DOCSLIB.ORG

RIT Tries to Resolve Parking Problems the Lack Ol Available Parking Spaces Has Vehicles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RIT Tries to Resolve Parking Problems the Lack Ol Available Parking Spaces Has Vehicles •THE HExA^RT OF IT ALL' mi WEEKEND '87 September 17-19 Sponsored by the Student Life Advisory Board Jiursday, iept. Coffee House sponsored by the Webb Auditorium Visiting Filmmakers CAU Ritskellar College Activities Board-open to 7:00p.m. Workshop- featuring Brock 4p.m.-7p.m. all! Featuring the Al Christenienserx Maylath's HOUSE OF TRAILERS ]azz Quartet. sponsored by RIT and Eastman CAU Cafeteria Welcome Back Concert House. 9:00p.m.-1:00a.m. featuring Upward Force (Jazz Fusion Ingle Auditorium Band) and The Ken Hardy Playboys 7:30p.m. Talisman movie: True Stories (Rock Classic Band) sponsored by 9:15p.m. Talisman movie: Heavy Metal Phi Kappa Tau and CAB. Clark Gymnasium COMEDY NICHT featuring Admission T.B.A. (see separate 8:06p.m. Dennis Miller of Saturday hJight event calendar. Live-sponsored by College Activities Board Tiday, Sept. RIT CARNIVAL! Admission- $2.50 Admmstrafite Rides: adult and kiddie (FREE) Circle Cames: something for everyone; ll:30a.m.-3:30p.m. try your luck-win great prizes!! Proceeds benefit the Student Emergency Fund. Concession Stands: popcorn, snow cones and cotton candy; proceeds benefit the Student Emergency Fund. Two exhibitions: CAESAR the BIC "RASSLIN" 12:15p.m.-2:45p.m. BEAR, always open to a challenge. Who will volunteer to wrestle the 800 lb.?? Caesar-he's funny, he's Saturday, Sept. 19 Annual FALL OUT Sol Heuman/Gibson Quad gentle, he's fantastic... a lifetime 10:(X)a.m.-6:OOp.m. fundraiser. remembrance!!! Activities include: face-painting, dunkin' booth, air-band contest and Two exhibitions: THE SENSATIONAL LEICHS sporting events between floors and 12:15p.m.-2:45p.m. performing on the Original GlAbJT a live band playing all afternoon SPACE WHEEL (the Acme of (T.B.A.) Aerial Thrill Acts) 1:00p.m. Women's Tennis match: RIT vs. Roving Clowns performing Wells College (home) "Pocket Magic" and Balloon Sculptures throughout the day Ingle Auditorium Talisman movie: Heavy Metal 12:15p.m. CLOWN MACIC SHOW (one 7:30p.m. Stories show only) 9:15p.m. Talisman movie: True SPECIAL FOOD SERVICE Theta Xi Theta Xi's Climbing Down the Pole CARNIVAL MUNCHIES 9:00p.m.-2:00a.m. Party. Bring I.D. throughout the day (hot dogs, hamburgers, hot cider, soda, etc.) Events will be interpreted for the Hearing Impaired September 18. 1987 CONTENT^^^^1 1 M LmtK 1 JI S Volume 64. Number 2 Reportage 6 Scoreboard 26 Departments l'()VV7MIA Aw.iniu'ss WVckeiul Marls Women's vollevhall has a sticmg start Letters 4 lodav ill College L iiion l<)l)l)v. with wins in the Brockpoit Zodiac 13 I'arking Lot Committee is reinstated. lournament. Tab Ads 28 and is working with Campus Safety to A well balanced women's soc c er team Bloom County 29 resolve paiking prolilems. tioimced St. )ohn Fishei 'JO. What's Happening 30 A i*>.")H plioto giaduate. Jim l.arag\. Harriets fair well against nationalh Cover: diplays an exciting exhiliit. ranked team. MIA/1»()W —Both sides 1 beta Xi tiaternitv sponsors I'olesit '87 Joe Dioguardi led men's Tigei soc c ei to to raise $.')()()() for Multiple Sclerosis. a .'LO w in ovei .Mfied Photo By: Walid RaacI Features 10, 14, 16 Meet your six college Representati\es at Large. Wheel I hair auc tion and Faith Mealing at the Wat Memorial with the liapp\ Munteis. ,\ very personal look at the last d.i\ of the Vietnam Wat. Reproview 22 (ieVa I heatie open their L>87 l<)88 season with Prii'ate Lives running f rom Septemfiei 8 thiougli ()c tol)ei 10. 1087. .After seven long .iwited veais. 