Fall 2013 FYS Brochure.Pdf
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Faculty Manual Or in These Guidelines
Policies Faculty and Manual Procedures 2021-22 SECTION I. GENERAL POLICY STATEMENTS .......................................................................1 A. Statement on Academic Freedom ..............................................................................................3 B. Statement on Professional Ethics ...............................................................................................4 C. Statement on Non-Discrimination ..............................................................................................6 D. Statement on Sexual Harassment ...............................................................................................7 E. Statement on Dual Relationships................................................................................................8 F. Substantive Change Reporting Policy .........................................................................................9 SECTION II. – INSTRUCTION AND ADVISING .....................................................................14 A. Academic Load ........................................................................................................................15 B. Syllabus/Office Hours ..............................................................................................................18 C. Grading .....................................................................................................................................20 D. Grade Appeals ..........................................................................................................................26 -
Meshell Ndegeocello Bio for New Album, Comet, Come to Me (June 3 Release on Naive Records)
Meshell Ndegeocello Bio For new album, Comet, Come to Me (June 3 release on Naive Records) Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered - unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness. Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career. Her 11th release, it is possibly a culmination of all previous work: lush, vocal, seeking, wise, collaborative, and driven by the signature bounce and precise pocket of Ndegeocello on bass. The album features special guests Shara Worden (My Brightest Diamond) and Doyle Bramhall, along with long-time collaborators Christopher Bruce (guitar) and Jebin Bruni (keys), and Earl Harvin on drums. Assured of her place as an authentic musical thinker and an uncompromising artist, Comet continues to discover, examine, and explore all that music has to offer her and how she can return the gift. “Comet, Come To Me was a little labor but a lot of love. It was made with my favorite collaborators, and it felt good to channel the sounds in my mind after having Nina in residence for a while,” ” says Meshell, referencing her last album, a tribute to Nina Simone. -
Honors and Recognitions Honors and Recognitions Honors and Recognitions
54_58_Honors_Honors 5/9/18 1:55 PM Page 54 Honors and Recognitions Honors and Recognitions Honors and Recognitions www.salisbury.edu/academic 4Richard Bernstein Achievement Awards for OUTSTANDING ACADEMIC Excellence The Richard Bernstein Achievement Awards are present - ACHIEVEMENT ed annually to outstanding students from across the University The University recognizes students who have demon - who have demonstrated entrepreneurial behavior. Selection is strated outstanding achievement through: based on a broad set of criteria, including evidence of appreci - 4Celebration of University Leadership Awards ation for American capitalism, leadership, organizational abili - Show ties, creativity, self-initiative and commitment. 4Biology Faculty Award Each year the Office of Student Activities, Organizations The Biology Faculty Award is presented annually to one and Leadership works with the Student Government or more graduating biology majors who have displayed out - Association to provide the Celebration of University Leadership standing leadership and service to the Biology Department in Awards Show, a semiformal awards presentation designed to addition to having maintained academic excellence. recognize the time, effort and service student leaders offer to the University community. 4Board of Regents Outstanding Scholar Award 4Dean’s List This award is given in recognition of outstanding ability demonstrated by scholarly work. The recipient must be a Compiled and issued each semester by the school Maryland resident of junior status, have a cumulative grade deans’ offices, the Dean’s List is composed of matriculated point average of 3.5 and must be actively involved in the students who have at least 12 semester hours with grades of Honors Program. A, B or C with a grade point average of 3.5 or higher for the semester. -
