Swedenborg, Paracelsus, and the Dilute Traces
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Elias Artista Redivivus, Oder, Das Buch Vom Salz Und Raum
U Elias Artista reäivivu8 oder Das Ruch vom Salz und Raum Von Dr. ?er<ttnRn6 WaacK Mit Abbildungen ZSZ3 Im Verlage von Nermsn» S»r8äork in Serlin 30 deeinnti»O»emderlSl2ru erscKeinen 6»sLroK«iLelekte8»mmeIverK: Lis« LammImiA 8«lteaer Aterer unö neuerer>VerKe »der ^lcKemle, ^agle, Kabbalan, Freimaurer, KosenKreu^er, ttexen, l'eukel U8w. U8^. ««»»»Legede» unter Nttvtriru»r »»mnnrter (leiokrter von «»I» entd,ltev6 6ie 6em Vnrtte»derei8cKen Prälaten ZoK.V»ient. Xnckre« ^usescKriedeoen vier Nsuptscdrirte» 6er atten kZ«senKreu?er. l. OKvmKcne ttoc»«it OKristisni lZosencreut? ^nno l4S9. Z. XUgemeine un6 Oenerai-lZekormstion 6er gsnwen Welt. >. ?am» r»terniwti8 «6er Lnt6ecKunß 6er Lru6erscnakt <Zes KocniSblicKe» Or6ens 6« Kosen-Oreutre». 4. Oonkessw ?raternit»ti» o6er Leice»ntnis 6er ISblicKen Lru6erscnskt 6es docnAeenrteu kZosen-Oreut^es, Vortgetreu n»ed aen lZrigin»l»n8L»de» von 1614— 1616. Lingeleitet unck der»usLegeden von vr. m«l» ?er6. tt»sck. Liu starker Ssn6 mit ^ddiI6uvg«n. In ?veiisrb!gem UmscdlsL mit öe» nutsung <ie» Kembrsn6tscKen rsustdilaes. Llegnnt droeeniert K4. 4.—. In OriAin»ldsnö i«. S.SO 20 numerierte Lxemplsre Ruk UoliiinS. Uen6-Sütten. SroseK. itt. 10.— ferner Klersus sl» Lin?el»usLsde: 0Kvmi8cne ttock^eit CKr!8tian! Ko8encreut2 LlegAnt br«»eniert itt. 3.—. Kl Origin»lb»nck «. 4.— 20 numerierte Exemplare suk rloilSn6. r!an6»Sütten. vroscn. d Kl. 9.— — Oer «velte cker Lsmmlung et«vs im ^»nuer I9l3 erscneinen6, vir6 von 6er tdeoretiscnen Ii»dd»I»Ii, 6er iiZ6ised»mv5tiscKen Qe» Keimienre, Ksn6eln un6 eine reicKe lZIütenlese 6er siten lZeneimnisse 6er Ksbbuiistiscden l.enre aus ,8onnr* un6 .ZeÄrnn" bringen. Oer «lrlNe »»»«I «Ir6 6ie QeKeimnisse 6er prsktiscnen liskbslnk entKMlen, 6eren Künste in 6ie »VeiKe Magie" Kinüber8pielen. -
Introduction: the Nation and the Spectral Wandering Jew
Notes Introduction: The Nation and the Spectral Wandering Jew 1. According to legend, Christ was driven from Ahasuerus's doorstep where he stopped to rest. In response to the jew's action of striking him while shouting, 'Walk faster!', Christ replied, 'I go, but you will walk until I come again!' (Anderson, Legend: 11). By way of this curse, Christ figuratively transferred his burdensome cross to the jew. 2. As Hyam Maccoby explains, 'One of the strongest beliefs of medieval Christians was that the Second Coming of Christ could not take place until the Jews were con verted to Christianity. (Marvell's "till the conversion of the jews" means simply "till the millennium".) The Jews, therefore, had to be preserved; otherwise the Second Coming could not take place' (239). According to Michael Ragussis, British conversionist societies justified their activities by claiming to 'aid in this divine plan, and with a kind of reverse logic their establishment was viewed as a sign of the proximity of the Second Coming' (Figures: 5). 3. Roger of Wendover's Flores historiarwn and Matthew Paris's Chrmzica majora from . the early thirteenth century provide all of the details of the legend, but the transgressor in their versions is Pilate's doorkeeper, a Roman named Cartaphilus, and not a Jew (Anderson, Legend 16-21). \Vhile in certain Italian versions of this tale the accursed wanderer is a Jew (19), he is not described as Jewish in the British legend until the early seventeenth century. The conjunction between the entry of this legend and Jews into England is in keeping with N.J. -
Verse and Transmutation History of Science and Medicine Library
