MICHAEL DOVE Stage Directors and Choreographers Society, Member Email: [email protected] DIRECTING Theatre Play Author

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MICHAEL DOVE Stage Directors and Choreographers Society, Member Email: Mdove11@Gmail.Com DIRECTING Theatre Play Author

MICHAEL DOVE Stage Directors and Choreographers Society, Member Email: [email protected] DIRECTING Theatre Play Author Olney Theatre Every Brilliant Thing* Duncan Macmillan Forum Theatre Love and Information Caryl Churchill Forum Theatre Building the Wall (WP) Robert Schenkkan Orlando Shakespeare Blackberry Winter Steve Yockey Forum Theatre I Call My Brothers Jonas Hassen Khemiri Forum Theatre Blackberry Winter (WP) Steve Yockey Playmakers Repertory Company Seminar* Theresa Rebeck 1st Stage When the Rain Stops Falling Andrew Bovell University of Maryland Human Capacity (WP) Jennifer Barclay Forum Theatre Passion Play Sarah Ruhl 1st Stage Doubt John Patrick Shanley Forum Theatre Pluto (WP) Steve Yockey Forum Theatre Agnes Under the Big Top Aditi Brennan Kapil Vermont Stage Company 4000 Miles Amy Herzog Forum Theatre Holly Down in Heaven (WP) Kara Lee Corthron Forum Theatre Church Young Jean Lee 1st Stage Sideman Warren Leight Montgomery College The Water Engine David Mamet Forum Theatre Mad Forest Caryl Churchill Angry Alice/Capital Fringe On the Rag To Riches K.Molinaro/S.Northrip Cape Fear Regional Theatre A View From the Bridge Arthur Miller Forum Theatre Scorched Wajdi Mouawad Forum Theatre Amazons and Their Men Jordan Harrison Forum Theatre Angels in America: PERESTROIKA Tony Kushner Source Festival The Relationship of Archibald & Amity…Elevator Eric Kalman Levitz Forum Theatre/Theater J Seven Jewish Children Caryl Churchill Forum Theatre dark play or stories for boys Carlos Murillo Montgomery College Metamorphoses Mary Zimmerman Forum Theatre The Last Days of Judas Iscariot (remount) Stephen Adly Gurgis Forum Theatre Marat/Sade Peter Weiss Source Festival Dated Ira Gamerman Imagination Stage Conservatory Snow Angel David Lindsay-Abaire Forum Theatre Antigone Jean Anioulh Forum Theatre Valparaiso Don DeLillo Washington Shakespeare Company Otherwise Engaged (reading) Simon Gray DC Beckett Centenary Festival Rockaby Samuel Beckett DC Beckett Centenary Festival Rough for Radio I (radio play) Samuel Beckett Solas Nua La Corbiere Anne Hartigan Forum Theatre The Memorandum Václav Havel Forum Theatre Hamletmachine Heiner Müller Forum Theatre BECKETT: The Shorter Plays Samuel Beckett Anthem Connection Rosencrantz and Guildenstern are Dead Tom Stoppard (WP) World Premiere * Upcoming Projects EDUCATION KCACTF Director/Designer Intensive 2005 • with Ming Cho Lee and Constance Hoffman B.A. in Theatre & Dance – James Madison University, Harrisonburg, VA 1999-2003 .

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Play Guide for the Great Society
Written by Robert Schenkkan Directed by Ron Pel us o O cto ber 6 —2 8 , 2 0 1 8 P L AY G UI D E THE PLAY It is 1965 and President Lyndon Baines Johnson is at a critical point in his presidency. He is launching The Great Society, an ambitious set of social programs that would increase funds for health care, education and poverty. He also wants to pass the Voting Rights Act, an act that would secure voting rights for minority communities across the country. At each step, Johnson faces resistance. Conservatives like Senator Everett Dirksen are pushing for budget cuts on his social welfare programs. Dr. Martin Luther King, Jr, is losing patience at the lack of progress on voting rights. With rising discrimination against black communities in America, King takes matters into his own hands, organizing a civil rights protest in Selma, Alabama. Outside the U.S., the crisis in Vietnam is escalating. When the Viet Cong attacks a Marine support base, Johnson is faced with a difficult decision: should he deploy more American troops to fight overseas or should he focus on fighting the war on poverty within the U.S.? Time is ticking and the next presidential election is around the corner. In an America divided by civil rights protests and the anguish of Vietnam War, can Johnson pave the way for a great society? Page 2 MEET THE PLAYWIRGHT — ROBERT SCHENKKAN Robert Schenkkan was born in North Carolina and raised in Texas. He studied theater and discovered his passion for creating original worlds through playwrighting.