Piano Manufacturing an Art and a Craft
Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH. -
My Beloved Is a Bass Line: Musical, De-Colonial Interventions in Song Criticism and Sacred Erotic Discourse
THE BIBLE & CRITICAL THEORY My Beloved is a Bass Line: Musical, De-colonial Interventions in Song Criticism and Sacred Erotic Discourse Heidi Epstein, University of Saskatchewan Abstract How might musical settings of the Song of Songs provide critical interventions in the politics of love? This case study builds a womanist intertextual matrix for the Song such that its amatory and horticultural language can be reinterpreted as irreducibly “de-colonial.” Reread through Chela Sandoval’s model of love, Alice Walker’s search for her foremothers’ and foresisters’ gardens, and Toni Morrison’s “commentary” on the Song (Beloved), the biblical text circulates de-colonial energies. And, given that music figures centrally in these womanists’ genealogies of love, a de-colonial reading of the Song mandates deconstruction of a subaltern musical archive within the Eurocentric discourse of sacred eroticism, a discourse that the Song sustains as an Ur-text. If the biblical female protagonist’s longing and seeking are reread as de-colonial and trickster-esque, she begets a subaltern musical family tree—audible today in the “Shulammitic” bass playing and protest singing of Meshell Ndegeocello. Key words Meshell Ndegeocello; Song of Songs; Bible and music; love; de-colonial theory; Toni Morrison; Alice Walker Introduction What meanings might be produced from the Song of Song’s amatory and horticultural language if it is read with a sense of love as irreducibly “de-colonial”? Some of these meanings shall emerge over the course of this article as I re-read the Song of Song’s imagery and its musicality in four phases through womanist intertexts by Chela Sandoval, Toni Morrison, Alice Walker, and Meshell Ndegeocello. -
Brian Baldauff Treatise 11.9
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 The Percussion Music of Michael W. Udow: Composer Portrait and Performance Analysis of Selected Works Brian C. (Brian Christopher) Baldauff Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE PERCUSSION MUSIC OF MICHAEL W. UDOW: COMPOSER PORTRAIT AND PERFORMANCE ANALYSIS OF SELECTED WORKS By BRIAN C. BALDAUFF A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 Brian C. Baldauff defended this treatise on November 2, 2017. The members of the supervisory committee were: John W. Parks IV Professor Directing Treatise Frank Gunderson University Representative Christopher Moore Committee Member Patrick Dunnigan Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To Shirley. iii ACKNOWLEDGMENTS This document and degree would not have been possible without the support, guidance, and patience of numerous extraordinary individuals. My wife, Caitlin for her unwavering encouragement. Dr. John W. Parks IV, my major professor, Dr. Patrick Dunnigan, Dr. Christopher Moore, and Dr. Frank Gunderson for serving on my committee. All my friends and colleagues from The Florida State University, the University of Central Florida, the University of Michigan, West Liberty University, and the University of Wisconsin- Stevens Point for their advice and friendship. My parents Sharon and Joe, and all my family members for their love. -
Academic Convocation August 26, 2020 University Provost Gillian Small
Academic Convocation August 26, 2020 University Provost Gillian Small: Good Afternoon and welcome to Fairleigh Dickinson University’s Virtual 2020 Academic Convocation. I am Gillian Small, the University Provost and Senior Vice President for Academic Affairs. I would like to ask at this time that you please rise for the singing of our national anthem, which will be sung by FDU student Jasmine Lattimore. Jasmine sings the national anthem. Provost Small: Thank you Jasmine. This year has presented us with unprecedented challenges, and so we are doing many things differently, including this year’s annual convocation. Nevertheless we are moving forward, united in our mission to serve our students, and we are ready for the challenges ahead. I would like to thank the entire FDU community, and especially our faculty, for everything you have done and will do in the coming year. I am confident that we will emerge from this stronger than ever. I am delighted to welcome all of you, faculty, staff, administrators, student leaders and trustees, to the Convocation of Fairleigh Dickinson University for the 2020-2021 academic year. Introduction of Key Officials Provost Small: I would like to first acknowledge officers of the University, First our President Christopher Capuano Hania Ferrara Senior Vice President for Finance and Administration Richard P. Reiss Senior Vice President for University Advancement Luke Schultheis Vice President for Enrollment, Planning and Effectiveness Rose D’Ambrosio Vice President for Human Resources Richard Frick Vice President for Facilities & Auxiliary Services Neal Sturm Vice President and Chief Information Officer Edward Silver University General Counsel Mark Farag President of the Faculty Senate Patrick J. -
