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Home , Alan Ball (screenwriter), Albert Hackett, Ann Roth, Arthur Laurents, Bruce Jay Friedman, Charles Busch

Bruce Ellman 231 Goldenrain Dr., Apt. 4303 , FL 34747 Phone: 407-566-8594, Cell: 917-446-6797 E-mail: [email protected] Portfolio: http://bruceellmanportfolio.businesscatalyst.com/ www.linkedin.com/in/bruceellman/

Summary: • Extensive experience involving hundreds of wide-ranging projects designing and programming large scale audio installations for exhibitions, Broadway plays, and small plays and musicals both in and outside of City • Designed and programmed show control and audio systems for Madame Tussauds New York • A pioneer in the use of audio computer control systems for off-Broadway and Broadway • Software (Partial List): Audition, Digital Performer, Logic, Medialon Manager, MS Office (Access, Excel, Outlook, PowerPoint, Publisher, Visio, Word), ProTools, QLab, Richmond Sound Design Software/Hardware including ABEdit, AudioBox, SoundMan- Server, Stage Research's SFX software, Sony’s Sound Forge, Vegas, Acid, and Dataton’s Watchout • and a half years of experience as an educator and mentor teaching classes in entertainment technology at ’s College of Technology (CUNY)

An extensive list of sound design and sound related projects, along with a list of the other designers associated with these projects, can be found at the end of this CV.

Professional Affiliations: United Scenic Artists Local USA829, Sound Designer PSC/CUNY Instructional and Support Staff Union The Ensemble Studio Theatre/NY, Playwright/Designer Member Themed Entertainment Association (TEA)

Professional Leadership: Engineering Brief presented at AES Conference on City Tech’s Haunted Hotel (John Huntington co-author) – New York, October 2011 Sound Design Admissions Exam Committee, Local USA829 United Scenic Artists – June 2008

Professional Development: 2009-2011 Graduate classes in theatre at College (City University of New York) 10/2011 Master Projection class at LDI (Orlando)

Education: B.A., The City College of New York (City University of New York) – 1979 (Theatre)

Teaching Experience NYC College of Technology: 1/2005 – 5/2014: Sound Design (Developer of the Sound Design course curriculum) 9/2005 – 5/2014: Introduction to Entertainment Technology 9/2005 – 5/2014: Sound Technology

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Sound Design:

(2000- )

Intermission by David Libman, directed by Wayne Maugans, Presented by the Voyage Theatre at the Clurman Theater, NYC 5/14

The Gravesend Inn Haunted Hotel, presented by Citytech’s Theatre Works, The New York City College of Technology, Brooklyn, NY 10/2009-20014

My Poor Marat, by Aleksei Arbuzov, translated by Oleg Ivanov, directed by Wayne Maugans, presented by the Voyage Theatre at The Canal Park Playhouse, NYC 4/13

The Golden Land, created by Zalmen Mlotek and Moishe Rosenfeld, directed by Bryna Wasserman, The Theatre at Baruch College, NYC 10/12

The Adventures of Hershele Ostropolyer, adapted and directed by Eleanor Reissa, The Folksbiene Theatre at Baruch College, NYC 5/11

Madame Tussauds New York, system designer for the audio system refurbishment project, and system designer, programmer and associate sound designer for the Spirit of New York exhibit, NYC 4/11

New Worlds: A Celebration of I.L.Peretz, directed by Motl Didner, The Folksbiene Theatre at Baruch College, NYC 11/10

Fyvush Finkel Live!, directed by Motl Didner, The Folksbiene Theatre at Baruch College, NYC 10/10

The Sweet, Sweet Motherhood by Jeremy Kareken, directed by Michael Bigelow Dixon, HERE Arts Center, NYC, 7/10

The Adventures of Hershele Ostropolyer, adapted and directed by Eleanor Reissa, The Folksbiene Theatre at Baruch College, NYC 5/10

Third by , directed by Richard Seer, Huntington Theatre , Boston, MA 1/08

Not Waving by Ellen Melaver, directed by Douglas Mercer, Kirk Theater, NYC, 7/07

Absurd Person Singular by , directed by , Biltmore Theatre, NYC, produced by Theatre Club, 10/05

