Sylfaen : Foundations of Multiscript Typography
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Armenian Secret and Invented Languages and Argots
Armenian Secret and Invented Languages and Argots The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Russell, James R. Forthcoming. Armenian secret and invented languages and argots. Proceedings of the Institute of Linguistics of the Russian Academy of Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9938150 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP 1 ARMENIAN SECRET AND INVENTED LANGUAGES AND ARGOTS. By James R. Russell, Harvard University. Светлой памяти Карена Никитича Юзбашяна посвящается это исследование. CONTENTS: Preface 1. Secret languages and argots 2. Philosophical and hypothetical languages 3. The St. Petersburg Manuscript 4. The Argot of the Felt-Beaters 5. Appendices: 1. Description of St. Petersburg MS A 29 2. Glossary of the Ṙuštuni language 3. Glossary of the argot of the Felt-Beaters of Moks 4. Texts in the “Third Script” of MS A 29 List of Plates Bibliography PREFACE Much of the research for this article was undertaken in Armenia and Russia in June and July 2011 and was funded by a generous O’Neill grant through the Davis Center for Russian and Eurasian Studies at Harvard. For their eager assistance and boundless hospitality I am grateful to numerous friends and colleagues who made my visit pleasant and successful. For their generous assistance in Erevan and St. -
Cloud Fonts in Microsoft Office
APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ -
Powerpoint 2007
Office 2007 Microsoft Office Fluent User Interface ........................................................................................................................................................ 2 Key Components ......................................................................................................................................................................................... 2 The Office Button .................................................................................................................................................................................... 2 The Ribbon .............................................................................................................................................................................................. 3 Contextual Tabs ....................................................................................................................................................................................... 3 Galleries .................................................................................................................................................................................................. 3 Live Preview ........................................................................................................................................................................................... 3 Mini Toolbar .......................................................................................................................................................................................... -
Suitcase Fusion 8 Getting Started
Copyright © 2014–2018 Celartem, Inc., doing business as Extensis. This document and the software described in it are copyrighted with all rights reserved. This document or the software described may not be copied, in whole or part, without the written consent of Extensis, except in the normal use of the software, or to make a backup copy of the software. This exception does not allow copies to be made for others. Licensed under U.S. patents issued and pending. Celartem, Extensis, LizardTech, MrSID, NetPublish, Portfolio, Portfolio Flow, Portfolio NetPublish, Portfolio Server, Suitcase Fusion, Type Server, TurboSync, TeamSync, and Universal Type Server are registered trademarks of Celartem, Inc. The Celartem logo, Extensis logos, LizardTech logos, Extensis Portfolio, Font Sense, Font Vault, FontLink, QuickComp, QuickFind, QuickMatch, QuickType, Suitcase, Suitcase Attaché, Universal Type, Universal Type Client, and Universal Type Core are trademarks of Celartem, Inc. Adobe, Acrobat, After Effects, Creative Cloud, Creative Suite, Illustrator, InCopy, InDesign, Photoshop, PostScript, Typekit and XMP are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Apache Tika, Apache Tomcat and Tomcat are trademarks of the Apache Software Foundation. Apple, Bonjour, the Bonjour logo, Finder, iBooks, iPhone, Mac, the Mac logo, Mac OS, OS X, Safari, and TrueType are trademarks of Apple Inc., registered in the U.S. and other countries. macOS is a trademark of Apple Inc. App Store is a service mark of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. Elasticsearch is a trademark of Elasticsearch BV, registered in the U.S. -
