Makna Simbolik Patung Mi Lek Hut Dan Patung Ta Ol Lao Shi Di Vihara Dharma Jaya (Sin Tek Bio) Pasar Baru Jakarta Pusat

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Makna Simbolik Patung Mi Lek Hut Dan Patung Ta Ol Lao Shi Di Vihara Dharma Jaya (Sin Tek Bio) Pasar Baru Jakarta Pusat MAKNA SIMBOLIK PATUNG MI LEK HUT DAN PATUNG TA OL LAO SHI DI VIHARA DHARMA JAYA (SIN TEK BIO) PASAR BARU JAKARTA PUSAT Skripsi Diajukan Kepada Fakultas Ushuluddin UIN Syarif Hidayatullah Jakarta untuk Memenuhi Salah Satu Persyaratan guna Memperoleh Gelar Sarjana Agama (S.Ag) Oleh : Salwa Anwar NIM: 11140321000021 PRODI STUDI AGAMA-AGAMA FAKULTAS USHULUDDIN UIN SYARIF HIDAYATULLAH JAKARTA 2019 i ii iii ABSTRAK SALWA ANWAR. “Makna Simbolik Patung Mi Lek Hut dan Patung Ta Ol Lao Shi di Vihara Dharma Jaya (Sin Tek Bio) Pasar Baru Jakarta Pusat.” Skripsi. Jakarta: Jurusan Studi Agama-Agama Fakultas Ushuluddin UIN Syarif Hidayatullah Jakarta, 2019. Penelitian ini bertujuan untuk mendeskripsikan makna simbolik patung Mi Lek Hut dan Patung Ta Ol Lao Shi di Vihara Dharma Jaya (Sin Tek Bio) Pasar Baru Jakarta Pusat, serta melihat ritual pemujaan terhadap patung Mi Lek Hut dan patung Ta Ol Lao Shi. Dalam hal ini penulis berusaha memahami makna simbolik dan ritual pemujaan patung Mi Lek Hut dan patung Ta Ol Lao Shi di Vihara Dharma Jaya. Penelitian ini merupakan penelitian lapangan (Field Research) yang bersifat kualitatif. Sumber data dan informasi yang penulis dapatkan dari proses wawancara langsung maupun dari buku-buku, jurnal, dan artikel yang sesuai dengan tema dan judul yang dibahas. Penelitian ini menggunakan satu pendekatan yaitu pendekatan antropologis. Penulis berusaha untuk menjelaskan hasil penelitian berdasarkan pengamatan yang telah penulis lakukan selama beberapa hari di Vihara Dharma Jaya (Sin Tek Bio) Pasar Baru Jakarta Pusat. Hasil dari penelitian ini adalah prosesi ritual pemujaan patung Mi Lek Hut dan Ta Ol Lao Shi sama dengan patung-patung lain yaitu berdoa dan kebaktian, dengan melakukan pembakaran dupa atau hio lalu dan jamaah mempersembahkan sesajian atau sesajen. Sesajen atau perlengkapan yang dibawa berupa lilin, buah- buahan yang segar, air, bunga jajanan kue, manisan, nasi kuning, bubur merah, bubur putih dan wajik. Adapun makna simbolik dari patung Mi Lek Hut diantaranya adalah senyum yang lebar atau tertawa, melambangkan cinta kasih, kebahagiaan dan kegemaran membawa kebahagiaan pada makhluk hidup lainnya, telinga yang panjang melambangkan dengan kelembutan dan kebaikannya, beliau dengan setia akan mendengarkan dan mengerti semua makhluk hidup, dada lebar melambangkan pikiran yang luas, ketulusan dan cinta kasih pada semua makhluk hidup, perut besar melambangkan rasa toleransi yang besar, hati yang terbuka dan akan menanggung semua beban dunia tanpa membeda-bedakan. Makna filosofis dari patung Mi Lek Hut untuk memperoleh kebahagiaan, rezeki serta keturunan. Maka dari itu Mi Lek Hut sering digambarkan sebagai seorang bikkhu gendut yang sedang tertawa dan dikelilingi lima orang anak kecil. Sedangkan makna simbolik patung Ta Ol Lao Shi atau Mbah Jugo adalah sebagai penghormatan atas keampuhan ilmu yang dimilikinya dan menolong terhadap sesama. Kata Kunci : Simbolik, Patung, Ritual Pemujaan dan Vihara iv KATA PENGANTAR Assalamu’alaikum Wr.Wb Segala puji dan syukur penulis panjatkan kehadirat Allah SWT yang telah memberikan rahmat-Nya, sehingga penulis dapat menyelesaikan penulisan skripsi ini. Skripsi yang berjudul Makna Simbolik Patung Mi Lek Hut dan Patung Ta Ol Lao Shi di Vihara Dharma Jaya (Sin Tek Bio) Pasar Baru Jakarta Pusat disusun guna memenuhi salah satu persyaratan untuk memperoleh gelar Sarjana Strata Satu, Jurusan Studi Agama-Agama, Fakultas Ushuluddin, UIN Syarif Hidayatullah Jakarta. Dalam penulisan skripsi ini penulis menyadari bahwa skripsi yang jauh dari sempurna ini tidak akan dapat selesai tanpa adanya dukungan dan banyak pihak baik secara langsung maupun tidak langsung. Oleh karena itu, pada kesempatan ini penulis mengucapkan banyak terimakasih kepada pihak yang telah membantu dalam penyelesaian skripsi ini, khususnya kepada: 1. Kedua Orang tua tercinta yang selalu memberikan kasih sayang, doa, nasihat, motivasi, saran, dukungan dan dorongan moril maupun materil. Semoga adinda dapat membalas semua perjuangan Ayahanda H. Abdul Rachman Anwar dan Ibunda Hj. Lily Nurlailiyah. Beserta kakak-kakak tersayang Rif’at, Lya Shofwatul Mawaddah dan Hariry Anwar yang telah memberikan motivasi, dukungan, doa dan keceriaan. 2. Bapak Drs. Dadi Darmadi, MA, sebagai dosen Pembimbing Akademik yang selalu memberikan pencerahan dan arahan dalam membimbing pembuatan proposal skripsi sampai selesai. 