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Environmental History, Ecocriticism and the Kentucky Cycle Theresa J
Fall 1999 159 Frontiers: Environmental History, Ecocriticism and The Kentucky Cycle Theresa J- May We abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect... That land yields a cultural harvest is a fact long known, but latterly often forgotten. Aldo Leopold, Sand County Almanac, 19491 In a 1994 issue of Theater, editor Erika Munk laments that, "our play• wrights' silence on the environment as a political issue and our critics' neglect o1 the ecological implications of theatrical form are rather astonishing." She urges theater practice and theater studies toward a new "ecological" frontier: "[cjritics and scholars who want to investigate the way ecologies—physical, perceptual, imagined—shape dramatic forms stand at the edge of a vast, open field." Ecocriticism presents itself, she says, "like the days of contemporary feminism: everything cries out for reinterpretation."2 Robert Schenkkan's The Kentucky Cycle takes up Erika Munk's challenge to put the implications of the environmental crisis and the philosophical reaches of ecological theory on the regional and Broad• way stage. While critical response to The Kentucky Cycle yields a cultural harvest almost as rich as the one Schenkkan reaped from the history of the Cumberland plateau, none of that criticism, ironically, has addressed the play's "ecological" project. Robert Schenkkan hoped The Kentucky Cycle would expose an "Ameri• can mythos" that ravages both landscape and human life.3 In California, The Ken• tucky Cycle appeared to have struck gold.
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Read Ebook {PDF EPUB} the Great Society by Robert Schenkkan the Great Society
Read Ebook {PDF EPUB} The Great Society by Robert Schenkkan The Great Society. Playwright Robert Schenkkan returns to the Great White Way with this second play, celebrating LBJ's presidential legacy. This new work accompanies Schenkkan’s Tony Award-winning All The Way , which saw Bryan Cranston win his first Tony for "Best Actor in a Leading Role in a Play" back in 2014 for his performance as the 1960s American president. All The Way played the Neil Simon Theatre from February 10 through June 29, 2014, taking home the Tony Award for “Best Play.” This production actually marks Schenkkan’s third Broadway outing as a playwright. In the fall of 1993, he made his Broadway debut as a writer with The Kentucky Cycle , which won the Pulitzer Prize for Drama in 1992 and led to his first Tony Award nomination for “Best Play” in 1994. Taking the reins from Bryan Cranston and carrying the LBJ baton into The Great Society , Brian Cox is also no stranger to the Great White Way, of course. Having made his Broadway debut back in February 1985 in Eugene O’Neill’s Strange Interlude , he has gone on to make waves in the theatre with his performances in Yasmina Reza’s Art in 1998, Tom Stoppard’s Rock ‘n’ Roll in 2007, and Jason Miller’s That Championship Season in 2011. A native of Dundee, Scotland, he also boasts a formidable résumé, when it comes to the UK stage. A two-time Olivier Award winner in his own right, he has worked extensively with the Royal Shakespeare Company and the National Theatre, alongside other esteemed establishments around the UK.
