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Bibliography Primary Sources A) Lolita. Dir. Stanley Kubrick. Perf. James Mason, Sue Lyon, Peter Sellers, and Shelley Winters. MGM, 1962. Lolita. Dir. Adrian Lyne. Perf. Jeremy Irons, Dominique Swain, Frank Langella, and Melanie Griffith. AMLF (France), 1997. Nabokov, Vladimir. Lolita. London: Penguin Books, 2000. B) 9 ½ Weeks. Dir. Adrian Lyne. Perf. Mickey Rourke, Kim Basinger, and Margaret Whitton. MGM, 1986. Baby Doll. Dir. Elia Kazan. Perf. Carroll Baker, Karl Madden, and Eli Wallach. Warner Bros. Pictures. 1956. Baudelaire, Charles. Les Fleurs du Mal. Paris: Pouchet Edition, 2000. Blake, William. “The Sick Rose.” 20 September 2006 <http://www.poetryloverspage.com/poets>. A Clockwork Orange. Dir. Stanley Kubrick. Perf. Malcolm McDowell, Patrick Magee, and Michael Bates. Warner Bros. Pictures, 1971. Damage. Dir. Louis Malle. Perf. Jeremy Irons, Juliette Binoche, and Rupert Graves. Canal +, 1992. Fatal Attraction. Dir. Adrian Lyne. Perf. Michael Douglas, Glenn Close, and Anne Archer. Paramount Pictures, 1987. “The Films of Adrian Lyne.” The Directors. American Film Institute. 1999. Jacob’s Ladder. Dir. Adrian Lyne. Perf. Tim Robbins, Elizabeth Peña, and Danny Aiello. Image Entertainment, 1990. James, Henry. The American. New York: W.W. Norton & Company, 1978. ---. The Turn of the Screw. London: Penguin Classics, 2000. Junior Miss. Dir. George Seaton. Perf. Peggy Ann Garner, Stephen Dunne, and Allyn Joslyn. Twentieth Century Fox. 1945. Keats, John. “Christabel – Part I.” 20 July 2006 <http://www.geocities.com/Paris/Arc/6773/christabel-part-1.html >. Keats, John. “Lamia.” Bartleby.com. 20 July 2006 < http://www.bartleby.com/126/36.html>. Metalious, Grace. Peyton Place. New York: Pan Books, 1971. M Butterfly. Dir. David Cronenberg. Perf. Jeremy Irons, John Lone, and Barbara Sukowa. Warner Bros Pictures, 1993. 99 Nabokov, Vladimir. The Enchanter. London: Picador Books New Edition, 1987. ---. Ada or Ardor. London: Penguin Books, 1995. Poe, Edgar A. “Annabel Lee”. 1996. Gibson Grafx. 3 July 2006 <http://www.pambytes.com/poe/poems/annabel.html>. ---.“Berenice”. 1996. Gibson Grafx. 3 July 2006 <http://www.pambytes.com/poe/stories/berenice.html>. ---.“ Ligeia.” The Complete Works of Edgar Allan Poe. Ed. Thomas Olive Mabbott. Cambridge, Massachussets: The Belknap Press of Harvard UP, 1978. 569 – 579. Rebel Without a Cause. Dir. Nicholas Ray. Perf. James Dean, Nathalie Wood, and Sal Mineo. Warner Bros. Pictures. 1955. Splendor in the Grass. Dir. Elia Kazan. Perf. Warren Beatty, Natalie Wood, and Pat Hingle. Warner Bros. Pictures, 1961. Sunset Blvd. Dir. Billy Wilder. Perf. William Holden, Gloria Swanson, and Nancy Olson. Paramount Pictures, 1950. Secondary Sources A) Amis, Martin. “Lolita Reconsidered.” The Atlantic. 