The Fontspec Package Font Selection for XƎLATEX and Lualatex
The fontspec package Font selection for XƎLATEX and LuaLATEX Will Robertson and Khaled Hosny [email protected] 2013/05/12 v2.3b Contents 7.5 Different features for dif- ferent font sizes . 14 1 History 3 8 Font independent options 15 2 Introduction 3 8.1 Colour . 15 2.1 About this manual . 3 8.2 Scale . 16 2.2 Acknowledgements . 3 8.3 Interword space . 17 8.4 Post-punctuation space . 17 3 Package loading and options 4 8.5 The hyphenation character 18 3.1 Maths fonts adjustments . 4 8.6 Optical font sizes . 18 3.2 Configuration . 5 3.3 Warnings .......... 5 II OpenType 19 I General font selection 5 9 Introduction 19 9.1 How to select font features 19 4 Font selection 5 4.1 By font name . 5 10 Complete listing of OpenType 4.2 By file name . 6 font features 20 10.1 Ligatures . 20 5 Default font families 7 10.2 Letters . 20 6 New commands to select font 10.3 Numbers . 21 families 7 10.4 Contextuals . 22 6.1 More control over font 10.5 Vertical Position . 22 shape selection . 8 10.6 Fractions . 24 6.2 Math(s) fonts . 10 10.7 Stylistic Set variations . 25 6.3 Miscellaneous font select- 10.8 Character Variants . 25 ing details . 11 10.9 Alternates . 25 10.10 Style . 27 7 Selecting font features 11 10.11 Diacritics . 29 7.1 Default settings . 11 10.12 Kerning . 29 7.2 Changing the currently se- 10.13 Font transformations . 30 lected features . -
Petit Manuel Unix®
Août 2010 Petit Manuel Unix® Jacques MADELAINE Département d’informatique Université de CAEN 14032 CAEN CEDEX La première édition de ce manuel décrivait SMX un Unix développé à l’INRIA pour la machine française SM90, la deuxième édition une adaptation pour SPIX, un Unix pour SM90 basé sur System V et développé par Bull. Il a été ensuite modifié et corrigé pour SunOS l’Unix de Sun Microsystems, puis pour Solaris. La cinquième version a été adaptée pour tenir compte des particularités du système GNU-Linux. Un chapitre supplémentaire dédié aux accès réseau a été ensuite ajouté. Rappelons que presque toutes les commandes décrites vont fonctionner comme indiqué sur tout système Unix commercial (Solaris, HP-UX, AIX, ...) ou libre (Linux, OpenBSD, FreeBSD, NetBSD, ...). Mes remerciements à Sara Aubry pour sa relecture attentive etàFrançois Girault pour avoir fourni la mise en tableau des commandes d’emacs. Mes remerciements à Davy Gigan pour m’avoir poussé à publier la version html en octobre 2003. 1 INTRODUCTION() INTRODUCTION() 2Petit manuel Unix 2002 INTRODUCTION NOM intro − introduction to the mini manual − introduction au petit manuel DESCRIPTION Ce manuel donne les principales commandes de Unix. Unix est une famille de systèmes d’exploitation ; les commandes décrites existent, sauf précision contraire, sous Linux et Solaris, les deux systèmes disponibles au département. Seules les principales options sont données, reportez-vous au manuel en ligne pour une liste exhaustive.Chaque commande est décrite par trois sections : NOM qui donne le nom de la commande, son nom en anglais (le nom Unix étant un mnémonique anglais ne correspondant pas toujours bien aveclefrançais) et en français. -
Guide to the Use of Character Set Standards in Europe
CEN TECHNICAL REPORT Draft 3 for CEN Trnnnn:1999 1999-07-23 Descriptors: Data processing, information interchange, text processing, text communication, graphic characters, character sets, representation of characters, coded character sets, architecture Information Technology - Guide to the use of character set standards in Europe This CEN Technical Report has been drawn up by CEN/TC 304 This CEN Technical Report was established by TC 304 in one official version (English). A version in any other language made by translation under the responsibility of a CEN member into its own lan- guage and notified to the Central Secretariat has the same status as the official version. CEN members are the national bodies of Austria, Belgium, the Czech Republic, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. CEN European Committee for Standardization Comité Européen de Normalisation Europäisches Komitee für Normung Central Secretariat: rue de Stassart 36, B-1050 Brussels © CEN 1999 Copyright reserved to all CEN members Ref.No. TR xxxx:1999 E CEN TR nnnn : Draft 2 Guide to the use of character set standards in Europe ii Guide to the use of character set standards in Europe CEN TR nnnn : Draft 2 FOREWORD This report was produced by a CEN/TC 304 Project Team, set up in June, 1998, as one of several to carry out the funded work program of TC 304 (documented in CEN/TC 304 N 666 R2). A first draft was discussed at the TC meeting in Brussels in November, 1998. A revised draft was circulated for comments within the TC and thereafter discussed at the TC plenary meeting in April, 1999. -
