The Sound of Mechanical Music with Price Guide by Jack Tempest

Total Page:16

File Type:pdf, Size:1020Kb

The Sound of Mechanical Music with Price Guide by Jack Tempest Musical Here we have a typical Victorian cylinder A closer look at the ‘Kalliope’s’curious musical box of average size. horse-racing game which added visual interest to the aural accompaniment! The Sound of Mechanical Music with Price Guide by Jack Tempest Mark Singleton is a keen collector of mechanical music antiques. He is pictured Many collectors of bygone items enjoy finding examples of bygone musical boxes. These here with an early hand-wound organette, date back mainly to the Victorian era and came in various types, the commonest being the but he is particularly interested in turn-of- table-top examples with their mechanisms usually housed in ornamentally-veneered the-century disc operated musical boxes. wooden cabinets. The sizes varied according to the complexity of their mechanical contents usually depending upon the size of the instrument’s cylinder. They mostly tended to be Continental products and their industry was mainly in Switzerland. Cylinder musical movements varied in size depending upon the type of musical box concerned. Novelty miniature movements were available designed to be hidden away in French sewing boxes or in the once fashionable pocket snuff boxes. The larger table-top examples offered room for bigger mechanisms. The larger cylinder boxes offered louder and more interesting performances. The rotating cylinders were pinned according to the notes required to be selected from the tuned teeth of the steel comb that picked out the required music. The size of the boxed examples allowed the use of a larger spring wound clockwork motor for increased performance. Classical cylinder musical boxes were more expensive than the cheaper novelty kind which generally produced shorter programmes of popular melodies which were naturally less expensive to buy. Their values today are generally much higher as antique values and depend upon their state of preservation and quality performance rating. Some instruments included extra sounds in their design - bells were very popular, often accompanied by a mechanically activated snare drum or even a small organette. Some had a gadget which could turn the instrument’s normal sound into a performance imitating the playing of a zither. Most serious collectors prefer the well produced examples in which the designers had concentrated upon the best classical performances and left out any added instruments. The Nicole-Freres company was just one of the Swiss manufacturers that produced the best classical music boxes. In 1885 the traditional musical-box industry was to give way to the appearance of a new form of instrument introduced by a German manufacturer Paul Lochmann, who discovered an alternative way of creating music from a tuned steel comb. He invented a perforated metal disc system to replace the pinned cylinder. Each disc could be programmed with a melody of reasonable length and the system would allow the collection of more easily stored discs each offering a different melody. So the owner had a greater choice of musical entertainment which would be easier to store than a collection of cumbersome brass cylinders. These new instruments he named ‘Polyphons’ and there were horizontal and vertical examples. The vertical sort were more popular because they took up less room and could be placed against a wall. The commonest disc size, and most popular, was 19 5/8th inches. There were larger and smaller sizes. These could be had with a penny-slot mechanism which sold one performance for one penny. It was an ideal way of selling music in public houses and other places frequented by the public. The new ‘Polyphon’ was the forerunner to the ‘Juke Box’ of latter years! Other such rival models This is a standard 19 5/8ths disc ‘Polyphon’. were to appear such as the German ‘Symphonion’, and the American-made ‘Regina’. The base is not original - the instruments The popularity of these disc-machines proved a serious threat to the Swiss musical box were sold with or without bases. The bases industry who tried to enter the disc-box competition with their ‘Stella’ disc-player and are really necessary to help with the storage of the family’s growing metal disc collection! other makes, but they never fully recovered their position as world-manufacturers of ANTIQUES INFO - July/August 08 Musical musical boxes! Time was on the way for a change and the invention in such surviving antique musical boxes. I am interested in musical of the gramophone by Edison put an end to musical boxes as source boxes in general as well as other mechanical treasures but prefer to of home entertainment. collect interesting disc-operated items.” Mark Singleton, a businessman from the North-East of England is Mark’s collection includes ‘Polyphons’, Symphonions’, and a very a well known collector of antique musical boxes, the disk-style rare ‘Lochmann’ upright disk player which includes a mechanical coin-operated examples in particular. His advice to collectors is for horse-racing game. “This is a fine piece of furniture, a top quality them to study books on the subject, attend as many auction sales product that plays well and also offers a chance to gamble on the featuring musical boxes as possible, and befriend a keen collector. horses!” he added with a smile. “I do visit auction sales around the To aid this advice he also points out that the newcomer should country but always look for something out of the ordinary. I make become a member of the Musical Box Society of Great Britain sure that the music plays well and listen for faults. Many can be from where he can obtain good advice, and meet like-minded restored fairly easily and once I am happy that this is possible I then enthusiasts with practical experience in the subject. “I have been take part in the bidding!” collecting for several years now and must admit that membership The Musical Box Society of Great Britain. Details of club activities of the MBSGB taught me a lot about the hobby and also introduced and of membership can be found on www.mbsgb.org.uk me to many interesting enthusiasts who taught me a lot and gave me plenty of useful advice and help in any restoration problems that I came across,” Mark pointed out. “In this way one can meet experts who specialise in sorting out any problems that can pop up Novelty horizontal disk machine designed with Christmas interest - a Christmas Tree could be placed in the cast-iron holder and This is an early novelty disk musical revolved when the music played! box with figures that dance to the music. Its mechanism is hand-wound. ‘Kalliope’ were responsible for this larger disc machine which incorporated a mechanical horse-racing game in its base. A rare item! Inside this ‘Kalliope’, behind the disc we can see the double vertical combs that provide The ‘Polyphon’ company made the first disk the music with 12 bells to add to a recital. This disc-playing musical box is a German boxes and this is a de-luxe 19 5/8ths model Note the large clockwork spring mechanism. ‘Kalliope’, a copy of the earlier ‘Polyphon’. fitted with an ornamental leaded-window. ANTIQUES INFO - July/August 08 Musical 20 1 15 10 Nicole Freres, Swiss walnut 5 musical box, single cylinder Paillard & Co Bells, Drum and comb, playing eight airs, Late 19thC six air musical and Castanets in Sight 12 air Large 19thC Swiss musical printed/handwritten label, No box, 19.75in cylinder, lever musical box, 32in wide. box playing on twelve airs. 32051, 51.5cm. Sworders, action wind, compartment Gorringes, Lewes. Jun 06. Wotton Auction Rooms, Stansted Mountfitchet. Apr Late 19thC walnut cased decorated with 3 gouache on HP: £2,100. ABP: £2,470. Wotton under Edge. Feb 08. 