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Jazz-Fest-2017-Program-Guide.Pdf
JUNE 22 – JULY 2 | 2017 /coastaljazz | #VanJazzFest | COASTALJAZZ.CA 20TH ANNIVERSARY SEASON 2017 181 CHAN CENTRE PRESENTS SERIES The Blind Boys of Alabama with Ben Heppner I SEP 23 The Gloaming I OCT 15 Zakir Hussain and Dave Holland: Crosscurrents I OCT 28 Ruthie Foster, Jimmie Dale Gilmore and Carrie Rodriguez I NOV 8 The Jazz Epistles: Abdullah Ibrahim and Hugh Masekela I FEB 18 Lila Downs I MAR 10 Daymé Arocena and Roberto Fonseca I APR 15 Circa: Opus I APR 28 BEYOND WORDS SERIES Kate Evans: Threads I SEP 29 Tanya Tagaq and Laakkuluk Williamson Bathory I MAR 16+17 SUBSCRIPTIONS ON SALE MAY 2 DAYMÉ AROCENA THE BLIND BOYS OF ALABAMA HUGH MASEKELA TANYA TAGAQ chancentre.com Welcome to the 32nd Annual TD Vancouver International Jazz Festival TD is pleased to bring you the 2017 TD Vancouver International Jazz Festival, a widely loved and cherished world-class event celebrating talented and culturally diverse artists from Canada and around the world. In Vancouver, we share a love of music — it is a passion that brings us together and enriches our lives. Music is powerful. It can transport us to faraway places or trigger a pleasant memory. Music is also one of many ways that TD connects with customers and communities across the country. And what better way to come together than to celebrate music at several major music festivals from Victoria to Halifax. ousands of fans across British Columbia — including me — look forward to this event every year. I’m excited to take in the music by local and international talent and enjoy the great celebration this festival has to o er. -
The Barr Brothers
The Barr Brothers Bio Over the last several years, The Barr Brothers have increasingly become one of the western world’s most distinguished purveyors of eclectic modern-Americana. Fronted by the poly-rhythmic, jocular drumming of Andrew Barr, the songs and guitar playing of brother Brad Barr, and the innovative harp wizardry of Sarah Pagé--who has single-handedly redefined the instrument and its context. The group has been expanding and contracting its sound and its size from their home base in Montreal, QC. Bass, pedal steel, keyboards, and horns come in and out of the mix freely. Equally at home in solemn Arcadian ballads, swampy North African improvs, or classic rock and roll revelry, The Barr Brothers continue to embrace and enchant audiences with their methodical-yet-whimsical approach to music making. The two brothers and Sarah began performing Brad's songs around North America, bringing in other friends on other instruments when needed, spinning these otherwise bedroom- folk songs into an intricate, open terrain. The link they maintain to the past fuses wonderfully with poetic insight into the conditions of the present, while incorporating everything from Malian rhythms to the Elmore James-esque slide guitar. Homemade percussion instruments reminisce the likes of Tom Waits’ five-years-buried muffler and a Jockey Full of Bourbon, while reviving Celtic folk traditions, polyrhythmic harp interplay, and the fire of West African Blues. Their self-titled debut album The Barr Brothers (2011) dances a fine line between the crossroads of Robert Johnson, Arthurian ballads, and the poetic sensibilities of Leonard Cohen. Their sophomore album, Sleeping Operator (2014) delves deeper into the connections between the Delta blues and its ancestry in West and North Africa, while still rooting itself in the softness of Appalachian folk and the soaring resilience of a song’s connective tissues. -
SODEXPRESS Sodexpressle Bulletin D’Information Électronique De La SODEC / Vol
