Le Forum, Vol. 40 No. 3 Lisa Desjardins Michaud
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Queer(Y)Ing Quaintness: Destabilizing Atlantic Canadian Identity Through Its Theatre
QUEER(Y)ING QUAINTNESS: DESTABILIZING ATLANTIC CANADIAN IDENTITY THROUGH ITS THEATRE LUKE BROWN Thesis submitted to the University of Ottawa in partial fulfillment of the requirements for the Master of Arts degree in Theatre Theory & Dramaturgy Department of Theatre Faculty of Graduate Studies University of Ottawa © Luke Brown, Ottawa, Canada, 2019 Brown ii Abstract The Atlantic Canadian provinces (Newfoundland, New Brunswick, Prince Edward Island, and Nova Scotia) have long been associated with agricultural romanticism. Economically and culturally entrenched in a stereotype of quaintness (Anne of Green Gables is just one of many examples), the region continuously falls into a cycle of inferiority. In this thesis, I argue that queer theory can be infused into performance analysis to better situate local theatre practice as a site of mobilization. Using terms and concepts from queer geographers and other scholars, particularly those who address capitalism (Gibson-Graham, Massey), this research outlines a methodology of performance analysis that looks through a queer lens in order to destabilize normative assumptions about Atlantic Canada. Three contemporary performances are studied in detail: Christian Barry, Ben Caplan, and Hannah Moscovitch's Old Stock: A Refugee Love Story, Ryan Griffith's The Boat, and Xavier Gould‘s digital personality ―Jass-Sainte Bourque‖. Combining Ric Knowles' "dramaturgy of the perverse" (The Theatre of Form 1999) with Sara Ahmed's "queer phenomenology" (Queer Phenomenology 2006) allows for a thorough queer analysis of these three performances. I argue that such an approach positions new Atlantic Canadian performances and dramaturgies as sites of aesthetic and semantic disorientation. Building on Jill Dolan's "utopian performatives" (Utopia in Performance 2005), wherein the audiences experience a collective "lifting above" of normative dramaturgical structures, my use of "queer phenomenology" fosters a plurality of unique perspectives. -
Greek and Roman Textiles and Dress Ebook
GREEK AND ROMAN TEXTILES AND DRESS PDF, EPUB, EBOOK Mary Harlow | 320 pages | 28 Feb 2015 | Oxbow Books | 9781782977155 | English | Oxford, United Kingdom Greek and Roman Textiles and Dress PDF Book The two scholars conclude that the technological innovation in textile production came from the east during all these periods. They had a chiton, which probably involved a certain amount of real sewing, although most of the needlework done by Greek women was in the form of embroidery. The spinster continued to feed tow from the distaff into the growing length of yarn until the spindle reached the floor. The peplos was fastened at the shoulders, armhole openings were left on each side, and the peplos might or might not be cinched with a belt. Caron, Beaudouin. Moffett, Kenworth. Italian Peninsula, B. Piotrovsky, Boris. Schlesinger Jr. It accompanies a major exhibition on view during the spring-summer of at The Costume Institute. Greene, Andrew. Her subject of study are the fullonicae of Ostia, for which she provides a number of diagrams illustrating the viewsheds from various locations within the workshops. Exchange was, not surprisingly, more common in the area of limes , but barbarians also exchanged Roman textiles with other barbarians, as is shown by Roman finds in the Baltic area of Poland. Tucker, Priscilla. Degas: The Artist's Mind. But opting out of some of these cookies may have an effect on your browsing experience. A short summary of this paper. Daniel, Malcolm. Rosenthal, Nan. Lazzarini, Lorenzo and Clemente Marconi. Greek and Roman Textiles and Dress Writer By merging the study of Greek religion and the study of textiles, the current study illustrates how textiles are, indeed, central materialisations of Greek cult, by reason of their capacity to accentuate and epitomize aspects of identity, spirituality, position in the religious system, by their forms as links between the maker, user, wearer, but also as key material agents in the performance of rituals and communication with the divine. -