Verse and Transmutation History of Science and Medicine Library VOLUME 42 Medieval and Early Modern Science Editors J.M.M.H. Thijssen, Radboud University Nijmegen C.H. Lüthy, Radboud University Nijmegen Editorial Consultants Joël Biard, University of Tours Simo Knuuttila, University of Helsinki Jürgen Renn, Max-Planck-Institute for the History of Science Theo Verbeek, University of Utrecht VOLUME 21 The titles published in this series are listed at brill.com/hsml Verse and Transmutation A Corpus of Middle English Alchemical Poetry (Critical Editions and Studies) By Anke Timmermann LEIDEN • BOSTON 2013 On the cover: Oswald Croll, La Royalle Chymie (Lyons: Pierre Drobet, 1627). Title page (detail). Roy G. Neville Historical Chemical Library, Chemical Heritage Foundation. Photo by James R. Voelkel. Library of Congress Cataloging-in-Publication Data Timmermann, Anke. Verse and transmutation : a corpus of Middle English alchemical poetry (critical editions and studies) / by Anke Timmermann. pages cm. – (History of Science and Medicine Library ; Volume 42) (Medieval and Early Modern Science ; Volume 21) Includes bibliographical references and index. ISBN 978-90-04-25484-8 (hardback : acid-free paper) – ISBN 978-90-04-25483-1 (e-book) 1. Alchemy–Sources. 2. Manuscripts, English (Middle) I. Title. QD26.T63 2013 540.1'12–dc23 2013027820 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. ISSN 1872-0684 ISBN 978-90-04-25484-8 (hardback) ISBN 978-90-04-25483-1 (e-book) Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands. -
A Lexicon of Alchemy
A Lexicon of Alchemy by Martin Rulandus the Elder Translated by Arthur E. Waite John M. Watkins London 1893 / 1964 (250 Copies) A Lexicon of Alchemy or Alchemical Dictionary Containing a full and plain explanation of all obscure words, Hermetic subjects, and arcane phrases of Paracelsus. by Martin Rulandus Philosopher, Doctor, and Private Physician to the August Person of the Emperor. [With the Privilege of His majesty the Emperor for the space of ten years] By the care and expense of Zachariah Palthenus, Bookseller, in the Free Republic of Frankfurt. 1612 PREFACE To the Most Reverend and Most Serene Prince and Lord, The Lord Henry JULIUS, Bishop of Halberstadt, Duke of Brunswick, and Burgrave of Luna; His Lordship’s mos devout and humble servant wishes Health and Peace. In the deep considerations of the Hermetic and Paracelsian writings, that has well-nigh come to pass which of old overtook the Sons of Shem at the building of the Tower of Babel. For these, carried away by vainglory, with audacious foolhardiness to rear up a vast pile into heaven, so to secure unto themselves an immortal name, but, disordered by a confusion and multiplicity of barbarous tongues, were ingloriously forced. In like manner, the searchers of Hermetic works, deterred by the obscurity of the terms which are met with in so many places, and by the difficulty of interpreting the hieroglyphs, hold the most noble art in contempt; while others, desiring to penetrate by main force into the mysteries of the terms and subjects, endeavour to tear away the concealed truth from the folds of its coverings, but bestow all their trouble in vain, and have only the reward of the children of Shem for their incredible pain and labour. -
Ethan Allen Hitchcock Alchemy Collection in the St
A Guide to the Ethan Allen Hitchcock Alchemy Collection in the St. Louis Mercantile Library The St. Louis Mercantile Library Association Major-General Ethan Allen Hitchcock (1798 - 1870) A GUIDE TO THE ETHAN ALLEN HITCHCOCK COLLECTION OF THE ST. LOUIS MERCANTILE LIBRARY ASSOCIATION A collective effort produced by the NEH Project Staff of the St. Louis Mercantile Library Copyright (c) 1989 St. Louis Mercantile Library Association St. Louis, Missouri TABLE OF CONTENTS Project Staff................................ i Foreword and Acknowledgments................. 1 A Guide to the Ethan Allen Hitchcock Collection. .. 6 Aoppendix. 