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Highland Games. Kilts Galore. Help: Graduating
THEFriday, October 10, 2014 - Volume 61.5 14049 Scenic Highway,BAGPIPE Lookout Mountain, Georgia, 30750 www.bagpipeonline.com Burning at Help: Graduating and the Stage Highland Games. Kilts Galore. Headed into Law BY KRISITE JAYA BY MARK MAKKAR Burning at the Stage took place Life after Covenant can either be on Thursday (10/3) night. The exciting or foreboding, but hear- Overlook was crowded with music ing from people who are already performances, friends huddling there always helps in lighting the around straw-bales, and marshmal- path that is to come. During the lows roasting atop fire pits. Alumni Law Career Panel, organized by who happened to be in town for the Center for Calling & Career, Homecoming contributed to the students listened to three Covenant festivities, exchanging squeals and alumni who have pursued work in hugs with familiar faces. The event, the field of law since graduating. according to the Senior Class Dr. Richard R. Follet introduced Cabinet member Sam Moreland, the meeting by stating that “Cov- “has taken different forms over the enant has a list of 60 graduates that years, but tends to have the ele- have gone into some kind of law ments of music, the Overlook, fire after graduating from Covenant.” and s’mores, and relaxed fellowship Three of them were able to make as commonalities.” it to the Panel. Josh Reif, John Many have long associated the Huisman, and Pete Johnson shared event with the Homecoming tradi- stories about when they were at tion, but Burning at the Stage is an BYGARRET SISSON Around 150 people attended was featured as the announcer. -
Christians and Jews in Muslim Societies
Arabic and its Alternatives Christians and Jews in Muslim Societies Editorial Board Phillip Ackerman-Lieberman (Vanderbilt University, Nashville, USA) Bernard Heyberger (EHESS, Paris, France) VOLUME 5 The titles published in this series are listed at brill.com/cjms Arabic and its Alternatives Religious Minorities and Their Languages in the Emerging Nation States of the Middle East (1920–1950) Edited by Heleen Murre-van den Berg Karène Sanchez Summerer Tijmen C. Baarda LEIDEN | BOSTON Cover illustration: Assyrian School of Mosul, 1920s–1930s; courtesy Dr. Robin Beth Shamuel, Iraq. This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Murre-van den Berg, H. L. (Hendrika Lena), 1964– illustrator. | Sanchez-Summerer, Karene, editor. | Baarda, Tijmen C., editor. Title: Arabic and its alternatives : religious minorities and their languages in the emerging nation states of the Middle East (1920–1950) / edited by Heleen Murre-van den Berg, Karène Sanchez, Tijmen C. Baarda. Description: Leiden ; Boston : Brill, 2020. | Series: Christians and Jews in Muslim societies, 2212–5523 ; vol. -
2006 TRASH Regionals Round 07 Tossups
2006 TRASH Regionals Round 07 Tossups 1. It appears twice in the e.e. cummings poem “little ladies more”. It also appears in the Tennessee Williams play A Streetcar Named Desire when Blanche DuBois asks it of Mitch. Seemingly awkward because of its use of the formal pronoun, it means, “Do you want to sleep with me (tonight)?” For ten points, give this phrase re-introduced to a new generation by Mya, Lil’ Kim, Pink, and Christina Aguilera in their 2001 version of “Lady Marmalade”. Answer: Voulez-vous coucher avec moi (ce soir)? 2. In Need for Speed: Most Wanted it’s called “Speed Breaker”, and is most often used to dodge roadblocks. In GUN, it’s called “Quick Draw.” The earliest example of it is probably in the 1980 Epyx game Rescue at Rigel. In Star Wars: Jedi Academy, you can get it using “Force Speed,” by killing Reborn Jedis, or typing the cheat code “there is no spoon.” For ten points, give the common name for the ability in video games to move at normal speed while the rest of the game is slowed down, most famously used in the Max Payne and, predictably, Matrix videogames. Answer: bullet time (Prompt on “slow motion” or equivalents. Note for itinerant cheaters: the cheat code is really “thereisnospoon”) 3. His favorite movie may be Divine Secrets of the Ya-Ya Sisterhood, while he cried a lot when he paid to see Godfather III. His first name may be Marion, but his full name has also been reported to be William Williams. -
Music in His Own Image: the Aphex Twin Face