Faculty Award Winners by Award
Department of Physics and Astronomy Awards by Award Award Faculty Member Year Academia Europaea Kharzeev, Dmitri 2021 Academy of Teacher‐Scholar Award (Stony Brook) Jung, Chang Kee 2003 Academy Prize for Physics, Academy of Sciences, Goettingen, Germany Pietralla, Norbert 2004 AFOSR Young Investigator Award Allison, Thomas 2013 Albert Szent‐Gyorgi Fellowship (Hungary) Mihaly, Laszlo 2005 Alpha Epsilon Delta Premedical Honor Society (honorary member) Mendez, Emilio 1998 American Academy of Arts & Sciences Fellow Brown, Gerald 1976 Dill, Kenneth 2014 Zamolodchikov, Alexander 2012 American Association for the Advancement of Science Fellow Allen, Philip 2009 Ben‐Zvi, Ilan 2007 Jung, Chang Kee 2017 Dill, Kenneth 1997 Jacak, Barbara 2009 Sprouse, Gene 2012 Grannis, Paul 2000 Jacobsen, Chris 2002 Kharzeev, Dmitri 2010 Kirz, Janos 1985 Korepin, Vladmir 1998 Lee, Linwood 1985 Marburger, Jack 2000 Mihaly, Laszlo 2013 Stephens, Peter 2011 Sterman, George 2011 Swartz, Cliff 1973 American Association of Physics Teachers Distinguished Service Award Swartz, Cliff 1973 American Association of Physics Teachers Millikan Award Strassenburg, Arnold 1972 American Geophysical Union/U.S. Geological Survey ‐ naming of de Zafra Ridge, Antarctica de Zafra, Robert 2002 American Physical Society DAMOP Best Dissertation Weinacht, Thomas 2002 American Physical Society Fellow Abanov, Alexandre 2016 Allen, Philip 1986 Aronson, Meigan 2001 Averin, Dmitri 2004 Ben‐Zvi, Ilan 1994 Brown, Gerald 1976 Deshpande, Abhay 2014 Drees, Axel 2016 Essig, Rouven 2020 Nathan Leoce‐Schappin -
Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
Diggin’ You Like Those Ol’ Soul Records 181 Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America Tammy L. Kernodle Today’s absolutist varieties of Black Nationalism have run into trouble when faced with the need to make sense of the increasingly distinct forms of black culture produced from various diaspora populations. The unashamedly hybrid character of these black cultures continually confounds any simplistic (essentialist or antiessentialist) understanding of the relationship between racial identity and racial nonidentity, between folk cultural authenticity and pop cultural betrayal. Paul Gilroy1 Funk, from its beginnings as terminology used to describe a specific genre of black music, has been equated with the following things: blackness, mascu- linity, personal and collective freedom, and the groove. Even as the genre and terminology gave way to new forms of expression, the performance aesthetic developed by myriad bands throughout the 1960s and 1970s remained an im- portant part of post-1970s black popular culture. In the early 1990s, rhythm and blues (R&B) splintered into a new substyle that reached back to the live instru- mentation and infectious grooves of funk but also reflected a new racial and social consciousness that was rooted in the experiences of the postsoul genera- tion. One of the pivotal albums advancing this style was Meshell Ndegeocello’s Plantation Lullabies (1993). Ndegeocello’s sound was an amalgamation of 0026-3079/2013/5204-181$2.50/0 American Studies, 52:4 (2013): 181-204 181 182 Tammy L. Kernodle several things. She was one part Bootsy Collins, inspiring listeners to dance to her infectious bass lines; one part Nina Simone, schooling one about life, love, hardship, and struggle in post–Civil Rights Movement America; and one part Sarah Vaughn, experimenting with the numerous timbral colors of her voice. -
Bachelor of Music 1