3. Bapak Prof. Dr. M. Ikhsan Tanggok, M. Si, sebagai dosen pembimbing yang selalu meluangkan waktu serta kesabaran memberikan arahan dan bimbingan sehingga membuka cakrawala berpikir dan nuansa ilmu yang baru. 4. Bapak Syaiful Azmi, MA., selaku Kepala Jurusan Studi Agama-Agama dan Ibu Lisfa Sentosa Aisyah, MA., selaku Sekertaris Jurusan Studi Agama- v Agama yang memberikan arahan serta motivasi yang luar biasa kepada penulis dan selalu memberikan pelayanan kepada mahasiswa/i dengan baik. 5. Seluruh dosen Studi Agama-Agama UIN Syarif Hidayatullah Jakarta yang tidak dapat disebutkan satu per satu tanpa mengurangi rasa hormat atas ilmu dan pelajaran dalam perkuliahan atau di luar perkuliahan. 6. Seluruh jajaran pimpinan dan staff Fakultas Ushuluddin atas bantuan dalam persiapan pelaksanaan seminar proposal dan ujian komprehensif. 7. Bapak Santoso Witoyo selaku pimpinan Vihara Dharma Jaya (Sin Tek Bio) Pasar Baru Jakarta Pusat dan Bapak Andy selaku jamaah Vihara Dharma Jaya yang telah berkenan memberikan izin penelitian sekaligus menjadi narasumber untuk melengkapi isi skripsi. 8. Handy Rizki Prima teman berjuang bersama dalam mengerjakan skripsi dari awal hingga selesai. 9. Sahabat-sahabat terbaik penulis yang selalu memberikan semangat untuk ke perpustakaan dan menulis skripsi hingga selesai Siti Pheunna Tiara Hati, Muhammad Wahyu, Ridwan Efendi, Wahyu Vebry Putra, Zikri Sulthoni, Muhammad Samtoni, Binna Ridhatul Shaumi, Qonita, Nur Afifah, dan Teti Eliza. Kebaikan dan kekonyolan kalian akan selalu penulis ingat sampai tua nanti. 10. Bidadari Macho; Nadya Qudsiyyah, Muthia Imantari, dan Sarah Maulidasari terimakasih sudah bersedia mendengarkan keluh kesah dan selalu memberikan semangat kepada penulis hingga skripsi selesai. 11. Ulfa Aulia Faradiba sebagai teman satu kost yang selalu menemani dari awal kuliah hingga lulus, terimakasih banyak atas doa, dukungan, motivasi, kebersamaan serta dorongan yang telah diberikan. 12. Squad anak bontot Bahauddin Hasan Al-Bisri, Ikhsan Nur Amal, Maulana terimakasih banyak atas keceriaan yang selalu diberikan selama berada di ciputat. 13. Seluruh teman-teman Studi Agama-Agama angkatan 2014 terimakasih sudah memberikan warna kehidupan di Fakultas Ushuluddin. vi 14. Kepada teman-teman KKN KLOROFIL 136 yang telah memberikan doa dan semangat. Semoga kalian diberikan kelancaran dalam menyelesaikan urusan dan selalu diberikan kesehatan. 15. Semua pihak yang telah membantu yang belum disebutkan tanpa mengurangi rasa hormat. Terimakasih banyak. Sebagai manusia biasa yang tidak pernah luput dari kekurangan dan keterbatasan, penulis menyadari bahwa penelitian ini mungkin masih banak kekurangannya. Oleh sebab itu, penulis menerima kritik dan saran yang bersifat membangun untuk menyempurnakan penelitian ini. Penulis menyadari bahwa dalam penulisan skripsi ini masih jauh dari kesempurnaan. Penulis mengharapkan penelitian ini bermanfaat bagi semua pihak dan dapat memenuhi apa yang diharapkan oleh semua pihak. Semoga Allah SWT memberikan keberkahan kepada kita semua. Aamiin Ya Rabbal ‘Alamin. Wassalamu’alaikum Wr.Wb. Jakarta, 15 Juli 2019 Salwa Anwar vii DAFTAR ISI LEMBAR PERSETUJUAN ............................................................................................ i LEMBAR PERNYATAAN ............................................................................................ ii PENGESAHAN PANITIA UJIAN ............................................................................... iii ABSTRAK ...................................................................................................................... iv KATA PENGANTAR ..................................................................................................... v DAFTAR ISI ................................................................................................................. viii DAFTAR LAMPIRAN ................................................................................................... x BAB I PENDAHULUAN ................................................................................................ 1 A. Latar Belakang ...................................................................................................... 1 B. Rumusan masalah.................................................................................................. 7 C. Tujuan dan Kegunaan Penelitian .......................................................................... 7 D. Tinjauan Pustaka ................................................................................................... 8 E. Metodologi Penelitian ......................................................................................... 10 F. Sistematika Penulisan ......................................................................................... 12 BAB II SIMBOLISME ................................................................................................. 14 A. Pengertian Simbol ............................................................................................... 14 B. Fungsi Simbol ..................................................................................................... 19 C. Perbedaan Simbol dengan Tanda .......................................................................
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