le bulletin d’information électronique de la sodec / vol. 8, n°2 – juillet 2009 SODEXPRESS SODEXPRESSle bulletin d’information électronique de la SODEC / vol. 8, n°2 – juillet 2009 le bulletin d’information électronique de la SODEC / vol. 7, n°2 – décembre 2007 Mot du président et chef de la direction par intérim sera pas trop difficile vu le haut niveau de profes- 1er avril dernier, les entreprises qui incarnent la sionnalisme de notre Société; il s’agit de dévelop- richesse culturelle du Québec et projettent son per les outils de contrôle adéquats pour chacun des rayonnement à l’étranger. maillons de la SODEC pour que nous devenions sous peu un modèle en la matière. La SODEC, c’est d’abord et avant tout une société au service des entreprises culturelles du Québec. M. GILLES CORBEIL Comme vous le savez sans doute, la SODEC a été La SODEC, c’est d’abord et avant tout une société En parcourant ce bulletin, vous pourrez constater interpellée par le Vérificateur général du Québec au service des entreprises culturelles du Québec. à quel point des talents québécois se sont illus- au cours des derniers mois. Le Comité de vérifica- Et, à cet effet, nous avons confié à la direction trés, et comment les entreprises culturelles ont tion de la Société a recommandé au conseil d’ad- générale du cinéma et de la production télévisuel- poursuivi leur chemin avec détermination et sa- ministration la mise en place de contrôles internes le et à la direction générale livre, métiers d’art, voir-faire. Nous saluons ces succès, à l’échelle na- visant à répondre aux recommandations du Vérifi- musique et variétés, la gestion de l’aide à l’inter- tionale et internationale, ainsi que tous ceux et cateur général. -
MUSIC Charlotte Cardin ART Jordan Casteel FASHION Lou Dallas
ART Jordan Casteel Whether perched pensively atop a skateboard or on a folding chair next to a stand of glass- ware, the subjects of Jordan Casteel’s paintings feel preternaturally present. They are almost always black men, and their intimate imme- diacy belies the fact that Casteel, 29, has often just met them while walking through New York, where she lives. She introduces herself, asks them to pose, and takes as many as a hundred photos, which she whittles down to a handful to use as she works. The resulting paintings, as seen most recently in “Nights in Harlem,” her 2017 show at Casey Kaplan gallery, combine Alice Neel’s psychological acuity with August Sander’s sharp eye for quotidian detail. Having garnered attention for exhibitions at the Studio Museum in Harlem and Mass MoCA, the Yale- trained artist is set to have her first museum survey, in February 2019, in her hometown, at the Denver Art Museum. Though her paint- ings are about real people and real life, they are never mere transpositions. The skin of her models sometimes glows green, lavender, or orange, as if bathed in neon—the result of “trying to push the envelope of what it is we think about in terms of a person of color and the range of hues that create one’s skin tone,” Casteel says. andrew russeth Left: Jordan Casteel, wearing a Marni dress and Agmes necklace, in her New York studio with Lavender Embrace, 2018. MUSIC Charlotte Cardin Charlotte Cardin was a rising model in 2013 when she competed on La Voix, the French-Canadian answer to The Voice, and wound up placing in the Top Four. -
Marked Once Again by a Great Turnout
Inside this week General Store est. in 1909 and Percé wireless network McInnis Cement: Caisse still sells just about everything overloaded during tourist boom de dépôt takes control Contract 400119680 VOLUME 42 / NO 32 / AUGUST 17, 2016 $1.50 (Tax included) SHIGAWAKE AGRICULTURAL FAIR AND MUSIC FESTIVAL: Marked once again by a great turnout Gilles Gagné lot of local bands on Thurs- day. Actually, it is their day SHIGAWAKE: – Statistics and we saw keen interest in still have to be aligned, mak- them this year. It is also nice ing it a bit early for a thor- to see people from here, or ough wrap up but the with roots here, make their organizers of the Shigawake holiday plans around the Agricultural Fair and Music event,” says Meghan Clinton. Festival know for sure that For Friday, she was glad the 2016 edition of their about the decision she and the event was another great suc- programming crew made cess. about starting the music night The four days of the agri- with Romeo “Tunny” Hottot cultural fair and music festi- and Glenn Patterson, two fid- val were characterized by dlers. strong points, and SPEC “It went very well. It was Photo: P. MacWhirter The lawn tractor race has become a very popular event. it was close to the record of Festival. This year’s Saturday bers now that we sell week- last year,” she says. crowd might have been even end passes,” she says. The 2015 combination of larger, considering the num- The lawnmower race has the Barr Brothers and Gaspe- ber of people on the entire also become a huge attrac- sian singer Marie-Pierre fairgrounds site. -