06. HP: £1,050. ABP: £1,235. Polyphon, Nicoles Freres, paper scenes of Geneva, HP: £1,260. ABP: £1,482. ‘Penny in the Slot’ mechanism, label: Fabrique de Genéve 11 17 24in discs, 6ft 9in high. Spiraux Metalliques, marq- Gorringes, Lewes. Mar 06. uetry inlaid rosewood case, 21 HP: £9,500. ABP: £11,174. 34in. Gorringes, Lewes. Oct 07. HP: £3,100. ABP: £3,646. 2 Mahogany cased symphonium, 16 58.5cm wide, 52 x 30cm discs, Walnut table polyphon a/f. Rosebery’s, London. Mar 06. HP: £1,050. ABP: £1,235. playing 9in tin discs. Stride 19thC Swiss ten air six bells & Son, Chichester. Sep 05. 6 in sight musical box, 11in 22 HP: £2,000. ABP: £2,352. cylinder, rosewood case with Large Orchestrion cylinder Prices quoted are actual floral musical trophy inlaid music box in rosewood case. hammer prices (HP) and the medallion, 24ins. Gorringes, Crows, Dorking. Apr 04. HP: Approximate Buyer’s Price. Lewes. Mar 05. HP: £1,250. Late 19thC walnut cased £2,700. ABP: £3,175. (ABP) Includes an average ABP: £1,470. Polyphon, Nicole Freres premium of 15% + VAT. Nicole Freres Regina Poly- 7 17 penny-in slot operation, phon. Crows, Dorking. Apr thirty two 20in discs, 7ft.1in. 04. HP: £1,010. ABP: £1,188. Gorringes, Lewes. Apr 04. 23 HP: £3,700. ABP: £4,352. 3 19thC polyphon by Schutzmark, approx 28 discs. Nicole Freres musical box, Crows, Dorking. Apr 04. HP: 12 No. 24691, key wind, playing £1,200. ABP: £1,411. six airs, rosewood lid inlaid Polyphon coin-operated disc German 17.25in Kalliope musical trophies, 46cm wide, musical box, prob. by Nicole disc musical box, periphery cylinder 27.4cm. Sworders, Freres, playing 19.75in discs, drive movement playing on Stansted Mountfitchet. Feb mahogany cabinet, metal one base and 2 treble combs, 07. HP: £980. ABP: £1,152. label reading ‘Drop a Penny 19thC Nicole Freres ‘Penny coin operated mechanism, in the Slot, Nicole Freres in the Slot’ Polyphon, 19.625in walnut upright case with Leipzig’, c1900, 50.5in high, 24 metal disks, twin 7.5in single glazed door, 35in.
Recommended publications
  • Steinway Duo-Art
    CHAPTER OFFICERS INTERNATlONAL OFFICERS NO. CALIFORNIA Pres.: Phil McCoy Vice Pres.: Isadora Koff PRESIDENT Sec.: David Fryman Bob Rosencrans Treas.: Bob Wilcox 36 Hampden Rd. Reporter: Sharon Bartlett Upper Darby, PA 19082 SO. CALIFORNIA VICE PRESIDENT Pres.: Francis Cherney Bill Eicher Vice Pres.: Mary Lilien 465 Winding Way Sec.: Greg Behnke Dayton, OH 45429 Treas.: Roy SheIso SECRETARY Reporter: Bill Toeppe Jim Weisenborne TEXAS 73 Nevada St. Pres.: Carole Beckett Rochester, MI 48063 Vice Pres.: Sal Mele AMICA MEMBERSHIP RATES: PUBLISHER Sec/Treas.: Doyle Cassel Tom Beckett Reporter: Kay & Merrill Baltzley Continuing Members: $15 Dues 6817 Cliffbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee Pres.: Bennet Leedy MEMBERSHIP SECRETARY Vice Pres.: Jim Prendergast (New memberships and Sec.: Jim Weisenborne mailing problems) Treas.: Alvin Wulfekuhl Bobby Clark Jr Reporter: Molly Yeckley P. O. Box 172 Columbia SC 29202 PHILADELPHIA AREA Pres Mike Naddeo THE AMICA NEWS BULLETIN TREASURER Vice Pres.: John Berry Jack & Mary Riffle Sec. Dick Price Published by the Automatic Musical Instrument Collectors' Association, a non­ 5050 Eastside Calpella Rd. Treas.: Claire Lambert profit club devoted to the restoration, distribution and enjoyment of musical Ukiah, CA 95482 Reporter: Allen Ford instruments using perforated paper musIc rolls. BOARD REPRESENTATIVES SOWNY (So. Ontario, West NY) Contributions: All subjects of interest to readers of the Bulletin are N. Cal. Howie Koff Pres.: Jeff Depp encouraged and invited by the pUblisher All articles must be received by the S. Cal.: Dick Rigg Vice Pres: Bruce Bartholomew 10th of the preceeding month. Every attempt will be made to publish all artiCles Texas: Wade Newton Sec.: Mike Walter of general interest to AMICA members at the earliest possible time..and at the Phil.: Bob Taylor Treas.: Stella Gilbert Midwest: Bill Eicher Reporter: Jim Brewer discretion of the publisher.
