John Hartford Aereo-Plain Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

John Hartford Aereo-Plain Mp3, Flac, Wma John Hartford Aereo-Plain mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Aereo-Plain Country: US Released: 1971 Style: Bluegrass, Country, Folk MP3 version RAR size: 1101 mb FLAC version RAR size: 1158 mb WMA version RAR size: 1749 mb Rating: 4.9 Votes: 980 Other Formats: MP2 VQF DMF AA VOX ASF DTS Tracklist Hide Credits Turn Your Radio On A1 Guitar – Norman Blake Vocals – John Hartford, Norman Blake , Tut Taylor, Vassar 1:17 ClementsWritten-By – Albert E. Brumley Steamboat Whistle Blues A2 Banjo – John HartfordBass – Randy ScruggsDobro – Tut TaylorFiddle – Vassar 3:23 ClementsGuitar – Norman Blake Vocals – John HartfordWritten-By – John Hartford Back In The Goodle Days A3 Banjo – John*Bass – Randy*Dobro – Tut*Fiddle – Vassar*Guitar – Norman*Vocals – 3:38 John*Written-By – John Hartford Up On The Hill Where They Do The Boogie A4 2:40 Bass – Randy*Guitar – John*Mandolin – Norman*Vocals – John*Written-By – John Hartford Boogie A5 1:12 Vocals – John*Written-By – John Hartford First Girl I Loved A6 Bass – Randy*Guitar – John*Mandolin – Norman*Viola, Cello – Vassar*Vocals – 4:32 John*Written-By – John Hartford Presbyterian Guitar A7 2:01 Bass – Randy*Guitar – John*Written-By – John Hartford With A Vamp In The Middle B1 Banjo – John*Bass – Randy*Dobro – Tut*Fiddle – Vassar*Guitar – Norman*Vocals – 3:25 John*Written-By – John Hartford Symphony Hall Rag B2 Banjo – John*Bass – Randy*Dobro – Tut*Fiddle – Vassar*Guitar – Norman*Written-By – 2:45 John Hartford Because Of You B3 0:59 Guitar – John*Vocals – John*Written-By – John Hartford Steam Powered Aereo Plane B4 Banjo – John*Bass – Randy*Dobro – Tut*Fiddle – Vassar*Guitar – Norman*Vocals – 3:40 John*Written-By – John Hartford Holding B5 Fiddle [Flat Pick] – Vassar*Guitar – John*, Vassar*Vocals – John*, Vassar*Written-By – John 1:46 Hartford Tear Down The Grand Ole Opry Banjo – John*Bass – Randy*Dobro – Tut*Fiddle – Vassar*Guitar – Norman*Vocals B6 3:26 [Everyone] – John*, Norman*, Randy*, Tut*, Vassar*Written-By – John Hartford, Robert Taylor* Leather Britches B7 Arranged By – John Hartford, Vassar ClementsBanjo – John*Fiddle – Vassar*Written-By – 1:58 Traditional Station Break B8 0:15 Vocals – John*Written-By – John Hartford Turn Your Radio On B9 2:15 Guitar – Norman*Vocals – John*, Norman*, Tut*, Vassar*Written-By – Albert E. Brumley Companies, etc. Recorded At – Glaser Sound Studios, Inc., Nashville, Tennessee Recorded At – Electric Lady Studios Pressed By – Columbia Records Pressing Plant, Santa Maria Published By – Stamps Baxter Music & Printing Co. Published By – Glaser Publications, Inc. Copyright (c) – Stamps Baxter Music & Printing Co. Copyright (c) – Glaser Publications, Inc. Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Produced For – Sweet Jellyroll Productions Credits Art Direction – Ed Thrasher Engineer – Claude Hill, Warren Dewey (tracks: A1, B9) Photography By [From The Daily Planet] – Peter Amft Producer – David Bromberg Notes All selections recorded at Glaser Sound Studios, Inc., Nashville, except "Turn Your Radio On" recorded at Electric Lady Studios, New York. Produced for Sweet Jellyroll Productions. Warner Bros. Records Inc., a Subsidiary & Licensee of Warner Bros. Inc., 4000 Warner Blvd., Burbank, Calif. 