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Acclaimed Drummer-Composer John
Bio information: THE CLAUDIA QUINTET Title: SUPER PETITE (Cuneiform Rune 427) Format: CD / DIGITAL RELEASE DATE: JUNE 24, 2016 Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / POST-JAZZ Acclaimed Drummer-Composer John Hollenbeck Pens Rich, Complex Tunes for an Era of Short Attention Spans on The Claudia Quintet's 8th album – Super Petite – a Potent Package that Condenses Virtuoso Playing and a Wealth of Ideas into Ten Compact Songs Short doesn’t necessarily mean simple. Drummer-composer John Hollenbeck acrobatically explores the dichotomy between brevity and complexity on Super Petite, the eighth release by the critically acclaimed, proudly eccentric Claudia Quintet. The oxymoronic title of the band’s newest album on Cuneiform Records captures the essence of its ten new compositions, which pack all of the wit and virtuosity that listeners have come to expect from the Claudia Quintet into the time frame of radio-friendly pop songs. As always, Hollenbeck’s uncategorizable music – which bridges the worlds of modern jazz and new music in surprising and inventive ways - is realized by Claudia’s longstanding line-up: clarinetist/tenor saxophonist Chris Speed, vibraphonist Matt Moran, bassist Drew Gress, and accordionist Red Wierenga. Over the course of 19 years and 8 albums, the band has forged an astounding chemistry and become expert at juggling mind-boggling dexterity with inviting emotion and spirit. Like the band’s name, the title Super Petite originated as an affectionate nickname for one of the band’s fans. -
Pemberton Music Festival – Stakeholder Analysis
1 Pemberton Music Festival – Stakeholder Analysis The term stakeholder is defined as the “people and organisations with a legitimate interest in the outcomes of an event” (Allen, O’Toole, Harris & McDonnell, 2011, p. 126). In order for an event to be successful, it is imperative for event managers to gain a precise understanding of the stakeholders involved. The desires and objectives of both internal and external stakeholders should be carefully analyzed from the beginning of the event planning process up until the event has commenced (Allen et al, 2011). The failure of event managers to grasp the expectations and perception of their stakeholders may leave stakeholders dissatisfied, thereby hindering the reputation of the event. Through a critical analysis of Pemberton Music Festival, this essay aims to depict an understanding of the importance of stakeholder analysis. Figure 1 demonstrates the six key stakeholder groups that will be analyzed in this essay. (Allen, et al, p.126). Figure 1 Pemberton Music Festival (PMF) occurs once a year in a small, isolated town that is located in Western Canada. Essentially, individuals travel to the town to camp in the Rocky Mountains for four-days while being able to attend live musical performances. The first time the event took place was in 2008 and it was intended to continue in subsequent years. However, PMF was cancelled in both 2009 and 2010 (Dyck, 2014) mainly due to the damage inflicted on the properties of the local people. The locals claimed that the festival attendees had parked on their 2 property, left behind waste and wandered through their yards (Dyck, 2014). -
QUASIMODE: Ike QUEBEC
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C. -
Making Banking Easier at Every Step
