The Wurlitzer Style 180 Band Organ
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Steinway Duo-Art
CHAPTER OFFICERS INTERNATlONAL OFFICERS NO. CALIFORNIA Pres.: Phil McCoy Vice Pres.: Isadora Koff PRESIDENT Sec.: David Fryman Bob Rosencrans Treas.: Bob Wilcox 36 Hampden Rd. Reporter: Sharon Bartlett Upper Darby, PA 19082 SO. CALIFORNIA VICE PRESIDENT Pres.: Francis Cherney Bill Eicher Vice Pres.: Mary Lilien 465 Winding Way Sec.: Greg Behnke Dayton, OH 45429 Treas.: Roy SheIso SECRETARY Reporter: Bill Toeppe Jim Weisenborne TEXAS 73 Nevada St. Pres.: Carole Beckett Rochester, MI 48063 Vice Pres.: Sal Mele AMICA MEMBERSHIP RATES: PUBLISHER Sec/Treas.: Doyle Cassel Tom Beckett Reporter: Kay & Merrill Baltzley Continuing Members: $15 Dues 6817 Cliffbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee Pres.: Bennet Leedy MEMBERSHIP SECRETARY Vice Pres.: Jim Prendergast (New memberships and Sec.: Jim Weisenborne mailing problems) Treas.: Alvin Wulfekuhl Bobby Clark Jr Reporter: Molly Yeckley P. O. Box 172 Columbia SC 29202 PHILADELPHIA AREA Pres Mike Naddeo THE AMICA NEWS BULLETIN TREASURER Vice Pres.: John Berry Jack & Mary Riffle Sec. Dick Price Published by the Automatic Musical Instrument Collectors' Association, a non 5050 Eastside Calpella Rd. Treas.: Claire Lambert profit club devoted to the restoration, distribution and enjoyment of musical Ukiah, CA 95482 Reporter: Allen Ford instruments using perforated paper musIc rolls. BOARD REPRESENTATIVES SOWNY (So. Ontario, West NY) Contributions: All subjects of interest to readers of the Bulletin are N. Cal. Howie Koff Pres.: Jeff Depp encouraged and invited by the pUblisher All articles must be received by the S. Cal.: Dick Rigg Vice Pres: Bruce Bartholomew 10th of the preceeding month. Every attempt will be made to publish all artiCles Texas: Wade Newton Sec.: Mike Walter of general interest to AMICA members at the earliest possible time..and at the Phil.: Bob Taylor Treas.: Stella Gilbert Midwest: Bill Eicher Reporter: Jim Brewer discretion of the publisher. -
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2002 VOLUME 39, NUMBER 1 Mooluriil's MAGAZINE
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2002 VOLUME 39, NUMBER 1 MoOLURIil'S MAGAZINE The Self-Playing Piano is It People who have watched these things closely have noticed that popular favor is toward the self-playing piano. A complete piano which will ornament your drawing-room, which can be played in the ordinary way by human fingers, or which. -'\ can be played by a piano player concealed inside the case, is the most popular musical instrument in the world to-day. The Harmonist Self-Playing Piano is the instrument which best meets these condi tions. The piano itself is perfect in tone and workmanship. The piano player at tachment is inside, is operated by perforated music, adds nothing to the size of the piano. takes up no room whatever, is always ready, is never in the way. We want everyone who is thinking of buying a piano to consider the great advan tage of getting a Harmonist, which combines the piano and the piano player both. It costs but little more than a good piano. but it is ten times as useful and a hundred times as entertaining. Write for particulars. ROTH ~ENGELHARDT Proprietors Peerless Piano Player Co. Windsor Aroade. Fifth Ave.. New York Please mention McClure·s when you write to ad"crtiscrt. 77 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. -
Cantate (Fall 2006)
Published by the California Chapter of the American Choral Directors Association - Volume Nineteen, Number One - Fall 2006 Dr. Howard S. Swan, “Dean of American Choral Directors,” died in 1995 at the age of 89. He was professionally active well 2006 Howard S. Swan Award Winner into his eighties, not only as a conductor, but also as a speaker and writer. His integrity, high view of the artistic/human role of the choral director, and compelling ability to challenge and Shirley Nute inspire students and colleagues to greater vision Shirley B. Nute is one of Association including secretary, and higher standards awakened the collective California’s most honored choral senior high vice president, and conscience of the choral world. It is for this rea- music professionals. She received a president. Additionally she was son that the book containing his writings and bachelor’s degree, with