91505 · 44 East 50th Street, New York, New York 10022 · Made in U.S.A. ©1971- Warner Bros. Records Inc. [Jacket] (P) 1971 [Labels] Warner Bros. Records Inc. [Labels] Publishing Credits [Lyric Sheet]: Tracks A1 and B9: Copyright © 1938 by Stamps-Baxter Music & Printing Co. in "Guilding Star," renewed 1965. Tracks A2 to B8: © 1971 Glaser Publications, Inc. Includes lyric sheet and illustrated Warner Brothers advertising inner sleeve. © 1971 Warner Bros. Records, Inc. [Lyric Sheet] Printed in U.S.A. [Lyric Sheet] This is the first pressing with green label and "WB" logo. Barcode and Other Identifiers Matrix / Runout (Side A Label): S39879 Matrix / Runout (Side B Label): S39880 Matrix / Runout (Side A Etching): WS 1916-A Side One 39879-1B Matrix / Runout (Side B Etching): WS 1916-B Side II 39880-1A Matrix / Runout (Side A Pressing Plant Etching): S 1 Matrix / Runout (Side B Pressing Plant Etching): 1 Other versions Category Artist Title (Format) Label Category Country Year John Aereo-Plain (LP, Warner Bros. WS 1916 WS 1916 UK 1971 Hartford Album, TP, W/Lbl) Records John Aereo-Plain (CD, Rounder CD 0366 CD 0366 1997 Hartford Album, RE, Unofficial) Records John Aereo-Plain (Reel, 4tr Warner Bros. WST 1916 B WST 1916 B US 1971 Hartford Stereo, 7" Reel, Album) Records John Aereo-Plain (LP, Warner Bros. WS 1916 WS 1916 Canada Unknown Hartford Album, RP) Records John Aereo-Plain (LP, Warner Bros. WS 1916 WS 1916 US Unknown Hartford Album, RP) Records Comments about Aereo-Plain - John Hartford Bukelv It's fucking great. Don't question it. Go get yourself a record. Related Music albums to Aereo-Plain by John Hartford The Blockheads - Where's The Party Howard "Howdy" Forrester, John Hartford - Home Made Sugar and a Puncheon Floor David Bromberg - David Bromberg John Hartford - Mark Twang John Hartford - Me Oh My, How The Time Does Fly John Hartford - John Hartford / Iron Mountain Depot / Radio John John Hartford - Gentle On My Mind Phil Lesh and Friends - Hartford, CT 7.03.06 John Hartford - "Gentle On My Mind" And Other Originals By John Hartford John Denver - John Denver.
Recommended publications
  • Flatpicking Guitar Magazine Index of Reviews
    Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the
    [Show full text]
  • Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
    Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station
    [Show full text]
  • Psaudio Copper
    Issue 12 AUGUST 1ST, 2016 August 1, 2016 Up the Ladder INCOMING LETTERS Written by Paul McGowan I am responding to the recent article on DACs and the quick brush-off of ladder DACs. (Richard Murison’s “My Kingdom for a DAC”, Richard didn’t brush off ladder DACs so much as say that they were damned hard to build properly --Ed.) There are several R2R or ladder DACs on the market and in my opinion and that of many others they are far superior to any delta-sigma DAC on the market. The best example is the Audio-GD Master 7 dac. Also, the great Audio Note DACs are ladder DACs. These DACs have a musicallity that delta- sigma DACs dream about. Delta-sigma dacs are used mostly because R2R chips are simply too difficult and expensive to make.The old R2R chips are expensive, hard to find and no longer in production. I believe Mytek is making an R2R chip and Audio Note has one in development. Did a recent comparison of my Master 7 with a friend’s DCS stack and even he thought the Master 7 was better. The DCS is 10 times the price. Yes, a ladder DAC will not do DSD, but for me that is no great loss. Alan Hendler Doesn't Like Tchaikovsky Either Three cheers for Mr. Schenbeck. He writes concisely and entertainingly and, with his adroit embedding of musical examples, uses the electronic magazine format as it should be used. I look forward to each of his contributions. Never much liked Tchaikovsky either.
    [Show full text]
  • The Twenty Greatest Music Concerts I've Ever Seen
    THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
    [Show full text]
  • Voices in the Hall: Sam Bush (Part 1) Episode Transcript
    VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better.
