History, Theology, and Symbol
REV. ROBERT C. GARAFALO HISTORY, THEOLOGY, AND SYMBOL THE MOTHER OF JESUS IN THE CANA ~ARRATIVE (JOHN 2:1-12), 1950-2005 A DOCTORAL DISSERTATION IN SACRED THEOLOGY IN MARIAN STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF SACRED THEOLOGY DIRECTED BY REV. BERTRAND A. BUBY, S.M., S.T.D. INTERNATIONAL MARIAN RESEARCH INSTITUTE UNIVERSITY OF DAYTON DAYTON, OHIO Aprill7, 2009 TABLE OF CONTENTS INTRODUCTION CHAPTER ONE: FOCUS ON THE MOTHER OF JESUS The Text in Context Framing the Question The Work ofF.-M. Braun A Reply to Braun by Christian Ceroke History, Theology, and Symbol in Braun and Ceroke An Attempt at Synthesis: J.-P. Michaud The Controversial Exchange The Use of"Woman" The "Hour" of Jesus A Symbolic Interpretation Mariological Symbolism Michaud, Ceroke, and Braun: A Review History, Theology, and Symbol An Abiding Portrait: Rene Laurentin An Ecclesiastical Portrait: Maria/is Cultus Reconstructing the Text: John McHugh McHugh and His Predecessors History, Theology, and Symbol Transitional Summary A Feminist Portrait: Leonardo Boff Miriam-Mary in the Fourth Gospel The Radical Feminine History, Theology, and Symbol 2 Toward a New Synthesis: Aristide Serra The Sign at Cana The Wine ofCana Individual Phrases The Mother of Jesus at Calvary History, Theology, and Symbol A Pneumatological Portrait: Cohen and Grassi Portrait of Mary as Perfect Disciple: P. Bearsley The Perfect Disciple at Cana The Perfect Disciple at Calvary History, Theology, and Symbol A New Ecclesiastical Portrait: Redemptoris Mater A Theological Portrait: Ignace de Ia Potterie The Cana Narrative Christological Significance Mariological Significance Spiritual Maternity Evaluation and Critique History, Theology, and Symbol Review of the Research: L.
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