majors in vice president of the southern speeches is entitled Conscience of a Profession: Howard Swan, Choral Director and Teacher choral conducting and voice, from section of the California Music (Hinshaw, 1987). Robert Shaw, in his introduc- Occidental College where she stud- Educators Association. She has tion to this invaluable collection, writes, “There ied with Howard Swan. She was been a vice president of the Los isn’t a choral conductor alive who doesn’t have awarded a master’s degree received Angeles Master Chorale something to learn from Howard Swan.” from Columbia University where Associates Executive Board and Swan’s career at Occidental College in Los she sang in the New York served as co-chairperson of the Angeles spanned nearly four decades (1934- Collegiate Chorale under the direc- Associate's educational out- 1971), after which he went on to teach at tion of Robert Shaw. -
Marquetry on Drawer-Model Marionette Duo-Art
Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number -
Piano Manufacturing an Art and a Craft
Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH. -
Hupfeld Helios Orchestrion
TheAMICA News Bulletin of the Automatic Musical Instrument Collectors' Association September/October, 1985 Volume 22 Number 7 AMlCAlnternational JVews Bulletin DOROTHY BROMAGE, PUBLISHER POB275 CCB (207) 767-4446 Cape Elizabeth, ME 04107 Published by the Automatic Musical Instrument Collectors' CHAPTER OffICERS Association, a non-profit club devoted to the restoration, FOUNDING CHAPTER IOWA distribution and enjoyment of musical instruments using per Pres: phil McCoy Pres: George Apland forated paper music rolls, AMICA was founded in San Francisco Vice Pres: Isadora Koff Vice Pres: E.H. Breckenfelder in 1963. Treas: Bob Wilcox SeclTreas: Marjorie Apland Sec/Reporter: lack & Dianne Reporter: Jack Niewoehner Edwards SOUTHERN CALIFORNIA BOSTON AREA 1986 CONVENTION Pres: Warren & Rosemary Pres: Judy Welsh Deasy Vice Pres: Michael Potash PHILADELPHIA, PENN. Vice Pres: Jerry Pell Sec: Bill Koenigsberg Sec: John Candido Treas: Philip Konop Treas: larry Norman Reporter: Donald Brown HOST: Philadelphia Area Chapter Reporter: Jerry Pell TEXAS NORTHERN LIGHTS Pres: Wade Newton Pres: Jerrilyn Boehland Vice Pres: lorane Smith Vice Pres: Tom Wordeman SeclTreas: Carole Beckett Sec: Tracy Tolzmann ADVERTISING Reporter: Janet Tonnesen Treas: Robert & Katheryn Classified: 10¢ per word, $1.50 minimum. Duma • All copy must reach the publisher by the 10th of the preceding Reporter: Ruby Ahneman month. Payment must accompany order. Make checks payable MIDWEST SIERRA-NEVADA Pres: Edwin Ward Pres: Bob Patton to: AMICA INTERNATIONAl.. Vice Pres: liz Barnhart Vice Pres: Vicki Mahr • Checks or money orders from advertisers in foreign countries Sec: lawrence & Margaret SeclTreas: Audrey Winters must be drawn on a U.S. bank. Frazer Reporter: Bob and Sonja leomon Treas: Alvin Wulfekuhl Display Advertising Reporter: Sue Ricca Full Page 7V2"x10" $100.00 PHILADELPHIA AREA CHICAGO AREA Half page 7V2"x43/4" SO.OO Pres: Bob Taylor Pres. -
The Leludion Story
Carousel Organ, Issue No. 8 — July, 2001 The LeLudion Story Eve Crasse The Beginnings have been made by a grandfather for his grandson's enjoyment he story of LeLudion started with the crossing of the or a divining machine by the fairman's hands, following the paths of two people with a passion for mechanical music. movement of a figure's wand - up and down. The Cartesian TThe place was the first district of Paris - a chance meet- diver seems to answer the publics’ question. ing in front of an antique dealer who specialized in organ Cartesian Diver clocks. Both students were interested in the same type of music Best described as a toy for the junior high school laboratory, it is sim- - one was enchanted with fairground music and the merry-go- ply a near-floating object in a closed plastic bottle that dives and rises round and the other was fascinated with the mechanism that according to pressure on the bottle. It involves physical forces of made this wonderful music. weight, pressure, gravity, vacuum and water. Several years passed before realizing the workshop as it is known today but the chance meeting was the start. Being able to teach the craft of mechanical music as well as working with great customers all added to the experience over the last 25 years. The craft of mechanical music? In France there was no formal school, not even for organ building. You had to learn from retired professionals. Today it is different in that there is a unique school near Strasbourg (in the eastern part of France) where the apprentice can find good teachers. -