    [Show full text]
  • 'Standards Must Rise...' Is Feb
    A gourmet's delight There will be an organic dinner this Friday, Jan. 30 at 6:30 p.m. in Cabin 4. All are invited. Bring food or pay $1. Change the world; eat a prune There will be a lecture today, Tuesday, entitled "World Revolu- tion through Dietary Change :The Practice and Philosophy of Natural Foods" at 4:30 in F-101. The possibility will be discussed of societal change through a change in our habits and attitudes toward food, and practical suggestions will be given on natural food selection and preparation. This is the first in a series of talks, discussions and cooking classes to be held in the future. What's up Josh? There will be a color film nigh Adventure on the College Campus", featuring Josh McDowell (author of the Christian Higher Ed. Chancellor speoks to Stockton students best-seller "Evidence that Demands a Verdict") in G-208 on Monday, Feb. 2 at 8 pm. The film is free. Defect now There is still time to sign up for the trip to Russia. The deadline 'Standards must rise...' is Feb. 3. The cost is now $699, and. it will take place from By Wayne Wippermann throughout the state . are being March 5-13. Contact Marcia Satin, ext. 380 for more information. Ralph Dungan, Chancellor of cut. r Higher Education, paid a very This procedure would make Permanent press VA regulations low-keyed visit to Stockton Col- the prospective student feel Due to a new wrinkle in the VA regulations and policies it has lege last Friday.
    [Show full text]
  • Record World
    record tWODedicated To Serving The Needs Of The Music & Record Industry x09664I1Y3 ONv iS Of 311VA ZPAS 3NO2 ONI 01;01 3H1 June 21, 1970 113N8V9 NOti 75c - In the opinion of the eUILIRS,la's wee% Tne itmuwmg diCtie SINGLE PICKS OF THE WEEK EPIC ND ARMS CAN EVER HOLD YOU CORBYVINTON Kenny Rogers and the First Mary Hopkin sings Doris Nilsson has what could be Bobby Vinton gets justa Edition advise the world to Day'sphilosophicaloldie, his biggest, a n dpossibly littlenostalgicwith"No "TellItAll Brother" (Sun- "Que Sera, Sera (Whatever hisbest single,a unique Arms Can Ever Hold You" beam, BMI), and it's bound WillBe, WillBe)" (Artist, dittyofhis own devising, (Gil, BMI),whichsounds tobe theirlatestsmash ASCAP), her way (A p p le "Down to the Valley" (Sun- just right for the summer- (Reprise 0923). 1823). beam, BM!) (RCA 74-0362). time (Epic 5-10629). SLEEPER PICKS OF THE WEEK SORRY SUZANNE (Jan-1111 Auto uary, Embassy BMI) 4526 THE GLASS BOTTLE Booker T. & the M. G.'s do Canned Heat do "Going Up The Glass Bottle,a group JerryBlavat,Philly'sGea something just alittledif- the Country" (Metric, BMI) ofthreeguysandthree for with the Heater,isal- ferent,somethingjust a astheydo itin"Wood- gals, introduce themselves ready clicking with "Tasty littleliltingwith"Some- stock," and it will have in- with "Sorry Suzanne" (Jan- (To Me),"whichgeators thing" (Harrisongs, BMI) creasedmeaningto the uary, BMI), a rouser (Avco andgeatoretteswilllove (Stax 0073). teens (Liberty 56180). Embassy 4526). (Bond 105). ALBUM PICKS OF THE WEEK DianaRosshasherfirst "Johnny Cash the Legend" "The Me Nobody Knows" "The Naked Carmen" isa solo album here, which is tributed in this two -rec- isthe smash off-Broadway "now"-ized versionofBi- startsoutwithherfirst ord set that includes' Fol- musical adaptation of the zet's timeless opera.
