1 送料無料サービス!! B.O.M.Newsletter #261
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Ross Nickerson-Banjoroadshow
Pinecastle Recording Artist Ross Nickerson Ross’s current release with Pin- ecastle, Blazing the West, was named as “One of the Top Ten CD’s of 2003” by Country Music Television, True West Magazine named it, “Best Bluegrass CD of 2003” and Blazing the West was among the top 15 in ballot voting for the IBMA Instrumental CD of the Year in 2003. Ross Nickerson was selected to perform at the 4th Annual Johnny Keenan Banjo Festival in Ireland this year headlined by Bela Fleck and Earl Scruggs last year. Ross has also appeared with the New Grass Revival, Hot Rize, Riders in the Sky, Del McCoury Band, The Oak Ridge Boys, Nitty Gritty Dirt Band and has also picked and appeared with some of the best banjo players in the world including Earl Scruggs, Bela Fleck, Bill Keith, Tony Trischka, Alan Munde, Doug Dillard, Pete Seeger and Ralph Stanley. Ross is a full time musician and on the road 10 to 15 days a month doing concerts , workshops and expanding his audience. Ross has most recently toured England, Ireland, Germany, Holland, Sweden and visited 31 states and Canada in 2005. Ross is hard at work writing new material for the band and planning a new CD of straight ahead bluegrass. Ross is the author of The Banjo Encyclopedia, just published by Mel Bay Publications in October 2003 which has already sold out it’s first printing. For booking information contact: Bullet Proof Productions 1-866-322-6567 www.rossnickerson.com www.banjoteacher.com [email protected] BLAZING THE WEST ROSS NICKERSON 1. -
Record World
record tWODedicated To Serving The Needs Of The Music & Record Industry x09664I1Y3 ONv iS Of 311VA ZPAS 3NO2 ONI 01;01 3H1 June 21, 1970 113N8V9 NOti 75c - In the opinion of the eUILIRS,la's wee% Tne itmuwmg diCtie SINGLE PICKS OF THE WEEK EPIC ND ARMS CAN EVER HOLD YOU CORBYVINTON Kenny Rogers and the First Mary Hopkin sings Doris Nilsson has what could be Bobby Vinton gets justa Edition advise the world to Day'sphilosophicaloldie, his biggest, a n dpossibly littlenostalgicwith"No "TellItAll Brother" (Sun- "Que Sera, Sera (Whatever hisbest single,a unique Arms Can Ever Hold You" beam, BMI), and it's bound WillBe, WillBe)" (Artist, dittyofhis own devising, (Gil, BMI),whichsounds tobe theirlatestsmash ASCAP), her way (A p p le "Down to the Valley" (Sun- just right for the summer- (Reprise 0923). 1823). beam, BM!) (RCA 74-0362). time (Epic 5-10629). SLEEPER PICKS OF THE WEEK SORRY SUZANNE (Jan-1111 Auto uary, Embassy BMI) 4526 THE GLASS BOTTLE Booker T. & the M. G.'s do Canned Heat do "Going Up The Glass Bottle,a group JerryBlavat,Philly'sGea something just alittledif- the Country" (Metric, BMI) ofthreeguysandthree for with the Heater,isal- ferent,somethingjust a astheydo itin"Wood- gals, introduce themselves ready clicking with "Tasty littleliltingwith"Some- stock," and it will have in- with "Sorry Suzanne" (Jan- (To Me),"whichgeators thing" (Harrisongs, BMI) creasedmeaningto the uary, BMI), a rouser (Avco andgeatoretteswilllove (Stax 0073). teens (Liberty 56180). Embassy 4526). (Bond 105). ALBUM PICKS OF THE WEEK DianaRosshasherfirst "Johnny Cash the Legend" "The Me Nobody Knows" "The Naked Carmen" isa solo album here, which is tributed in this two -rec- isthe smash off-Broadway "now"-ized versionofBi- startsoutwithherfirst ord set that includes' Fol- musical adaptation of the zet's timeless opera. -
April CALENDAR of EVENTS
