Percy Bysshe Shelley
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Il Sereno Fact Sheet
FACT SHEET ADDRESS: Via Torrazza, 10 22020 Torno, Como, Italy (Village of Torno, Province of Como, Region of Lombardy, Italy) www.ilsereno.com TELEPHONE: +39 031 5477800 OPENED: August 1, 2016 OWNERSHIP: Contreras Family MANAGING DIRECTOR: Samy Ghachem ARCHITECTURE AND INTERIOR DESIGN: Patricia Urquiola SUITE RATES: Starting at €750 - €800 OVERVIEW: Il Sereno Lago di Como is a small and intimate ultra-luxury hotel on the iconic shores of Lake Como, Italy. Respecting its natural and historical surroundings, Il Sereno Lago di Como joins a select group of illustrious lake hotels in this exclusive destination. Building on the success of Le Sereno St Barth’s, the owners joined forces with Milan-based designer Patricia Urquiola to introduce a contemporary and more relaxed interpretation of luxury, design and personalized service to Lake Como. Il Sereno Lago di Como is positioned as the most stylish and private sanctuary among the lake’s prestigious collection of hotels. Il Sereno and nearby Villa Pliniana are members of Leading Hotels of the World and Virtuoso. LOCATION: Since time immemorial, Lake Como has seduced visitors with its natural beauty and dramatic vistas of the southern Italian Alps. Long a destination of choice for European aristocrats and today’s glitterati; Lake Como remains the epitome of a glamorous vacation destination. Situated on a sunny promontory next to the village of Torno and surrounded by peaceful views of Lake Como’s natural beauty, lush gardens and idyllic small towns, Il Sereno”s lakefront location stretches approximately 140 meters (450 feet) along the eastern shore of Lake Como. The hotel is less than 6km (4 miles) from the center of Como, just a short 8-minute drive; and approximately 50 minutes from both Milano- Malpensa airport or from the center of Milan. -
Select Letters of Percy Bysshe Shelley
ENGLISH CLÀSSICS The vignette, representing Shelleÿs house at Great Mar lou) before the late alterations, is /ro m a water- colour drawing by Dina Williams, daughter of Shelleÿs friend Edward Williams, given to the E ditor by / . Bertrand Payne, Esq., and probably made about 1840. SELECT LETTERS OF PERCY BYSSHE SHELLEY EDITED WITH AN INTRODUCTION BY RICHARD GARNETT NEW YORK D.APPLETON AND COMPANY X, 3, AND 5 BOND STREET MDCCCLXXXIII INTRODUCTION T he publication of a book in the series of which this little volume forms part, implies a claim on its behalf to a perfe&ion of form, as well as an attradiveness of subjeâ:, entitling it to the rank of a recognised English classic. This pretensión can rarely be advanced in favour of familiar letters, written in haste for the information or entertain ment of private friends. Such letters are frequently among the most delightful of literary compositions, but the stamp of absolute literary perfe&ion is rarely impressed upon them. The exceptions to this rule, in English literature at least, occur principally in the epistolary litera ture of the eighteenth century. Pope and Gray, artificial in their poetry, were not less artificial in genius to Cowper and Gray ; but would their un- their correspondence ; but while in the former premeditated utterances, from a literary point of department of composition they strove to display view, compare with the artifice of their prede their art, in the latter their no less successful cessors? The answer is not doubtful. Byron, endeavour was to conceal it. Together with Scott, and Kcats are excellent letter-writers, but Cowper and Walpole, they achieved the feat of their letters are far from possessing the classical imparting a literary value to ordinary topics by impress which they communicated to their poetry. -
From Brunate to Monte Piatto Easy Trail Along the Mountain Side , East from Como
1 From Brunate to Monte Piatto Easy trail along the mountain side , east from Como. From Torno it is possible to get back to Como by boat all year round. ITINERARY: Brunate - Monte Piatto - Torno WALKING TIME: 2hrs 30min ASCENT: almost none DESCENT: 400m DIFFICULTY: Easy. The path is mainly flat. The last section is a stepped mule track downhill, but the first section of the path is rather rugged. Not recommended in bad weather. TRAIL SIGNS: Signs to “Montepiatto” all along the trail CONNECTIONS: To Brunate Funicular from Como, Piazza De Gasperi every 30 minutes From Torno to Como boats and buses no. C30/31/32 ROUTE: From the lakeside road Lungo Lario Trieste in Como you can reach Brunate by funicular. The tram-like vehicle shuffles between the lake and the mountain village in 8 minutes. At the top station walk down the steps to turn right along via Roma. Here you can see lots of charming buildings dating back to the early 20th century, the golden era for Brunate’s tourism, like Villa Pirotta (Federico Frigerio, 1902) or the fountain called “Tre Fontane” with a Campari advertising bas-relief of the 30es. Turn left to follow via Nidrino, and pass by the Chalet Sonzogno (1902). Do not follow via Monte Rosa but instead walk down to the sportscentre. At the end of the football pitch follow the track on the right marked as “Strada Regia.” The trail slowly works its way down to the Monti di Blevio . Ignore the “Strada Regia” which leads to Capovico but continue straight along the flat path until you reach Monti di Sorto . -