    [Show full text]
  • December 2004 Troubadour
    FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news January 2005 www.sandiegotroubadour.com Vol. 4, No. 4 what’s Nickel Creek: inside Living the Dream Welcome Mat ………3 Mission Statement Contributors Tales from the Trails Full Circle.. …………4 Eugene Vacher Recordially, Lou Curtiss Front Porch …………6 KKSM’s Joan Rubin Tom Boyer Parlor Showcase... …8 Nickel Creek Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze The Highway’s Song... 12 Al Kooper Of Note. ……………13 Griffin House The Taylor Harvey Band Itai ickles the horse chews February 1981, also a home grown Sean and Sara when the surf is good, Rookie Card contentedly in the prodigy raised in the Idylwild moun - and one can feel the excitement in Tom McRae small backyard pasture tains a couple of hours from Vista, it the house as they prepare for one of ‘Round About ....... …14 as the three young - is the mandolin. The three friends are their regular surf safaris to Carlsbad. January Music Calendar sters on the back already creating quite a stir at blue - Mom Karen happily shows the latest porch play their instru - grass festivals and contests. photos of the body board exploits, The Local Seen ……15 ments. It’s peaceful and Life is good in those early days. and Sean and Sara both expound on Photo Page Pbucolic in rural Vista during the mid School at home, church and church the great rides, and “getting pound - 1980s for these three home- activities, surfing, skiing, camping with ed” on the bigger days.
    [Show full text]
  • GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • What You No. .John Hartford, with Benny Martin, David Briggs, Sam Bush, Et Al
    NJ,)~ Knows- What You no. .John Hartford, with Benny Martin, David Briggs, Sam Bush, et al. 12 selections, vocal and instrumental, stereo. Flying Fish 028, 3320 Halstad St., Chicago, Ill. 60657, 1976. Reviewed by Bob Blackman About the best thing that can be said for Nobody Knows What You Do is that it's a slight improvement over John Hartford's previous record, Mark Twang (reviewed in Folklore Forum 10 Gpring)1977; 10:l). This is due not to Hartford but entirely to the welcome addition of some fine sidemen (absent on the earlier release). Their hot picking compensates for the further deterioration of Hartford's songwriting. Hartford's sense of humor, always his strongest point, has become plain silly. Lyrics like "The Golden Globe Award" (singing the praises of his girl's "golden globes") and "Granny Won'tcha Smoke Some Marijuana" are at a high school level of self-conscious sniggering. "The False Hearted Tenor Waltz" expresses his desire to sing that high lonesome bluegrass tenor, and would be one of the record's more successful cuts if Hartford's "comic" falsetto weren't so grating. The title song is so completely pointless that it's hard to understand why anyone would bother to write it, let alone record it. The one serious song is "In Tall Buildings," another in a long line of "Oh, life in the city is such a drag" compositions that are churned out by every songwriter in the business. The lyrics here are as trite as most such songs, but at least it's nice to hear one track sung "straight." Most of the other so-called songs are just words thrown together between long instrumental breaks.
    [Show full text]
  • Newsletter #284 County Sales P.O
    NEWSLETTER #284 COUNTY SALES P.O. Box 191 March-April 2007 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 FLATT & REB-1820 JOHN STARLING & CAROLINA SCRUGGS STAR “Slidin’ Home” One of the great singers of contemporary Bluegrass and acoustic music, John on NEW DVDS! Starling is back with a superb album that finds him in The big news this month is the release of two DVDs that a perfect setting for his soulful voice. Starling, a feature the legendary, long awaited Martha White Grand founding member of one of the all-time great acous- Ole Opry shows featuring Lester Flatt & Earl Scruggs, and tic bands, the Seldom Scene, was away from ac- originally filmed over 45 years ago. See our brief reviews tively performing for many years while he pursued of the first two volumes on page 2 (about 8 more volumes his career as a surgeon in the medical field. It’s great are projected). We will have these on sale this month for to have him back, especially in a band that is very just $ 18.00 each—they are GREAT. And to celebrate this reminiscent of the Seldom Scene—as well it should good news we are running a special sale on various Flatt & be, condsidering that two members—Mike Auldridge Scruggs CDs this month only (also on page 2). and Tom Gray—were also important & founding members of that group. Unlike the Scene, it’s a group NEW BEAR FAMILY BOXED SETS: without a banjo, but additional members Jimmy Gaudreau (mandolin) and Rickie Simpkins (fiddle) add We have just received our initial supply of two important beautifully to a tasteful and wonderfully musical treat- new Bear Family Boxed sets by BILL MONROE (My ment of some fine Last Days On Earth) and MAC WISEMAN (On Susan’s material.
    [Show full text]