    [Show full text]
  • The Nunn Organ Collection
    Carousel Organ, Issue No. 32 — July, 2007 The Nunn Organ Collection Bill Nunn hen I met Diane, she had a small collection of porce- ing Ragtime Calliope. I thought, “If it’s not too expensive…” lain carousel music boxes she received as birthday Well, I had a lot of fun with that calliope, repairing it and adding Wand Christmas gifts. For the next few years I contin- drums and a glockenspiel. That fall we went to see someone ued the tradition, once buying a music box with the name Looff who was selling a Parker carousel with a Wurlitzer 125 trumpet and a date of 1910. I thought “there is more to this than just a band organ. Seeing that organ was love at first sight, but the box that plays music.” So I searched for and found a book on owner was leaving for Florida for the winter. I thought about the history of carousel animals. We read about the talented that organ all winter and when he came back I bought one immigrant carvers and the different carousel companies and Parker carousel horse in pieces, the 125 organ and a carving styles. We were hooked. We said “someday we will get Wellershaus organ in pieces. We put the Wurlitzer 125 in the a real antique carousel horse.” A year later, at a garage sale, house and if you went outside to listen, the volume was just Diane found a little Herschell Spillman horse with no legs or about right. Diane’s dad came to see our new acquisition and ears.
    [Show full text]
  • Bulletin Germany/Holland 2007 July 5Th Ð 20Th
    THE www.amica.org Volume 44, Number 2 AMICA March/April 2007 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN GERMANY/HOLLAND 2007 JULY 5TH – 20TH Tour Historic Germany and Holland with your fellow AMICANs. Visit Munich with its clock tower, Hofbrau House and many interesting attractions. See world-class museums with wonderful collections of automatic musical instruments. Bus through scenic countryside, with quaint towns full of wonderfully painted buildings. Shop in wood carving centers. Tour King Ludwig’s Linderhof Castle. Visit organ factories and private collections. Stroll through the Historic walled city of Rothenburg. Cruise the Beautiful Rhein River, with castles lining the waterway. Listen to dance organs, pianos, Dutch Street Organs and more. Enjoy the pumper contest, with contestants using Conrad Adenauer’s grand piano. There’s so much more to see and do. Applications will be coming soon, and you need to register right away….remember, registration is limited. Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 44, Number 2 March/April 2007 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Visit to San Sylmar’s Auto/Musical Collection .
    [Show full text]
  • Music Boxes? • Before the Music Box • Early Music Boxes • Music Box Advances • Changeable Disc Music Boxes • 20Th Century Music Boxes
    AMICA International Automatic Musical Instrument Collectors' Association AMICA Articles A History of the Music Box By Thaddeus Kochanny of the Chicago AMICA Chapter • What are music boxes? • Before the music box • Early music boxes • Music box advances • Changeable disc music boxes • 20th Century music boxes Part 1. What are music boxes? Webster's defines "music box" as a case containing an apparatus for producing music mechanically, as by means of a comb-like steel plate with tuned teeth. Pins set in the surface of a revolving cylinder or disk sound the teeth. Over a century ago, more people owned music boxes than any other type of automatic musical instrument. The mechanisms were put in jewelry boxes, windup toys, holiday novelties and clocks. Music boxes come in several types. Pinned brass cylinders lead, followed by disc. Punched metal discs and the rare pinned discs, tapered metal "cuffs" with plucking projections, even paper rolls and punched cardboard "books", all play using plucking action applied to the teeth of the comb. Today's music box mechanisms come inside many different packages. Designs range from children's motifs to cheeseburgers. They can be hand cranked, contain clock works and a cylinder or perforated disc. Music boxes are snuffbox sized to console scale. New music box prices vary from a few dollars to over forty thousand dollars. There are music box clocks, pocket watches, jewelry cases, water globes, miniature pianos, and humidors. Almost anything imaginable can be a music box. Where did the music box get its start? Part 2. Before the music box Some say that the Ancient Greeks were obsessed with creating mechanical living beings.