Fonts Installed with Each Windows OS
FONTS INSTALLED WITH EACH WINDOWS OPERATING SYSTEM WINDOWS95 WINDOWS98 WINDOWS2000 WINDOWSXP WINDOWSVista WINDOWS7 Fonts New Fonts New Fonts New Fonts New Fonts New Fonts Arial Abadi MT Condensed Light Comic Sans MS Estrangelo Edessa Cambria Gabriola Arial Bold Aharoni Bold Comic Sans MS Bold Franklin Gothic Medium Calibri Segoe Print Arial Bold Italic Arial Black Georgia Franklin Gothic Med. Italic Candara Segoe Print Bold Georgia Bold Arial Italic Book Antiqua Gautami Consolas Segoe Script Georgia Bold Italic Courier Calisto MT Kartika Constantina Segoe Script Bold Georgia Italic Courier New Century Gothic Impact Latha Corbel Segoe UI Light Courier New Bold Century Gothic Bold Mangal Lucida Console Nyala Segoe UI Semibold Courier New Bold Italic Century Gothic Bold Italic Microsoft Sans Serif Lucida Sans Demibold Segoe UI Segoe UI Symbol Courier New Italic Century Gothic Italic Palatino Linotype Lucida Sans Demibold Italic Modern Comic San MS Palatino Linotype Bold Lucida Sans Unicode MS Sans Serif Comic San MS Bold Palatino Linotype Bld Italic Modern MS Serif Copperplate Gothic Bold Palatino Linotype Italic Mv Boli Roman Small Fonts Copperplate Gothic Light Plantagenet Cherokee Script Symbol Impact Raavi NOTE: Trebuchet MS The new Vista fonts are the Times New Roman Lucida Console Trebuchet MS Bold Script newer cleartype format Times New Roman Bold Lucida Handwriting Italic Trebuchet MS Bold Italic Shruti designed for the new Vista Times New Roman Italic Lucida Sans Italic Trebuchet MS Italic Sylfaen display technology. Microsoft Times -
Choosing Inscriptions Making Font for 'Armazuli' Aramaic Objectives Mark up of the Texts and Linked Data New Photo Document
@EAGLE 2016, Rome Epigraphic Corpus of Georgia Inscriptions found in Georgia are diverse in their typology, content and language. From among this range perhaps the most compelling examples are those inscriptions The Institute of Linguistic Research, in Aramaic and Old Greek (numbering more than 1000), and dating from V AC to XIX (T. Kaukhchishvili 2009.) None of these have been published online according to the EpiDoc guidelines. Thanks to a year’s funding from The Institute of Linguistic Research of the Ilia State University (ISU), the “Epigraphic Corpus of Georgia Project”, Ilia State University led by Prof. Nino Doborjginidze, began on March 1st 2015. It aims to make the first, key 30 inscriptions available to both a scholarly audience and to the general public. It presents an opportunity to question the strict practice of the “print-only” publishing of epigraphic materials among Georgian epigraphists. Objectives New photo documentation and web page - epigraphy.iliauni.edu.ge A desired outcome of the digital publishing of the inscriptions of Georgia is, on the one hand, to preserve those inscriptions and likewise to preserve editions of these inscriptions that were made by Georgian experts from 1930s onwards, although only a few of these were published in international scientific journals because of the So- viet restrictions. Thus the aims of the project can be summarized thus: • to protect these inscriptions as an element of our cultural heritage • to document the printed critical editions of the inscriptions, which likewise consti- tute a part of that cultural heritage • to demonstrate and illustrate common, historical-cultural contexts(e.g. -
Standard Fonts List Used for Poster Creation