1 he Crateful De.id piesents In I'he Dark. REPRORLE Iwo thousand four liuudred and fate of a son. a son in law. .md a c laimr What w ill it take to see that all sixteen men and women are still listed linsliand and father. And one name was live POWs ate letnrned. it they want to as prisoners of" war (POW) or missing sniitiactedfiomtlie list of POW/MIAs. he repatriated, along w itii all MI.As that in action (MIA) in Southeast .Asia. 14 I wondei if Smith, like me .nid a lot can lie located? People, people putting yeais after the majoi w itfidrawal of L'..S. of otiiei stndenis at dial time wlio piessiire on tlieii goveriiemiit ofTic ials. troops fiom X'ietnam. Inc luded in this could no longer atfoid the cost of Being a V ietnam \et. tiie list of list ate l.')3 from New York and iJ fiom college and know ing tfiat. once out of POW/MI As. as with tlie ii.imes on the tlie local flve eountv .uea. I hese ate the scliool. we would lose our dr.ift Wall, ate tiot an .ihstiact tahnlation. numbers, and as tec hnic al |)eople. wc. defeiiiient. enlisted in the N'.iw. Air Somewlieie in those lists at e .i ft ieiicl, are trained to consider nnmheis and Foiceor National (inard so we wouldn't a c lassmate, a conn ade in at ins. I do not facts to he of primary importance. end up ill Vietnam. But we accepted expec t you to feel the commitment to Behind these nnmhers are real out respoiisihilitN when we leceived this issue I. otliet veteians and tlieii people. As real as your roommate oi our orders. families do. But give the issue a little the persoti sittitig tiext to von in class. Not all POW/MIAs were militarv time todav. Find a few minntes to give- 1 his analogv is not too far off since peisoiiiiel. I liei e was Sean FIvmi. l ime to the POW/MI.A issue-. Information on most of these men and women were M.iga/iiie pliotograpliei. and Dana acticities can he foniicl elsewliete in afxnit tlie same age as yoni loommates Stone. CBS c.mieiamaii. c aptniecl on RF.PORIF.R. and fellow classmates when thev went April I). 1970 and repot ted exec nted in to wai. niicI I97I. Two years later on April 2(). One of tlie 'nnmliers' was ex RI I 1972 two L'PI reporters were captured student. .Air Force Sergeant F.dward at a roadblock. I hev are still listed as Smith. Ji. fiom Red Cieek in Wavne POWs. along w ith other c ixiliaiis. Countv. His plane was shot down on I liere is .i historic a! pei spec live in Maicli 29. 1972 over Laos. Seigeant all this. I he I'liitecl States lias left .All I lioi Smith's remains were interted this POWs in World War II. Koiea and V (i()()7 summer. Now there arc three fewer Southeast Asia. Fliis is nii.icceptahle. families that have to wonder about the Are these people disposable, as some REPORTER MAGAZINE is published weekly during the academic year by students at Rochester Institute ol Technology. One Lomb Memorial Drive. Rochester. New York 14623 Editorial and pro duct ion lacilities are located in Room A 283 ol the College Alumni Union, telephone 716 475 2212 Subscription $4 00 per quarter The opinions expressed in REPORTER do not necessarily reflect those ol the Institute RIT does not generally review or approve of the contents ol REPORTER and does not accept responsibility for matters contained in REPORTER • Letters must be sub mitted to the REPORTER office by 4 p.m Monday Letters must be typed and double spaced Please limit letters to 250 words REPORTER reserves the right to edit for libel and clarity No letters will be printed unless signed and accompanieinied by <a phone numt>er REPORTER will withhold names upon request All letters received are property of REPORTER Magarine 'REPORTER takes pride in its membership In the Associated Collegiate Press and American Civil Liberties Union. • 1987 REPORTER MAGAZINE All rights reserved No portion of this magatine may be reproduced without prior written permission from REPORTER REPORTER LETTERS to the .