U.S.C. $ l7s2(a)(r) (Entering and Remaining in a Restricted BENNIE PARKER, Building or Grounds) (Counts l, 2, 4) l8 u.s.C. $$ 231(a)(3),2 GRAYDON YOUNG, (Civil Disorder and Aiding and Abetting) (Counts l,2,3,4,6, l0) 18 U.S.C. $ lll(a)(1),2 LAURA STEELE, (Assaulting, Resisting, or Impeding (Counts 1,2,3,4) Certain Officers and Aiding and Abetting) KELLY MEGGS. l8 U.S.C. $ lsl2(c)(l) (Counts l, 2, 3, 4, I l) (Tampering with Documents or Proceedings) CONNIE MEGGS, (Counts 1,2,3,4) KENNETH HARRELSON, (Counts 1,2,3,, 4,12) ROBERTO MINUTA, (Counts l, 2, 4) : JOSHUA JAMES, : (Counts 1, 2, 4, 7, 8, 13) : : JONATHAN WALDEN, : (Counts 1, 2, 4) : : JOSEPH HACKETT, : (Counts 1, 2, 3, 4) : : JASON DOLAN, and : (Counts 1, 2, 3, 4) : : WILLIAM ISAACS, : (Counts 1, 2, 3, 4, 5, 6) : : Defendants. -
Charles Warren Fairbanks (1852–1918)
Charles Warren Fairbanks (1852–1918) A prosperous Indianapolis attorney who eoclassical sculptor Franklin Simmons specialized in was active in the Republican Party, depicting Americans and American history, though he Charles Warren Fairbanks served as both a U.S. senator from Indiana and 26th vice spent most of his career in Rome. Born and raised in president of the United States. Born in Maine, Simmons briefly studied under John Adams Union County, Ohio, Fairbanks was a Jackson in Boston. For two years in the mid-1860s, the keynote speaker at the 1896 Republican sculptor lived in Washington, D.C., and modeled Civil War officers National Convention that nominated N William McKinley for president. In that Ulysses S. Grant, William T. Sherman, and David G. Farragut. Soon after- same year, Fairbanks was elected to the ward, Simmons moved to Rome, where, like others of his generation, U.S. Senate, where he served from 1897 to 1905, chairing the Committee on Immi- he was attracted by the availability of materials and assistants and by gration and the Committee on Public the creative environment. Buildings and Grounds. Charles Fairbanks was vice president-elect in 1905 when he sat A leading conservative, Fairbanks was nominated for the vice presidency on the for the bust intermittently during visits to Washington. The sculptor, who 1904 ticket with Theodore Roosevelt. Upon had previously created busts of Vice Presidents Hannibal Hamlin (p. 180) election, Fairbanks resigned from the and Adlai E. Stevenson (p. 344) for the U.S. Capitol, apparently believed Senate. Although he was a favorite son candidate for the Republican nomination that his proposal for a likeness of Fairbanks had been officially accepted. -
The LEGACY of CHRISTOPHER COLUMBUS in the AMERICAS New Nations and a Transatlantic Discourse of Empire
The LEGACY of CHRISTOPHER COLUMBUS in the AMERICAS New Nations and a Transatlantic Discourse of Empire Elise Bartosik-Vélez The Legacy of Christopher Columbus in the Americas The LEGACY of CHRISTOPHER COLUMBUS in the AMERICAS New Nations and a Transatlantic Discourse of Empire Elise Bartosik-Vélez Vanderbilt University Press NASHVILLE © 2014 by Vanderbilt University Press Nashville, Tennessee 37235 All rights reserved First printing 2014 This book is printed on acid-free paper. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data on file LC control number 2013007832 LC classification number e112 .b294 2014 Dewey class number 970.01/5 isbn 978-0-8265-1953-5 (cloth) isbn 978-0-8265-1955-9 (ebook) For Bryan, Sam, and Sally Contents Acknowledgments ................................. ix Introduction .......................................1 chapter 1 Columbus’s Appropriation of Imperial Discourse ............................ 15 chapter 2 The Incorporation of Columbus into the Story of Western Empire ................. 44 chapter 3 Columbus and the Republican Empire of the United States ............................. 66 chapter 4 Colombia: Discourses of Empire in Spanish America ............................ 106 Conclusion: The Meaning of Empire in Nationalist Discourses of the United States and Spanish America ........................... 145 Notes ........................................... 153 Works Cited ..................................... 179 Index ........................................... 195 Acknowledgments any people helped me as I wrote this book. Michael Palencia-Roth has been an unfailing mentor and model of Methical, rigorous scholarship and human compassion. I am grate- ful for his generous help at many stages of writing this manu- script. I am also indebted to my friend Christopher Francese, of the Department of Classical Studies at Dickinson College, who has never hesitated to answer my queries about pretty much any- thing related to the classical world. -