270.3 (1992): 109 – 120. Appel Jr., Alfred. “Lolita: The Springboard of Parody”. Ed. Harold Bloom. Vladimir Nabokov’s Lolita. New York: Chelsea House Publishers, 1987.35 – 51. Bloom, Harold. Ed. Vladimir Nabokov’s Lolita. New York: Chelsea House Publishers, 1987. Appleyard, Brian. “Who’s Abusing Lolita Now?” The Independent. (January 1995): 196 – 197. Boyd, Brian. Vladimir Nabokov: The American Years. Princeton University Press, January, 1993. Bowman, James. “Lolita – Girl Crazy.” National Review. (August 1998): 23 –25. Dudek, Duane. “Melancholy Baby: Lolita is Lush, Lamentable.” The Milwaukee Journal Sentinel. (October 1998): 32 – 37. Elias, Justine. “Melanie and the Moralists.” Interview. (October 1998): 20 – 24. Frosch, Thomas R. “Parody and Authenticity in Lolita.” Ed. Ellen Piffer. Vladimir Nabokov’s ‘Lolita’: A Casebook. New York: Oxford University Press, 2003. 39 – 56. Kagan, Norman. The Cinema of Stanley Kubrick. Canada: Holt, Rinehart and Winston, 1972. Maar, Michael. The Two Lolitas. Translated by Perry Anderson. London: Verso, 2005. Nelson, Thomas Allen. Kubrick – Inside a Film Artist’s Maze. Bloomington & Indianapolis: Indiana University Press, 2000. O’Rourke, James. Sex, Lies and Autobiography: The Ethics of Confession. Charlottesvile and London: University of Virginia Press, 2006. Packman, David. Vladimir Nabokov: The Structure of Literary Desire. Columbia & London: University of Missouri Press, 1982. Pifer, Ellen. Ed. Vladimir Nabokov’s ‘Lolita’: A Casebook. New York: Oxford University Press, 2003. Power, Elizabeth. “The Cinematic Art of Nympholepsy: Movie Star Culture as Loser Culture in Nabokov's Lolita.” Criticism (Winter 1999) <http://findarticles.com/p/articles/mi_m2220/is_1_41/ai_56905046 >. Rasmussen, Randy. Stanley Kubrick: Seven Films Analyzed. Jefferson: McFarland & Company, Inc., Publishers, 2001. 100 Roth, Phyllis A. Critical Essays on Vladimir Nabokov. Boston: G. K. Hall Co., 1984. Schiff, Stephen. Lolita: The Book of the Film. New York: Applause Books, 1998. Steyn, Mark, “Unacceptable Love.” The Spectator. (May 1998): 35 – 45. Trilling, Lionel. “The Last Lover: Vladimir Nabokov’s Lolita.” Ed. Harold Bloom. Vladimir Nabokov’s Lolita. New York: Chelsea House Publishers, 1987. 5 – 12. Tweedie, James. “Lolita's Loose Ends: Nabokov and the Boundless Novel.” Twentieth Century Literature. 23.7 (Summer 2000): 67 – 73. Wakin, Daniel J.. “Lolita Scares off U.S. Film Distributors.” The Milwaukee Journal Sentinel. (September 1997): 56 – 60. Watts, Sarah Milles. “Lolita: Fiction into Films Without Fantasy.” Literature Film Quarterly. (2001): 76 – 85. Wood, Michael. “Revisiting Lolita.” Vladimir Nabokov’s ‘Lolita’: A Casebook. Ed. Ellen Pifer. Oxford University Press, 2003. 181 – 194. B) 1950s Bestsellers. Cader Books. 30 June 2006 < http://www.caderbooks.com/best50.html>. Alves, Teresa F. A. “Some Enchanted Evening: Tuning In the Amazing Fifties, Switching Off the Elusive Decade." American Studies International. 8.39 (October 2001): 25 – 40. American Cultural History: 1950 – 1959. May 2006. Kingwood College Library. 20 June 2006 <http://kclibrary.nhmccd.edu/decade50.html>. Bradbury, Malcolm. Dangerous Pilgrimages: Trans-Atlantic Mythologies and the Novel. London: Penguin Books, 1995. Carter, Paul A. Another Part of the Fifties. New York: Columbia University Press, 1983. Cowie, Elizabeth. “Fantasia.” Visual Culture: The Reader. Ed. Jessica Evans and Stuart Hall, London: SAGE Publications Ltd, 2000. Delbanco, Andrew. The Real American Dream: A Meditation on Hope. Harvard University Press, 1999. Devlin, Rachel. Relative Intimacy: Fathers, Adolescent Daughters, and Postwar American Culture. University of North Carolina Press, 2005. Dirks, Tim. Film History of the 1940s. 16 December 2006 <http://www.filmsite.org/40sintro6.html>. The Edgar Allan Poe Society of Baltimore. 