Nebula 1.1, June 2004 Music in His Own Image: The Aphex Twin Face. By Peter David Mathews Beyond the dark, intense vision of his music, a further disturbing dimension of Aphex Twin’s project is illuminated by his video clips. In particular, his two most famous videos, “Come to Daddy” and “Windowlicker,” are the fruit of collaborations with director Chris Cunningham; awards for “Come to Daddy” first brought both these artists into the mainstream eye in 1997. The outstanding feature of these clips is undoubtedly the face of Richard D. James. James, the man behind the Aphex Twin pseudonym, stares mockingly at the viewer, inevitably flashing his trademark leer. The unsettling characteristic of this smile is how the lips are stretched to the point of exaggeration. The initial impression of a broad, cheerful smile is quickly replaced by a feeling of incipient unease. Figure 1: Cover of Aphex Twin’s Richard D. James Album James’s grin becomes an inverted grimace, the tension of which is clearly visible in the creases around his eyes, nose and forehead. The look imbues these images with an intensity embellished by the fact that James’s expression never changes. Mathews: Music in His Own Image. 65 Nebula 1.1, June 2004 The initial impact of this look is augmented and intensified in several ways. The most obvious is through a process of multiplication. In each Aphex Twin clip, the secondary actors take on the face of their Creator. “Come to Daddy,” for instance, opens with an old woman walking her dog in a grimy, industrial setting. -
Tharunka for 2014
Week 13 - Week 14, Semester 2, 2014 First Published 1953 Volume 60, No. 14 University of NSW’s Independent Student Newspaper 2 EDITORIAL UNSW Tyree Energy Technologies Building Roof Solar Panels Image credit: Neerav Bhatt Editorial: A letter to the present and future Vice-Chancellors of UNSW Welcome to the last issue of Tharunka for 2014. Professor Hilmer has repeatedly refused to take a stand been a selfish Vice-Chancellor, and this University will In more ways than one, it’s the end of an era for on fossil fuel divestment, even as the Australian Na- not miss you. UNSW, as we bid farewell to outgoing Vice-Chancellor, tional University made international headlines with its The incoming Vice-Chancellor, Professor Ian Jacobs Professor Fred Hilmer, who will retire in early 2015 af- decision to stop investing in energy companies which of the University of Manchester, now has the opportu- are slowly corroding our planet. ter spending nine years in the top job at UNSW, seeing nity to show leadership in shaping a truly collaborative UNSW invests $50 million in fossil fuel stocks his salary rise above $1 million a year in the process. University that undertakes real consultation with its around the globe, $44 million of which is invested in What is remarkable about his tenure at UNSW is largest stakeholder: students. Australian equities. Universities occupy a unique role that Professor Hilmer was appointed to the role with Professor Jacobs, the tenure of your predecessor has as the progenitors of innovation and advancements in the business acumen of having been at the helm of a shown that UNSW is an institution that can weather society, and UNSW itself is a world leader in renewable major Australian company, Fairfax, during it’s slow and the strongest of mismanagement storms. -
Clever Children: the Sons and Daughters of Experimental Music?
Clever Children: The Sons and Daughters of Experimental Music Author Carter, David Published 2009 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/1356 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367632 Griffith Research Online https://research-repository.griffith.edu.au Clever Children: The Sons and Daughters of Experimental Music? David Carter B.Music / Music Technology (Honours, First Class) Queensland Conservatorium Griffith University A dissertation submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy 19 June 2008 Keywords Contemporary Music; Dance Music; Disco; DJ; DJ Spooky; Dub; Eight Lines; Electronica; Electronic Music; Errata Erratum; Experimental Music; Hip Hop; House; IDM; Influence; Techno; John Cage; Minimalism; Music History; Musicology; Rave; Reich Remixed; Scanner; Surface Noise. i Abstract In the late 1990s critics, journalists and music scholars began referring to a loosely associated group of artists within Electronica who, it was claimed, represented a new breed of experimentalism predicated on the work of composers such as John Cage, Karlheinz Stockhausen and Steve Reich. Though anecdotal evidence exists, such claims by, or about, these ‘Clever Children’ have not been adequately substantiated and are indicative of a loss of history in relation to electronic music forms (referred to hereafter as Electronica) in popular culture. With the emergence of the Clever Children there is a pressing need to redress this loss of history through academic scholarship that seeks to document and critically reflect on the rhizomatic developments of Electronica and its place within the history of twentieth century music. -
Society for Ethnomusicology 58Th Annual Meeting Abstracts