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In Kindergarten with the Author of WIT
re p resenting the american theatre DRAMATISTS by publishing and licensing the works PLAY SERVICE, INC. of new and established playwrights. atpIssuel 4,aFall 1999 y In Kindergarten with the Author of WIT aggie Edson — the celebrated playwright who is so far Off- Broadway, she’s below the Mason-Dixon line — is performing a Mdaily ritual known as Wiggle Down. " Tapping my toe, just tapping my toe" she sings, to the tune of "Singin' in the Rain," before a crowd of kindergarteners at a downtown elementary school in Atlanta. "What a glorious feeling, I'm — nodding my head!" The kids gleefully tap their toes and nod themselves silly as they sing along. "Give yourselves a standing O!" Ms. Edson cries, when the song ends. Her charges scramble to their feet and clap their hands, sending their arms arcing overhead in a giant "O." This willowy 37-year-old woman with tousled brown hair and a big grin couldn't seem more different from Dr. Vivian Bearing, the brilliant, emotionally remote English professor who is the heroine of her play WIT — which has won such unanimous critical acclaim in its small Off- Broadway production. Vivian is a 50-year-old scholar who has devoted her life to the study of John Donne's "Holy Sonnets." When we meet her, she is dying of very placement of a comma crystallizing mysteries of life and death for ovarian cancer. Bald from chemotherapy, she makes her entrance clad Vivian and her audience. For this feat, one critic demanded that Ms. Edson in a hospital gown, dragging an IV pole.
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Kennedy Center Education Department. Funding Also Play, the Booklet Presents a Description of the Prinipal Characters Mormons
DOCUMENT RESUME ED 381 835 CS 508 902 AUTHOR Carr, John C. TITLE "Angels in America Part 1: Millennium Approaches." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95) NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 903-906. PUB TYPE Guides General (050) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Acquired Immune Defi-:ency Syndrome; Acting; *Cultural Enrichment; *Drama; Higher Education; Homophobia; Homosexuality; Interviews; Playwriting; Popular Culture; Program Descriptions; Secondary Education; United States History IDENTIFIERS American Myths; *Angels in America ABSTRACT This booklet presents a variety of materials concerning the first part of Tony Kushner's play "Angels in America: A Gay Fantasia on National Themes." After a briefintroduction to the play, the booklet presents a description of the prinipal characters in the play, a profile of the playwright, information on funding of the play, an interview with the playwright, descriptions of some of the motifs in the play (including AIDS, Angels, Roy Cohn, and Mormons), a quiz about plays, biographical information on actors and designers, and a 10-item list of additional readings. (RS) Reproductions supplied by EDRS are the best that can be made from the original document. ****):***:%****************************************************)%*****)%*
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The Great Society Program Book Published February 2, 2018
THE GREAT SOCIETY 2017/18 SEASON COMING IN 2018 TO ARENA STAGE Part of the Women’s American Masterpiece Voices Theater Festival SOVEREIGNTY AUGUST WILSON’S NOW PLAYING THROUGH FEBRUARY 18 TWO TRAINS Epic Political Thrill Ride RUNNING THE GREAT SOCIETY MARCH 30 — APRIL 29 NOW PLAYING THROUGH MARCH 11 World-Premiere Musical Inspirational True Story SNOW CHILD HOLD THESE TRUTHS APRIL 13 — MAY 20 FEBRUARY 23 — APRIL 8 SUBSCRIBE TODAY! 202-488-3300 ARENASTAGE.ORG THE GREAT SOCIETY TABLE OF CONTENTS 4 Artistically Speaking 5 From the Executive Director 6 Molly Smith’s 20th Anniversary Season 9 Dramaturg’s Note 11 Title Page 13 Time / Cast List 15 Bios — Cast 19 Bios — Creative Team 21 For this Production 23 Arena Stage Leadership ARENA STAGE 1101 Sixth Street SW Washington, DC 20024-2461 24 Board of Trustees / Theatre Forward ADMINISTRATION 202-554-9066 SALES OFFICE 202-488-3300 TTY 202-484-0247 25 Full Circle Society arenastage.org 26 Thank You — The Annual Fund © 2018 Arena Stage. All editorial and advertising material is fully protected and must not 29 Thank You — Institutional Donors be reproduced in any manner without written permission. 30 Theater Staff The Great Society Program Book Published February 2, 2018 Cover Illustration by Richard Davies Tom Program Book Staff Amy Horan, Associate Director of Marketing Shawn Helm, Graphic Designer 2017/18 SEASON 3 ARTISTICALLY SPEAKING Historians often argue whether history is cyclical or linear. The Great Society makes an argument for both sides of this dispute. Taking place during the most tumultuous days in Lyndon Baines Johnson’s (LBJ) second term, this play depicts the president fighting wars both at home and abroad as he faces opposition to his domestic programs and the role of the United States in the Vietnam War.
