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Iti-Info” № 1–2 (22–23) 2014 RUSSIAN NATIONAL CENTRE OF THE INTERNATIONAL THEATRE INSTITUTE «МИТ-ИНФО» № 1–2 (22–23) 2014 “ITI-INFO” № 1–2 (22–23) 2014 УЧРЕЖДЕН НЕКОММЕРЧЕСКИМ ПАРТНЕРСТВОМ ПО ПОДДЕРЖКЕ ESTABLISHED BY NON-COMMERCIAL PARTNERSHIP FOR PROMOTION OF ТЕАТРАЛЬНОЙ ДЕЯТЕЛЬНОСТИ И ИСКУССТВА «РОССИЙСКИЙ THEATRE ACTIVITITY AND ARTS «RUSSIAN NATIONAL CENTRE OF THE НАЦИОНАЛЬНЫЙ ЦЕНТР МЕЖДУНАРОДНОГО ИНСТИТУТА ТЕАТРА». INTERNATIONAL THEATRE INSTITUTE» ЗАРЕГИСТРИРОВАН ФЕДЕРАЛЬНОЙ СЛУЖБОЙ ПО НАДЗОРУ В СФЕРЕ REGISTERED BY THE FEDERAL AGENCY FOR MASS-MEDIA AND СВЯЗИ И МАССОВЫХ КОММУНИКАЦИЙ. COMMUNICATIONS. СВИДЕТЕЛЬСТВО О РЕГИСТРАЦИИ REGISTRATION LICENSE SMI PI № FS77-34893 СМИ ПИ № ФС77–34893 ОТ 29 ДЕКАБРЯ 2008 ГОДА OF DECEMBER 29TH, 2008 АДРЕС РЕДАКЦИИ: 129594, МОСКВА, УЛ. ШЕРЕМЕТЬЕВСКАЯ,Д.6.К.1 EDITORIAL BOARD ADDRESS: OSCOW HEREMETYEVSKAYA STR BLD ЭЛЕКТРОННАЯ ПОЧТА: [email protected] 129594, M , S ., 6, .1 MAIL RUSITI BK RU НА ОБЛОЖКЕ : ЕВГЕНИЙ МИРОНОВ В РОЛИ ГАМЛЕТА В СПЕКТАКЛЕ E- : @ . COVER: EVGENI MIRONOV IN “HAMLET/COLLAGE” «ГАМЛЕТ/КОЛЛАЖ» ТЕАТРА НАЦИЙ BY THEATRE OF NATIONS © РОМАН ДОЛЖАНСКИЙ © ROMAN DOLZHANSKY ФОТОГРАФИИ ПРЕДОСТАВЛЕНЫ ПРЕСС-СЛУЖБАМИ ПСКОВСКОГО PHOTOS ARE PROVIDED BY PRESS SERVICES OF PSKOV ACADEMIC DRAMA ДРАМАТИЧЕСКОГО ТЕАТРА ИМ. ПУШКИНА, ФЕСТИВАЛЕЙ «ЗОЛОТАЯ THEATRE NAMED AFTER A.S. PUSHKIN, GITIS -RUTI, “GOLDEN MASK” МАСКА» И «КАРАБАС», ГОГОЛЬ-ЦЕНТРА, ТЕАТРА НАЦИЙ, ТЕАТРА ИМ. AND “KARABAS” THEATRE FESTIVALS, MOSCOW STATE PUPPET THEATRE, ПУШКИНА, ТЕАТРА «САТИРИКОН», ТЕАТРА ИМ. ВАХТАНГОВА, ТЕАТРА REHACOMP INSTITUTE, PR DEPARTMENT OF A.A.BAKHRUSHIN ИКИТСКИХ ВОРОТ А ОСКОВСКИМ ТЕАТРОМ «У Н », РУТИ-ГИТИС , М THEATRE MUSEUM, GOGOL-CENTER, THEATRE OF NATIONS, MOSCOW КУКОЛ, ТЕАТРАЛЬНЫМ МУЗЕЕМ ИМ. БАХРУШИНА, ИНСТИТУТОМ PUSHKIN DRAMA THEATRE, SATIRIKON THEATRE, THE VAHTANGOV РЕАКОМП THEATRE, “U NIKITSKIKH VOROT” THEATRE ГЛАВНЫЙ РЕДАКТОР: АЛЬФИРА АРСЛАНОВА EDITOR-IN-CHIEF: ALFIRA ARSLANOVA ЗАМ. ГЛАВНОГО РЕДАКТОРА: ОЛЬГА ФУКС EDITOR-IN-CHIEF DEPUTY: OLGA FOUX ДИЗАЙН, ВЕРСТКА, ПРЕПРЕСС: МИХАИЛ КУРЕНКОВ DESIGN, LAYOUT, PREPRINT: MIKHAIL KURENKOV КООРДИНАТОР: ЮЛИЯ АРДАШНИКОВА COORDINATOR: YULIA ARDASHNIKOVA РЕДАКТОР: ЯН ШЕНКМАН EDITOR: YAN SHENKMAN КОРРЕКТОР: ИРИНА БЛИНОВА PROOF-READER: IRINA BLINOVA ОФИЦИАЛЬНЫЙ ПАРТНЕР ЖУРНАЛА ЗАО «КЕЙДЖИТИСИ» WWW.KGTC.RU OFFICIAL TRANSLATION PARTNER KGTC WWW.KGTC.RU КООРДИНАТОР ПЕЧАТИ: ЛАНА МАРКОВА