\tliletic Dep.n tmeiit. wliile costing More Than Just SOS Wl 1 R ill tlie neigliiiorliood of six Magazine tlionsaiicl clollars per vear. We here at As a fourth vcar student living in tlie Res- Wl I R tee! this service is a vital link EditorinChief ideiue Halls 1 have gone through two move lietween ourselves and the stndent hocly, ins and pai tii ipated in the otiiei two. K.ic li aclmiiistratioii. .nid facnltv of Rl l. As of Mils Morgan \ear I have lead the aitide in Rn'OKItR this veai. howevei, Rl l liockev on WI TR Managing Editor about "move-in" dav, and it botlietx me that may no longer he possible. not one article mentioned amtliing about l lie .Athletic Department has dec ided Steve Waterloo the work put into the halls for "move-iir (l.i\ to impose its own restrictions on the Executive Editor Ol wliat liap,X'iis after SOS unloads tlie caix Wl 1 R jiroclnc lion of Rl 1 hockev. l liey Kris Argento I would like to take this ripportutiity to have iiiaiiclatecl that the existing on-air thank all of these |K"ople and to let students peisoiialities no longer he allowed to cover Senior Editor know just how much time and eiieigv went the games hec.inse thev ate not RIT Bill Amstutz into "opening dav." stncleiits. altliongli tlic*v .ne Rl I .ilnmiii. Me%vs Editor For the Resident .-Xdvisois. House Fnrthermoie, the .-Vtliletic Department li.is Managers, and Senior Staff of eadi area, stated that thev don't even want these men James Ferme "move-in" da\ firings .ifxint nervousness and to assist in the tiainiiig of new .ninonncers Copy Editor aiixietv.
Load more

Recommended publications
  • Unmasking the Devil: Comfort and Closure in Horror Film Special Features
    Unmasking the Devil: Comfort and Closure in Horror Film Special Features ZACHARY SHELDON While a viewer or critic may choose to concentrate solely on a film’s narrative as representative of what a film says, some scholars note that the inclusion of the supplementary features that often accompany the home release of a film destabilize conceptions of the text of a film through introducing new information and elements that can impact a film’s reception and interpretation (Owczarski). Though some special features act as mere advertising for a film’s ancillary products or for other film’s or merchandise, most of these supplements provide at least some form of behind-the-scenes look into the production of the film. Craig Hight recognizes the prominent “Making of Documentary” (MOD) subgenre of special feature as being especially poised to “serve as a site for explorations of the full diversity of institutional, social, aesthetic, political, and economic factors that shape the development of cinema as a medium and an art form” (6). Additionally, special features provide the average viewer access to the magic of cinema and the Hollywood elite. The gossip or anecdotes shared in interviews and documentaries in special features provide viewers with an “insider identity,” that seemingly involves them in their favorite films beyond the level of mere spectator (Klinger 68). This phenomenon is particularly interesting in relation to horror films, the success of which is often predicated on a sense of mystery or the unknown pervading the narrative so as to draw out visceral affective responses from the audience. The notion of the special feature, which unpacks and reveals the inner workings of the film set and even the film’s plot, seems contradictory to the enjoyment of what the horror film sets out to do.