Art Hand-Book, Sculpture, Architecture, Painting
:. •'t-o^ * ^^' v^^ ^ ^^^^\ ^^.m <. .*^ .. X 0° 0^ \D^ *'ir.s^ A < V ^^; .HO^ 4 o *^,'^:^'*.^*'^ "<v*-^-%o-' 'V^^''\/^ V*^^'%^ V\^ o '^^ o'/vT^^^ll^"" vy:. -rb^ ^oVv^'' '^J^M^^r^^ ^^jl.^0'rSi' ^oK °<<. ^""^^ • Sculpture » Architecture * Painting Official H^NDBOOKo/ARCHITECTVRE and SCULPTURE and ART CATALOGUE TO THE Pan-American Exposition With Maps and Illustrations by -permission of C. D. Arnold, Official Photographer BUFFALO, NEW YORK, U. S. A., MAT FIRST TO NOVEMBER FIRST, M. CM. & I. Published by DAVID GRAY, Buffalo, N. Y. Entered according to Act of Congress in the year 1901, by David Gray, in the Office of the Librarian of Congress, at Washington, D. C. • • • • • e • • •• V. • » » « » . f>t • •_••» »'t»» » » » * • • . CONGRESS, Two Copiea Received JUN. 17 1901 Copyright entry EXPOSITION, 1901. CLASS ^XXc N». PAN-AMERICAN Buffalo, N. Y. , U. S. A COPY 3, Office of Director-General. March 30, 1901. To whom it may concern: — Mr. David Gray of this City has "been granted hy the Exposition a concession to publish the Art Catalogue of the Exposition^ which will he a hook in reality a memorial of the ideals of the Exposition in Archi- tecture, Sculpture and Pine Arts. WILLIAM I. BUCHANAN, Director-General The articles, pictures and catalogue descriptions in the Pan-American Art Hand Book are copyrighted, and publication thereof without permission is forbidden. \ r..k^ ^'««- -^ -"^^ ^^ This Art Hand Book was made by the publishing and printing house of ISAAC H,. BLANCHARD CO,, in the city of New Torky at 268 and 270 Canal Street, * 200 feet, iij9 inches east of Broadway. -
History of Maine - History Index - MHS Kathy Amoroso
The University of Maine DigitalCommons@UMaine Maine History Documents Special Collections 2019 History of Maine - History Index - MHS Kathy Amoroso Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistory Part of the History Commons Repository Citation Amoroso, Kathy, "History of Maine - History Index - MHS" (2019). Maine History Documents. 220. https://digitalcommons.library.umaine.edu/mainehistory/220 This Other is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History Documents by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Index to Maine History publication Vol. 9 - 12 Maine Historical Society Newsletter 13 - 33 Maine Historical Society Quarterly 34 – present Maine History Vol. 9 – 51.1 1969 - 2017 1 A a' Becket, Maria, J.C., landscape painter, 45:203–231 Abandonment of settlement Besse Farm, Kennebec County, 44:77–102 and reforestation on Long Island, Maine (case study), 44:50–76 Schoodic Point, 45:97–122 The Abenaki, by Calloway (rev.), 30:21–23 Abenakis. see under Native Americans Abolitionists/abolitionism in Maine, 17:188–194 antislavery movement, 1833-1855 (book review), 10:84–87 Liberty Party, 1840-1848, politics of antislavery, 19:135–176 Maine Antislavery Society, 9:33–38 view of the South, antislavery newspapers (1838-1855), 25:2–21 Abortion, in rural communities, 1904-1931, 51:5–28 Above the Gravel Bar: The Indian Canoe Routes of Maine, by Cook (rev.), 25:183–185 Academy for Educational development (AED), and development of UMaine system, 50(Summer 2016):32–41, 45–46 Acadia book reviews, 21:227–229, 30:11–13, 36:57–58, 41:183–185 farming in St. -
Franklin Simmons and His Civil War Monuments
Maine History Volume 36 Number 1 Issues 1-2; Fine Arts in Maine After Article 2 the Civil War 6-1-1996 Franklin Simmons and His Civil War Monuments Martha R. Severens Greenville (SC) County Museum of Art Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the History of Art, Architecture, and Archaeology Commons, Military History Commons, Sculpture Commons, and the United States History Commons Recommended Citation Severens, Martha R.. "Franklin Simmons and His Civil War Monuments." Maine History 36, 1 (1996): 2-17. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol36/iss1/2 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. MARTHA R. SEVERENS FRANKLIN SIMMONS AND HIS CIVIL WAR MONUMENTS Franklin Simmons was a Maine sculptor who achieved national prominence for his Civil War monuments. Simmons' work in Maine earned him the opportunity to create numerous monuments in Washington, D. C. In this article Martha R. Severens reviews the sculptor's life and work and provides insight into a unique style that inspired other sculptors across the Northeast. Ms. Severens, curator at the Greenville (SC) County Museum of Art, has published volumes on the Museum's Southern Collection and on Andrew Wyeth. Previously, she held similar positions at the Portland Museum of Art and the Gibbes Museum of Art in Charleston, SC. In “A Nameless Grave/' written almost a decade after the conclusion of the Civil War, Henry Wadsworth Longfellow raised the issue of commemorating deceased soldiers. -