2019 Spring/Summer Communication
2019 Spring/ Summer edition A message from the Editor Bonjour chères lectrices et chers lecteurs, I am delighted to introduce our members to the new Board of Directors for 2019-2020. This group of diverse professionals volunteer their time during the day, at night and on weekends to keep this association vibrant, current and serving the needs of their members in regards to FSL and International Languages in Ontario. Our association is proud to have a wonderful team of directors with a variety of teaching experiences, language backgrounds, and great strengths and from all over our province working on our collective behalf. I encourage you, our readers, to enhance your network and broaden your knowledge by actively using your OMLTA membership. Your membership provides you with free access to resources, leadership opportunities and discounted events. We encourage members to support networking and collaboration by contributing their expertise to our Communication; consider submitting ideas, strategies, resources or articles that support the modern language classroom. Also, this year we will be introducing our activity of the month where we welcome members from across the province to submit classroom strategies and tools to be featured on our website. Other exciting initiatives are being planned, so be sure to follow us on Twitter, Facebook and Instagram to keep informed. Je suis tellement fière de faire partie d’une équipe si travaillante et positive. Entrez en contact avec vos directrices/directeurs, venez nous connaitre cette année et profitez de votre adhésion. Suivez-nous sur les médias sociaux. Inscrivez-vous à une de nos conférences ou à un de nos événements. -
Island-Wide Celebrations for National Acadian Day 2016 to Take Place August 12Th-15Th Weekend; Souris to Host
Press Release For Immediate Publication Island-wide Celebrations for National Acadian Day 2016 to take Place August 12th-15th Weekend; Souris to Host SUMMERSIDE (P.E.I.) – Friday, August 8th, 2016 – The president of la Société Saint-Thomas-d’Aquin (SSTA), Guy Labonté, invites one and all to join the Acadian and francophone community of P.E.I. in celebrating National Acadian Day activities which will take place all across the Island on the weekend of August 12th-15th. The SSTA wishes a wonderful National Acadian Day to all! In 1881, at the first Convention of the Acadians, it was decided that August 15th would thereafter be observed as National Acadian Day. This day was chosen for many reasons, namely because as a distinct people, Acadians deserve to have a day of recognition; the later summer date does not conflict with seed-sowing commitments; and it coincides with the Assumption of Mary, patron saint of Acadians. Souris, this year’s host Region – provincial celebrations – Saturday, August 13th to Sunday, August 14th : La Société Saint-Thomas-d’Aquin, in collaboration with le Comité Acadien et Francophone de l'Est, invites the public to a number of free activities in the name of National Acadian Day and le Festival Acadien from August 13th to 14th. Saturday, August 13th, there will be a traditional Kitchen Party from 6 to 9 p.m. Cover is $5 per person and includes access to concerts featuring Island musicians Anastasia DesRoches, Mylène Ouellette, JJ Chaisson & Les étoiles de l'Est. There will also be traditional Acadian dishes such as fricot (Acadian chicken soup) and an Acadian roll. -
Le Forum, Vol. 42 No. 3
The University of Maine DigitalCommons@UMaine Le FORUM Journal Franco-American Centre Franco-Américain Fall 2020 Le Forum, Vol. 42 No. 3 Lisa Desjardins Michaud, Rédactrice Robert B. Perreault Gérard Coulombe Timothy St. Pierre Lise Pelletier See next page for additional authors Follow this and additional works at: https://digitalcommons.library.umaine.edu/francoamericain_forum This Book is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Le FORUM Journal by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Authors Lisa Desjardins Michaud, Rédactrice; Robert B. Perreault; Gérard Coulombe; Timothy St. Pierre; Lise Pelletier; James Myall; Julianna L'Heureux; Linda Gerard DerSimonian; Marie-Anne