    [Show full text]
  • Volume 8, Number 1
    POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • Clive Barkers Hellraiser Ebook Free Download
    CLIVE BARKERS HELLRAISER PDF, EPUB, EBOOK Clive Barker,Mark Miller,Janusz Ordon | 144 pages | 20 Nov 2012 | Boom Town | 9781608862832 | English | Los Angeles, CA, United States Clive Barkers Hellraiser PDF Book The team eventually abandoned the Hellraiser license and converted it into a simplistic Bible-based game. Hellraiser pre-production. Although Dimension Films initially turned the project down because it believed the upcoming film Freddy vs. It's tough to figure out where to land with Lord of Illusions , because while it's certainly not Barker's best, and it has plenty of detractors, opinion is often very divided on this one, with some fans strongly defending it and urging others to give it another chance. But a movie is perpetually in progress. But they left my spirit here, in the boards. Share this page:. Retrieved 11 September British Film Institute : — Larry's daughter, Kirsty Ashley Laurence , accidentally unleashes the Cenobites, but makes a deal to deliver Frank to them in exchange for her own life. Barker hasn't directed a movie since Illusions. Barker's novella The Hellbound Heart contained many aspects that would've been hard to convey in a visual medium like film, especially on a limited budget, so Barker stripped it down a bit, retaining its essence. It just didn't get there Please update this article to reflect recent events or newly available information. The main one is that you can't actually show eroticism and violence together on a screen. In Hellraiser, the puzzle stands for something quite different - it's a way to open a door to hell, but it also stands for the puzzle of desire, because the configuration is tantalising in that if you solve it, you're supposed to have access to physical experience beyond the level that one can ever hope to reach in this world Mine was more explicit and less violent.
    [Show full text]
  • The Final Girl in 1980’S Slasher Films and Halloween (2018) As a Representation of Ideals and Social Issues in 1980S’ America As Well As Contemporary America
    Lindved 1 Martin Lindved Anne Bettina Pedersen Engelsk Almen 1 June 2020 Could it be that One Monster has created Another? –The Final Girl in 1980’s Slasher Films and Halloween (2018) as a Representation of Ideals and Social Issues in 1980s’ America as well as Contemporary America. Table of Contents INTRODUCTION .................................................................................................................2 The Reagan Era in Films of the 1980s ..................................................................................5 The Origin and History of the Slasher Film ........................................................................9 The Making of Halloween ...................................................................................................12 Definition of the Slasher Film .............................................................................................13 The Final Girl as a Male Surrogate ....................................................................................18 The Final Girl as a Feminist Icon .......................................................................................20 ANALYSIS ............................................................................................................................24 The Final Girls of the 1980s’ Slasher Films .................................................24 Final Girls from Halloween ...........................................................................25 Laurie .........................................................................................26
    [Show full text]
  • Movies That Will Get You in the Holiday Spirit
    Act of Violence 556 Crime Drama A Adriana Trigiani’s Very Valentine crippled World War II veteran stalks a Romance A woman tries to save her contractor whose prison-camp betrayal family’s wedding shoe business that is caused a massacre. Van Heflin, Robert teetering on the brink of financial col- Alfred Molina, Jason Isaacs. (1:50) ’11 Ryan, Janet Leigh, Mary Astor. (NR, 1:22) lapse. Kelen Coleman, Jacqueline Bisset, 9 A EPIX2 381 Feb. 8 2:20p, EPIXHIT 382 ’49 TCM 132 Feb. 9 10:30a Liam McIntyre, Paolo Bernardini. (2:00) 56 ’19 LIFE 108 Feb. 14 10a Abducted Action A war hero Feb. 15 9a Action Point Comedy D.C. is the takes matters into his own hands About a Boy 555 Comedy-Drama An crackpot owner of a low-rent amusement Adventures in Love & Babysitting A park where the rides are designed with Romance-Comedy Forced to baby- when a kidnapper snatches his irresponsible playboy becomes emotion- minimum safety for maximum fun. When a sit with her college nemesis, a young young daughter during a home invasion. ally attached to a woman’s 12-year-old corporate mega-park opens nearby, D.C. woman starts to see the man in a new Scout Taylor-Compton, Daniel Joseph, son. Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult. (PG-13, 1:40) ’02 and his loony crew of misfits must pull light. Tammin Sursok, Travis Van Winkle, Michael Urie, Najarra Townsend. (NR, out all the stops to try and save the day. Tiffany Hines, Stephen Boss. (2:00) ’15 1:50) ’20 SHOX-E 322 Feb.