109 NEH PROJECT STAFF Project Director: John Neal Hoover* Archivist: Ann Morris, 1987-1989 Archivist: Betsy B. Stoll, 1989 Consultant: Louisa Bowen Typist: ' Betsy B. Stoll This project was made possible by a grant from the National Endowment for the Humanities * Charles F. Bryan, Jr. Ph.D., Executive Director of the Mercantile Library 1986-1988; Jerrold L. Brooks, Ph.D. Executive Director of the Mercantile Library, 1989; John Neal Hoover, MA, MLS, Acting Librarian, 1988, 1989, during the period funded by NEH as Project Director -i- FOREWORD & ACKNOWLEDGEMENTS: For over one thousand years, the field of alchemy gathered to it strands of religion, the occult, chemistry, pure sciences, astrology and magic into a broad general philosophical world view which was, quite apart from the stereotypical view of the charlatan gold maker, concerned with the forming of a basis of knowledge on all aspects of life's mysteries. As late as the early nineteenth century, when many of the modern fields of the true sciences of mind and matter were young and undeveloped, alchemy was a beacon for many people looking for a philosophical basis to the better understanding of life--to the basic religious and philosophical truths. -
The Image and Identity of the Alchemist in Seventeenth-Century
THE IMAGE AND IDENTITY OF THE ALCHEMIST IN SEVENTEENTH-CENTURY NETHERLANDISH ART Dana Kelly-Ann Rehn Dissertation submitted in partial fulfillment of the coursework requirements for the degree of Master of Arts (Studies in Art History) School of History and Politics University of Adelaide July 2011 TABLE OF CONTENTS TITLE PAGE i TABLE OF CONTENTS ii LIST OF ILLUSTRATIONS iii DECLARATION v ABSTRACT vi ACKNOWLEDGEMENTS vii 1 INTRODUCTION 1 2 ALCHEMY: A CONTROVERSIAL PROFESSION, PAST AND PRESENT 7 3 FOOLS AND CHARLATANS 36 4 THE SCHOLAR 68 5 CONCLUSION 95 BIBLIOGRAPHY 103 CATALOGUE 115 ii LIST OF ILLUSTRATIONS FIGURE 1 Philip Galle (After Pieter Bruegel the Elder), The Alchemist, c.1558 118 FIGURE 2 Adriaen van de Venne, Rijcke-armoede („Rich poverty‟), 1636 119 FIGURE 3 Adriaen van Ostade, Alchemist, 1661 120 FIGURE 4 Cornelis Bega, The Alchemist, 1663 121 FIGURE 5 David Teniers the Younger, The Alchemist, 1649 122 FIGURE 6 David Teniers the Younger, Tavern Scene, 1658 123 FIGURE 7 David Teniers the Younger, Tavern Scene, Detail, 1658 124 FIGURE 8 Jan Steen, The Alchemist, c.1668 125 FIGURE 9 Jan Steen, Title Unknown, 1668 126 FIGURE 10 Hendrik Heerschop, The Alchemist, 1671 128 FIGURE 11 Hendrik Heerschop, The Alchemist's Experiment Takes Fire, 1687 129 FIGURE 12 Frans van Mieris the Elder, An Alchemist and His Assistant in a Workshop, c.1655 130 FIGURE 13 Thomas Wijck, The Alchemist, c.1650 131 FIGURE 14 Pierre François Basan, 1800s, after David Teniers the Younger, Le Plaisir des Fous („The Pleasure of Fools‟), 1610-1690 132 FIGURE 15 -
Pdf Apologética De La Alquimia En La Corte De Felipe II. Richard
“Apologética de la… Juan Pablo Bubello APOLOGÉTICA DE LA ALQUIMIA EN LA CORTE DE FELIPE II. RICHARD STANIHURST Y SU“EL TOQUE DE ALQUIMIA” (1593) Entre diversas opiniones de diversos autores, hallo ser mas verosímil que esta palabra griega, chimia, se deribe del berbo griego cheo, q significa fundir, por quanto los chimistas son forçados muchas vezes trabajar en fundir los metales y minerales, para su mejor preparación. Y de aquí paresçe que esta arte chimica tomo el nome, a la qual palabra los arabes añadieron su articulo al, y asi, de chimia hizieron alchimia, significando ambas palabras una misma cosa. (Stanihurst, El toque de alquimia…, 1593)1 Uno de los miembros del círculo filipino, Juan de Herrera (1539-1597), poseía en su biblioteca personal al De vita coelitus comparanda de Ficino; el Heptaplus de Pico della Mirándola; Polygraphia de Tritemius; De vita longa de Paracelso; Magia naturalis de Giambattista della Porta; De umbris idearum de Giordano Bruno y Monas Hieroglyphica de John Dee.2 Y si Felipe II falleció en 1598, en un registro de los libros que el sevillano Luis de Padilla enviaba desde España a las Indias apenas un lustro después (1603), leemos: “154r: tratado de yerbas y piedra Teofrasto…, Porta, fisionomia y de yerbas, Firmicua de astrologia. … 156v: Teofrasto de plantas… 158v: lemnio de astrologia, lulio de cabalistica,... 159r: los secretos de Leonardo Fierabante. en ytaliano… 8 rs., marsilio ficino de triplici vita,… 163r: agricola de re metalica 12 rs, la practica medicinal de paracelso en latin, plantas de fusiio, 164r: poligrafia de juan tritemio 5r, lulio de alquimia en 3 reales… 165v: Theofastri Paraselsi Medicini compendium, Reymundo Lullio de secretis naturae, latin, Juanes Piçi cabalistarum dosmata, Reymundi Luli testamentum, latine en 2 r”3 1 STANIHURST, R., El toque de alquimia, en el qual se declaran los verdaderos y falsos efectos del arte, y como se conosceran las falsas practicas de los engañadores y haraneros vagamundos (1593). -