Gauvin; Wilfred H. Bergeron; Patrick Lacroix; Suzanne Beebe; Steven Riel; Michael Guignard; Clément Thierry; and Virginie L. Sand Le FORUM “AFIN D’ÊTRE EN PLEINE POSSESSION DE SES MOYENS” VOLUME 42, #3 FALL/AUTOMNE 2020 Paul Cyr Photography: https://paulcyr.zenfolio.com Websites: Le Forum: http://umaine.edu/francoamerican/le-forum/ https://digitalcommons.library.umaine.edu/francoamericain_forum/ Oral History: https://video.maine.edu/channel/Oral+Histories/101838251 Library: francolib.francoamerican.org Occasional Papers: http://umaine.edu/francoamerican/occasional-papers/ Résonance, Franco-American Literary Journal: https://digitalcommons.library.umaine.edu/resonance/vol1/iss1/ other pertinent websites to check out - Les Français d’Amérique / French In America Calendar Photos and Texts from 1985 to 2002 http://www.johnfishersr.net/french_in_america_calendar.html Franco-American Women’s Institute: http://www.fawi.net $6.00 Le Forum Sommaire/Contents L’État du ME.....................................4-20 L’État du NH..................................21-33 The Novitiate in Winthrop, Maine.........4-7 Portrait Claire Quintal se raconte ............. -
33559613.Pdf
Raising the Bar: The Reciprocal Roles and Deviant Distinctions of Music and Alcohol in Acadiana by © Marion MacLeod A dissertation submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Ethnomusicology Memorial University of Newfoundland June, 2013 St. John 's, Newfoundland ABSTRACT The role of alcohol in musical settings is regularly relegated to that of incidental by stander, but its pervasive presence as object, symbol or subject matter in Acadian and Cajun performance contexts highlights its constructive capacity in the formation of Acadian and Cajun musical worlds. Individual and collective attitudes towards alcohol consumption implicate a wide number of cultural domains which, in this work, include religious display, linguistic development, respect for social conventions, and the historically-situated construction of identities. This research uses alcohol as an interpretive lens for ethnomusicological understanding and, in so doing, questions the binaries of marginal and mainstream, normal and deviant, sacred and profane, traditional and contemporary, sober and inebriated. Attitudes towards alcohol are informed by, and reflected in, all ofthese cultural conflicts, highlighting how agitated such categorizations can be in lived culture. Throughout the dissertation, I combine the historical examples of HatTy Choates and Cy aMateur with ethnographic examinations of culturally-distinct perfonnative habits, attitudes toward Catholicism, and compositional qualities. Compiling often incongruous combinations of discursive descriptions and enacted displays, my research suggests that opposition actually confirms interdependence. Central to this study is an assertion that levels of cultural competence in Cajun Louisiana and Acadian Nova Scotia are uneven and that the repercussions of this unevenness are musically and behaviourally demonstrated. -
Debates of the Senate
DEBATES OF THE SENATE 1st SESSION • 42nd PARLIAMENT • VOLUME 150 • NUMBER 301 OFFICIAL REPORT (HANSARD) Wednesday, June 12, 2019 The Honourable GEORGE J. FUREY, Speaker CONTENTS (Daily index of proceedings appears at back of this issue). Debates Services: D’Arcy McPherson, National Press Building, Room 906, Tel. 613-995-5756 Publications Centre: Kim Laughren, National Press Building, Room 926, Tel. 343-550-5002 Published by the Senate Available on the Internet: http://www.parl.gc.ca 8526 THE SENATE Wednesday, June 12, 2019 The Senate met at 2 p.m., the Speaker in the chair. FINLAND Prayers. HIS EXCELLENCY VESA ILMARI LEHTONEN— DR. PIRJETTA MANNINEN TRIBUTES TO DEPARTING PAGES Hon. Marilou McPhedran: Honourable senators, I rise today The Hon. the Speaker: Honourable senators, as I informed to recognize and to thank the Finnish ambassador to Canada, His you yesterday, this week we will be paying tribute to the Senate Excellency Ambassador Vesa Ilmari Lehtonen, and his spouse, pages who will be leaving us this summer. Dr. Pirjetta Manninen, for her distinguished career in geriatric medicine and for his many contributions to diplomacy here in our [Translation] capital and many other parts of Canada. Sarah Boukhouali is a proud Franco-Columbian from Victoria As they near the end of their time in Canada, they will be who’s beginning her third year at the University of Ottawa in welcoming their successor to Ottawa next week. As conflict studies and human rights. She hopes to continue on that representatives of Finland, I would like to recognize their work path and eventually get a master’s degree in international and share some key highlights that, for me, tell us more about relations. -