    [Show full text]
  • Title Catalog Link Section Call # Summary Starring 28 Days Later
    Randall Library Horror Films -- October 2009 Check catalog link for availability Title Catalog link Section Call # Summary Starring 28 days later http://uncclc.coast.uncwil. DVD PN1995.9. An infirmary patient wakes up from a coma to Cillian Murphy, Naomie Harris, edu/record=b1917831 Horror H6 A124 an empty room ... in a vacant hospital ... in a Christopher Eccleston, Megan Burns, 2003 deserted city. A powerful virus, which locks Brendan Gleeson victims into a permanent state of murderous rage, has transformed the world around him into a seemingly desolate wasteland. Now a handful of survivors must fight to stay alive, 30 days of night http://uncclc.coast.uncwil. DVD PN1995.9. An isolated Alaskan town is plunged into Josh Hartnett, Melissa George, Danny edu/record=b2058882 Horror H6 A126 darkness for a month each year when the sun Huston, Ben Foster, Mark Boone, Jr., 2008 sinks below the horizon. As the last rays of Mark Rendall, Amber Sainsbury, Manu light fade, the town is attacked by a Bennett bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the town's husband-and-wife Sheriff team stand 976-EVIL http://uncclc.coast.uncwil. VHS PN1995.9. A contemporary gothic tale of high-tech horror. Stephen Geoffreys, Sandy Dennis, edu/record=b1868584 Horror H6 N552 High school underdog Hoax Wilmoth fills up Lezlie Deane 1989 the idle hours in his seedy hometown fending off the local leather-jacketed thugs, avoiding his overbearing, religious fanatic mother and dreaming of a date with trailer park tempress Suzie. But his quietly desperate life takes a Alfred Hitchcock's http://uncclc.coast.uncwil.
    [Show full text]
  • Bibliography
    Bibliography Primary Sources A) Lolita. Dir. Stanley Kubrick. Perf. James Mason, Sue Lyon, Peter Sellers, and Shelley Winters. MGM, 1962. Lolita. Dir. Adrian Lyne. Perf. Jeremy Irons, Dominique Swain, Frank Langella, and Melanie Griffith. AMLF (France), 1997. Nabokov, Vladimir. Lolita. London: Penguin Books, 2000. B) 9 ½ Weeks. Dir. Adrian Lyne. Perf. Mickey Rourke, Kim Basinger, and Margaret Whitton. MGM, 1986. Baby Doll. Dir. Elia Kazan. Perf. Carroll Baker, Karl Madden, and Eli Wallach. Warner Bros. Pictures. 1956. Baudelaire, Charles. Les Fleurs du Mal. Paris: Pouchet Edition, 2000. Blake, William. “The Sick Rose.” 20 September 2006 <http://www.poetryloverspage.com/poets>. A Clockwork Orange. Dir. Stanley Kubrick. Perf. Malcolm McDowell, Patrick Magee, and Michael Bates. Warner Bros. Pictures, 1971. Damage. Dir. Louis Malle. Perf. Jeremy Irons, Juliette Binoche, and Rupert Graves. Canal +, 1992. Fatal Attraction. Dir. Adrian Lyne. Perf. Michael Douglas, Glenn Close, and Anne Archer. Paramount Pictures, 1987. “The Films of Adrian Lyne.” The Directors. American Film Institute. 1999. Jacob’s Ladder. Dir. Adrian Lyne. Perf. Tim Robbins, Elizabeth Peña, and Danny Aiello. Image Entertainment, 1990. James, Henry. The American. New York: W.W. Norton & Company, 1978. ---. The Turn of the Screw. London: Penguin Classics, 2000. Junior Miss. Dir. George Seaton. Perf. Peggy Ann Garner, Stephen Dunne, and Allyn Joslyn. Twentieth Century Fox. 1945. Keats, John. “Christabel – Part I.” 20 July 2006 <http://www.geocities.com/Paris/Arc/6773/christabel-part-1.html >. Keats, John. “Lamia.” Bartleby.com. 20 July 2006 < http://www.bartleby.com/126/36.html>. Metalious, Grace. Peyton Place. New York: Pan Books, 1971. M Butterfly. Dir.