Shelley's Heart and Pepys's Lobsters
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Chapter 1 Shelley’s Heart and Pepys’s Lobsters Biographies are full of verifiable facts, but they are also full of things that aren’t there: absences, gaps, missing evi- dence, knowledge or information that has been passed from person to person, losing credibility or shifting shape on the way. Biographies, like lives, are made up of con- tested objects—relics, testimonies, versions, correspon- dences, the unverifiable. What does biography do with the facts that can’t be fixed, the things that go missing, the body parts that have been turned into legends and myths? A few years ago, a popular biographer who had allowed doubts and gaps into the narrative of a historical subject was criticised for sounding dubious. “For ‘I think,’ read ‘I don’t know,’” said one of her critics crossly. But more recently, “biographical uncertainty” has become a re- spectable topic of discussion.1 Writers on this subject tend to quote Julian Barnes’s Flaubert’s Parrot: You can define a net in one of two ways, depending on your point of view. Normally, you would say that it is a meshed instrument designed to catch fish. But you could, with no great injury to logic, reverse the image and define a net as a jocular lexicographer once did: he called it a col- lection of holes tied together with string. For general queries, contact [email protected] © Copyright, Princeton University Press. -
The Shelleys and the Idea of Europe
Paul Stock The Shelleys and the idea of Europe Article (Accepted version) (Refereed) Original citation: Stock, Paul (2008) The Shelleys and the Idea of Europe. European romantic review, 19 (4). pp. 335-349. ISSN 1050-9585 DOI: 10.1080/10509580802405684 © 2009 Taylor and Francis This version available at: http://eprints.lse.ac.uk/29372/ Available in LSE Research Online: September 2012 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final manuscript accepted version of the journal article, incorporating any revisions agreed during the peer review process. Some differences between this version and the published version may remain. You are advised to consult the publisher’s version if you wish to cite from it. 1 Article for European Romantic Review The Shelleys and the Idea of “Europe” by Paul Stock Introduction This article explores how the Shelleys and their circle configure ideas of “Europe” between January 1817 and March 1818. In this period, Mary was finishing Frankenstein and Percy wrote, planned and published Laon and Cythna, two texts which, I will argue, are especially concerned with the meanings of “Europe” and “European”. -
Frankenstein As Educational Thought on the Modern Problem of Terror
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE MONSTROUS MISEDUCATION: FRANKENSTEIN AS EDUCATIONAL THOUGHT ON THE MODERN PROBLEM OF TERROR A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By KRISTEN OGILVIE HOLZER Norman, Oklahoma 2016 MONSTROUS MISEDUCATION: FRANKENSTEIN AS EDUCATIONAL THOUGHT ON THE MODERN PROBLEM OF TERROR A DISSERTATION APPROVED FOR THE DEPARTMENT OF EDUCATIONAL LEADERSHIP AND POLICY STUDIES BY _____________________________ Dr. Susan Laird, Chair _____________________________ Dr. John Covaleskie _____________________________ Dr. Angela Urick _____________________________ Dr. Michele Eodice _____________________________ Dr. Robert Con Davis-Undiano © Copyright by KRISTEN OGILVIE HOLZER 2016 All Rights Reserved. DEDICATION I dedicate this work to the children among whom I have had the privilege of learning, including my two children, Keely Pate Holzer and Liam Reed Holzer. My fondest hopes lie in their future and the possibility that this scholarship might contribute in some small way toward the “cultural wealth” they will inherit. ACKNOWLEDGEMENTS I thank my mother, Marilyn Bailey Ogilvie, who has supported and encouraged me as a scholar, a mentor, and a friend. Words are inadequate to account for the debt of gratitude this work, and all of my work, owes my mother. By her example and courage, my sister, Martha Kay Ogilvie, has always pushed me to realize my potential. My brother, William Woodworth Ogilvie, has never stopped teasing or believing in me and I thank him for his humor and faith. I am grateful to my spouse, Michael Reed Holzer, for the pride he has always taken in my little victories. That pride made me believe I could finish what I started. -
Grand Tour Sul Lago Di Como