April CALENDAR 2013 OF EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Concert for Sue Draheim eric & Suzy Thompson, Good Ol’ David Olive & Barbara Higbie, Jody Stecher & kate brislin, Freight laurie lewis & Tom rozum, kathy kallick, Persons Wilcox the Dirty Linda Tillery Open Mic California bluegrass the best of pop Gerry Tenney & the Hard Times orchestra, pay your dues, trailblazers’ reunion and folk aesthetics Martinis, & Laurie Lewis Golden bough, live oak Ceili band with play and shmooze Hills to Hollers the Patricia kennelly irish step dancers, Girl Named T album release show Tempest, Will Spires, Johnny Harper, rock ‘n’ roots fundraiser don burnham & the bolos, Tony marcus for the rex Foundation $28.50 adv/ $4.50 adv/ $20.50 adv/ $24.50 adv/ $20.50 adv/ $22.50 adv/ $30.50 door monday, April 1 $6.50 door Apr 2 $22.50 door Apr 3 $26.50 door Apr 4 $22.50 door Apr 5 $24.50 door Apr 6 Gautam UC Jazz Brittany Haas, Alan Celebrating House The Earl Songwriters Tejas Ensembles Paul Kowert Senauke with Jacks Brothers Zen folk musician, Caren Armstrong, “the rock band Outlaw Hillbilly Ganeshan Spring & Jordan Tice featuring Keith Greeninger without album release show Carnatic music string fever Jon Sholle, instruments” with distinction Concert from three Chad Manning, & Steve Meckfessel and inimitable style featuring the Advanced young virtuosos Suzy & Eric Thompson, Combos and big band Kate Brislin $20.50/$22.50 Apr 7 $14.50/$16.50 Apr -
Tony Kevin: Knowledge of the Unfolding Tragedy
Semper acknowieedges that the University of Queenslanti stands on indigenous land. We hope all who walk across it show it the sanae respect as the traditional owners. Qwi kP@m ffllTOBS: Vm HmW, M^m Bm^im w Tr« telly Oaodte ¥kmv Pim^ piiAisfed fey p^f UQ yo3@p LfPi 4 {MM M&^ Blmm Halteri) MA Mm^B St Lysin Q.LO 40i hbmSmn Mnu »te!ts Fii 33?? 2237 ¥m 33?? 2220 Tim Ctendter W^mmm }^M[m '^'^ D'BMMB: r15 Septambr ttUt-toTs: ey mm^m Im mt tiMnq py mt f@r mmh m @yr bAday, Erie Itoessainniibaoi 7my Kmh SmSi's ibfsegils arid Mlnre f@ir A© rdreslbmerts. mm Okj>%F s*'fe cmm t Dofj; fHkyy (N/f Anri'pw). He'io Semoer Fonbase. I have been reading Semper Floreat - on S off - for over twenty I've been instructed by o Semper editor to write a congratulatory years. It has changed a great deal from the Eighties version of letter to Semper's editorial section re Sempers last edition, which the magazine, where I 'irst mode an acquaintance with Semper I'll do so willingly: Some of these changes have been all for good, I see the It's because I said to the editor in question any number of the overall magazine has a much improved physical quality: better following: fonts, more colours, shny cover etc. I can only express un (a) kudos for getting a little bit ballsier; animal lib was a good qualified approval for the animal rights stance, done in a fresh direction manner while still getting the point across, though maybe it was (b) the Tony Abbott bit made me very jolly too heavy-handed: - you can drive people in the wrong direction (c) even/ self-respecting student publication needs to be when you repeatedly beat them over the head with a topic. -
Jeremy Kittel Band
Jeremy Kittel Band fiery blend of jazz, Celtic fiddling, and sultry world grooves “Outstanding Michigan Celtic-jazz-bluegrass fiddle whiz … “ — The Boston Globe “We’d call him a rising star, but he’s clearly already risen.“ — Detroit Free Press If you should run into Jeremy Kittel somewhere on this planet, ask him any question except “What’s your favorite style of music?” It’s not that he’ll be so offended as to reprimand you with his violin bow — on the contrary. As anyone who has seen him in concert can attest, his talent is matched by a kind of confident good nature that once spurred the Ann Arbor News to write, “If he didn’t come across as so nice, he’d be a little scary.” It’s just that Kittel, as someone who is truly steeped in a few very different musical traditions, has heard that question before … many times before, and it’s easy to understand why. When a musician is as likely to be found playing a ferocious set of reels in some dark pub in Ireland as he is likely to be found trading licks with a saxophonist at a hip New York City jazz club — and he is occasionally even seen doing such apparently odd-ball joining Turtle Island Quartet, Kittel was earning his masters things as exploring Indian classical music on stage at Carnegie degree in jazz performance at the Manhattan School of Music Hall — one starts to wonder … what is it that drives him? and skipping town on weekends to perform across the country Whatever the source of his inspiration may be, it has led to alongside fiddle legends Mark O’Connor and Darol Anger. -
