NJDARM: Collection Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
CONGRESSIONAL RECORD-ROUSE. MA.Ren 1
2646 CONGRESSIONAL RECORD-ROUSE. MA.Ren 1, HOUSE OF REPRESENTATIVES. Cherokees to sue for their interest in certain moneys of the tribe from which they were excluded. WEDNESDAY, March 1, 1899. The message also announced that the Senate had passed with amendments the bill (H. R. 9335) granting t-0 the Muscle Shoals The House met at 11 o'clock a. m. Prayer by the Chaplain, Rev. Power Company right to erect and construct canal and power HENRY N. COUDEN. stations at Muscle Shoals, Ala.; in which the concurrence of the The Journal of the proceedings of yesterday was read and ap House of Representatives was requested. proved. MESSA.GE FROM THE SENA.TE. SUNDRY CIVIL APPROPRIATION BILL, A message from the Senate, by Mr. PLATT, one of its clerks, Mr. CANNON. Mr. Speaker, I ask unanimous consent that announced that the Senate had passed with amendments a bill of the House nonconcur in all of the amendments of the Senate to the the following title; in which the concurrence of the House was sundry civil appropriation bill, ask for a committee of confer requested: ence on the disagreeing votes of the two Houses, and have the bill H. R. 12008. An act making appropriations for sundry civil ex printed with the Senate amendments numbered. penses of the Government for the fiscal year ending June 30, 1900, The SPEAKER. Is there objection to the request of the gen and for other purposes. tleman from Illinois? The message also announced that the Senate had passed without There was no objection. amendment·bills of the following titles: The SPEAKER appointed as conferees on the part of the House H. -
Voices in the Hall: Sam Bush (Part 1) Episode Transcript
VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better. -
'Standards Must Rise...' Is Feb
A gourmet's delight There will be an organic dinner this Friday, Jan. 30 at 6:30 p.m. in Cabin 4. All are invited. Bring food or pay $1. Change the world; eat a prune There will be a lecture today, Tuesday, entitled "World Revolu- tion through Dietary Change :The Practice and Philosophy of Natural Foods" at 4:30 in F-101. The possibility will be discussed of societal change through a change in our habits and attitudes toward food, and practical suggestions will be given on natural food selection and preparation. This is the first in a series of talks, discussions and cooking classes to be held in the future. What's up Josh? There will be a color film nigh Adventure on the College Campus", featuring Josh McDowell (author of the Christian Higher Ed. Chancellor speoks to Stockton students best-seller "Evidence that Demands a Verdict") in G-208 on Monday, Feb. 2 at 8 pm. The film is free. Defect now There is still time to sign up for the trip to Russia. The deadline 'Standards must rise...' is Feb. 3. The cost is now $699, and. it will take place from By Wayne Wippermann throughout the state . are being March 5-13. Contact Marcia Satin, ext. 380 for more information. Ralph Dungan, Chancellor of cut. r Higher Education, paid a very This procedure would make Permanent press VA regulations low-keyed visit to Stockton Col- the prospective student feel Due to a new wrinkle in the VA regulations and policies it has lege last Friday. -
The Civil War