Rebecca Foon Bio 2017
REBECCA FOON BIOGRAPHY 2017 Cellist and composer Rebecca Foon has been a fixture of the Montréal music community for two decades, since moving to the city from her native Vancouver in the late 1990s. She co-founded the Juno Award- winning contemporary chamber group Esmerine in 2002 and was a core member of the celebrated cult post-punk band Thee Silver Mt. Zion Memorial Orchestra from 2001-2008 and the experimental instrumental collective Set Fire To Flames. Foon was also a founding member of the instrumental trios The Mile End Ladies String Auxiliary and Fifths of Seven. Alongside over a dozen albums as a composer and player with the aforementioned projects, Foon has a long list of recording and performing credits as a guest player, and several soundtrack projects under her belt (including the award-winning tar sands documentary H2Oil). Most recently, she has been a member of Colin Stetson’s acclaimed “Sorrow” orchestra (performing Gorecki’s 3rd Symphony) and part of the band for the live documentary performances of filmmakers Sam Green and Brent Green Saltland is Foon’s ‘solo’ project, the seeds of which were planted with a series of local Montréal performances under her own name in 2010- 2011. As a first album took shape in 2012, Foon wished to give the music its own moniker and identity, and to leave room for the project to take on various members and configurations. Saltland’s 2013 debut record I Thought It Was Us But It Was All Of Us was released to broad critical acclaim and featured a long list of Foon’s friends and past collaborators as guest musicians, including Jamie Thompson (The Unicorns, Islands), Richard Reed Parry and Sarah Neufeld (Arcade Fire), Mishka Stein (Patrick Watson) and Laurel Sprengelmeyer (Little Scream). -
Feuille Nominationsavec Logo.Pmd
N O M I N A T I O N S 2015 Gala de l’ADISQ Révélation de l’année Groupe ou duo de l’année • Bernhari • Alfa Rococo présenté par Radio-Canada • Philippe Brach • Galaxie Dimanche, 8 novembre • Jérôme Couture • Kaïn Salle Wilfrid-Pelletier • Valérie Lahaie • Marie-Eve Janvier et Jean-François Breau Animateur : Louis-José Houde • David Portelance • Radio Radio Spectacle de l’année - Interprète féminine de l’année Auteur-compositeur-interprète • Marie-Pierre Arthur Album de l’année - Adulte contemporain • Accords, Sylvain Cossette • Brigitte Boisjoli • Si l'aurore, Marie-Pierre Arthur • Le Voyage d'hiver, Keith Kouna • Isabelle Boulay • Sur la terre, Pierre Flynn • Le feu de chaque jour, Patrice Michaud • Marie-Mai • Hervieux, Marc Hervieux • 22h22, Ariane Moffatt • Ariane Moffatt • Après la tombée du rideau, Patrick Norman • Himalaya mon amour, Alex Nevsky • Un homme qui vous ressemble, Mario Pelchat Interprète masculin de l’année Spectacle de l’année - Interprète • Louis-Jean Cormier Album de l’année - Folk • Légendes d'un peuple - Le collectif, • Marc Dupré • La foire et l'ordre, Philippe Brach Artistes variés • Jean Leloup • Les grandes artères, Louis-Jean Cormier • Sans regret, Brigitte Boisjoli • Alex Nevsky • Face à l'ouest, Kevin Parent • Merci Serge Reggiani, Isabelle Boulay • Vincent Vallières • Plus tard qu'on pense, Fred Pellerin • Les années bonheur, Michel Louvain, • Panorama, Tire le coyote Renée Martel, Chantal Pary Chanson de l’année • À la croisée des silences, Chloé Sainte-Marie • Rien à faire, Marie-Pierre Arthur Album -
Hillside 2016
