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MATT BRIM Poor Queer STUDIES MATT BRIM poor queer STUDIES confronting elitism in the university poor queer studies duke university press durham & london ​2020 MATT BRIM poor queer STUDIES confronting elitism in the university © 2020 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Aimee C. Harrison Typeset in Warnock Pro and Antique Olive by Westchester Publishing Ser vices Library of Congress Cataloging- in- Publication Data Names: Brim, Matt, author. Title: Poor queer studies : confronting elitism in the university / Matt Brim. Description: Durham : Duke University Press, [2020] | Includes bibliographical references and index. Identifiers:lccn 2019035478 (print) lccn 2019035479 (ebook) isbn 9781478006824 (hardcover) isbn 9781478008200 (paperback) isbn 9781478009146 (ebook) Subjects: lcsh: Gay and lesbian studies— United States. | Elite (Social sciences)— Education— United States. | Queer theory— United States. | Educational equalization— United States. Classification:lcc hq75.15 .b77 2020 (print) | lcc hq75.15 (ebook) | ddc 306.76010973— dc23 lc rec ord available at https:// lccn . loc . gov / 2019035478 lc ebook rec ord available at https:// lccn . loc . gov / 2019035479 Cover art: fStop Images—Emily Keegin, Old, broken chairs in an abandoned school. Photograph. Courtesy of Getty Images. For the students, faculty, and staff of the College of Staten Island, City University of New York and For my first teacher, Ted contents Acknowl edgments / ix Introduction / Queer Dinners / 1 Chapter One / The College of Staten Island: A Poor Queer Studies Case Study / 29 Chapter Two / “You Can Write Your Way Out of Anywhere”: The Upward Mobility Myth of Rich Queer Studies / 64 Chapter Three / The Queer Career: Vocational Queer Studies / 99 Chapter Four / Poor Queer Studies Mothers / 135 Chapter Five / Counternarratives: A Black Queer Reader / 159 Epilogue / Queer Ferrying / 194 Notes / 203 Bibliography / 225 Index / 241 acknowl edgments The under lying hope of this book— that Queer Studies might be reconcep- tualized as a cross- class, antiracist proj ect that sparks collaboration among academic institutions with starkly dif er ent resources and reputations— would have been impossible without help from near and far. First, I thank my students, who are the heart of this book, as well as my faculty and staf colleagues at the College of Staten Island, City University of New York. In so many ways, I have been helped by Jillian Báez, Alyson Bardsley, Maria Rice Bellamy, Sarah Benesch, Jean- Philippe Berteau, Jen- nifer Rubain Borrero, Carol Brower, Rosanne Carlo, Katie Cumiskey, Ashley Dawson, Rafael de la Dehesa, Jen Durando, William Fritz, Gloria Garcia, Patti Gross, Sharifa Hampton, Anne Hays, Jeremiah Jurkiewicz, Arnie Kan- trowitz, Giancarlo Lombardi, Tara Mateik, Ed Miller, Gerry Milligan, Lee Papa, Sohom Ray, Simon Reader, Terry Rowden, Christine Flynn Saulnier, Linda Sharib, Ira Shor, Ilyssa Silfen, Francisco Soto, Judith Stelbaum, Nan Sussman, Sarolta Takács, Saadia Toor, and Nelly Tournaki. Colleagues from across the cuny system, which is a key institutional fig- ure in this book, have been more than readers and interlocutors; they have been models of how to do queer work in an unconscionably underfunded public university. From clags: Center for lgbtq Studies, I thank Justin Brown, Yana Calou, Sarah Chinn, Benjamin Gillespie, Kevin Nadal, Jasmina Sinanovic, Kalle Westerling, Jim Wilson, and Martin Duberman, for giving faculty from poor schools a seat at the Queer Studies table. From the Faculty Fellowship Publication Program, thanks to Leslie Broder, Carrie Conners, András Kisery, Chris Schmidt, and Tshombe Walker, who were the first readers of the first incarnation of this book, and to Ria Banerjee, Megan Behrent, Alison Better, Sarah Hoiland, and María Julia Rossi for their in- spiring feminist collaboration. Thank you to Dana- Ain Davis, director of the Center for the Study of Women and Society at the Gradu ate Center, for in- viting me to discuss my work in pro gress. Thanks to Jen Gaboury at Hunter College, Shereen Inayatulla at York College, Ken Norz and Lucinda Zoe at cuny Central, Laura Westengard at City Tech, and Linda Villarosa at City College for collaborating around queer pedagogies. It has been an honor to work with the next generation of scholars at the Gradu ate Center, especially Rachel Corbman, Simone Kolysh, Melissa Maldonado- Salcedo, and Chris Morabito. Looking further afield, I thank Warren Rosenberg and the members of ’Shout for hosting me for a talk at Wabash College, and Greg Mitchell and the students of Williams College for their warm welcome. My time in the Indiana University En glish Department and the Duke University Writing Program instilled in me not only a love of teaching but a love of pedagogy studies that inspires much of what follows, and I especially want to thank Susan Gubar, Christine Farris, Kathy Smith, John Schilb, and Joe Harris for their guidance. As I wrote this book, I enjoyed vari ous kinds of help and collaboration from across the academ y and beyond