THE CIVIL WAR wounded in the shoulder and lost General George B. McClellan reliev- UNION GENERALS the use of his arm during the de- ing him of command of th Army of fense of Springfield. 3" x 1". Cut sig- the Potomac. 7 1/2" x 4". Signed Note. nature with rank. “E.B. Brown Brig. “Dear Shelton, I send you above, the Gen. Vols.” Fine. $150 - up only record on my books that will throw any light on the subject of your company’s acceptance - I pre- * 126 sume however that is sufficient. Re- HENRY L. ABBOTT (1842 - 1864). cruiting is going on very well and I think Ohio will come up to the mark Union Brevet Brigadier General, for * 131 without fail. Yours truly, C. P. gallant services in the battle of the JUDSON DAVID BINGHAM Buckingham, Adj. Genl. O.” Fine. Wilderness. Killed at Wilderness, Va (1831 - 1909). Union Bvt. Brigadier $200 - up on May 6, 1864. 8" x 2 1/2". Cut signa- General. 7" x 2". Signature cut from a ture with rank. “Very respectfully, larger typed document. “Very Re- Your obdt. Servant Henry L. Abbott spectfully, Your Obedient Servant, Lieut. Colonel of Engineers Com- J.D. Bingham, Deputy Quartermaster manding”. Tape residue at left and * 129 General, Brevet Brigadier General, upper left corner missing. Fine. JAMES A. BEAVER(1837-1914), U.S. Army.” Fine $35 - up $35 - up Union Brevet Brigadier-General dur- ing the Civil War, Governor of Penn- sylvania, Judge. TLS James A. Beaver * 134 1page, 8 ½” x 11”, dated Harrisburg, AMBROSE E. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
1 Column Unindented
DJ PRO OKLAHOMA.COM TITLE ARTIST SONG # Just Give Me A Reason Pink ASK-1307A-08 Work From Home Fifth Harmony ft.Ty Dolla $ign PT Super Hits 28-06 #thatpower Will.i.am & Justin Bieber ASK-1306A-09 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes MH-1016 (Kissed You) Good Night Gloriana ASK-1207-01 1 Thing Amerie & Eve CB30053-02 1, 2, 3, 4 (I Love You) Plain White T's CB30094-04 1,000 Faces Randy Montana CB60459-07 1+1 Beyonce Fall 2011-2012-01 10 Seconds Down Sugar Ray CBE9-23-02 100 Proof Kellie Pickler Fall 2011-2012-01 100 Years Five For Fighting CBE6-29-15 100% Chance Of Rain Gary Morris Media Pro 6000-01 11 Cassadee Pope ASK-1403B 1-2-3 Gloria Estefan CBE7-23-03 Len Barry CBE9-11-09 15 Minutes Rodney Atkins CB5134-03-03 18 And Life Skid Row CBE6-26-05 18 Days Saving Abel CB30088-07 1-800-273-8255 Logic Ft. Alessia Cara PT Super Hits 31-10 19 Somethin' Mark Wills Media Pro 6000-01 19 You + Me Dan & Shay ASK-1402B 1901 Phoenix PHM1002-05 1973 James Blunt CB30067-04 1979 Smashing Pumpkins CBE3-24-10 1982 Randy Travis Media Pro 6000-01 1985 Bowling For Soup CB30048-02 1994 Jason Aldean ASK-1303B-07 2 Become 1 Spice Girls Media Pro 6000-01 2 In The Morning New Kids On The Block CB30097-07 2 Reasons Trey Songz ftg. T.I. Media Pro 6000-01 2 Stars Camp Rock DISCMPRCK-07 22 Taylor Swift ASK-1212A-01 23 Mike Will Made It Feat. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
The Twenty-Fifth Bicycle Corps
University of North Carolina at Asheville Wheels of Modernity: The Twenty-Fifth Bicycle Corps A Senior Thesis Submitted to The Faculty of the Department of History In Candidacy for the Degree of Bachelor of Arts in History by Adam Duchac Asheville, North Carolina 8 December, 2011 Duchac 2 As the sun began its ascent into the summer sky on July 23, 1897, a group of bedraggled men mounted on bicycles slowly made their way into the township of Oregon, Missouri. The residents of the town expected the group but were still caught off guard by the men they saw. A journalist from the Holt County Sentinel wrote that “A regular army soldier is rarely ever seen in our midst, and to see a colored man as such is a still greater novelty- and to see them mounted wheels, with gun strapped over back is an unusually strange sight.”1 The group of men belonged to the Twenty-Fifth Bicycle Corps, an all black outfit that was on the verge of completing a 1,900 mile trip from Fort Missoula, Montana, to St. Louis, Missouri. The long distance ride was concocted by Lieutenant James A. Moss, a white officer who had recently graduated from the United States Military Academy at West Point, as a means to test the bicycle‟s efficiency and reliability as a new form of transportation for the United States Army and as a possible replacement for horse mounted soldiers. As the nineteenth century came to a close the U.S. Army faced a number of changes as did the black soldiers who were a part of it. -