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Sound Design:

The Skin Game by John Galsworthy, directed by Eleanor Reissa, Mint Theater Company, NYC 7/05

Bad Dates by Theresa Rebeck, directed by John Benjamin Hickey, Kalita Humphreys Theater, Dallas Theater Center, Dallas, TX 1/05

Echoes of the War by J.M. Barrie, directed by Eleanor Reissa, Mint Theater Company, NYC 7/04

Bad Dates, by Theresa Rebeck, directed by John Benjamin Hickey, Huntington Theatre Company, Boston, MA 1/04

Rose’s Dilemma by , directed by , City Center Stage I, , NYC, 12/03

Iron by Rona Munro, directed by Anna D. Shapiro, City Center Stage II, Manhattan Theatre Club, NYC 10/03

Bad Dates by Theresa Rebeck, directed by John Benjamin Hickey, Playwrights Horizon, NYC, 6/03

Last Dance by , directed by Lynne Meadow, City Center Stage I, Manhattan Theatre Club, 6/03

Polish Joke by , directed by , City Center Stage II, Manhattan Theatre Club, 3/03

Kimberly Akimbo by David Lindsay-Abaire, directed by David Petrarca, City Center Stage I, Manhattan Theatre Club, NYC 2/03

The Tale of the Allergist’s Wife by Charles Busch, directed by Lynne Meadow, Ethel Barrymore Theater, NYC, produced by Manhattan Theatre Club, 11/02

“Sonic Garden” – Consultant and programmer for Laurie Anderson, David Byrne, Marina Rosenfeld, and Ben Rubin; The Winter Garden, World Financial Center, NYC, 10/02

The Tale of the Allergist’s Wife by Charles Busch, directed by Lynne Meadow, City Center Stage II, Manhattan Theatre Club, 06/02

House and Garden by Alan Ayckbourn, directed by John Tillinger, City Center Stage I and II, Manhattan Theatre Club, NYC, 5/02

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Sound Design:

CTRL+ALT+DELETE by Anthony Clarvoe, directed by Ethan McSweeney, , New Brunswick, NJ, 4/02

Out of Sterno by Deborah Zoe Laufer, directed by Eleanor Reissa, The Cherry Lane Alternative, 2/02

Runt of the Litter by Bo Eason, directed by Larry Moss, MCC Theater, NYC 2/02

Fully Committed by Becky Mode, directed by Daniel Goldstein, Broward Center for the Performing Arts, Fort Lauderdale, FL, 12/01

World of Mirth by Murphy Guyer, directed by Dona Vaughn, Theater Four, NYC, produced by Amy Danis/MARS Theatricals, Inc. 6/01

Fully Committed by Becky Mode, directed by Nicholas Martin, Laguna Playhouse, Laguna Beach, CA, 4/01

Kimberly Akimbo by David Lindsay-Abaire, directed by David Petrarca, , Costa Mesa, CA, 4/01

The Waverly Gallery by , directed by , Promenade Theatre, NYC, 12/00

Comic Potential by Alan Ayckbourn, directed by John Tillinger, City Center Stage I, Manhattan Theatre Club, NYC, 11/00 ( Desk Nomination for Outstanding Sound Design)

Fully Committed by Becky Mode, directed by Nicholas Martin, The Coronet Theatre, , CA 9/00 (L.A. Drama Critics Circle nomination)

Full Bloom by Suzanne Broadbeer, directed by Mary B. Robinson, Consolati Performing Arts Center, Sheffield, MA,7/00

Current Events by David Marshall Grant, directed by David Petrarca, City Center Stage II, Manhattan Theatre Club NYC, 6/00

Yard Gal by Rebecca Prichard, directed by Gemma Bodinetz, MCC, NYC, 4/00

(1990-1999)

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Sound Design:

Fuddy Meers by David Lindsay-Abaire, directed by David Petrarca, City Center Stage II, Manhattan Theatre Club, NYC, 11/99