Annual Report 2017-2018, Centre Communautaire Sainte-Anne
ANNUAL REPORT 2017 • 2018 Annual Fredericton, June 1 st , 2019 REPORT The Honourable Gregory Thompson 2017 Minister responsible for Intergovernmental Affairs Dear Minister: 2018 Pursuant to subsection 11(1) of Centre communautaire Sainte-Anne Act and on behalf of the Sainte-Anne Community Board, I am pleased to submit the CCSA Annual Report for the year ending on March 31, 2018. Sincerely, Published by: Centre communautaire Sainte-Anne 715 Priestman Street Fredericton New Brunswick Denis Gallant E3B 5W7 Chair Sainte-Anne Community Board June, 2019 Table of contents Page Chair’s message . 5 Mandate, mission, and vision of the CCSA . 6 CCSA’s team . 6 Sainte-Anne Community Board . 7 Services offered at the CCSA . 8 Accredited organizations and associates of the CCSA . 9 Cultural development . 10 to 13 Community development . 14 to 16 Customer and maintenance services . 17 Communications and marketing . 18 Sponsors and partners . 19 Financial statements . 21 ISBN 978-1-4605-2045-1 ISSN 0709-3578 NOTA The acronym CCSA refers to Centre communautaire Sainte-Anne. Printed in New Brunswick The acronym ÉSA refers to école Sainte-Anne. CHAIR’S Message This Annual Report presents the many shows, events, activities, and achievements of the Centre communautaire Sainte-Anne (CCSA) and some of its accredited organizations and partners from April 1, 2017, to March 31, 2018 . One of the highlights of this period is without a doubt the 38 th Annual Jeux de l’Acadie Finals, which took place from June 28 to July 2, 2017. This large- scale event brought together more than 1,000 young athletes and artists, as well as the many coaches, parents, friends, and hundreds of volunteers who worked tirelessly to make this 38 th Final a success. -
Dyeing and Dyeworks in Classical and Hellenistic Greece
Coats of Many Colours: Dyeing and Dyeworks in Classical and Hellenistic Greece Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Mark D. Monaghan, BA (Leicester) School of Archaeology and Ancient History University of Leicester August 2001 UMI Number: U144548 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U144548 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract Mark Monaghan Coats of Many Colours: Dyeing and Dyeworks in Classical and Hellenistic Greece In the past, craft production in Classical and Hellenistic Greece has been studied mainly from a technological or social perspective. On the other hand, the study of ancient economies has largely neglected the role of craft production in favour of issues such as the nature of ancient economies, mechanisms for the exchange of goods, and the roles of agricultural production and slavery in economic activity. In this study I hope to have redressed this by looking at dyeing activity from an economic and social perspective. I have used a range of archaeological and historical evidence to build up a picture of the way dyeing (and by extension craft production) fitted into the subsistence strategies of the Classical and Hellenistic Greek household. -
Acadian Art and Identity: Évangéline, Claude Roussel, and Paul Édouard Bourque a Thesis in the Department of Art History