Society for Ethnomusicology 58th Annual Meeting Abstracts Sounding Against Nuclear Power in Post-Tsunami Japan examine the musical and cultural features that mark their music as both Marie Abe, Boston University distinctively Jewish and distinctively American. I relate this relatively new development in Jewish liturgical music to women’s entry into the cantorate, In April 2011-one month after the devastating M9.0 earthquake, tsunami, and and I argue that the opening of this clergy position and the explosion of new subsequent crises at the Fukushima nuclear power plant in northeast Japan, music for the female voice represent the choice of American Jews to engage an antinuclear demonstration took over the streets of Tokyo. The crowd was fully with their dual civic and religious identity. unprecedented in its size and diversity; its 15 000 participants-a number unseen since 1968-ranged from mothers concerned with radiation risks on Walking to Tsuglagkhang: Exploring the Function of a Tibetan their children's health to environmentalists and unemployed youths. Leading Soundscape in Northern India the protest was the raucous sound of chindon-ya, a Japanese practice of Danielle Adomaitis, independent scholar musical advertisement. Dating back to the late 1800s, chindon-ya are musical troupes that publicize an employer's business by marching through the From the main square in McLeod Ganj (upper Dharamsala, H.P., India), streets. How did this erstwhile commercial practice become a sonic marker of Temple Road leads to one main attraction: Tsuglagkhang, the home the 14th a mass social movement in spring 2011? When the public display of merriment Dalai Lama. -
Northwest Plant Names and Symbols for Ecosystem Inventory and Analysis Fourth Edition
USDA Forest Service General Technical Report PNW-46 1976 NORTHWEST PLANT NAMES AND SYMBOLS FOR ECOSYSTEM INVENTORY AND ANALYSIS FOURTH EDITION PACIFIC NORTHWEST FOREST AND RANGE EXPERIMENT STATION U.S. DEPARTMENT OF AGRICULTURE FOREST SERVICE PORTLAND, OREGON This file was created by scanning the printed publication. Text errors identified by the software have been corrected; however, some errors may remain. CONTENTS Page . INTRODUCTION TO FOURTH EDITION ....... 1 Features and Additions. ......... 1 Inquiries ................ 2 History of Plant Code Development .... 3 MASTER LIST OF SPECIES AND SYMBOLS ..... 5 Grasses.. ............... 7 Grasslike Plants. ............ 29 Forbs.. ................ 43 Shrubs. .................203 Trees. .................225 ABSTRACT LIST OF SYNONYMS ..............233 This paper is basicafly'an alpha code and name 1 isting of forest and rangeland grasses, sedges, LIST OF SOIL SURFACE ITEMS .........261 rushes, forbs, shrubs, and trees of Oregon, Wash- ington, and Idaho. The code expedites recording of vegetation inventory data and is especially useful to those processing their data by contem- porary computer systems. Editorial and secretarial personnel will find the name and authorship lists i ' to be handy desk references. KEYWORDS: Plant nomenclature, vegetation survey, I Oregon, Washington, Idaho. G. A. GARRISON and J. M. SKOVLIN are Assistant Director and Project Leader, respectively, of Paci fic Northwest Forest and Range Experiment Station; C. E. POULTON is Director, Range and Resource Ecology Applications of Earth Sate1 1 ite Corporation; and A. H. WINWARD is Professor of Range Management at Oregon State University . and a fifth letter also appears in those instances where a varietal name is appended to the genus and INTRODUCTION species. (3) Some genera symbols consist of four letters or less, e.g., ACER, AIM, GEUM, IRIS, POA, TO FOURTH EDITION RHUS, ROSA. -
Byetone Raster-Noton Alemania
SÁBADO 2 DE MAYO Aphex Twin Rephlex / Warp Records UK Aphex Twin, AFX, The Tuss, Polygon Window, Caustic Window, The Dice Man…. múltiples nombres para un sólo hombre: Richard D. James, una de las figuras más influyentes e innovadoras de los últimos 25 años. Creció en Cornwall (Inglaterra) donde ya desde muy pequeño comenzó a demostrar sus capacidades con experimentos electrónicos llegando a ganar un premio escolar por tocar una melodía con un Spectrum y un televisor alterado. En 1991 fundó Rephlex Records y lanzó su primer trabajo, se mudó a Londres y comenzó una imparable carrera ascendente publicando material bajo sus innumerables alias tanto en Warp Records como Rephlex. Desde Selected Ambient Works hasta Druqks pasando por clásicos como Ventolin, Come to Daddy o la serie Analord. Un artista excéntrico y controvertido, un personaje influyente que ha trascendido en innumerables ocasiones los límites del underground electrónico a base de trabajo y genialidades. Sus colaboraciones con el también genial Chris Cuningham nos han brindado algunos de los mejores trabajos audiovisuales hasta la fecha: Windowlicker, Come To Daddy o Rubber Johnny son algunas de las obras donde se ponen al descubierto sus locuras y cualidades. Acid, IDM, techno, ambient…. son algunos de los géneros que Aphex Twin domina a la perfección y en los que ha jugado y juega un papel fundamental como evolucionador y visionario. Rodeado por multitud de leyendas, con una perfección milimétrica en el dominio de viejos sintetizadores y la creación de nuevos sonidos y dotado de una de las mentes más inquietas y creativas que existen en la escena musical, Aphex Twin sigue creando, a día de hoy, registros en las fronteras de las normas aceptadas de la música. -
Plaid Double Figure Mp3, Flac, Wma