True History and Real Adventures by Sybille Pearson, directed by , Vineyard Theatre, NYC 10/99

Fully Committed by Becky Mode, directed by Nicholas Martin, Vineyard Theatre, NYC, 9/99 (World Premiere)

Chasing Monsters by Kevin Rehac, directed by Sabin Epstein, Westport Country Playhouse, Westport, CT, 8/99

1040 by Jerry Sterner, directed by Michael Seheman, Stamford Center for the Arts, Stamford, CT, 11/98

The English Teachers by Ed Napier, directed by Robert Lupone, MCC, NYC, 4/99

‘Til the Rapture Comes by Edward Napier, directed by Pamela , WPA Theatre, NYC, 10/98

The Last Enemy by Ray Leslee, directed by Eleanor Reissa, Eugene O’Neill Theater Center, Waterford, CT, 10/98

Italian American Reconciliation by Shanley, directed by Rob Ruggiero, Barrington Stage Co., Great Barrington, MA, 7/98

A View from the Roof by Dave Carley, directed by Julianne Boyd, Barrington Stage Co., Great Barrington, MA, 7/98

Full Gallop by Mark Hampton and Mary Louise Wilson, directed by Nicholas Martin, Coronet Theatre, Los Angeles, CA, 4/98

Full Gallop by Mark Hampton and Mary Louise Wilson, directed by Nicholas Martin, McCallum Theatre – Bob Hope Cultural Center, Palm Desert, CA, 1/98

Full Gallop by Mark Hampton and Mary Louise Wilson, directed by Ira Mont, Philadelphia Theater Company, Philadelphia, PA, 10/97

The Young Girl and the Monsoon by James Ryan, directed by William Carden, , NYC, 5/97

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Sound Design:

Anne Frank and Me by Cherie Bennett, directed by Cherie Bennett, American Jewish Theatre, NYC, 12/96

Political Animal by Douglas McGrath, directed by Peter Askin, The Westside Theatre, NYC, 10/96

Full Gallop by Mark Hampton and Mary Louise Wilson, directed by Nicholas Martin, The Westside Theatre, NYC 9/96

Avenue X, by Ray Leslee and John Jiler, directed by Eric Riley, Barrington Stage Company, Barrington, MA, 7/96

The Trojan Women, by Carole Braverman, directed by Richard Sabellico, American Jewish Theatre, NYC, 1/96

The Warm-up by Rudy DeLuca and Sammy Shore, directed by Martin Landau, American Jewish Theatre, NYC, 11/95

Full Gallop by Mark Hampton and Mary Louise Wilson, directed by Nicholas Martin, City Center Stage II, Manhattan Theatre Club, NYC, 10/95

A Movie Star Has to Star in Black and White by Adrienne Kennedy, directed by , Signature Theatre Company, NYC, 9/95

Alice Revisited by Julianne Boyd and Joan Micklin Silver, directed by Julianne Boyd, Barrington Stage Company, Barrington, MA, 8/95

The Diary of by and , directed by Ellie Renfield, Barrington Stage Company, Barrington, MA, 8/95

The Radical Mystique by , directed by Arthur Laurents, City Center Stage II, Manhattan Theatre Club, NYC , 6/95

A Royal Affair by Luis Santeiro, directed by Max Ferra, INTAR Theatre, NYC, 4/95

Miami Stories by , Laurence Klavan, and Martin Blank, directed by Stanley Brechner and Charles Karchmer, The American Jewish Theatre, NYC, 3/95

Three Viewings by Jeffrey Hatcher, directed by Mary Robinson, City Center Stage II, Manhattan Theatre Club, NYC, 3/95

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Sound Design:

Beauty’s Daughter by Dael Orlandersmith, directed by Peter Askin, American Place Theatre, NYC, 1/95

Have You Spoken to Any Lately? by Bruce Jay Friedman, directed by Michael Rudman, American Jewish Theater, NYC, 1/95

Hey Buddy by Bryan Goluboff, directed by George Ferencz, American Jewish Theatre, NYC, 11/94