    [Show full text]
  • A Statistical Survey of Sequels, Series Films, Prequels
    SEQUEL OR TITLE YEAR STUDIO ORIGINAL TV/DTV RELATED TO DIRECTOR SERIES? STARRING BASED ON RUN TIME ON DVD? VIEWED? NOTES 1918 1985 GUADALUPE YES KEN HARRISON WILLIAM CONVERSE-ROBERTS,HALLIE FOOTE PLAY 94 N ROY SCHEIDER, HELEN 2010 1984 MGM NO 2001: A SPACE ODYSSEY PETER HYAMS SEQUEL MIRREN, JOHN LITHGOW ORIGINAL 116 N JONATHAN TUCKER, JAMES DEBELLO, 100 GIRLS 2001 DREAM ENT YES DTV MICHAEL DAVIS EMANUELLE CHRIQUI, KATHERINE HEIGL ORIGINAL 94 N 100 WOMEN 2002 DREAM ENT NO DTV 100 GIRLS MICHAEL DAVIS SEQUEL CHAD DONELLA, JENNIFER MORRISON ORIGINAL 98 N AKA - GIRL FEVER GLENN CLOSE, JEFF DANIELS, 101 DALMATIANS 1996 WALT DISNEY YES STEPHEN HEREK JOELY RICHARDSON NOVEL 103 Y WILFRED JACKSON, CLYDE GERONIMI, WOLFGANG ROD TAYLOR, BETTY LOU GERSON, 101 DALMATIANS (Animated) 1951 WALT DISNEY YES REITHERMAN MARTHA WENTWORTH, CATE BAUER NOVEL 79 Y 101 DALMATIANS II: PATCH'S LONDON BOBBY LOCKWOOD, SUSAN BLAKESLEE, ADVENTURE 2002 WALT DISNEY NO DTV 101 DALMATIANS (Animated) SEQUEL SAMUEL WEST, KATH SOUCIE ORIGINAL 70 N GLENN CLOSE, GERARD DEPARDIEU, 102 DALMATIANS 2000 WALT DISNEY NO 101 DALMATIANS KEVIN LIMA SEQUEL IOAN GRUFFUDD, ALICE EVANS ORIGINAL 100 N PAUL WALKER, TYRESE GIBSON, 2 FAST, 2 FURIOUS 2003 UNIVERSAL NO FAST AND THE FURIOUS, THE JOHN SINGLETON SEQUEL EVA MENDES, COLE HAUSER ORIGINAL 107 Y KEIR DULLEA, DOUGLAS 2001: A SPACE ODYSSEY 1968 MGM YES STANLEY KUBRICK RAIN NOVEL 141 Y MICHAEL TREANOR, MAX ELLIOT 3 NINJAS 1992 TRI-STAR YES JON TURTLETAUB SLADE, CHAD POWER, VICTOR WONG ORIGINAL 84 N MAX ELLIOT SLADE, VICTOR WONG, 3 NINJAS KICK BACK 1994 TRI-STAR NO 3 NINJAS CHARLES KANGANIS SEQUEL SEAN FOX, J.