Plaid Double Figure mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Double Figure Country: Japan Released: 2001 Style: Abstract, IDM, Experimental MP3 version RAR size: 1695 mb FLAC version RAR size: 1295 mb WMA version RAR size: 1770 mb Rating: 4.7 Votes: 434 Other Formats: ASF MOD MP1 ADX MPC TTA APE Tracklist Hide Credits Eyen 1 4:20 Written-By [Co-Written With] – Benet Walsh 2 Squance 5:01 3 Assault On Precinct Zero 4:28 4 Zamami 4:05 5 Silversum 4:15 6 Ooh Be Do 4:27 7 Light Rain 3:50 8 Tak 1 1:02 9 New Family 5:18 10 Zala 4:45 11 Twin Home 5:11 12 Tak 2 1:08 Sincetta 13 5:01 Featuring [Rant] – Nic Alderton 14 Tak 3 0:50 15 Porn Coconut Co 4:52 16 Tak 4 0:59 Ti Bom 17 4:52 Written-By [Co-Written With] – Tim Hutton 18 Tak 5 0:50 Manyme 19 4:53 Written-By [Co-Written With] – Mara Carlyle 20 Fell 4:24 Companies, etc. Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Credits Artwork [Creatures Discovered By] – Vania Zouravliov Design – Th1nk* Music By [Everything By] – Andy *, Ed* Notes ℗ © 2001 Warp Records Limited Track 20, Fell, is an exclusive bonus track for Japan. Barcode and Other Identifiers Barcode: 4523132112374 Matrix / Runout: BRC-37 MT F01 Mastering SID Code: IFPI L266 Mould SID Code: IFPI 4482 Other versions Category Artist Title (Format) Label Category Country Year Double Figure (CD, WARPCD84 Plaid Warp Records WARPCD84 UK 2001 Album) Double Figure (CD, WARPCD84 Plaid Warp Records WARPCD84 UK 2001 Album, Promo) Double Figure (2xLP, WARPLP84 Plaid Warp Records WARPLP84 -
Experiencing the Films of Chris Cunningham
I Want Your Soul: Experiencing The Films Of Chris Cunningham William Hughes – 26/06/2017 Student Number: 11312882 Media Studies: Film Studies MA Supervisor: Tarja Laine Second Reader: Emiel Martens 1 Contents Introduction ....................................................................................................................................... 2 Bibliography ....................................................................................................................................... 6 The Visceral ........................................................................................................................................ 7 Bibliography ..................................................................................................................................... 24 The Uncanny and The Sublime ........................................................................................................ 25 Bibliography ..................................................................................................................................... 44 Black Humour and the Absurd ......................................................................................................... 45 Bibliography ..................................................................................................................................... 59 Conclusion ........................................................................................................................................ 60 Bibliography .................................................................................................................................... -
Student Organization Protests Financial Aid System
CampusTHURSDAY OCTOBER 2, 2014 / VOLUME 141, ISSUE 16 Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Student organization protests financial aid system BY JULIANNE MCADAMS Protest members, plans to NEWS EDITOR transfer after this semester. The organization is still in the A new student organization, the process of establishing a presence Peaceful Protest of the Financial on campus and communicating Aid System, formed this summer with the administration. to question the transparency and Dean of Admissions and sympathy of UR’saOffice of Financial Aid Jonathan Burdick Financial Aid. said he is looking forward to the The creation of this group has dialogue the group will introduce given rise to controversy over between students and Financial which aspects of the current Aid. He has communicated with system can and cannot be Wark over Facebook, but not controlled by UR. Collaboration extensively as he has been abroad with Students for a Democratic working for Admissions. Society (SDS) and coordination “I love student activism,” with administration and Students’ Burdick said. “I think that Association are pending. students should ask tough The group formed when questions and participate in policy Sophomore Alex Wark received [...] I would relish any chance to his financial aid package and [...] explain everything we think saw that it had been reduced by PARSA LOFTI / PHOTO EDITOR we’re doing with Financial Aid $13,000 per year. He created The executive board of the Peaceful Protest of the Financial Aid System. From left to right: Sophomores Kelsey Fenner, Alex and get their insight on how it a Facebook group to gauge Samuelson, Alex Wark, Hayley Weinberg, Samantha Worme, Maggie Curtis, Megan Forney, Lindsay Wrobel.