Black by , directed by Tom Palumbo, INTAR Theatre, NYC, 3/94 The Ash Fire by Gavin Kostick, directed by Stanley Brechner, American Jewish Theatre, NYC, 12/93

The Workroom by Jean-Claude Grumberg, directed by Nicholas Kent, American Jewish Theatre, NYC, 10/93

Four Dogs and A Bone by , directed by John Patrick Shanley, City Center Stage II, Manhattan Theatre Club, NYC, 10/93

Another Time by , directed by Stanley Brechner, American Jewish Theatre, NYC, 4/93

Jenny Keeps Talking by , directed by Risa Bramon Garcia, City Center Stage II, Manhattan Theatre Club, NYC, 4/93

Pretty Fire by Charlayne Woodard, directed by Pamela Berlin, City Center Stage II, Manhattan Theatre Club, NYC, 3/93

Five Women Wearing the Same Dress by , directed by Melia Bensussen, MCC, NYC, 3/93

Born Guilty by Ari Roth, directed by Jack Gelber, American Jewish Theatre, NYC, 1/93

Juno by Marc Blitzstein and Joseph Stein, directed by Lonny Price, Vineyard Theatre, NYC, 10/92

One of the All-Time Greats by Charles Grodin, directed by , Vineyard Theater, NYC, 5/92

Big Al by Bryan Gobuloff, directed by Peter Maloney, American Jewish Theatre, NYC, 4/92

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Sound Design:

Angel of Death by Charlie Schulman, directed by Bill Hopkins, American Jewish Theatre, NYC, 4/92

First Is Supper by Shelley Berman, directed by Andre Ernotte, American Jewish Theatre, NYC, 2/92

Lady Bracknell’s Confinement by Paul Doust, directed by Maria Aitken, Vineyard Theater, NYC, 2/92

The Party, Ellen McLaughlin’s adaptation of three Virginia Woolf’s stories, directed by David Esbjornson, Vineyard Theater, NYC, 2/92

Aspirin and Elephants by Jerry Mayer, directed by Jim Dale, presented by The American Stage Company, Becton Theatre, Fairleigh Dickinson University, Teaneck, NJ, 1/92

Man, Woman, Dinosaur by Regina Porter, directed by Melia Bensussen, Playwrights Horizons, NYC, 12/91

Beggars in the House of Plenty by John Patrick Shanley, directed by John Patrick Shanley, City Center Stage II, Manhattan Theatre Club, NYC, 11/91

Mambo Mouth by , directed by Peter Askin, Orpheum Theatre, NYC, 6/91

The Old Boy by A.R. Gurney, directed by , Playwrights Horizons, NYC, 5/91

The Encanto File and Other Short Plays by Rosa Lowinger, Marlane Meyer, Sally Nemeth, and Caridad Svich; directors: Melia Bensussen, Melanie Joseph, and Susana Tubert; ’s Project, NYC, 2/91

Earth and Sky, by Douglas Post, directed by Andre Ernotte, Second Stage Theatre, NYC, 1/91

Breaking Up by , directed by Stuart Ross, American Stage Company at Fairleigh Dickinson University, Teaneck, NJ 12/90

Nightingale by Elizabeth Diggs, directed by John Rubenstein, Vineyard Theater, NYC, 11/90

Jersey City by Wendy Hammond, directed by Risa Bramon, Second Stage Theatre, NYC, 6/90

Hannah…1939 by Bob Merrill, directed by Douglas Aibel, Vineyard Theater, NYC, 6/90

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Sound Design:

Prin by Andrew Davies, directed by John Tillinger, City Center Stage I, Manhattan Theatre Club, NYC, 5/90

Violent Peace, by Lavonne Mueller, directed by Bryna Wortman, The Women’s Project, NYC 2/90

Legal Tender by Mark St. Germain, directed by Julianne Boyd, American Stage Company at Fairleigh Dickinson University, Teaneck, NJ, 2/90

Moving Targets by Joe Pintauro, directed by Andre Ernotte, Vineyard Theatre, NYC, 2/90