What You No. .John Hartford, with Benny Martin, David Briggs, Sam Bush, Et Al
NJ,)~ Knows- What You no. .John Hartford, with Benny Martin, David Briggs, Sam Bush, et al. 12 selections, vocal and instrumental, stereo. Flying Fish 028, 3320 Halstad St., Chicago, Ill. 60657, 1976. Reviewed by Bob Blackman About the best thing that can be said for Nobody Knows What You Do is that it's a slight improvement over John Hartford's previous record, Mark Twang (reviewed in Folklore Forum 10 Gpring)1977; 10:l). This is due not to Hartford but entirely to the welcome addition of some fine sidemen (absent on the earlier release). Their hot picking compensates for the further deterioration of Hartford's songwriting. Hartford's sense of humor, always his strongest point, has become plain silly. Lyrics like "The Golden Globe Award" (singing the praises of his girl's "golden globes") and "Granny Won'tcha Smoke Some Marijuana" are at a high school level of self-conscious sniggering. "The False Hearted Tenor Waltz" expresses his desire to sing that high lonesome bluegrass tenor, and would be one of the record's more successful cuts if Hartford's "comic" falsetto weren't so grating. The title song is so completely pointless that it's hard to understand why anyone would bother to write it, let alone record it. The one serious song is "In Tall Buildings," another in a long line of "Oh, life in the city is such a drag" compositions that are churned out by every songwriter in the business. The lyrics here are as trite as most such songs, but at least it's nice to hear one track sung "straight." Most of the other so-called songs are just words thrown together between long instrumental breaks. -
Jazz Collection: Alison Krauss – Die Stimme Des Bluegrass Dienstag, 13
Jazz Collection: Alison Krauss – die Stimme des Bluegrass Dienstag, 13. Juli 2021, 21.00 – 22.00 Uhr, SRF 2 Kultur Samstag, 17. Juli 2021, 17.06 – 18.30 Uhr, SRF 2 Kultur (mit Bonustracks) Mit 27 erhaltenen Grammys ist Alison Krauss eine der prominentesten Musikerinnen der USA. Ihre herausragende Popularität geht weit über ihre angestammte Szene der akustischen Roots Music, des Bluegrass hinaus. Einiges davon hat mit ihrer unvergleichlichen Stimme und ihren instrumentalen Fähigkeiten als Fiddlerin zu tun, aber auch mit ihrem Willen, stets über die Grenzen hinauszuschauen. Zu ihrem 50. Geburtstag spricht Eric Facon mit der Schweizer Country-Sängerin und - Mandolinistin Jessie Hardegger von Jessie & the Gents. Gast: Jessie Hardegger Redaktion und Moderation: Eric Facon Interpret*in Titel Komponist*in Album / Label Alison Krauss Everytime You Say Goodbye John Pennell Now That I’ve Found You / New Rounder & Union Station Records (1995) Alison Krauss When God Dips His Pen of Ralph Hill The Cox Family – Everybody’s Reaching Out & Cox Family Love in My Heart for Someone / New Rounder Records (1993) Alison Krauss When You Say Nothing at All Don Schlitz Now That I’ve Found You / New Rounder & Union Station Records (1995) Alison Krauss Oh, Atlanta Mick Ralphs Now That I’ve Found You / New Rounder Records (1995) Alison Krauss Down to the River to Pray Traditional Soundtrack zu «O Brother Where Art Thou» / Universal (2000) Alison Krauss Cluck Old Hen Traditional Alison Krauss & Union Station Live / New & Union Station Rounders Records (2002) Brad Paisley Whiskey Lullaby Bill Anderson Brad Paisley: Mud on the Tires / Arista & Alison Krauss Nashville (2003) Robert Plant Gone Gone Gone Phil Everly Robert Plant & Alison Krauss: Raising Sand / & Alison Krauss Decca Records (2007) Alison Krauss It’s Goodbye And So Long Raymond Couture Windy City / Capitol Records (2017) Alison Krauss Gentle on My Mind John Hartford Windy City / Capitol Records (2017) Bonustracks (nur am Samstag) Interpret*in Titel Komponist*in Album / Label Alison Krauss I’ll Fly Away Albert E.