Sulle orme di Mary Shelley Il Grand Tour del Lago di Como A zonzo sul lago di Como “ Il lago di Como è lungo e in proporzione stretto. Circa a metà strada fra Colico e la città di Como, nel suo punto più largo, è diviso in due laghi, uno punta a Est verso Lecco, l’altro verso Como. Nello stretto e roccioso promontorio che divide questi due rami è situata Bellagio, che punta verso Nord“. M. SHELLEY, A zonzo per la Germania e per l’Italia, 1844 “… supera in bellezza qualsiasi luogo io abbia mai visto, fatta eccezione per le isole di corbezzoli di Killarney”. P.B. SHELLEY, lettera all’amico Peacock, Milano, 20 Aprile 1818 Con l’itinerario ‘Mary Shelley’ avrete la possibilità di scoprire i luoghi del territorio lariano visitati e descritti dalla famosa autrice britannica nella sua ultima opera “A zonzo per la Germania e per l’Italia”, e dal coniuge Percy Bysshe Shelley in alcune lettere. Il viaggio sarà un percorso ricco di storia e bellezze paesaggistiche, che si snoderà sulle sponde del ramo occidentale del lago di Como. Con questo itinerario sarà possibile conoscere affascinanti cittadine quali Blevio, Torno, Tremezzo, Menaggio, Bellagio, e visitare meravigliose ville storiche come quelle della celebre cantante lirica Giuditta Pasta o quella di Villa Carlotta con il suo famoso giardino. Le tappe del Tour Mary Shelley rimase sul lago di Como per otto settimane, nell’estate del 1840. L’autrice lo percorse dalle Alpi al Lario utilizzando diligenze, barche e battelli. Qui proponiamo lo stesso percorso ma a ritroso. -
Vampyre Gone Wild
vampyre gone wild Lord Ruthven Strikes Again FSU College of Law 5th Annual Civil Mock Trial Competition B y r o n v . V a m p y r e H o l d i n g C o . , L L C , a n d D r . P o l i d o r i March 3-5, 2017 Table of Contents Acknowledgment ....................................................................................................................... 1 Rules .......................................................................................................................................... 2 Competition Agenda ............................................................................................................... 10 College of Law Map ................................................................................................................ 11 Advocacy Center Floor Plans ................................................................................................ 12 Scoresheet ................................................................................................................................. 13 Complaint ................................................................................................................................. 14 Answer ...................................................................................................................................... 21 Reply ........................................................................................................................................ 24 Depositions Clairmont ..................................................................................................................... -
Over Mary's Dead Body
__________________________________________________________________ Over Mary’s Dead Body Frankenstein, Sexism, & Socialism __________________________________________________________________ Julia Burke University of California, Berkeley Department of History Dr. Trevor Jackson 27 April 2018 “A king is always a king – and a woman is always a woman: his authority and her sex ever stand between them and rational converse.” – Mary Wollstonecraft1 On February 25, 1818, Thomas Jefferson Hogg, a close friend of Mary and Percy Shelley, wrote John Frank Newton a letter. Newton had been one of the few to receive a copy of Frankenstein before publication, and had shown his appreciation by enquiring of Hogg the book’s authorship – Percy, right? “[W]hen you guess the name of the author is Shelley you guess rightly,” responded Hogg, “but when you would prefix the words Percy Bysshe the infirmity of our nature interposes between you & the truth wch whispers Mary[.] In plain terms Frankenstein …is written by Mrs Shelley …. This is a profound secret & no more to be divulged without dread than the name of D-m-g-rg-n [Demogorgon].”2 Poor Newton was threatened, seriously or otherwise, with demonic retribution should he reveal the novel’s true authorship. History suggests he kept the secret to himself. Frankenstein was published – with successful anonymity – in three duodecimo volumes on the first day of 1818.3 At Mary’s request, Percy sent them to famed novelist Sir Walter Scott the next day, noting his “own share in them consists simply in having superintended them through the press during the Author’s absence. Perhaps it is the partial regard of friendship that persuades me that they are worthy of the attention of the celebrated person whom I have at present the honour to address.”4 February’s issue of Blackwood’s Edinburgh Magazine 1 Mary Wollstonecraft, A Vindication of the Rights of Women With Strictures on Political and Moral Subjects (London: J. -
Shelley After Atheism