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Drama Winners the First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No Award Given  1965 the Subject Was Roses by Frank D
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Revision, Nostalgia, and Resistance in Contemporary American Drama Sinan Gul University of Arkansas, Fayetteville
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Download 2018–2019 Catalogue of New Plays
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Mockumentary Project
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American Theatre Magazine's Annual
FOR IMMEDIATE RELEASE October 3, 2013 CONTACT: Dafina McMillan [email protected] 212-609-5955 American Theatre Magazine’s Annual “Season Preview” Issue Announces Top 10 Most-Produced Plays New York, NY – American Theatre magazine, published by Theatre Communications Group (TCG), has released its annual October “Season Preview” issue, featuring the Top 10 Most-Produced Plays list. Based on the 2013-14 seasons reported by TCG’s Member Theatres in Theatre Profiles, the Top 10 list omits holiday themed shows (such as The Santaland Diaries and A Christmas Carol) as well as works by Shakespeare. The issue also features articles on successful playwright and actor relationships, musical adaptations of Shakespeare, and Robert Schenkkan’s two plays based on the life of President Lyndon Johnson. “The Top 10 Most-Produced Plays list is more than just an exciting snapshot of the upcoming season,” said Teresa Eyring, executive director of TCG. “It also takes the temperature of the kinds of stories our theatres feel compelled to tell. In 2013-14, TCG Member Theatres are wrestling with issues of class (Good People, Detroit), race (Clybourne Park, The Whipping Man), the legacy of progressive political movements (The Mountaintop, 4000 Miles) and those perennial favorites, sex (Venus in Fur) and family (Other Desert Cities, Tribes). It also marks the first time since 2005-6 that female playwrights make up half the list.” The 2013-14 Top 10 Most-Produced Plays list is as follows (a tie for the final slot makes this a Top 14): Venus in Fur (22) by David Ives Clybourne Park (16) by Bruce Norris Good People (14) by David Lindsay-Abaire Other Desert Cities (13) by Jon Robin Baitz The Mountaintop (13) by Katori Hall 4000 Miles (12) by Amy Herzog Tribes (12) by Nina Raine Vanya and Sonia and Masha and Spike (11) by Christopher Durang The Cat in the Hat (8) adapted by Katie Mitchell from Dr.
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Introducing the 2014 Season! Women
prologuemagazine for members fall 2013 logue Introducing The 2014 Season! Women Can Roar The Contents of Box 91 Toward Insurgency 2014 Season Prologue Angus Bowmer Theatre The Oregon Shakespeare Festival’s The Tempest magazine for members William Shakespeare Fall 2013 Directed by Tony Taccone Editor The Cocoanuts Catherine Foster Music and lyrics by Irving Berlin; book by George S. Kaufman, with additional text by Morrie Ryskind; adapted by Mark Bedard Design Directed by David Ivers Craig Stewart The Sign in Sidney Brustein’s Window Contributing Writers Lorraine Hansberry Julie Felise Dubiner, Associate Director, Directed by Juliette Carrillo American Revolutions: the United States History Cycle A Wrinkle in Time Catherine Foster, Senior Editor World Premiere Gwyn Hervochon, Digital Project Based on the book by Madeleine L’Engle Archivist Adapted and directed by Tracy Young Otis Ramsey-Zöe, Freelance Writer Kerry Reid, Freelance Writer The Great Society Amy E. Richard, Media and World Premiere Communications Manager Robert Schenkkan Commissioned by and co-produced with Seattle Repertory Theatre Production Associate Directed by Bill Rauch Beth Bardossi Thomas Theatre Proofreaders The Comedy of Errors Pat Brewer William Shakespeare Nan Christensen Directed by Kent Gash Oregon Shakespeare Festival Water by the Spoonful Artistic Director: Bill Rauch Quiara Alegría Hudes Executive Director: Cynthia Rider Directed by Shishir Kurup P.O. Box 158 Family Album Ashland, OR 97520 World Premiere Administration 541-482-2111 Book and lyrics by Stew;
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