2015Annual Report Making banking easier at every step. © BlueShore Financial Credit Union 2015 Annual Report of BlueShore Financial Credit Union. TABLE OF CONTENTS Leadership Viewpoints 3 Easy to do Business With 4 Achievements & Advancements 5 Celebrating 75 Years 6 Advancing Growth & Profitability 7 Report of the Independent Auditor 8 Financial Results & Message to Members 9 Accountability & Transparency 10 © BlueShore Financial Credit Union Leadership Viewpoints Message from Board and Management Chris Catliff, President When we ask clients what they need more of, it’s often not more money, it’s more and CEO, and Dave time. We are all more time-starved than ever before. This is why BlueShore Financial Davenport, Chair, Board continues to introduce new services to save time and increase convenience, while of Directors, in the new remaining true to our commitment to develop long-term relationships to improve BlueShore Financial our clients’ overall financial well-being. branch in Edgemont Village, North Vancouver Through client research you’ve told us that “being easy to do business with” is a priority. We achieve this by combining easy-to-use mobile and digital solutions with our team of trusted advisors to make which opened in fall 2015. the complex, simple; the routine, convenient; and the time-consuming, streamlined. In addition to launching new online and mobile services for our clients in 2015, we exceeded financial objectives reaching $4 billion in Assets Under Administration, achieved robust growth in total loans and deposits, and reduced loan delinquency to a mere 8 basis points, the lowest level in our history. For 75 years we have put our clients first, building a stable, profitable, award-winning credit union along the way. -
Blabla Bio Fred Frith
BlaBla Bio Fred Frith Multi-instrumentalist, composer, and improviser Fred Frith has been making noise of one kind or ano- ther for almost 50 years, starting with the iconic rock collective Henry Cow, which he co-founded with Tim Hodgkinson in 1968. Fred is best known as a pioneering electric guitarist and improviser, song-writer, and composer for film, dance and theater. Through bands like Art Bears, Massacre, Skeleton Crew, Keep the Dog, the Fred Frith Guitar Quartet and Cosa Brava, he has stayed close to his roots in rock and folk music while branching out in many other directions. His compositions have been performed by ensembles ranging from Arditti Quartet and the Ensemble Modern to Concerto Köln and Galax Quartet, from the BBC Scottish Symphony Orchestra to ROVA and Arte Sax Quartets, from rock bands Sleepytime Gorilla Museum and Ground Zero to the Glasgow Improvisers’ Orchestra. Film music credits include the acclaimed documentaries Rivers and Tides, Touch the Sound and Leaning into the Wind, directed by Thomas Riedelsheimer, The Tango Lesson, Yes and The Party by Sally Potter, Werner Penzel’s Zen for Nothing, Peter Mettler’s Gods, Gambling and LSD, and the award-winning (and Oscar-nominated) Last Day of Freedom, by Nomi Talisman and Dee Hibbert- Jones. Composing for dance throughout his long career, Fred has worked with Rosalind Newman and Bebe Miller in New York, François Verret and Catherine Diverrès in France, and Amanda Miller and the Pretty Ugly Dance Company over the course of many years in Germany, as well as composing for two documentary films on the work of Anna Halprin. -
Alterna Savings and Credit Union Ltd. 842 Brunswick Cr
SECTION I NUMERIC LIST MEMBERS / LISTE NUMÉRIQUE DES MEMBRES 1 ALTERNA SAVINGS AND CREDIT UNION LTD. 842 Routing Numbers / Numéros d'acheminement Electronic Paper(MICR) Électronique Papier(MICR) Postal Address - Addresse postale 084200646 00646-842 ALTERNA SAVINGS AND CREDIT UNION LTD, Westboro Branch, 319 McRae Avenue, Ottawa, ON K1Z 0B9 BRUNSWICK CR. UNION FEDERATION LTD. 849 Routing Numbers / Numéros d'acheminement Electronic Paper(MICR) Électronique Papier(MICR) Postal Address - Addresse postale 084907964 07964-849 BCUF-STABILIZATION BOARD, 421 CHARLES LUTES ROAD, Lutes Mountain, NB E1G 2T5 084917054 17054-849 ADVANCE SAVINGS CREDIT UNION, 141 Weldon St., P.O. Box 92, Moncton, NB E1C 8R9 084917104 17104-849 New Brunswick Teachers' Association, 2-153 Harvey Road, McAdam, NB E6J 1A1 084917294 17294-849 BAYVIEW CREDIT UNION (WEST) LTD, West Branch, 46 Main Street, 46 Main