Trimestriel D'information France Bluegrass Music Association
Juillet à Sept 2017 2 au 7 Août 2017 N° 113 Festival La Roche Trimestriel d’information France Bluegrass Music Association Est-ce que beaucoup de groupes 2011 2014 américains ont fréquenté le festival de - James Field & Sue Thompson (US) - Blue Highway (US) La Roche ? Et voici la réponse, une - Lonesome Wally (US/GB) - The Hickory Project (US) quarantaine de groupes, de quoi - The Hickory Project (US) - (Garcia Grass) (US) contenter les inconditionnels de cette - The Kathy Kallick Band (US) musique ... 2015 2012 - Acoustic Trading Company (US) 2006 - Bearfoot (US) - Franck Sollivan & Dirty Kitchen (US) - Rosewood (US/BEL/FR) - Ronnie Bowman (US) - Kids Of Bluegrass (US) 2007 - The Hickory Project (US) - Lonesome River Band (US) - The Hickory Project (US) - The Hickory Project (US) 2013 2008 - Chapel Hill (FR/US) 2016 - 3 Fox Drive (US) - Driftwood Fire (US) - Front Country (US) - Flatlands Mountainers (US/GB/BEL/NL) - Rapidgrass (US) 2009 - Franck Sollivan & Dirty Kitchen (US) - Rob Ickes & Trey Hensley (US) - Bob Jones & Bluegrass Cats (US/ITA) - WestWend (US/SLK) - Carrie Hassler & Hard Rain (US) - Hunter Robertson (US) 2017 - Sally & Chris Jones (US) - 10 Strings Symphony (US/CZE) - Jeff Scroggins & Colorado (US) 2010 - Rapidgrass (US) - Dale Ann Bradley & The Blue - Songs Of The Fall (US/CZE) Billys (US) - The Peregrines (US/GB) - Red Dog (US) - The Hickory Project (US) SPRING 2O17: Comme à la namisme de José Barrois, Sommaire maison fraîchement arrivé avec sa douce nous redonnait un Avec beaucoup d'hésitation coup de fouet et l'on pouvait 01: Les musiciens américains au festival de La Roche pour lancer ce nouveau Ren- Editorial de Jeff Tronelle compter dans la soirée jus- dez-Vous, tant les réponses qu'à 19 musiciens plus ou 02 et 03: News furent plutôt rares, avec l'in- moins connus .. -
Twisted Folk Concert Series Presents Väsen, with Special Guest Darol Anger
For Immediate Release What: Twisted Folk Concert Series Presents Väsen, with special guest Darol Anger Where: Twisted Oak Winery, 4280 Red Hill Rd at Hwy 4, Vallecito When: Saturday, July 25th, 2015 – 7:45pm. Concertgoers admitted 6:45pm Ticket Information: Tickets $30 advance ($25 Twisted Few wine club members), or $35 at the door, if available. Children 12 and under: $10. 100% of children’s ticket sales will be directed to supporting music education in local schools. For more info, or to purchase tickets: 209-736-9080, twistedoak.com/concerts Contact: For questions about featured musicians, contact: Maria Camillo, [email protected] For questions about Twisted Oak Winery, contact: Jeff Stai, [email protected] Twisted Oak Winery is pleased to announce the next concert of our 2015 Twisted Folk Concert Series – featuring Väsen, one of Sweden’s most prominent, critically-acclaimed acoustic instrumental ensembles - with special guest, fiddle legend Darol Anger (David Grisman Quintet, Turtle Island String Quartet, Montreux Band, Psychograss). An easy dinner (easy because you don’t have to cook) will be available for purchase (with a vegetarian option available), along with yummy Twisted Oak wine, brownies, popcorn, and soft drinks. Concertgoers are welcome to bring their own picnics but we ask that no outside alcoholic beverages be brought in. Seating at Twisted Folk concerts is outdoor festival style, first-come, first-served – bring a low beach-type chair or a blanket. We’re on top of a hill and there is always an evening breeze – it can get a little chilly after dark so please plan ahead. -
John Hartford Aereo-Plain Mp3, Flac, Wma