Ulrich Seelbach Ludus Lectoris
Ulrich Seelbach Ludus Lectoris Studien zum idealen Leser Johann Fischarts Inhalt Vorwort ..............................................VII Literaturverzeichnis ...................................... IX 1. Volksnaher Autor, gelehrter Leser? Einleitung .................. 1 2. Texte als Subjekte. Das Konzept der Intertextualität ............ 15 3. Die Mitarbeit des idealen Lesers. Begriffsklärungen ............. 41 3.1. Annäherungen an den Leser. Modelle .................. 41 3.2. Die Notwendigkeit alter Begriffe. Zitat und Anspielung .............................. 51 3.3. Wissen ohne Werke. Historisches Exempel, Parabel, Mythos, Fabel ................................... 76 3.4. Kanon und Katalog. Begründung einer Auswahl ........... 83 4. Fingierte Traditionalität. Die Vorreden zum Eulenspiegel reimenweis ................................ 89 Exkurs: Fremde Texte im Tylo Saxo des Johannes Nemius ....... 119 5. Das Imperium des Erzählers, die Republik des Lesers. Die Geschichtklitterung ................................... 127 5.1. Berufungen, Zitate, Anspielungen ..................... 129 5.2. Mythologische und historische Exempel, Fabeln und Parabeln .................................. 184 5.3. Die Autoren-, Titel- und Exempel-Listen ............... 203 6. Titel ohne Texte. Der Catalogus catalogorum ................ 231 7. Die Wissensbereiche der idealen Leser Fischarts .............. 267 Katalog der Berufungen, Zitate und Anspielungen in der Geschichtklitterung .............................. 289 I. Die griechischen und römischen Klassiker -
The Anatomy of Anatomia: Dissection and the Organization of Knowledge in British Literature, 1500-1800
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 The na atomy of anatomia: dissection and the organization of knowledge in british literature, 1500-1800 Matthew cottS Landers Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Landers, Matthew Scott, "The na atomy of anatomia: dissection and the organization of knowledge in british literature, 1500-1800" (2009). LSU Doctoral Dissertations. 1390. https://digitalcommons.lsu.edu/gradschool_dissertations/1390 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE ANATOMY OF ANATOMIA: DISSECTION AND THE ORGANIZATION OF KNOWLEDGE IN BRITISH LITERATURE, 1500-1800 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fi lfi llment of the requirements for the degree of Doctor of Philosophy in The Department of English by Matthew Scott Landers B.A., University of Dallas, 2002 May 2009 ACKNOWLEDGEMENTS Because of the sheer scale of my project, it would have been impossible to fi nish this dissertation without the opportunity to do research at libraries with special collections in the history of science. I am extremely greatful, as a result, to the Andrew W. Mellon Foundation at the University of Oklahoma for awarding me a fellowship to the History of Science Collections at Bizzell Library; and to Marilyn Ogilvie and Kerry Magruder for their kind assistance while there. -
Acta Comeniana 24
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Queensland eSpace Acta Comeniana 24 Archiv pro bádání o životě a díle Jana Amose Komenského XLVIII Founded 1910 by Ján Kvačala International Review of Comenius Studies and Early Modern Intellectual History Internationale Revue für Studien über J. A. Comenius und Ideengeschichte der Frühen Neuzeit FILOSOFIA– PRAHA 2010 3 ACTA COMENIANA 24 (2010) Leigh T.I. Penman (Oxford) Prophecy, Alchemy and Strategies of Dissident Communication: A 1630 Letter from the Bohemian Chiliast Paul Felgenhauer (1593–c. 1677) to the Leipzig Physician Arnold Kerner Introduction Preserved in a slim folio-sized volume in the library of the University of Leipzig is a collection of forty-six letters, written by various persons between 1618 and 1630, all addressed to the Leipzig physician Arnold Kerner (fl . 