COLIN JAGER Shelley After Atheism But liberty, when men act in bodies, is power. -Edmund Burke' O F THE MAJOR ROMANTIC WRITERS, PERCY SHELLEY IS MOST READILY associated with atheism. The word was still an epithet in the early nineteenth century, yet Shelley courted it. The Necessity of Atheism, the 18i I pamphlet that got Shelley and Thomas Jefferson Hogg kicked out of Oxford, recapitulated familiar arguments from Locke and Hume; the title itself, however, had the desired effect. Five years later, when Shelley signed hinself in the hotel registers in Chamonix and Montanvert as "Democrat, 2 Philanthropist, and Atheist," it was the final word that caused the uproar. For in the history of early modern thought in the West "atheism" is an al- most magical word. This essay is about Shelley's poem Mont Blanc, though I will have little to say about the content of that poem. This is only in part because a great many intelligent things have already been said about it. It is also because in this poem content is not really the issue. Indeed, the best gloss on Shelley's poem is an oft-quoted passage from Fredric Jameson's The Political Uncon- scious: History is therefore the experience of Necessity, and it is this alone which can forestall its thematization or reification as a mere object of representation or as one master code among many others. Necessity is not ... a type of content, but rather the inexorable forn of events, ... Thanks to David Collings, William Galperin, and audiences in North Carolina ard Wiscon- sin for their responses to earlier versions of this essay. -
Percy Bysshe Shelley (1792 – 1822)
Percy Bysshe Shelley (1792 – 1822) Biography: ercy Bysshe Shelley, (born Aug. 4, 1792, Field Place, near Horsham, Sussex, Eng.— died July 8, 1822, at sea off Livorno, Tuscany [Italy]), English Romantic poet whose P passionate search for personal love and social justice was gradually channeled from overt actions into poems that rank with the greatest in the English language. Shelley was the heir to rich estates acquired by his grandfather, Bysshe (pronounced “Bish”) Shelley. Timothy Shelley, the poet’s father, was a weak, conventional man who was caught between an overbearing father and a rebellious son. The young Shelley was educated at Syon House Academy (1802–04) and then at Eton (1804–10), where he resisted physical and mental bullying by indulging in imaginative escapism and literary pranks. Between the spring of 1810 and that of 1811, he published two Gothic novels and two volumes of juvenile verse. In the fall of 1810 Shelley entered University College, Oxford, where he enlisted his fellow student Thomas Jefferson Hogg as a disciple. But in March 1811, University College expelled both Shelley and Hogg for refusing to admit Shelley’s authorship of The Necessity of Atheism. Hogg submitted to his family, but Shelley refused to apologize to his. 210101 Bibliotheca Alexandrina-Library Sector Compiled by Mahmoud Keshk Late in August 1811, Shelley eloped with Harriet Westbrook, the younger daughter of a London tavern owner; by marrying her, he betrayed the acquisitive plans of his grandfather and father, who tried to starve him into submission but only drove the strong-willed youth to rebel against the established order. -
Visit the Villa Diodati Mary Shelley Wrote Frankenstein During an Unusually Dark and Stormy Summer Along Lake Geneva, Switzerland at the Villa Diodati
Celebrating the 200th Anniversary of the Publication of Frankenstein visit the villa diodati Mary Shelley wrote Frankenstein during an unusually dark and stormy summer along Lake Geneva, Switzerland at the Villa Diodati. 44 WomenWomen atat thethe VillaVilla DiodatiDiodati #48663#48663 Sunday,Sunday, MarchMarch 11,11, 20182018 7:00-8:307:00-8:30 p.m.p.m. •• $10$10 •• AgesAges 18+18+ ForFor tickets:tickets: 310-660-6460310-660-6460 oror Women’s www.ECCommunityEd.comwww.ECCommunityEd.com History Month InIn celebrationcelebration ofof thethe MarchMarch 11,11, 18181818 publicationpublication ofof MaryMary Shelley’sShelley’s gothicgothic romanticromantic novelnovel FrankensteinFrankenstein,, joinjoin usus forfor thethe closingclosing FrankensteinFrankenstein 200200 eventevent takingtaking placeplace inin thethe VillaVilla DiodatiDiodati inspiredinspired artart installationinstallation roomroom withwith fourfour stagedstaged readingsreadings by:by: Heidi Honeycutt Sadie Katz Gabriela López de Dennis Miriam Peniche The Creator—Mother Moms Like Us The Pursuit Of... From Up Above Versus Mad Scientist A raw, sometimes This human vs. machine One woman’s journey A documentarian’s provocative tale of loss sci-fi theater experience through death and exploration of the history and finding your way. explores whether our heartbreak force her to of women as creators in A true tale. daily conversations with uncover the strength and the context of the technology have gone too laughter within, and strip horror genre. far. Performed by Jeanette down to her true self. Godoy & Regina Gomez Directed by April Ibarra FOR TICKETS: Call 310-660-6460 or visit www.ECCommunityEd.com The El Camino Community College District is committed to providing equal opportunity in which no person is subjected to discrimination on the basis of national origin, religion, age, sex (including sexual harassment), race, color, gender, physical or mental disability, or retaliation..