John Hartford Aereo-Plain mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Aereo-Plain Country: US Released: 1971 Style: Bluegrass, Country, Folk MP3 version RAR size: 1101 mb FLAC version RAR size: 1158 mb WMA version RAR size: 1749 mb Rating: 4.9 Votes: 980 Other Formats: MP2 VQF DMF AA VOX ASF DTS Tracklist Hide Credits Turn Your Radio On A1 Guitar – Norman Blake Vocals – John Hartford, Norman Blake , Tut Taylor, Vassar 1:17 ClementsWritten-By – Albert E. Brumley Steamboat Whistle Blues A2 Banjo – John HartfordBass – Randy ScruggsDobro – Tut TaylorFiddle – Vassar 3:23 ClementsGuitar – Norman Blake Vocals – John HartfordWritten-By – John Hartford Back In The Goodle Days A3 Banjo – John*Bass – Randy*Dobro – Tut*Fiddle – Vassar*Guitar – Norman*Vocals – 3:38 John*Written-By – John Hartford Up On The Hill Where They Do The Boogie A4 2:40 Bass – Randy*Guitar – John*Mandolin – Norman*Vocals – John*Written-By – John Hartford Boogie A5 1:12 Vocals – John*Written-By – John Hartford First Girl I Loved A6 Bass – Randy*Guitar – John*Mandolin – Norman*Viola, Cello – Vassar*Vocals – 4:32 John*Written-By – John Hartford Presbyterian Guitar A7 2:01 Bass – Randy*Guitar – John*Written-By – John Hartford With A Vamp In The Middle B1 Banjo – John*Bass – Randy*Dobro – Tut*Fiddle – Vassar*Guitar – Norman*Vocals – 3:25 John*Written-By – John Hartford Symphony Hall Rag B2 Banjo – John*Bass – Randy*Dobro – Tut*Fiddle – Vassar*Guitar – Norman*Written-By – 2:45 John Hartford Because Of You B3 0:59 Guitar – John*Vocals – John*Written-By -
Theoba Why Create the OBA? and Ask What Was on the Minds of One Had Heard of the ?Internet
Volume 28 • Number 4 ‘08 Summer Calendar Pullout! July - August Peanut Butter Cookies! Stevenson Festival! 2008 Pickathon 2008! Bluegrass Expresswww.oregonbluegrass.org “To promote, encourage, foster and cultivate the preservation, appreciation and understanding, enjoyment, support and performance of bluegrass and other closely related music of the United States.” - The purpose of the Oregon Bluegrass Association, from the articles of incorporationIncorporation Why Create Story by Claire Levine theOBA Why create the OBA? and ask what was on the minds of one had heard of the ?Internet. “To promote, encourage, foster and those who started the organization. In the early 80s, bluegrass was just ?cultivate the preservation,? apprecia- Although the OBA? began more than beginning ?to take off in Oregon and tion and understanding, enjoyment, 25 years ago, many of its founders are Southwest Washington. Stew Dodge support and performance of bluegrass still active in bluegrass music and in was running a festival in Clark Coun- and other closely related music of the the larger musical community. The ty and George Rellis was putting on United States.” Express talked to two of those found- events in Eugene, but there was little The purpose of the Oregon Bluegrass ers: Steve Reischman, the first presi- continuity. From Steve Waller’s per- Association, from the articles of In- dent, who was a long-time member of spective, the OBA was all about com- corporation Eugene’s Good n’ Country and begin- munication. Besides picking, singing and listen- ning to promote musical events, and “We’d see each other at festivals, and ing to music, it seems that Oregon Steve Waller, who has performed clas- there were some pickin’ parties, I had bluegrass fans have two favorite pas- sic bluegrass for nearly 40 years as some of the earliest. -
A Windham Hill Winter Solstice December 12 / 7:30 Pm Bing Concert Hall
PROGRAM: A WINDHAM HILL WINTER SOLSTICE DECEMBER 12 / 7:30 PM BING CONCERT HALL ARTISTS PROGRAM William Ackerman, acoustic A winter solstice concert featuring Windham Hill artists William Ackerman, steel-string guitars Alex de Grassi, Barbara Higbie, and special guests. Alex de Grassi, acoustic steel-string guitars Barbara Higbie, piano, violin, voice, Tonight’s program will be announced from the stage and will be performed with and guitar one intermission. Alex Kelly, cello Todd Boston, acoustic guitar PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn of all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 32 STANFORD LIVE MAGAZINE NOVEMBER/DECEMBER 2015 ABOUT THE PROGRAM place from his adolescence in Vermont) was Guitarists