    [Show full text]
  • The Cord Weekly (September 17, 1987)
    Wilfrid Laurier University, Waterloo Volume 28, Number 4, Thurs. Sept. 17,1987 the CORD Students 'being treated like babies' the be to such letters of recommendation." students are to give advised curtail By Eric Beyer meeting expected may said the idea for the peti- "You shouldn't be bossed around Dean of Music "advance written activity." Tibbits started in the 1986-87 you're a child," said Andrew of he/she Extra-curricular activity should be tion was WilfridLaurier University's music like notice all musical activity outside of the tea- school four former music Tibbits, a part-time music student intends to undertake the discussed between private year by students are circulating a petition music not students: Michelle Hunchak, and one of the organizers of the Faculty during the Academic year." cher and the student, and that will attempt to get a contro- Tibbits Gordon Clelland, Jennifer Johnson, The calender addendum on to through the administration, versial music policy removed; a petition. goes and Brunton. The petition The new policy states that music "In some the student emphasized. Philip policy passed at the May 12 Senate state, cases, June 19, 1987. He said the Senate was notaware, was started on of the is to whenthey passed the motion, of the The purpose petition it. student as degree of student opposition to get as many signatures have discus- "The petition has proved itself," possible, and then to at Tibbits said. Presently, there are sion on the new policy re-opened 200 the Senate over signatures on petition. another meeting. "struck Dr.
    [Show full text]
  • Clive Barker's Hellraiser: the Road Below Online
    lzgSG (Library ebook) Clive Barker's Hellraiser: The Road Below Online [lzgSG.ebook] Clive Barker's Hellraiser: The Road Below Pdf Free Brandon Seifert ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #249533 in Books BOOM Studios 2013-06-04 2013-06-04Original language:EnglishPDF # 1 10.00 x .30 x 7.00l, .65 #File Name: 160886314X112 pages | File size: 63.Mb Brandon Seifert : Clive Barker's Hellraiser: The Road Below before purchasing it in order to gage whether or not it would be worth my time, and all praised Clive Barker's Hellraiser: The Road Below: 1 of 1 people found the following review helpful. SighBy divideandconquerI really love the Hellraiser universe. Turning Kirsty Cotton into Pinhead is such a cool idea. However, they kind of lost me. The story isn't solid, the writing is okay but I feel like they could have done so much more with this premise. I guess I see it as having potential that so far has not been fully realized.The art work is gorgeous, but 90% of the time Kirsty Cotton doesn't look like the actress who portrayed her (Ashley Laurence) in four of the films, so I'm not sure whose face they are basing her on. That fact alone ruins it for me.0 of 0 people found the following review helpful. Not your ordinary paperback!By Clark D. YoungI received my Clive Barker "Hellraiser" illustrated book in a reasonable amount of time. To call it a paperback is misleading. No, it is not a hardcover book, but it is larger than a "trade paperback".
    [Show full text]
  • The Texas Chainsaw Massacre: Our Collective Nightmare
    Regis University ePublications at Regis University All Regis University Theses Spring 2008 The exT as Chainsaw Massacre: Our Collective Nightmare Jen Janes Regis University Follow this and additional works at: https://epublications.regis.edu/theses Part of the Arts and Humanities Commons Recommended Citation Janes, Jen, "The exT as Chainsaw Massacre: Our Collective Nightmare" (2008). All Regis University Theses. 497. https://epublications.regis.edu/theses/497 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. Regis University Regis College Honors Theses Disclaimer Use of the materials available in the Regis University Thesis Collection (“Collection”) is limited and restricted to those users who agree to comply with the following terms of use. Regis University reserves the right to deny access to the Collection to any person who violates these terms of use or who seeks to or does alter, avoid or supersede the functional conditions, restrictions and limitations of the Collection. The site may be used only for lawful purposes. The user is solely responsible for knowing and adhering to any and all applicable laws, rules, and regulations relating or pertaining to use of the Collection. All content in this Collection is owned by and subject to the exclusive control of Regis University and the authors of the materials. It is available only for research purposes and may not be used in violation of copyright laws or for unlawful purposes.
    [Show full text]