    [Show full text]
  • Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No
    MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 2 March/April, 2014 October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida Meet The Collectors Open House Collection Visits Elliot and Rhonda Shumann have been collecting for many years and have a delightful collection of fine cylinder music boxes. In this collection you will see a Mermod Long March, a Nicole Grand Format, a Nicole Overture box, a Falconet overture keywind, and a number of chalets. Most outstanding is a double cylinder mechanism oil painting with clock in an ornate frame. Howard and Margery Sanford Bob Smith joined the MBSI in 1975. His , members for over 30 collection includes cylinder boxes, disc years, have a collection that includes a Mortier 101 boxes including a three disc Symphonion a key dance hall organ, a Wurlitzer 146, a carousel Mira console and a Stella, a grandfather organ, an Encore/Ramey banjo, a Capitol cu box type organ clock, an oil painting which contains a C, several pianos, and a one-of-a-kind midi accordion clock and music box, an upright Duo Art with a wooden conductor resembling Mozart, all of piano and an Arburo dance organ. which is housed in a lovely Florida setting. Come and enjoy our southern hospitality as you visit these fascinating collections! Arrive early and luxuriate in the beautiful Check our website www.mbsi2014.org surroundings of the Bonaventure Resort and Spa, for updated information about the 2014 Annual Meeting and be ready for a fun-filled weekend.
    [Show full text]
  • Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments
    MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 3 May/June, 2014 65th Annual Meeting October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida "Our Backyard Museum" - The Jancko Collection Step back in time as you tour "Our Backyard Museum", the collection of Joel and Pam Jancko. Joel and Pam Jancko started their collection in the early 1990’s with only one building to house a couple of vehicles. This collection has grown through the years with additional buildings to encompass displays of an old town, a war room, a saloon, a soda fountain, a game room, a log cabin, a service station, a bicycle display, a fire station, a cinema, a street scene, a farm scene, a street clock, a steam engine, and even a fort. The Museum complex contains artifacts from the Civil War to WW1 and features many innovations from this time. Of most interest to our MBSI group will be the Music Room with a wide variety of instruments, including an Imhof & Mukle, a Seeburg H, a Wurlitzer CX, a Double Mills Violano, a Cremona K, a Weber Unika, an Encore Banjo, a Model B Harp, a Bruder band organ, a Limonaire band organ, a Bruder monkey organ, an American Photo Player and a classic Mortier, as well as a variety of cylinder and disc music boxes, organettes and phonographs. Making its debut at this meeting will be their newly acquired and installed 3 manual/11 rank Wurlitzer Opus 1616 theatre organ (model 235SP), expanded to 22 ranks.
    [Show full text]
  • Howe Collection of Musical Instrument Literature ARS.0167
    http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items.
    [Show full text]
  • Theamica News Bulletin of the Automatic Musical Instrument Collectors' Association
    TheAMICA News Bulletin of the Automatic Musical Instrument Collectors' Association )982 August/September 1982 Volume 19 Number 7 AMICA MEMBERSHIP RATES: Continuing Members: $20 Annual Dues CHAPTER OFFICERS Overseas Members: $26 Dues FOUNDING CHAPTER New Members, add $5 processing fee Pres.: Phil McCoy '- (Write to Membership Secretary, address at Vice Pres.: Isadora Koff Sec.: jack & Dianne Edwards left) Treas.: Bob Wilcox Reporter: jim Ponder INTERNATIONAL SOUTHERN CALIFORNIA OFFICERS THE AMICA NEWS BULLETIN Pres.: Roy Shelso PRESIDENT Vice Pres.: Warren & Rosemary Deasy Terry Smythe Sec.: Olive jones 619 Niagara St. Published by the Automatic Musical Instrument Collectors' Treas.: Les Cordell Winnipeg, Manitoba Association, a non-profit club devoted to the restoration, Reporter: Bill Toeppe Canada R3N OV9 distribution and enjoyment of musical instruments using TEXAS perforated paper music rolls. I •• , VICE PRESIDENT Pres.: Richard Tonnesen AMICA was founded in San Francisco in 1963. Molly Yeckley Vice Pres.: Bill Flynt 612 Main St. Sec./Treas.: Betty Plonien Castalia, OH 44824 DOROTHY BROMAGE, Publisher Reporter: Carole Beckett SECRETARY P.O. Box 387 MIDWEST Richard Reutlinger La Habra, CA 90631 Pres.: jim Weisenborne 824 Grove St. 213/697-1545 Vice Pres.: Ed joswick San Francisco, CA 94117 Contributions: All subjects of interest to readers of the Sec.: lim Needler Treas.: Alvin Wulfekuhl PUBLISHER Bulletin are encouraged and invited by the publisher. All Reporter: Ahti Petaja Dorothy Bromage articles must be received by the 10th of the preceding P.O. Box 387 month. Every attempt will be made to publish all articles of PHILADELPHIA AREA Pres.: Bob Rosencrans La Habra, CA 90631 general interest to AMICA members at the earliest possible Vice Pres.: Barbara McCartney MEMBERSHIP SECRETARY time and at the discretion of the publisher.