Acadian Art and Identity: Évangéline, Claude Roussel, and Paul Édouard Bourque A Thesis in the Department of Art History Presented in Partial Fulfillment of the Requirements for the Degree of Masters of Arts (Art History) at Concordia University Montreal, Québec, Canada © Anik Hélène Marchand, 2017 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Anik Hélène Marchand Entitled: Acadian Art and Identity: Évangéline, Claude Roussel, and Paul Édouard Bourque and submitted in partial fulfillment of the requirements for the degree of Master’s Degree (Art History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: ______________________________________ Chair Elaine Paterson ______________________________________ Examiner Elaine Paterson ______________________________________ Examiner Nicola Pezolet ______________________________________ Supervisor Alice Ming Wai Jim Approved by ________________________________________________ Kristina Huneault, Graduate Program Director ________________________________________________ Rebecca Duclos, Dean of Faculty Date ________________________________________________ iii ABSTRACT This thesis examines the birth of modern Acadian art in Southern New Brunswick in the late 1960s. It focuses on two artists, Claude Roussel and Paul Édouard Bourque, who attended and taught at l’Université de Moncton during the 1960s and whose painting had a profound impact on -
Textile Tools and Production at a Mycenaean Secondary Centre
Textile Tools and Production at a Mycenaean Secondary Centre By Max K. MacDonald B.A., Greek and Roman Studies, University of Victoria, 2015 A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in the Department of Greek and Roman Studies © Max MacDonald, 2017 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Supervisor: Dr. Brendan Burke, (Department of Greek and Roman Studies) Departmental Member: Dr. Alejandro Sinner, (Department of Greek and Roman Studies) Abstract: This thesis is a study of textile production in the Late Bronze Age, using new evidence uncovered by excavations at Ancient Eleon in Boeotia, Greece. Textile production is a nearly forgotten art. To the Mycenaeans of the Greek Late Bronze Age (ca. 1700-1100 BCE) textiles were nearly a form of currency, and a symbol of power. This thesis begins by examining the Mycenaean administration of textile production, which was systematically controlled by the palatial centres of Greece and Crete. Linear B documents record resources and workers under palatial control, and the amounts of cloth that they were expected to produce. The Mycenaean palace at Thebes was the administrative centre that controlled the region of eastern Boeotia, including sites such as Eleon. No document directly links textile production at Eleon to Thebes, but other Theban tablets and the two sites’ close proximity suggest a similar relationship to other Mycenaean centres and their dependents. Usually, ancient textiles from Greece do not survive in the archaeological record. -
Fall 2012 Newsletter
FALL 2012 Les Guédry d’Asteur Volume 10, Iss. 3 GENERATIONS IN THIS ISSUE With this issue of “Generations” we graphs of our ancestors. Thanks to come to a close of 2012 and look forward Paul Scotto, a direct descendent of to a new, prosperous year in 2013. We Charles Joseph Guedry and Marie Le- DANCE HALLS, 2 HOSTELRIES & wish everyone a very happy holiday sea- ontine Gaudet, for sharing these inter- THE GUÉDRY’S son and a great year in 2013 renewing esting photos of his family. If you have by Marty Guidry friendships, finding lost cousins and en- one or several old family photographs joying success in learning about our an- that you would like to share, please FAMILY PHOTOS- 7 cestors and the lives they experienced. email them to Marty Guidry at Family of Charles Joseph Guedry & Our Acadian ancestors worked very hard [email protected]. Marie Leontine during the week, but come the weekend Gaudet-from Paul and they knew how to enjoy a good time. We continue our series of highlighting Scotto In “Dance Halls, Hostelries & the our Guédry and Petitpas family talent Guédry’s” we explore interesting tidbits with a brief biography of Amy Guidry, LES GUÉDRY 9 about some of the establishments owned an exceptional young artist from Lafay- D’ASTEUR-CIRCLE ette, Louisiana. She is received excep- OF DISTINCTION- and/or operated by our family. And 2012 INDUCTEES don’t miss the article “Carrying on a tional state and national acclaim for her Family Tradition” about LeeAnn Law recent works. FAMILY TALENT- 11 (daughter of Christine Guidry Law) – our Amy Guidry, Artist own young ambassador of the Acadian (1976- ) tradition.