1608–c. 1631).1 This fragment of Kerner’s correspondence is an invaluable source for the study of dissident thought in the Holy Roman Empire in the early seventeenth century. The volume contains letters to Kerner from the likes of the Torgau astrologer and prophet Paul Nagel (c. 1580–1624), the Langensalza antinomian Esajas Stiefel (1566–1627), his nephew Ezechiel Meth, the Bohemian chiliast Paul Felgenhauer, and several others. These letters touch on a variety of topics, including the printing and distribution of heterodox literature, the structure and nature of inchoate networks of heterodox personalities – particularly the group sur- rounding Jakob Böhme (1575–1624) – as well as communicating important biographi- cal and autobiographical information of individual dissidents and their supporters. -
Representations of Gender in Seventeenth-Century Netherlandish Alchemical Genre Painting
REPRESENTATIONS OF GENDER IN SEVENTEENTH-CENTURY NETHERLANDISH ALCHEMICAL GENRE PAINTING ELIZABETH OWAHONEY TWO VOLUMES VOLUMEI PH.D. THE UNIVERSITY OF YORK HISTORY OF ART DECEMBER 2005 ABSTRACT This thesis exploresthe depiction of genderin seventeenth-centuryNetherlandish genre paintings of the alchemist's or, more properly, the chymist's workshop. Derived primarily from the holdings of the Chemical Heritage Foundation,Philadelphia and the Wellcome Library, London, the paintings examinedby this project representa significant componentof Netherlandishgenre art, neglectedalmost entirely by critics. Of profound significanceto alchemicalphilosophy and emblematicart, genderalso plays a pivotal role in seventeenth-centurygenre paintings of the chymist's workshop. Expounding the nuancesof complex alchemicaldiscourse, this thesis exploresthe dynamic and often binaristic relationshipsbetween the 'male' and 'female' in thesescenes. Structured around the basic contentionthat all representationsof focal femalesin such paintings can be placed into one of four categories- Domestic Disquiet, Domestic Quiet, Patient and Chyrnical Worker - this thesisconsists of four chapters. Investigatingthe four categorizations,these chapters explore the extent and significance of genderedemblematicism in relation to traditional alchemicalsymbolism and Dutch Emblemata. The first chapter examinesfemale disquiet in pictures of the chrysopoeianworkshop and traces emblematic femalesin early modem emblembooks and genreprints. Focusing on depictionsof the feminine ideal -
Hidden Symbolism of Alchemy and the Occult Arts by Herbert Silberer
The Project Gutenberg EBook of Hidden Symbolism of Alchemy and the Occult Arts by Herbert Silberer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Hidden Symbolism of Alchemy and the Occult Arts Author: Herbert Silberer Release Date: January 9, 2009 [Ebook 27755] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HIDDEN SYMBOLISM OF ALCHEMY AND THE OCCULT ARTS*** Hidden Symbolism of ALCHEMY and the OCCULT ARTS (Formerly titled: Problems of Mysticism and Its Symbolism) by Dr. Herbert Silberer Translated by Smith Ely Jelliffe, M.D., Ph.D. Dover Publications, Inc. New York 1971 Contents Translator's Preface . 3 Part I. The Parable. 5 Section I. The Parable. 5 Section II. Dream And Myth Interpretation. 21 Part II. Analytic Part. 37 Section I. Psychoanalytic Interpretation Of The Parable. 37 Section II. Alchemy. 88 Section III. The Hermetic Art. 113 Section IV. Rosicrucianism And Freemasonry. 133 Section V. The Problem Of Multiple Interpretation. 163 Part III. Synthetic Part. 179 Section I. Introversion And Regeneration. 179 A. Introversion And Intro-Determination. 179 B. Effects Of Introversion. 207 C. Regeneration. 235 Section II. The Goal Of The Work. 256 Section III. The Royal Art. 284 Notes. 317 Bibliography. 326 Index. 344 Footnotes . 371 [ii] This Dover edition, first published in 1971, is an unabridged and unaltered republication of the work originally published by Moffat, Yard and Company, New York, in 1917 under the title Problems of Mysticism and its Symbolism.