    [Show full text]
  • Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No
    MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 1 January/February, 2014 October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida OLYMPIA THEATER AT THE GUSMAN CENTER THE CLOISTERS OF THE ANCIENT SPANISH MONASTERY The Olympia Theater opened in 1926 as a silent movie palace. With its stunning Moorish The Cloisters were originally built between architecture, perfect acoustics and simulated night 1133 and 1144. In 1925, millionaire and publishing king William Randolph Hearst sky, complete with wafting clouds and twinkling bought the monastery, dismantled every stone stars, this is something you don't want to miss. and had it shipped over to America, where it Restored in the 1970's, the Mighty Wurlitzer organ, remained in storage until 1952, when it was a treasure of the Gusman Center, is a massive purchased by two wealthy historians and instrument, with three keyboards and 15 ranks of rebuilt in North Miami Beach. pipes, designed to provide full orchestral accompaniment to silent movies. While attending this venue, we will be entertained with a concert, played by our own Stephen Brittain accompanying a silent movie. Join us Wednesday evening for our Welcome Dinner Check our website www.mbsi2014.org and Monkey organ rally held in the lush greenery of the for updated information about the 2014 Annual Meeting beautiful Tropical Rain Forest by the pools. MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 1 January/February, 2014 MBSI NEWS FEATURES 10 - Picture Perfect Music 5 President’s Message A European village scene from centuries ago com- 6 Membership Report bined with a complicated assembly of moving pieces make for a memorable musical clock painting.
    [Show full text]
  • Film Calendar February 8 - April 4, 2019
    FILM CALENDAR FEBRUARY 8 - APRIL 4, 2019 TRANSIT A Christian Petzold Film Opens March 15 Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, Chicago www.musicboxtheatre.com 773.871.6607 CATVIDEOFEST RUBEN BRANDT, THE FILMS OF CHRISTIAN PETZOLD IDA LUPINO’S FEBRUARY COLLECTOR HARMONY KORINE MATINEE SERIES THE HITCH-HIKER 16, 17 & 19 OPENS MARCH 1 MARCH 15-21 WEEKENDS AT 11:30AM MARCH 4 AT 7PM Welcome TO THE MUSIC BOX THEATRE! FEATURE FILMS 4 COLD WAR NOW PLAYING 4 OSCAR-NOMINATED DOC SHORTS OPENS FEBRUARY 8 6 AMONG WOLVES FEBRUARY 8-14 6 NEVER LOOK AWAY OPENS FEBRUARY 15 8 AUDITION FEBRUARY 15 & 16 9 LORDS OF CHAOS OPENS FEBRUARY 22 9 RUBEN BRANDT, COLLECTOR OPENS MARCH 1 11 BIRDS OF PASSAGE OPENS MARCH 8 FILM SCHOOL DEDICATED 12 TRANSIT OPENS MARCH 15 The World’s Only 17 WOMAN AT WAR OPENS MARCH 22 TO COMEDY 18 COMMENTARY SERIES Comedy Theory. Storytelling. Filmmaking. Industry Leader Masterclasses. 24 CLASSIC MATINEES Come make history with us. RamisFilmSchool.com 26 CHICAGO FILM SOCIETY 28 SILENT CINEMA 30 MIDNIGHTS SPECIAL EVENTS 7 VALENTINE’S DAY: CASABLANCA FEBRUARY 10 VALENTINE’S DAY: THE PRINCESS BRIDE FEBRUARY 13 & 14 8 CAT VIDEO FEST FEBRUARY 16, 17 & 19 10 JEWISH FILM FESTIVAL MARCH 1-17 10 THE HITCH-HIKER MARCH 4 11 PARTS OF SPEECH: HARI KUNZRU MARCH 12 14 HARMONY KORINE FILM SERIES MARCH 15-21 17 DECONSTRUCTING THE BEATLES MARCH 30 & APRIL 3 Brian Andreotti, Director of Programming VOLUME 37 ISSUE 154 Ryan Oestreich, General Manager Copyright 2019 Southport Music Box Corp.