(1980-1989)

Wolf-Man by Elizabeth Egloff, directed by Thomas Bullard, City Center Stage II, Manhattan Theatre Club, NYC, 11/89

Beauty Marks by Kim Merrill, directed by Peter Askin, INTAR Theatre, NYC 10/89

Cut to the Chase by Joe Cacaci, directed by Joe Cacaci, East Coast Arts Center, New Rochelle, NY 6/89

The Magic Act by Laurence Klavan, directed by Peter Zapp, Ensemble Studio Theatre, NYC 3/89

Niedecker by Kristine Thatcher, directed by Julianne Boyd, The Women’s Project, NYC, 2/89

Marathon ’88 – Series A: Buster B and Olivia by Shirley Kaplan, directed by Billy Hopkins; Neptune’s Hips by Richard Greenberg, directed by ; Something About Baseball by Quincy Long, directed by Risa Bramon; A Poster of the Cosmos by Langford Wilson, directed by Jonathan Hogan; Ensemble Studio Theatre, NYC 5/88

Marathon ’88 – Series B: Juliet by Romulus Linney, directed by Peter Maloney; Mango Tea by Paul Weitz, directed by Curt Dempster; Human Gravity by Stuart Spencer, directed by Evan Yionoulis; Door to Cuba by James Ryan, directed by Charles Richter; Ensemble Studio Theatre, NYC, 5/88

Last Looks by Grace McKeaney, directed by Joe Cacaci, East Coast Arts Center, New Rochelle, NY, 5/88

Tea by Velina Hasu Houston, directed by Julianne Boyd, Old , San Diego, CA, 4/88

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Sound Design:

Big Shot by Jack Gelber, directed by Jack Gelber, East Coast Arts Center, New Rochelle, NY, 4/88

House Arrest by Bill Bozzone, directed by Risa Bramon, Ensemble Studio Theatre, NYC,11/87

Old Business by Joe Cacaci, directed by Joe Cacaci, Public Theater, NYC, 10/87

Tea by Velina Hasu Houston, directed by Julianne Boyd, City Center Stage II, Manhattan Theatre Club, NYC, 10/87

Funny Feet by Bob Bowyer, directed by Bob Bowyer, Lamb’s Theatre, NYC, 4/87

Bodies, Rest and Motion by Roger Hedden, directed by Billy Hopkins, Mitzi Newhouse Theater, Center, NYC, 12/86

Dream of A Blacklisted Actor by Conrad Bromberg, directed by Jack Gelber, Ensemble Studio Theatre, NYC, 12/86

The Empty Room by Shel Silverstein, directed by Joe Cacaci, East Coast Arts Center, New Rochelle, NY, 10/86

Old Business by Joe Cacaci, directed by Joe Cacaci, East Coast Arts Center, New Rochelle, NY, 10/86

An Evening of One-Acts by Shel Silverstein, directed by Joe Cacaci, East Coast Arts Center, New Rochelle, NY, 8/86

Marathon ’86 – Series A: Sunday Morning Vivisection by Elise Caitlin, directed by Leslie Ayvazian; Mink on a Gold Hook by James Ryan, directed by Jack Gelber; The Worker’s Life by Brandon Cole, directed by Aidan Quinn; Ensemble Studio Theatre, NYC, 5/86 Marathon ’86 – Series B: Vanishing Act by Richard Greenberg, directed by Jeff Perry; The West Side Boys Will Rock You Anytime by Shirley Kaplan, directed by Billy Hopkins; Terry Neal’s Fortune by Roger Hedden, directed by Billy Hopkins; Comic Dialogue by Alan Zweibel, directed by Risa Bramon; Ensemble Studio Theatre, NYC 5/86

Marathon ’86 – Series C: Dolores by Edward Allan Baker, directed by Risa Bramon; Ma Rose by Cassandra Medley, directed by Irving Vincent; Little Feet by Shel Silverstein, directed by Art Wolff; Moonlight Kisses by Stuart Spencer, directed by Barnet Kellman; Ensemble Studio Theatre, NYC, 5/86