Numerisch-Klassifikatorische Interpretationsanalyse Mit Dem Bösendorfer Computerflügel
Universität Wien Institut für Musikwissenschaft Numerisch-klassifikatorische Interpretationsanalyse mit dem Bösendorfer Computerflügel Band I (mit beiliegender Audio-CD) Diplomarbeit zur Erlangung des Magister der Philosophie eingereicht an der Geisteswissenschaftlichen Fakultät der Universität Wien von Werner Goebl Wien, am 31. Oktober 1999 -2- Inhalt 1. Vorwort .................................................................................................... 5 Dank.........................................................................................................................................7 ALLGEMEINER TEIL.............................................................................. 8 2. Performance-Forschung.......................................................................... 8 Historische Forschung ................................................................................................ 8 Deutschland ............................................................................................................................... 8 Die Seashore-Gruppe in Iowa ...................................................................................................10 Moderne Forschung ...................................................................................................13 Zeitgestaltung, timing ............................................................................................................... 13 Das Thema von Mozarts A-Dur Sonate, KV 331 ..................................................................13 -
Fall 2013 FYS Brochure.Pdf
First Year Seminars THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL FALL 2013 First Year Seminars For Your Success! FALL 2013 How can you make the best transition to college and share the excitement of Carolina’s intellectual life? Students and faculty agree: enroll in a First Year Seminar. Carolina’s First Year Seminars (FYS) Program provides a unique academic opportunity within our broader curriculum. FYS are small (no more than 24 students), taught by our best instructors, and address topics that are on the frontier of scholarship or research. FYS give you the opportunity to work together with faculty and classmates in a shared experience that provides a hands-on preview of the exciting world of engaged scholarship at Carolina. FYS are “regular courses” in the sense that they are one semester in duration, offered in the fall and spring, provide 3 credit hours, and meet General Education HILL requirements. FYS go beyond “regular courses” in their emphasis on active learning, which usually includes class discussion and other modes of engagement such as CHAPEL - fieldwork, artistic performances, class trips, presentations, projects, or experiments. UNC FYS also help refine your ability to communicate clearly and persuasively in a wide , array of formats. And, perhaps most important, FYS are designed to be lively and SEARS fun, promoting collaboration in scholarship and intellectual discovery. DAN BY plan ahead PHOTO Many students are attracted by the FYS that are directly relevant to their interests, but this strategy is a bit shortsighted because all students will eventually enroll in A note from Drew Coleman advanced courses in their major. -
Home • About • Archives • Sitemap • Full Width • Gallery • Contact Us • • • Torpedopop Breaking News I've Been