An Evening with $5 Moe Berg, Friday Saturday Sunday Chris Murphy, Main Stage Island Stage Lake Stage Main Stage Island Stage Lake Stage Sun Stage Main Stage Island Stage Lake Stage Sun Stage 5:45 pm Aboriginal Welcome A Festival5:45 pmof Music 11 am Drum and Dance While Crickets and 11 am 10:30 am 10:30 am 10:30 am Hillside and JAMSchool present The Sunday 6 pm Don’t Fall Apart on Me Tonight Welcome to the 519 6 pm Heart of the Rhythm Cicadas Sing Craig Northey Youth Showcase with The Funga Drummers 11:30 am Mandolin Orange Gospel Session Jesse Zubot (host) with Son Little, Stephen With Gregory Pepper, Noah23,and Community 11 am 11 am FRI FEB 5 Live Rock and Sani-Abu Mohammed and So Long Seven Drum and Dance Old Man Luedecke (host) On the Crest of a Wave Lyons, Skye Brooks, and friends Andy Shauf, and friends In Token Rhyme Five 2 Six Dance of the Maidens with Mandolin Orange, So Long Seven Enough Said Noon Aerial Dance Suggesting Rhythm Noon – Sani-Abu Mohammed Rose Cousins, Ben Caplan, meets Ajinai and Steven Page 7 pm Guelph Lake Hootenanny 7 pm Jayeden Walker Mo’ Kalamity & The Wizards and Rising Appalachia 24 meet Rising Appalachia 2017 · 8 PM Teen Violence The Grand River Ramblers (hosts), The Lifers 11:55 am Moe Berg (Pursuit of 7:10 pm Noon Hillside and JAMSchool present Noon $27–29* Steve Poltz, and friends Performers 12:40 pm Performers Happiness), Chris Murphy 12:35 pm Poetic Folk-Hop Youth Showcase Andy Shauf CFRU presents 12:40 pm If I Had My Way The Suitcase Junket (Sloan), Craig Northey (Odds) 8 pm 8 pm 1 pm Ian Keteku and -
Constellation
CONSTELLATION La critica musicale ha spesso identificato alcuni generi musicali con le città nelle quali si erano sviluppati, arrivando a far coincidere musica e toponomastica come nel caso del Canterbury sound o del Madchester. In realtà di solito si è trattato di un tentativo di semplificare la realtà per rendere intelligibili fenomeni la cui complessità sarebbe stata di difficile comprensione alla maggioranza dei lettori delle varie riviste del settore; basti pensare alla San Francisco psichedelica, al country di Nashville, all'elettronica berlinese, alla Seattle grunge o a Londra per il punk, ecc. Detto ciò, in pochi avrebbero immaginato che nel novero di queste “capitali” musicali sarebbe apparso il nome di Montreal, principale città del Quebec canadese. Eppure se dovessimo cercare una città con la quale identificare il post- rock degli anni Duemila non potremmo che guardare verso questa metropoli di più di un milione e mezzo di abitanti, se non altro per l’etichetta discografica indipendente Constellation records che vi ha sede. Nata nel 1997, la Constellation si è fin da subito caratterizzata per le “ostiche” scelte musicali e di marketing, dimostrando negli anni un'ammirevole coerenza che le ha permesso di intercettare le espressioni più avanzate e innovative del movimento post-rock canadese – ovvero il meglio del post-rock tout-court –, distinguendosi commercialmente dalle tante etichette indipendenti grazie a confezioni in digipack dominate da colori tenui e da un’originalità grafica e iconografica che diventa determinante nel trasmettere anche visivamente i contenuti musicali. Ma forse per comprendere il percorso qui proposto occorre partire dall’inizio, ovvero dalla definizione di Post-rock. -
Inside 18 15 09 07 02
ISSUE 2007/10/250VOLU7ME 62 INSIDE 02 News 07 Comments 09 Arts & Culture 15 Listings uniter.ca 18 Sports » EB W HE T N O [email protected] » E-MAIL . 07 . ss I L. 62 L. O V OCT 25, 200725, OCT EEKLY W T DEN TU DENIED ENTRY AMERICAN PEACE ACTIVISTS HELD BACK AT BORDER F WINNIPEG S F WINNIPEG 03 O Y CANADIAN MOTHERS BARE ALL T 09 LOCAL AUTHOR CHANDRA MAYOR TELLS THE TRUTH ABOUT MOTHERHOOD ERSI V THE ART OF ENERGY EXHIBIT EXPLORES YOGA PRACTICE AND ZEN PHILOSOPHY NI 11 U HEAD SHOTS IN HOCKEY DEBATING VIOLENCE IN CANADA’s fAVOURITE PASTIME THE THE 18 ♼ October 25, 2007 The Uniter contact: [email protected] 02 NEWS UNITER STAFF NEWS EDITOR: STACY CARDIGAN SMITH NEWS EDITOR: KSENIA PRINTS E-MAIL: [email protected] E-MAIL: [email protected] MANAGING EDITOR News Jo Snyder » [email protected] BUSINess MANAGER James D. Patterson » [email protected] American peace activists PRODUCTION MANAGER Sarah