Street West, Saint John, NB E2M 3N1 084917344 17344-849 PROGRESSIVE CREDIT UNION, 106 Richmond Street, Unit 1, P.O. Box 55, Woodstock, NB E7M 2N9 084927004 27004-849 ATLANTIC CENTRAL, 663 Pinewood Road, P.O. Box 1025, Riverview, NB E1B 5R6 084927384 27384-849 ADVANCE SAVINGS CREDIT UNION (PPT), 960 St. George Blvd., Moncton, NB E1E 3Y3 084937094 37094-849 BEAUBEAR CREDIT UNION, 376 Water Street, P.O. Box 764, Miramichi, NB E1V 3V4 084937664 37664-849 BAYVIEW CREDIT UNION, Administration & Executive, 57 King Street, Saint John, NB E2L 1G5 084947184 47184-849 BEAUBEAR CREDIT UNION, 202 Pleasant Street, P.O. Box 764, Miramichi, NB E1V 3V4 084957084 57084-849 THE CREDIT UNION LTD, 422 William Street, Dalhousie, NB E8C 2X2 084957134 57134-849 BLACKVILLE CREDIT UNION, 128 Main Street, Blackville, NB E9B 1P1 084957324 57324-849 ADVANCE SAVINGS CREDIT UNION, Advance Savings Credit Union, 47 Main Street, Petitcodiac, NB E4Z 4L9 084967034 67034-849 BAYVIEW CREDIT UNION LTD, Westmorland Roadbranch, 550 Main Street, Hampton, NB E5N 6C3 084967174 07013-839 OMISTA CREDIT UNION, 494 Queen Street, P.O. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Annual Report
2018/2019 Annual Report Our Vision We are working to build a safe, healthy and strong community welcoming all ages, abilities and cultures — one where everyone has access to support, everyone is included and where everyone matters. North Shore Neighbourhood House 225 East 2nd Street, North Vancouver, BC, V7L 1C4 t: 604-987-8138 f: 604-987-2107 e: [email protected] www.nsnh.bc.ca ...the heart of the community for 80 years. www.nsnh.bc.ca Board Members Strategic Priorities 1 Committed and Accountable to our Community 2018/2019 WE WILL: • Expand and enhance strategic relationship building opportunities with other service providers. Our Mission • Develop appropriate fee-for service offerings. • Build awareness of NSNH as a “life cycle” service provider. The North Shore Neighbourhood House is a not-for-profit registered charity serving the North Shore community since 1939. Flourishing Partnerships with our Program We believe working together to meet the grassroots needs of all our neighbours 2 Sponsors and Funders especially our most vulnerable residents, is essential to building a safe, healthy WE WILL: • Deepen the engagement with our existing partners. and strong community. • Explore opportunities to develop new partnerships with business organizations. The house values and promotes cooperation, respect and empowerment through the provision of programs and services designed to meet the needs of individuals and the community as a whole. 3 Future Focused and Ready Organization WE WILL: • Create future focused sustainable programs. Our Vision • Build a new House. • Retain and attract exceptional staff. North Shore Neighbourhood House is building a safe, healthy and strong com- • Diversify funding sources to improve financial stability. -
Gilité Passi U
e m s i l a é e n t n r i o i l u s i RAPPORT ANNUEL s t b e f DE GESTION DE LA l a o r t u p p c é t a i SODEC a v d i t l i a t 2019-2020 é r é p t u m i o o c iv t p e a c c ré n n e r io a A s sp gi as n lité p ra t re rtu équité ouve Montréal, le 4 septembre 2020 Madame Nathalie Roy Ministre de la Culture et des Communications Ministère de la Culture et des Communications Édifice Guy-Frégault 225, Grande Allée Est, Bloc A, 1er étage Québec (Québec) G1R 5G5 Madame la Ministre, J’ai le plaisir de vous transmettre le rapport annuel de gestion de la Société de développement des entreprises culturelles (SODEC) pour l’exercice financier se terminant le 31 mars 2020. Ce rapport vous est remis pour dépôt à l’Assemblée nationale. Il a été produit conformément aux dispositions de la Loi sur la SODEC ainsi que de la Loi sur l’administration publique. Veuillez agréer, Madame la Ministre, l’expression de mes sentiments les meilleurs. La présidente et chef de la direction, Louise Lantagne 905, avenue De Lorimier, 4e étage, Montréal (Québec) H2K 3V9 | 514 841-2200 | 1 800 363-0401 | sodec.gouv.qc.ca Présentation d’Antigone au festival CINEMANIA De gauche à droite : Guilhem Caillard, Antoine Desrochers, Maidy Teitelbaum, Louise Lantagne, Sophie Deraspe, Nahéma Ricci et Nour Belkhiria Lou-Adriane Cassidy à la soirée Côte à Côte aux BIS de Nantes Naomi Fontaine au Salon du livre de l’Outaouais TABLE DES MATIÈRES Mot du président du conseil d’administration 6 4. -