    [Show full text]
  • 1969 Vol. No. 2
    PASSAf,C COUNTY ..Museum and Headquarters F*NSTORNCA[. LAMBER.T CASTLE Garret Mountain' Reservatio n Paterson. N. J. SOCXETY Volume 1969 No. 2 THE AGE OF THE fuItlSIC-BOX By Mr. John A. Pfirrmann From the earliest beginning, man has been aware of, and responsiveto, the sounds around him made by simple things. The wind rustling through trees, the sounds of birds, waves splashing against a shore, or the rippling of a brook, all challenged man to imitate them and create his own noises. Even the early cave man must have needed some form of expressinghis emotions, and perhaps his first rhythms were developed from a dull but timed beat of stone against stone. Following through the centuries, one finds man using animal skins to form a bellows-type instrument on which he would beat to obtain sound, or blowing through reeds fashioned from dry plants or weeds. In still another era (and still being done in some remote parts of the world today), man used hollowed-out logs and bamboo poles on which he could produce different rhythmic tones to which he could dance, giving vent to his emotions. Many centuries later, bells were rung to summon man to meetings, battle, worship, and as warnings of danger. Long before clocks had dials, bells rang out the time, so we are now relatively certain that it was in the early bell tower that automatic music was first conceived sometime in the fourteenth century. It was the watchmaker who recognized the opportunities and further applications. The theory was that if large hammers driven by the tower clock could strike the bells, why could tiny hammers not strike small bells in a watch.
    [Show full text]
  • The Orchestrion Collection of Franklin Corya an Honors Thesis
    - The Orchestrion Collection of Franklin Corya An Honors Thesis (Honors 499) Victor J. Meyer Thesis Advisor: Dr. Annemarie Voss - A I Ball State University Muncie, Indiana December 1997 Graduation: May 1998 Before the advent of the radio or the phonograph, there was already the demand for instantaneous quality music. Due to the cost and difficulty of arranging a band or orchestra, another means of producing music had to be found. What evolved from the genius of fine European watchmakers were automated musical instruments. These instruments ranged from beautiful music boxes to large organ clocks. Thc;:ir success and popularity then inspired the creation of the orchestrion, a single instrument which could recreate the sounds of an entire orchestra. Though the orchestrions' popularity has passed, we are left with a few fine works to remember them by. Hearing their melodious music and seeing the meticulous craftsmanship, we can visit a time long gone and still enjoy one of that era's finest creations. The origin ofthe orchestrion is unclear, as several makers have claimed to have invented it. It is believed that the first orchestrion was built by J. G. Strasser, between - the years of 1784 and 1801 (Ord-Hume 194). Johann Maelzel, another innovator, made a similar contribution in 1792, only to follow with a more advanced model in 1812. Maelzel's new creation was dubbed "Panharmonicon" and was essentially a pipe organ with the addition of percussion. It was a great success, inspiring Ludwig van Beethoven to write Wellington's Victory (commemorating Wellington's 1813 defeat of Napoleon) especial1y for the Panharmonicon (Bowers,,em 3).
    [Show full text]