Standard Fonts List used for Poster Creation Please use any of the fonts listed below when designing your poster. These are the standard fonts. Failure to comply with using a standard font, will result in your poster not printing correctly. 13 Misa Arial Rounded MT Bold Bodoni MT 2 Tech Arial Unicode MS Bodoni MT Black 39 Smooth Arno Pro Bodoni MT Condensed 4 My Lover Arno Pro Caption Bodoni Poster MT Poster Compressed Abadi Condensed Light Arno Pro Display Book Antiqua ABCTech Bodoni Cactus Arno Pro Light Display Bookman Old Style ABSOLOM Arno Pro Smdb Bookshelf Symbol 7 Adobe Calson Pro Arno Pro Smdb Caption Bradley Hand ITC Adobe Calson Pro Bold Arno Pro Smdb Display Britannic Bold Adobe Fangsong Std R Arno Pro Smdb SmText Broadway Adobe Garamond Pro Arno Pro Smdb Subhead Brush Script MT Adobe Garamond Pro Bold Arno Pro SmTest Brush Script Std Adobe Heiti Std R Arno Pro Subhead Calibri Adobe Kaiti Std R Baskerville Old Face Californian FB Adobe Ming Std L Bauhous 93 Calisto MT Adobe Myungjo Std M Bell Gothic Std Black Cambria Adobe Song Std L Bell Gothic Std Light Cambria Math Agency FB Bell MT Candara Albertus Extra Bold Berlin Sans FB Castellar Albertus Medium Berlin Sans FB Demi Centaur Algerian Bernard MT Condensed Century AlphabetTrain Bickham Script Pro Regular Century Gothic Antique Olive Bickham Script Pro Semibold Century Schoolbook Arial Birch Std CG Omega Arial Black Blackadder ITC CG Times Arial Narrow Blackoak Std 1 Standard Fonts List used for Poster Creation Please use any of the fonts listed below when designing your poster. -
Proposal for the Georgian Script Root Zone LGR
Proposal for the Georgian Script Root Zone LGR LGR Version 2 Date: 2016-11-24 Document version: 1.1 Authors: GEORGIAN SCRIPT GENERATION PANEL 1 General Information/ Overview/ Abstract The purpose of this document is to give an overview of the proposed Georgian LGR in the XML format and the rationale behind the design decisions taken. It includes a discussion of relevant features of the script, the communities or languages using it, the process and methodology used and information on the contributors. The formal specification of the LGR can be found in the accompanying XML document: • Proposed-LGR-Georgian-20160915.xml Labels for testing can be found in the accompanying text document: • Labels-GeorgianScript-20160915.txt 2 Script for which the LGR is proposed ISO 15924 Code: Geor ISO 15924 Key N°: 240 ISO 15924 English Name: Georgian Mkhedruli Latin transliteration of native script name: Mkhedruli Native name of the script: მხედრული Maximal Starting Repertoire (MSR) version: MSR-2 Proposal for a Georgian Script Root Zone LGR Georgian Script GP 3 Background on Script and Principal Languages Using It The Georgian scripts are the three writing systems used to write the Georgian language: Asomtavruli, Nuskhuri and Mkhedruli. Mkhedruli (Georgian: მხედრული) is the current Georgian script and is therefore the standard script for modern Georgian and its related Kartvelian languages, whereas Asomtavruli and Nuskhuri are used only in ceremonial religious texts and iconography. In the following, the term Georgian script is used synonymously with Mkhedruli. Like the two other scripts, Mkhedruli is purely unicameral. Mkhedruli first appears in the 10th century - the oldest Mkhedruli inscription found is dated back to 982 AD. -
Font.Pdf (400.6Kb)
Infancia y Aprendizaje Journal for the Study of Education and Development ISSN: 0210-3702 (Print) 1578-4126 (Online) Journal homepage: https://www.tandfonline.com/loi/riya20 Font legibility in first year primary students / Legibilidad de distintos tipos de letra en alumnos de primero de primaria Juan C. Ripoll To cite this article: Juan C. Ripoll (2015) Font legibility in first year primary students / Legibilidad de distintos tipos de letra en alumnos de primero de primaria, Infancia y Aprendizaje, 38:3, 600-616, DOI: 10.1080/02103702.2015.1054668 To link to this article: https://doi.org/10.1080/02103702.2015.1054668 Published online: 25 Jun 2015. Submit your article to this journal Article views: 233 View related articles View Crossmark data Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=riya20 Infancia y Aprendizaje / Journal for the Study of Education and Development, 2015 Vol. 38, No. 3, 600–616, http://dx.doi.org/10.1080/02103702.2015.1054668 Font legibility in first year primary students / Legibilidad de distintos tipos de letra en alumnos de primero de primaria Juan C. Ripoll Colegio Santa María la Real — Maristas de Sarriguren (Received 6 June 2014; accepted 19 August 2014) Abstract: The typeface used when students learn to read is largely ignored in educational practice and research. In this study, the reading of 115 Spanish first graders was assessed using texts written with six different typefaces, including a cursive script font. Significant differences were found in the number of decoding errors across the different typefaces, but not in fluency problems or number of words correctly read per minute.