PRINTING COORDINATOR: LANA MARKOVA ФИНАНСЫ: ИРИНА САВЕНКО, АННА ЛИСИМЕНКО ACCOUNTANCY: IRINA SAVENKO, ANNA LISIMENKO ОТПЕЧАТАНО В ТИПОГРАФИИ «ВИВА-СТАР» PRINTED BY VIVA STAR WWW.VIVASTAR.RU 107023, МОСКВА, ЭЛЕКТРОЗАВОДСКАЯ УЛ., 20, СТР. 3 107023, MOSCOW, ELECTROZAVODSKAYA STR., 20, BLD. 3 ТЕЛ.: +7 (495) 231-31-91, +7 (495) 730-40-05. WWW.VIVASTAR.RU PHONES: +7 (495) 231 3191, +7 (495) 730 4005. WWW.VIVASTAR.RU ЦЕНА СВОБОДНАЯ. ТИРАЖ 1000 ЭКЗ. OPEN PRICE. A NUMBER OF COPIES PRINTED IS 1000. ПОДПИСАНО В ПЕЧАТЬ 20.02.14 PUT INTO PRINT 20.02.14 ЖУРНАЛ РАСПРОСТРАНЯЕТСЯ ЧЕРЕЗ НАЦИОНАЛЬНЫЕ ЦЕНТРЫ THE REVIEW IS DISTRIBUTED THROUGH THE NATIONAL CENTRES OF МЕЖДУНАРОДНОГО ИНСТИТУТА ТЕАТРА (МИТ): ANGOLA, THE ITI IN ANGOLA, ARGENTINA, ARMENIA, AUSTRIA, AZERBAIJAN, ANGLADESH ELARUS ELGIUM ENIN RAZIL ULGARIA ARGENTINA, ARMENIA, AUSTRIA, AZERBAIJAN, BANGLADESH, BELARUS, B , B , B , B , B , B , BURKINA FASO, CAMEROON, CHAD, CHINA, COLOMBIA, CONGO BELGIUM, BENIN, BRAZIL, BULGARIA, BURKINA FASO, CAMEROON, DEM. REP., CONGO REP., COSTA RICA, CRIMEA, CROATIA, CUBA, CHAD, CHINA, COLOMBIA, CONGO DEM. REP., CONGO REP., COSTA CYPRUS, CZECH REP., DENMARK, ECUADOR, EGYPT, ESTONIA, RICA, CRIMEA, CROATIA, CUBA, CYPRUS, CZECH REP., DENMARK, FINLAND, FRANCE, FUJAIRAH, GEORGIA, GERMANY, GHANA, GREECE, ECUADOR, EGYPT, ESTONIA, FINLAND, FRANCE, FUJAIRAH, GEORGIA, HAITI, HUNGARY, ICELAND, INDIA, IRAN, IRAQ, IRELAND, ISRAEL, GERMANY, GHANA, GREECE, HAITI, HUNGARY, ICELAND, INDIA, ITALY, IVORY COAST, JAMAICA, JAPAN, JORDAN, KENYA, KOREA REP., IRAN, IRAQ, IRELAND, ISRAEL, ITALY, IVORY COAST, JAMAICA, JAPAN, KUWAIT, LATVIA, LEBANON, LYBIA, LUXEMBOURG, MACEDONIA, JORDAN, KENYA, KOREA REP., KUWAIT, LATVIA, LEBANON, LYBIA, MALI, MEXICO, MOLDOVA, MONACO, MONGOLIA, MOROCCO, NEPAL, UXEMBOURG ACEDONIA ALI EXICO OLDOVA ONACO L , M , M , M , M , M , NETHERLANDS, NIGERIA, PAKISTAN, PALESTINE, PAPUA NEW GUINEA, MONGOLIA, MOROCCO, NEPAL, NETHERLANDS, NIGERIA, PAKISTAN, PERU, PHILIPPINES, POLAND, PUERTO RICO, ROMANIA, RUSSIA, PALESTINE, PAPUA NEW GUINEA, PERU, PHILIPPINES, POLAND, PUERTO SENEGAL, SHARJAH, SIERRA LEONE, RICO, ROMANIA, RUSSIA, SENEGAL, SHARJAH, SIERRA LEONE, SLOVAKIA, SLOVAKIA, SLOVENIA, SPAIN, SRI LANKA, SUDAN, SWEDEN, SLOVENIA, SPAIN, SRI LANKA, SUDAN, SWEDEN, SWITZERLAND, SYRIA, SWITZERLAND, SYRIA, TOGO, TUNISIA, TURKEY, TOGO, TUNISIA, TURKEY, UNITED KINGDOM, U.S.A., UGANDA, UNITED KINGDOM, U.S.A., UGANDA, UKRAINE, UKRAINE, URUGUAY, VENEZUELA, VIETNAM, ZIMBABWE