William Ackerman and Alex de borrowed from his building company so that Grassi and pianist/multi-instrumentalist originally his business card read, “Windham Barbara Higbie honor the season with a Hill Builders/Records/Music (BMI).” concert of original and traditional acoustic music drawn from the multiplatinum-selling Will and his cousin Alex de Grassi toured Winter Solstice series as well as their many Germany in 1979. While there, Ackerman solo releases. began playing a cassette of piano music for those he met. This was the demo tape from William Ackerman founded Windham Hill a pianist named George Winston. Ackerman Records in Palo Alto in 1975. The label’s continued as the sole producer for Windham audiophile recordings were a runaway success Hill with George Winston’s Autumn, which was with critics and audiences alike. -
Online Music Lessons
Online Music Lessons • Learn how to play an instrument, or sing • An array of instruments, music theory, from accomplished Grammy Award–winning scratching, and vocals. music professionals. • Bridge the gap of missing musical • Suitable for both youth and adults. instruction in your community. • Beginner to intermediate instruction. • Offer an alternative to high-cost private-arts instruction. • Browser-enabled access for desktop and mobile devices. CLASSICAL JAZZ Clarinet Lessons Jazz Bass Lessons with Ricardo Morales with John Patitucci Classical Guitar Lessons Jazz Drums BASS with Jason Vieaux with Peter Erskine Double Bass Lessons Classical Mandolin Jazz Guitar Lessons with Missy Raines with Caterina Lichtenberg with Chuck Loeb Electric Bass Lessons Flute Lessons Jazz Guitar Lessons with Nathan East with Jeffrey Khaner with Dave Stryker Jazz Bass Lessons French Horn Lessons Jazz Piano with John Patitucci with William Caballero with George Whitty Multi-Style Cello Jazz Saxophone BLUEGRASS with Mike Block with Eric Marienthal Banjo Lessons Piano Lessons with Tony Trischka with Christie Peery Music Theory Bluegrass Dobro Lessons Trumpet Lessons Music Theory with Andy Hall with David Bilger with Jonathan Coopersmith Bluegrass Flatpick Violin Lessons PERCUSSION Guitar Lessons with Nathan Cole with Bryan Sutton Jazz Drums Bluegrass Vocal Lessons GUITAR with Peter Erskine with Michael Daves Acoustic Guitar Percussion Lessons Double Bass Lessons with Scott Law with Luis Conte with Missy Raines Bluegrass Dobro Lessons PIANO Fiddle Lessons with -
Teaching Turtle Island Quartet Music: Selected String Orchestra Pieces for High School and College Musicians Sally Hernandez
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Teaching Turtle Island Quartet Music: Selected String Orchestra Pieces for High School and College Musicians Sally Hernandez Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC TEACHING TURTLE ISLAND QUARTET MUSIC: SELECTED STRING ORCHESTRA PIECES FOR HIGH SCHOOL AND COLLEGE MUSICIANS By SALLY HERNANDEZ A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Sally Hernandez defended this treatise on October 30, 2013. The members of the supervisory committee were: Pamela Ryan Professor Directing Treatise John Geringer University Representative Bruce Holzman Committee Member Melanie Punter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To José Hernández, my dance partner in life iii ACKNOWLEDGMENTS The author would like to express gratitude to the members of the Turtle Island Quartet, past and present, for creating such wonderful and daring music and for taking time out of their busy schedules to assist with this paper. The author is grateful to Nick Geist for his technical expertise with the musical excerpts and music librarian, Misti Shaw, for her help with diacritical markings and footnotes. Thank you to those who gave me continual love and support, my family and friends, especially my mother, sister, and husband. I am appreciative of my friends, Kristin Geist and Rebecca Rhoads, for enduring encouragement and to the members of the “ABD Club” who helped ensure my future ineligibility into the club.