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Sound Design:

Been Taken by Roger Hedden, directed by Billy Hopkins, Ensemble Studio Theatre, NYC, 12/85

Festival of One-Act Comedies: Smoke by Laurence Klavan, directed by Steve Kaplan; The Interrogation by Murphy Guyer, directed by Pamela Singer; The Art of Conversation by Mark Malone, directed by Gavin Cameron-Webb; The Job Search by Brandon Toropov, directed by Jason Buzas; Uncle Lumpy Comes to Visit by Laurence Klavan, directed by Steve Kaplan; The Manhattan Punch Line at INTAR Theater, NYC 12/85

For Sale by Jeffrey Gurkoff, directed by Andrew Cadiff, Beacon Street Productions, Playhouse 91, NYC, 6/85

Eden Court by Murphy Guyer, directed by Barnett Kellman, Promenade Theatre, NYC, 5/85

Marathon ’85 – Series A: Marien’s Kammer, adaptation of Georg Buchner’s “Wozzeck” by Roger Hedden, directed by Billy Hopkins; The Frog Prince by , directed by Peter Maloney; Men Without Dates by Jane Willis, directed by Shirley Kaplan; Life Under Water by Richard Greenberg, directed by Don Scardino; Ensemble Studio Theatre, NYC, 5/85

Marathon ’85 – Series C: The Semi-Formal by Louisa Jerauld, directed by Billy Hopkins; North of Providence by Edward Allan Baker, directed by Risa Bramon; One Tennis Shoe by Shel Silverstein, directed by Art Wolff; Painting A Wall by David Lan, directed by Joe Gilford; Ensemble Studio Theatre, NYC, 5/85

Responsible Parties by Jeffrey Sweet, directed by Thomas Gruenewald, Vineyard Theatre, NYC 3/85

The Crate by Shel Silverstein, directed by Art Wolff, Ensemble Studio Theatre, NYC, 2/85

The Bloodletters by Richard Greenberg, directed by Shirley Kaplan, Ensemble Studio Theatre, NYC, 12/84

Marathon ’84 – Series D: Saxophone Music by Bill Bozzone, directed by Risa Bramon; Ariel Bright by Katharine Long, directed by John Schwab; Raving by , directed by Peter Mark Schifter; Ensemble Studio Theatre, NYC, 5/84

To Gillian on Her 37th Birthday by Michael Brady, directed by Pamela Berlin, Ensemble Studio Theatre production at Circle in the Square, NYC, 3/84

Broken Eggs by Eduardo Machado, directed by James Hammerstein, Ensemble Studio Theatre, NYC, 2/84

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Sound Design:

Wild Life by Shel Silverstein, directed by Art Wolff, Vandam Theatre, NYC, 5/83

Marathon ’83 – Series A: Touch Black by Bill Bozzone, directed by Risa Bramon; The Dolphin Position by Percy Granger, directed by Jack Gelber; The Survivalist by , directed by Steven D. Albrezzi; Ensemble Studio Theatre, NYC, 5/83

Marathon ’83 – Series B: Poisoner of the Wells by Brother Jonathan, O.S.F.; Postcards by Carol K. Mack, directed by Joan Micklin Silver; Five Unrelated Piece, by David Mamet, directed by Curt Dempster; Ensemble Studio Theatre, NYC, 5/83

Marathon ’83 – Series C: Pastoral or Recollections of Country Life by Peter Maloney, directed by John Schwab; Cash by Stuart Spencer; directed by Charles I. Karchmer; Eulogy by James G. Richardson, directed by Heidi Helen Davis; Tender Offer by Wendy Wasserstein, directed by ; Ensemble Studio Theatre, NYC, 5/83

The House of Ramon Iglesia by Jose Rivera, directed by Jack Gelber, Ensemble Studio Theatre, NYC, 3/83

Modern Ladies of Guanabocoa by Eduardo Machado, directed by James Hammerstein, Ensemble Studio Theatre, NYC, 1/83