it, including from Peter Cramer, Cathy Davidson, Ramzi Fawaz, Rod Ferguson, Amin Ghaziani, Don- ald Hall, John Hawley, Stephanie Hsu, Jim Hubbard, E. Patrick Johnson, John Keene, David Kurnick, Heather Love, Dwight McBride, Maryann McK en- zie, Koritha Mitchell, Ricardo Montez, Robert Reid- Pharr, Siobhan Somer- ville, Polly Thistlethwaite, Steven Thrasher, Valerie Traub, Ken Valente, and Robyn Wiegman. With their support and encouragement, Ken Wissoker, Josh Tranen, and Liz Smith at Duke University Press have made publishing this book one of the highlights of writing it. Two anonymous readers ofered key insights and concrete suggestions that made revising the manuscript a reward rather than a chore. It’s strange to thank people for being themselves— funny, smart, loving, kind, tough, savvy, honest, and thoughtful—so I’ll just say thanks for put- ting the life in work- life balance to Ava Chin, Cynthia Chris, Shelly Eversley, Maryann Feola, David Gerstner, and Sarah Schulman. Finally, thanks to Eric Hartman, for thinking it all through with me. In addition to early support from cuny’s Faculty Fellowship Publication Program, as I wrote this book I was honored to receive a Distinguished cuny Fellowship from the Advanced Research Collaborative at the cuny Gradu- ate School, a cuny Academic Commons Open Educational Resource Faculty Fellowship, a cuny Book Completion Award, psc/cuny Research Awards, and two Provost’s Travel Fellowships from the College of Staten Island. x / acknowledgments The introduction is derived in part from the article “Poor Queer Stud- ies: Race, Class, and the Field,” published in the Journal of Homo sexuality, November 7, 2018. © Taylor & Francis, available online: doi . org / 10 . 1080 / 0091 8369 . 2018 . 1534410. The obituary for Larry Mitchell that opens chapter 1 was originally pub- lished in The Gay and Lesbian Review / Worldwide 20, no. 3 (2013): 11. An earlier version of chapter 5, in a significantly dif er ent form, appeared in Imagining Queer Methods, edited by Amin Ghaziani and Matt Brim, pub- lished by New York University Press, 2019. acknowledgments / xi introduction Queer Dinners While access to college has become more egalitarian, where a student attends col- lege and what she or he studies have become increasingly tied to social background and gender. — Ann Mullen, Degrees of In equality: Culture, Class, and Gender in American Higher Education What does [the] massive re distribution of wealth and widening of [the] class di- vide have to do with queer studies? It just happens to be the twenty- year moment when a gay rights movement and the field of queer studies have both emerged. There’s no inherent reason why queer studies and gay politics would not reproduce the racialized class in equality and confusion that structure the larger society. But unfortunately, we can’t enjoy the luxury of standing on the sidelines as innocent bystanders. We have been implicated. — Allan Bérubé, keynote address for “Construct- ing Queer Cultures,” a conference sponsored by the Program in Lesbian, Bisexual, and Gay Studies at Cornell University, February 1995 People in forgotten places also act within the institutional and individualized con- straints defined by racialization, gender hierarchy, and nationality, and the complex potential mix of these possibilities has produced its own academic specialties old and new. ​Constraints does not mean “insurmountable barriers.” However, it does suggest that p eople use what is available to make a place in the world. — Ruth Wilson Gilmore, “Forgotten Places and the Seeds of Grassroots Planning” Bloomsbury Community College “One cannot think well, love well, sleep well, if one has not dined well,” writes Virginia Woolf in her touchstone 1929 study of gender, class, and ge- nius, A Room of One’s Own. The fictional context for Woolf’s maxim about the intellect and the gut is a comparison of two meals, a lunch at a fantas- tically resource- rich men’s college, “Oxbridge,” and a dinner at “Fernham,” a meagerly funded, upstart women ’s college. The stringy beef and watery prunes served to the young women of Fernham stand up poorly against the partridges in cream and the meringue-c rested desserts served to the young men of Oxbridge, where mountains of gold and silver have for centuries been poured into lawns and libraries to produce the educated gentlemen of the empire. The men’s food does not only look and taste better; the Oxbridge meal also lights a little fire in the spine ( there is wine, I should mention), the glow of which travels anatomically upward toward its greater purpose: powering the famously, androgynously, incandescent mind. The food and wine, it turns out, are not sufficient in themselves to create genius, but they prepare the way. To the contrary, among the women at Fernham, with base hunger abated but the palate and mind dulled by those prunes, the eve ning conversation flags. A clear- eyed, unsatisfied guest, Woolf hesitates only a moment before writing of the women ’s college, “The dinner was not good.”1 Another dinner scene .
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