URUGUAY, VENEZUELA, VIETNAM, ZIMBABWE ЖУРНАЛ «МИТ-ИНФО» РАСПРОСТРАНЯЕТСЯ В МОСКОВСКИХ ITI-INFO REVIEW IS DISTRIBUTED IN THE MOSCOW THEATRES, BY ТЕАТРАХ, ПО ПОДПИСКЕ И ЧЕРЕЗ НАЦИОНАЛЬНЫЕ ЦЕНТРЫ SUBSCRIPTION AND THROUGH ITI NATIONAL CENTRES. МИТ. ПОДПИСАТЬСЯ НА ЖУРНАЛ МОЖНО, СВЯЗАВШИСЬ С НАМИ FOR SUBSCRIPTION, PLEASE, CONTACT US ON E-MAIL [email protected] ПО ЭЛЕКТРОННОЙ ПОЧТЕ [email protected] OR SEND YOUR ORDER N1–2 2014 ITI-INFO 1 6 НОВОСТИ NEWS 14 ВЫСТАВКИ ЕЩЕ РАЗ ПРО ЛЮБОВЬ СЧАСТЬЕ И БОЛЬ ОЛЕГА ЯНКОВСКОГО EXHIBITIONS ONCE MORE ABOUT LOVE THE JOY AND SORROW OF OLEG YANKOVSKY 22 МЕЖДУНАРОДНЫЙ ДЕНЬ ТЕАТРА 20 WORLD THEATRE DAY 28 МЕЖДУНАРОДНЫЙ ДЕНЬ ТАНЦА INTERNATIONAL DANCE DAY 34 ALMA MATER ДОМ, ГДЕ РОЖДАЮТСЯ ТЕАТРЫ ALMA MATER A HOUSE WHERE THEATRES ARE BORN 42 ФЕСТИВАЛЬ ДРАМАТИЧЕСКАЯ ПЕРЕЗАГРУЗКА FESTIVAL 42 DRAMATIC REBOOT 52 ДРАМАТУРГ ДЕНДИ НОВОЙ ДРАМЫ PLAYWRIGHT THE NEW DRAMA DANDY 60 ДРУГОЙ ТЕАТР ЗРЕЛИЩЕ ДЛЯ НЕЗРЯЧИХ DIFFERENT THEATRE A SPECTACLE FOR THE BLIND 68 СОБЫТИЕ 52 ШЕКСПИР-450: ЧЕРЕП ЙОРИКА ИЛИ КОСМОС EVENT 68 SHAKESPEARE-450: YORICK’S SKULL OR COSMOS 84 КНИГИ BOOKS 90 БУДКА СУФЛЕРА PROMPT CORNER 2 ITI-INFO N1–2 2014 АВТОРЫ НОМЕРА AUTHORS КРИСТИНА должен хромать!». Абитуриент Анато- ОЛЬГА ФУКС EKATERINA VASENINA МАТВИЕНКО лий Папанов твердо ответил: «Смогу!». Надо ли говорить, с ка- To extract beauty from hip-hop protest, to У героев последних пьес кой благодарностью и от- see wisdom besides shouting in it, to trans- Курочкина, мягких с ANNA дачей включаются в дей- form riot into a work of art – that is how виду, нравящихся жен- CHEPURNOVA ствие люди, привыкшие Mourad Merzouki’s force of talent shows up. щинам и имеющих вкус In the midst of war, GITIS began see- жить в темноте, преодо- That is why every other day of the year his к удовольствиям жизни, ing among its ranks soldiers, who were левая тысячи трудностей. company performs somewhere around the есть общее свойство – discharged from the army on medical Суровый мир, сквозь ко- world, opening wide cages of obsolete rules. неизбывная тяга к свободе. Эта, навер- grounds. Examiners looked at them with торый они бредут на ощупь, вдруг окуты- ное, ключевая для нас сегодня тема, с heavy hearts: turning heroes away was a вает их заботой, точно теплым одеялом. завидным постоянством реализуется shameful thing, yet maiming injuries were Надо полагать, что после такого экспери- ЯН ШЕНКМАН именно в его текстах