The House Across the Street by Darrah Cloud, directed by Bruce Levitt, Ensemble Studio Theatre, NYC, 1/82

Marathon ’81 – Series A: A Sermon by David Mamet, directed by David Mamet; Stuck in the Pictures on A Sunday Afternoon by Bill Bozzone, directed by Bill Cwikowski; The Lady or the Tiger Show by Shel Silverstein, directed by Art Wolff; A Public Street Marriage by Edward Allan Baker, directed by Jack Caputo; Ensemble Studio Theatre, NYC, 5/81

Marathon ’81 – Series B: April Offering by Elizabeth Karp, directed by John Schwab; Down the Tubes by Brian McConnachie, directed by Risa Bramon; In Cahoots by James Ryan, directed by Kent Lantaff; Ensemble Studio Theatre, NYC, 5/81

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Designers:

Sets/Scenery Michael Amico Richard Ellis Wing Lee Robert Phillips Loy Arcenas Martha Fay Daniel Proett Shelly Barclay Mark Fitzgibbons Thomas Lynch Joel Reynolds William Barclay Edward Gianfrancesco Brian Martin Kevin Joseph Roach Bob Barnett Keith Gonzales Derek McLane Steve Saklad Roger Hanna G.W. Mercier Jim Sandefur Robert Brill Dana Hasson David Mitchell Loren Sherman Michael Brown Roy Hine Allen Moyer Sally de Valenzuela Steven Capone Phillip Jung James Noone Mark Wendland Lindsay W. Davis Marjorie B. Kellogg Rob Odorisio Nancy Winters Vicki R. Davis David Korins Johniene Papandreas James Wolk Stephen Edelstein Sarah Lambert Neil Patel James Youmans

Costumes Theoni V. Aldredge David Gropman Mimi Maxmen Pamela Scofield Lee Austin Martha Hally Tom McKinley James Scott Randy Blair Bruce Harrow Karen Miller Michael Sharpe Peg Carbonneau Nathan Herverin Isis Mussenden Deborah Shaw Tracy Christensen Tom Heyer James Noone Teresa Snider-Stein Lindsay W. Davis C.L. Hundley Sharon Sprague Candice Donnelly Michael Krass Karen Perry Debra Stein Laura Drabaugh Franne Lee Juliet Polcsa Muriel Stockdale Sarah Edwards Sally Lesser Natalie Robin Mattie Ullrich Gayle Everhart Rita Ryack Elsa Ward Bruce Goodrich Santo Loquasto Mark Wendland Mary Malin David Sawaryn Donna Zakowska

Lighting Pat Dignan Greg MacPherson Susan Roth Jeffrey Dunbar Jackie Manassee Nancy Schertler Frances Aronson Arden Fingerhut Brian MacDevitt Duane Schuler Bennett Averyt David Gipson Richard Meyer David Segal Ernie Barbarash Herrick Goldman Anne Militello Victor En Yu Tan Paul Bartlett Karl Haas Phil Monat David I. Taylor Kirk Bookman David Higham Brian Nason Cheryl Thacker Shelly Bradshaw Allen Lee Hughes Jeff Nellis John Tissot Ian Calderon James F. Ingalls Richard Nelson James Vermeulen Pat Collins Howard Werner Deborah Constantine Traci Klainer Stephen Quandt Susan A. White Jeff Croiter Richard Lund Jane Reisman

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References:

Professor Charles Scott Chair, Department of Entertainment Technology School of Technology and Design New York City College of Technology 300 Jay Street Brooklyn, NY 11201 718-260-5588 [email protected]

Professor John Huntington Department of Entertainment Technology School of Technology and Design New York City College of Technology 300 Jay Street Brooklyn, NY 11201 718-260-5548 [email protected]

Wayne Maugans, Artistic Director The Voyage Theater 165 1st Ave. Apt.#1 New York, NY 10003 c. 917.370.1101 h. 212.674.6935 [email protected]

Herrick Goldman, Lighting Designer HGLighting Design Inc. 618 Dean St. #1A Brooklyn, NY 11238 917-797-3624 [email protected]

Additional references available on request

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