The Art of the Metropolitan Museum of New York
tCbe Hrt of tbe flftetiopoUtan fIDuseum 3Bg tbe Same Butbor 2L XTbe art of tbe IRetberlanb (Balleriea Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the many Galleries With 48 Illustrations. Price, $2.00 net £ L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - C HANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) fje gtrt of iWetcopolitany 3*1 it scnut of 3Ul” Motfe & Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. ^ By David C. Preyer, M. A. Author of “ The Art of the Netherland Galleries,” etc. Illustrated Boston L. C. Page & Company MDCCCC1 X Copyright, 1909 By L. C. Page & Company (incorporated) All rights reservea First Impression, November, 1909 Electrotyped and Printed at THE COLONIAL PRESS C.H . Simonas Sr Co., Boston U.S.A. , preface A visit to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their corelation, and thus increase our appreciation of the treasures we have seen and admired. -
Nordean Biggs Rehl Donohoe
UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA Holding a Criminal Term Grand Jury Sworn in on January 8, 2021 UNITED STATES OF AMERICA CRIMINAL NO. 21-cr-175 (TJK) v. MAGISTRATE NOS. 21-mj-126, 21-mj-195 ETHAN NORDEAN, also known as "Rufio Panman," VIOLATIONS: (Counts 1, 2, 3, 4, 5, 6) 18 u.s.c. § 371 (Conspiracy) JOSEPH BIGGS, (Counts 1, 2, 3, 4, 5, 6) 18 U.S.C. §§ 1512(c)(2), 2 (Obstruction of an Official Proceeding and ZACHARY REHL, and Aiding and Abetting) (Counts 1, 2, 3, 4, 5, 6) 18 U.S.C. §§ 231(a)(3), 2 CHARLES DONOHOE, (Obstruction of Law Enforcement During (Counts 1, 2, 3, 4, 5, 6) Civil Disorder and Aiding and Abetting) 18 u.s.c. §§ 1361, 2 Defendants. (Destruction ofGovernment Property and Aiding and Abetting) 18 U.S.C. § 1752(a)(l) (Entering and Remaining in a Restricted Building or Grounds) 18 U.S.C. § 1752(a)(2) (Disorderly Conduct in a Restricted Building or Grounds) FIRST SUPERSEDING INDICTMENT The Grand Jury charges that, at all times material to this Indictment, on or about the dates and at or about the times stated below: Introduction The 2020 United States Presidential Election and the Official Proceeding on January 6, 2021 1. The2020 United States Presidential Election occurred on November 3, 2020. 2. The United States Electoral College ("Electoral College") is a group required by the Constitution to form every four years for the sole purpose of electing the president and vice president, with each state appointing its own electors in a number equal to the size ofthat state's Congressional delegation. -
Guide to State Statues in the National Statuary Hall Collection
U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN CVC 19-107 Edition V Senator Mazie Hirono of Hawaii addresses a group of high school students gathered in front of the statue of King Kamehameha in the Capitol Visitor Center. TOM FONTANA U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN STATE PAGE STATE PAGE Alabama . 3 Montana . .28 Alaska . 4 Nebraska . .29 Arizona . .5 Nevada . 30 Arkansas . 6 New Hampshire . .31 California . .7 New Jersey . 32 Colorado . 8 New Mexico . 33 Connecticut . 9 New York . .34 Delaware . .10 North Carolina . 35 Florida . .11 North Dakota . .36 Georgia . 12 Ohio . 37 Hawaii . .13 Oklahoma . 38 Idaho . 14 Oregon . 39 Illinois . .15 Pennsylvania . 40 Indiana . 16 Rhode Island . 41 Iowa . .17 South Carolina . 42 Kansas . .18 South Dakota . .43 Kentucky . .19 Tennessee . 44 Louisiana . .20 Texas . 45 Maine . .21 Utah . 46 Maryland . .22 Vermont . .47 Massachusetts . .23 Virginia . 48 Michigan . .24 Washington . .49 Minnesota . 25 West Virginia . 50 Mississippi . 26 Wisconsin . 51 Missouri . .27 Wyoming . .52 Statue photography by Architect of the Capitol The Guide to State Statues in the National Statuary Hall Collection is available as a free mobile app via the iTunes app store or Google play. 2 GUIDE TO STATE STATUES IN THE NATIONAL STATUARY HALL COLLECTION U.S. CAPITOL VISITOR CENTER AlabaMa he National Statuary Hall Collection in the United States Capitol is comprised of statues donated by individual states to honor persons notable in their history. The entire collection now consists of 100 statues contributed by 50 states.