и поступках. hardly flattering for people who wanted to мента актеры будут совсем по-другому от- С Аскольдом и Диром be on stage… During an entrance examina- носиться к своей профессии. связана легенда о первом CHRISTINA MATVIENKO tion the school’s artistic director Mikhail крещении Руси. «Повесть The characters of Kurochkin’s latest plays Tarkhanov, asked sternly of one such sol- OLGA FOUX временных лет» сообща- are outwardly gentle, are liked by women dier – a gaunt man with a crippled foot, We don’t need to tell you how grateful this ет, что приплывшие рус- and have a taste for the good things in life. wearing a faded army shirt: “Will you be audience is, how enthusiastically they join ские разорили окрестно- But they also have one common quality – able to walk without a cane? An actor, after in the action, after being used to living in сти столицы Византии. a persistent thirst for freedom. This topic, all, cannot be seen limping around!” Аnd darkness, overcoming thousands of obsta- Однако поднявшаяся буря разбила рус- which is perhaps critical for us today, is be- Anatoly Papanov replied firmly, “I will!” cles. The cruel world, which they navigate ские суда о прибрежные скалы. Летописи ing perfected with enviable consistency in by touch, suddenly surrounds them with связывают бурю с вмешательством выс- his texts and deeds. care, wrapping them in it like in a warm ших сил, так как спокойное море взволно- ИРИНА АЛПАТОВА blanket. One should think that after an валось после погружения византийцами в Сходятся на шести ша- experiment such as this one, actors will его воды ризы Богородицы; потрясенные АННА гах не только Онегин treat their profession quite differently. чудом, русы тут же приняли крещение. ЧЕПУРНОВА и Ленский. Великая В разгар войны в Г И- пушкинская гармония YAN SHENKMAN ТИС стали приходить (мысли, слова, ритмы, ЕКАТЕРИНА ВАСЕНИНА The legend of the first baptism of Rus’ is и комиссованные из ар- формы) принимает вы- Извлечь из бунта хип- tied to these two. “The Primary Chronicle” мии бойцы. Экзамена- зов нашего отчаянно хопа красоту, увидеть tells us of the Russians pillaged the outskirts торы смотрели на них с дисгармоничного и бесформенного в нем кроме крика му- of the Byzantine capital. Yet a storm had болью: давать героям от времени. дрость, сделать из бунта surged and shattered the Russian vessels ворот поворот грех, но людей
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