Brian Wilson: Songwriter, 1962 – 1969 | TorpedoPop | Page 1 of 11 • Home • About • Archives • Sitemap • Full Width • Gallery • Contact us • RSS FEED • MAIL SUBSCRIPTION TorpedoPop Breaking News • I've been listening to the remastered "The Queen Is Dead" this weekend. Sounds great. Nice done and Happy Birthday Johnny Marr! 14 days ago • New review up. The Wrong Words – The Wrong Words http://t.co/p0p8m8n via @ AddToAny 133 days ago • Training 591 days ago http://wenker.se/archives/1507 11/14/2011 Brian Wilson: Songwriter, 1962 – 1969 | TorpedoPop | Page 2 of 11 • News » • Articles » • Reviews » • Torpedo » • Look! Listen! » • Discography • Filmography » Brian Wilson: Songwriter, 1962 – 1969 By Gary Pig Gold On 11/01/2011 At 7:15 Category : Articles , English Tags : beach boys , brian wilson Responses : No Comments 0 Like 16 Share 0 Related Posts • The Beach Boys – The Smile Sessions Box Set 08/27/2011 • “The Greatest Rock Movie You’ve Never Seen,” according to Steven Van Zandt 05/07/2010 http://wenker.se/archives/1507 11/14/2011 Brian Wilson: Songwriter, 1962 – 1969 | TorpedoPop | Page 3 of 11 As we all eagerly await our grand new SMiLE boxes, Gary Pig Gold reminds us of….. TEN REASONS WHY “BRIAN WILSON: SONGWRITER, 1962 – 1969 ” SHOULD BE THE LAST BEACH BOYS DOCUMENTARY YOU NEED EVER WATCH 1. Veteran SoCal socio-musical historian Domenic Priore, sitting alongside a tiki totem beneath a strategically placed orange branch, more than ably launches our story over a wealth of Eastmancolor’d freeway and beach footage, drawing, as only he can, that all-important connection from Gidget to Dick Dale all the way to teenage Brian’s Hawthorne, California music room. -
Index by Author, 1-50 Layout 1
Index (by Author) — Issues 1-62, Carousel Organ A Bopp, Organ Illustrations used in Vintage Postcard Astor, The Gavioli, “Madam Laura,” on PBS, #37 Advertising, #43 Atkinson, The Magic World of Showman’s Models, #3 Bopp, Organ Rally Enameled Pins, #22 Bopp, Paul Eakins Gay 90s Organ Collection, #4 B Bopp, Remembering the Organs in Amsterdam (Interview), #55 Barnhart, A Pilgrimage to the KDV’s 50th, #22 Bopp, The “Auto-Organ”, #12 Barnhart, APrint—Comments, #39 Bopp, The Cemeteries of Waldkirch, #59 Barnhart, A Wagon for Elizabeth, #8 Bopp, The Colliseum Gavioli, #2 Barnhart, COAA’s 2009 Mid-Winter meeting, #39 Bopp, The Bill and Cindy Hall Organ Collection, #25 Bay, A Well-traveled Gasparini finds a Home, #19 Bopp, The First COAA Rally, #37 Beckman, John Smith Universal (20-26) Organ, #31 Bopp, The Happiest Music on Earth, #11 Beheim, Bozo’s Merry-go-Round Music Ride, Part 1, #28 Bopp, The Hoffle Crank Organ, #49 Beheim, Bozo’s Merry-go-Round Music Ride, Part 2, #33 Bopp, The Karakuri Organ, #26 Billy, A Ruth Style 33-A/Bruder Organ, #44 Bopp, The Mechanical “Savoyard”, #45 Black, The Hersheypark Carouosel [Wurlitzer], #10 Bopp, The Milhous Collection Auction, #51 Black, Mike Kitner, 1944-2000, #10 Bopp, The Postcard Organ—“De Radiostadt”, #12 Black, Norman Baker’s Invention, The Tangley Bopp, The Sanfilippo Organ Collection, #15 Calliaphone, Part I, #24 Bopp, The Stinson Band Organ Company, #33 Black, Norman Baker’s Invention, The Tangley Bopp, The World’s Smallest Mechanical Organ, #36 Calliaphone, Part II #25 Bopp, Whistling by the -
A Nickel for Music in the Early 1900'S
A Nickel for Music in the Early 1900’s © 2015 Rick Crandall Evolution of the American Orchestrion Leading to the Coinola SO “Super Orchestrion” The Genesis of Mechanical Music The idea of automatic musical devices can be traced back many centuries. The use of pinned barrels to operate organ pipes and percussion mechanisms (such as striking bells in a clock) was perfected long before the invention of the piano. These devices were later extended to operate music boxes, using a set of tuned metal teeth plucked by a rotating pinned cylinder or a perforated metal disc. Then pneumatically- controlled machines programmed from a punched paper roll became a new technology platform that enabled a much broader range of instrumentation and expression. During the period 1910 to 1925 the sophistication of automatic music instruments ramped up dramatically proving the great scalability of pneumatic actions and the responsiveness of air pressure and vacuum. Usually the piano was at the core but on larger machines a dozen or more additional instruments were added and controlled from increasingly complicated music rolls. An early example is the organ. The power for the notes is provided by air from a bellows, and the player device only has to operate a valve to control the available air. Internal view of the Coinola SO “orchestrion,” the For motive most instrumented of all American-made machines. power the Photo from The Golden Age of Automatic Instruments early ©2001 Arthur A. Reblitz, used with permission. instruments were hand -cranked and the music “program” was usually a pinned barrel. The 'player' device became viable in the 1870s.