Bachelor of Music 1 4. Pass a performance audition. Students must demonstrate a high Bachelor of Music potential for succes as a professional musical performer or music teacher based on a performance audition for a committee of music The Bachelor of Music program prepares students for careers as faculty. Students must perform two contrasting works of significant professional performers of classical art music or in music teaching. repertoire for their audition; vocalists must include works in two Students must meet rigorous academic and artistic standards to enter different languages; and continue in the program, and after graduation the majority of students 5. Submit a written essay as part of a formal application process. in performance concentrations pursue advanced music degrees or More information about the essay's expected content is available in similar post-baccalaureate training. Students in the music education the Department of Music's handbook. concentration pursue post-baccalaureate credentials to teach music. The performance concentrations puts particular focus on real world performing Upon acceptance into the Bachelor of Music, the student's major will as a supplementary learning experience, with emphasis on auditions be changed from Pre-Bachelor of Music to Bachelor of Music. The for professional engagements and competitions, service learning, and requirements for the Pre-Bachelor of Music major are also requirements formation of ad hoc ensembles. The music education concentration for the Bachelor of Arts in Music. Students who are not accepted to the puts similar focus on pre-professional activities, including substantive Bachelor of Music degree, or who decide not to pursue it, can easily observations in school music settings, as well as pursuit of meaningful change their degree objective to the Bachelor of Arts in Music. -
2021 Join Us Online Annual Prytanean Meeting and Afternoon Tea Hosted Virtually Over Zoom Saturday, May 1St, 2021 4:00 P.M
PRYTANEAN ALUMNAE, INC. DEDICATED TO EXCELLENCE IN EDUCATION Spring 2021 Join Us Online Annual Prytanean Meeting and Afternoon Tea Hosted Virtually Over Zoom Saturday, May 1st, 2021 4:00 p.m. to 5:30 p.m. Featuring: Professor Henrike Lange, 2020 Faculty Award Winner Honoring: The Class of ’70 and ’71, 50 Year Membership Milestone Announcing: The 2021 Faculty Award and Student Scholarships Congratulating: Graduating Seniors, Class of 2021 Pre Covid Prytaneans 2020 Including: Our Business Meeting and Board Member Election Prytanean Emergency Student Grant This year, we will meet for a virtual afternoon tea instead of our traditional in-person brunch. We look forward to seeing you online! Prytaneans have always come together to face a challenge. In the wake of COVID-19, in-person classes and social meetings were cancelled, some suddenly How to RSVP moved away from the campus, and others lost tuition Your RSVP must include an email address so we can send you Zoom funding. In recognition of the significant disruption in meeting login instructions. the lives of University of California, Berkeley scholars, RSVP by Mail Postmarked by Thursday, April 22, 2021: Prytanean Alumnae set aside $5,000 for a limited number of $200 individual grants to current members Mail your RSVP with the form in this newsletter to: of the Prytanean Women’s Honor Society and those Prytanean Alumnae, Inc., P.O. Box 5006, Berkeley, CA 94705-2712 who were invited to become Prytanean members but RSVP Online by Monday, April 19, 2021: whose initiation was disrupted due to COVID-19. These grants were not intended to be used for routine expenses. -
Meshell Ndegeocello Meshell Ndegeocello
MESHELL NDEGEOCELLO NNNewNewewew album : «: « Weather » out on the 8th of November Biography by Romain Grossman Meshell has changed. So has her music. It’s more peaceful, freer. Her new album, Weather, cloaks itself in the colours of autumn, full of in-between shades and hues and with a certain mildness to it. The singer has let her feelings carry her along. Meshell has never been scared of sharing her most intimate thoughts in explicit or colourful terms that always come from the heart. As ever, she is true to herself. But Weather ’s folk sensibility and pregnant acoustic melodies make this a supremely accessible album. “For a long time I was at war with everyone else. I dug my heels in, I fought hard. That’s all over now. I have my opinions, but they’re no longer a source of conflict with the rest of the world.” On Weather Meshell’s usually deep vocals slip into a register more like a whisper, sharing secrets about subjects that are straightforward, almost light-hearted. She has pared down her style to something like pop. “I started to write this album on the guitar and you can hear it. The final atmosphere’s gentler.” And then the singer agreed without fuss to put her fate in the hands of a producer. Joe Henry (Ani DiFranco, Bettye Lavette, Allen Toussaint, etc.) helped her reveal a different side to herself. And Meshell went along with this. “I’ve known him since the Bitter album; Craig Street introduced us. I hadn’t called on someone from outside for several albums.