SODEXPRESS Sodexpressle Bulletin D’Information Électronique De La SODEC / Vol
le bulletin d’information électronique de la sodec / vol. 8, n°2 – juillet 2009 SODEXPRESS SODEXPRESSle bulletin d’information électronique de la SODEC / vol. 8, n°2 – juillet 2009 le bulletin d’information électronique de la SODEC / vol. 7, n°2 – décembre 2007 Mot du président et chef de la direction par intérim sera pas trop difficile vu le haut niveau de profes- 1er avril dernier, les entreprises qui incarnent la sionnalisme de notre Société; il s’agit de dévelop- richesse culturelle du Québec et projettent son per les outils de contrôle adéquats pour chacun des rayonnement à l’étranger. maillons de la SODEC pour que nous devenions sous peu un modèle en la matière. La SODEC, c’est d’abord et avant tout une société au service des entreprises culturelles du Québec. M. GILLES CORBEIL Comme vous le savez sans doute, la SODEC a été La SODEC, c’est d’abord et avant tout une société En parcourant ce bulletin, vous pourrez constater interpellée par le Vérificateur général du Québec au service des entreprises culturelles du Québec. à quel point des talents québécois se sont illus- au cours des derniers mois. Le Comité de vérifica- Et, à cet effet, nous avons confié à la direction trés, et comment les entreprises culturelles ont tion de la Société a recommandé au conseil d’ad- générale du cinéma et de la production télévisuel- poursuivi leur chemin avec détermination et sa- ministration la mise en place de contrôles internes le et à la direction générale livre, métiers d’art, voir-faire. Nous saluons ces succès, à l’échelle na- visant à répondre aux recommandations du Vérifi- musique et variétés, la gestion de l’aide à l’inter- tionale et internationale, ainsi que tous ceux et cateur général. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz. -
BC's Music Sector
BC’s Music Sector FROM ADVERSITY TO OPPORTUNITY www.MusicCanada.com /MusicCanada @Music_Canada BC’S MUSIC SECTOR: FROM ADVERSITY TO OPPORTUNITY A roadmap to reclaim BC’s proud music heritage and ignite its potential as a cultural and economic driver. FORWARD | MICHAEL BUBLÉ It’s never been easy for artists to get a start in We all have a role to play. Record labels and music. But it’s probably never been tougher other music businesses need to do a better than it is right now. job. Consumers have to rethink how they consume. Governments at all levels have to My story began like so many other kids recalibrate their involvement with music. And with a dream. I was inspired by some of successful artists have to speak up. the greatest singers – Ella Fitzgerald, Tony Bennett and Frank Sinatra – listening to my We all have to pull together and take action. grandfather’s record collection while growing up in Burnaby. I progressed from talent I am proud of the fact that BC gave me a competitions, to regular shows at local music start in a career that has given me more venues, to a wedding gig that would put me than I could have ever imagined. After in the right room with the right people – the touring around the world, I am always right BC people. grateful to come home to BC where I am raising my family. I want young artists to When I look back, I realize how lucky I was. have the same opportunities I had without There was a thriving music ecosystem in BC having to move elsewhere.