1 May 1997. The Edgar Allan Poe Society of Baltimore, Inc. 16 September 2007 <http://www.eapoe.org/index.htm>. The Fifties Web. March 1996. Candace Rich. 2 July 2007 <http://www.fiftiesweb.com/fifties.htm>. Fontenot, Robert. The History of Elvis: 1955. About.com. 30 July 2006. <http://oldies.about.com/od/elvis/a/elvis1955.htm>. Goldman, Eric F. The Crucial Decade – And After: America, 1945 – 1969. London: Vintage Books, 1960. Goldman, Eric F. “Good-by to the Fifties – And Good Riddance.” Harper’s Magazine (1960): 56 – 64. Gordon, Michael. The Fifties: Fear, Sex and Discontent. Fall 2001. University of Milwaukee. 13 August 2006 <http://www.uwm.edu/Course/448-192-001/syllabus192.2001.html>. Halberstam, David. The Fifties. New York: Ballantine Books, 1994. Harvey, James. Movie Love in the Fifties. New York: Alfred A. Knopf, New York, 2001. Hubier, Sébastien. Lolitas et Petites Madones Perverses : Émergence d’un Mythe Littéraire. Dijon: Editions Universitaires de Dijon, Collection Écritures, 2007. 101 Lhamon Jr., W.T. Deliberate Speed: The Origins of a Cultural Style in the American 1950’s. Washington: Smithsonian Institute, 1990. Mils, Michael. “High Heels in Wet Pavement: Film Noir and the Femme Fatale.” 2007 Moderntimes. 20 March 2007 <http://www.moderntimes.com/palace/film_noir/>. Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Visual and Other Pleasures. Bloomington and Indianapolis: Indiana UP, 1989. 14 – 28. Nash, Ilana. American Sweethearts: Teenage Girls in Twentieth-Century Popular Culture. Indiana University Press, 2006. Podhoretz, Norman. “Our Changing Ideals, as Seen on TV – The Father on The Hearth.” The Scene Before You: A New Approach To American Culture. Ed. Chandler Brossard. Rinehart & Company, 1955. 80 – 126. Rich, Candace. “Peyton Place” Review. 3 July 2006 <http://www.fiftiesweb.com/pop/peyton- place.htm>. Ricoeur, Paul. The Symbolism of Evil. New York: Beacon Press, 1969. Schlesinger Jr., Arthur. “The New Mood in Politics.” Esquire. (January 1960): 47 – 56. Schroeder, Ernst. ThinkExist.com Quotations. 22 November 2006 <http://thinkexist.com/quotation/the_optimist_already_sees_the_scar_over_the_woun d/165030.html>. Schrum, Kelly. Some Wore Bobby-Sox: The Emergence of Teenage Girl’s Culture, 1920- 1945. New York: Palgrave Macmilian, 2004. Sinclair, Marianne. Hollywood Lolita: The Nymphet Syndrome in the Movies. New York: Henry Holt and Company, 1988. Smith, Ken. “Mental Hygiene Movies.” New York Times 2 January 2000. <http://www.writing.upenn.edu/~afilreis/50s/hygiene-films.html>. “What Went Wrong With U.S. Schools?” U.S. News & World Report (January 1958): 37 – 45. “The Younger Generation” Time (November 1951): 45 – 59. C) All That Heaven Allows. Dir. Douglas Sirk. Perf. Jane Wyman, Rock Hudson, and Agnes Moorehead. Universal International Pictures, 1955. The Asphalt Jungle. Dir. John Huston. Perf. Marilyn Monroe, Sterling Hayden, and Louis Calhern. MGM,1950. The Bachelor and the Bobby Soxer. Dir. Irving Reis.
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