Sangster » [email protected] detained at the Canadian border PHOTO EDITOR MOTIVes BEHIND seCURITY POLICY IN QUesTION Natasha Peterson » [email protected] COPY & STYLE EDITOR Jacquie Nicholson » [email protected] Since 9/11, the Canadian and U.S. governments have NEWS ASSIGNMENT EDITOR Stacy Cardigan Smith » [email protected] collaborated on a number of intelligence-sharing initiatives. News PRODUCTION EDITOR According to the CBSA Ksenia Prints » [email protected] website, www.cbsa-asfc.gc.ca, COMMENTS EDITOR these include: Ben Wood » [email protected] • Dec. 2001, the Smart Borders ARTS & CULTURE EDITOR Declaration – Signed in the wake of Whitney Light » [email protected] the Sept. -
Orreport Annual 2013 – 2014
FA Annual 2013 – 2014 C T OR Repor t We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage Canada Music Fund and of Canada's Private Radio Broadcasters. 2 Message From the Chair We are extremely FACTOR 2013–2014 FACTOR proud of the role we play in supporting Canadian musical artists Message From the Chair 3 After serving on FACTOR’s Board of Directors for the past six years, it is with pride that I write my last message as Chair. It is remarkable to think how much FACTOR has changed since I first became involved with the organization. Over this time, FACTOR has made a number of important improvements and transforma- tional changes in the way it administers funding for the Canadian independent music industry. These include efforts to build staff expertise to ensure consistent, fair and transparent funding; to develop a res- ponsible investment strategy for surplus funding that ensures long-term 2013–2014 FACTOR funding stability; the modernization of our application processes and client services with investments in digital infrastructure; and, most importantly, a re-design of our programs to better reflect how the industry is monetizing recorded music and to ensure investments are made in areas where they will have the greatest potential to be com- mercially meaningful. FACTOR’s ability to successfully navigate the dramatic changes shaping the Canadian independent music industry is due in large part to the stable funding it receives from the public-private partnership shared between Canada’s private radio broadcasters and the Government of Canada through the Department of Canadian Heritage. -
Jace Lasek CV OCT 2020
Jace Lasek [email protected] www.breakglass.ca www.jacelasek.com Education 1997 - 1999 Emily Carr Institute of Art and Design, Vancouver, B.C. Received B.F.A. in Photography 1992 - 1996 University of Regina, Regina, SK Studied English, Philosophy and Fine Art Selected Sound Production/Album Credits 2020 Godspeed You! Black Emperor – Recorded and mixed forthcoming LP. 2020 Terry Uyaruk – Produced/recorded/mixed “Nunarjua Isulinginniani” LP. 2020 The Jerry Cans – Produced/recorded/mixed “Echoes” LP. 2020 Rebecca Foon – Produced/recorded/mixed “Waxing Moon” LP. 2005 - 2020 Land of Talk – Recorded/mixed “Applause, Cheer, Boo, Hiss” EP; Produced/recorded/mixed “Cloak and Cipher” LP; Co- produced/recorded “Life After Youth” LP, mixed 1-4, 7-8 of “Indistinct Conversations” LP. 2019 Matana Roberts – Recorded “Coin Coin Chapter Four: Memphis” LP. 2019 Blessed – Produced/recorded/mixed “Salt” LP. 2019 Tunic – Produced/recorded/mixed “Complexion” LP. 2018 Foreign Diplomats – Produced/recorded/mixed “Monami” LP. 2018 Lydia Képinski – Mixed “Premier juin” LP. 2020, 2004 Bell Orchestre – Mixed forthcoming album. Recorded tracks for “Recording a Tape the Colour of Light” LP. 2011 - 2018 Moonface – Mixed “This One’s For The Dancer and This One’s For The Dancer’s Bouquet” LP. Mixed “My Best Human Face” LP and “Organ Music Not Vibraphone Like I’d Hoped LP. 2013 - 2017 Esmerine – Recorded/mixed “Mechanics of Dominion,” “Lost Voices” and “Dalmak” LPs. 2016 And The Kids – Co-produced, recorded and mixed “Friends Share Lovers” LP. 2012, 2016 Luyas – Produced/recorded/mixed “Animator” LP; Mixed “Say You” LP. 2015 Wake Island – Mixed “Out” LP. 2015 Yes We Mystic – Co-produced/recorded/mixed “Forgiver” LP.