DOCSLIB.ORG

Lazarus Requiem

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

LAZARUS REQUIEM Lazarus Requiem by Fauré very closely – except at the very end Music by Patrick Hawes where the traditional reference to Dives and Original words and Gospel adaptation by Andrew Hawes For centuries, the requiem mass has been the Lazarus has been omitted (as this refers to a most eloquent and intense means of prayer for different Lazarus.) Fauré’s Requiem selects all 1 Elegy for Lazarus [5.47] the departed. The offering of the sacrifice of the the texts that point to heaven and the hope of Eucharist as a means of intercession has been the resurrection. In the same way, the Lazarus 2 Tableau 1 [3.02] the inspiration for the most sublime music. In Requiem emphasises the victory of Christ over 3 Requiem Aeternam [4.45] the mass, earthly grief is assumed in the worship death, but does not evade the pain and confusion 4 Tableau 2 [3.07] of heaven. In the sign of the raising of Lazarus that death leaves in its wake. The eleventh 5 Kyrie [2.46] in the eleventh chapter of St. John’s Gospel, Jesus chapter of St. John’s Gospel figures heavily in 6 Tableau 3 [4.28] is seen encountering the raw and angry grief the funeral rites of the reformed tradition, of Martha and Mary, and is moved to tears at stressing the need for the personal recognition 7 O Domine Jesu Christe [5.14] Lazarus’s grave. Jesus, who declares himself of Jesus as ‘the resurrection and the life’. In this 8 Tableau 4 [7.42] ‘The Resurrection and the Life’, is both the way, the Lazarus Requiem opens up a truly catholic 9 Sanctus [2.41] victim of death’s pain and a victor over its perspective on the Christian experience of death 0 Benedictus [4.11] power to separate and diminish humanity. In and dying. q Tableau 5 [2.40] all this, he prefigures the events of Easter. In the Lazarus Requiem, the mystery of life and There are various examples of the liturgical w Agnus Dei [3.44] death, the pain of grief and the hope of a risen life sequence of the requiem being used as a e Tableau 6 [4.34] are held in taut symmetry. The experience of framework to carry other texts: Britten’s War r Lux Aeterna [5.02] death and dying, the challenge of faith and Requiem is one English example. In the Lazarus the promise of hope are all present. These are Requiem the text, with the exception of one Total timings: [59.46] words and music for any person who has wondered original poem, is from the New Testament. In in the face of death. this way, the liturgical text and the scripture THOMAS WALKER TENOR (CHRIST) throw light upon one another and so illuminate ELIN MANAHAN THOMAS SOPRANO (MARY) RACHAEL LLOYD MEZZO-SOPRANO (MARTHA) There are many variations of the Propers for the hearts and minds of all those who perform a requiem, and composers have used various and listen in a ‘double light’. It is possible ROYAL SCOTTISH NATIONAL ORCHESTRA EXETER PHILHARMONIC & CATHEDRAL CHOIRS configurations to serve their own creative ends. both to extract the Latin texts and use them as PATRICK HAWES CONDUCTOR The text of the Lazarus Requiem follows that used a liturgical setting, or to extract the narrative of www.signumrecords.com - 3 - the Gospel and perform a dramatic cantata. TEXTS 4 TABLEAU TWO 5 KYRIE Many of the ‘movements’ also stand alone for concert or liturgical performance. 2 TABLEAU ONE Semi-Chorus Chorus Jesus said, Kyrie eleison, The work begins with an orchestral Elegy for Semi-Chorus Christe eleison, Lazarus which depicts the dying man and sets A certain man was ill - Lazarus of Bethany, Christ Kyrie eleison. the scene for the first tableau. The sound worlds the brother of Martha and Mary. Our friend Lazarus has fallen asleep, of the tableaux and the Latin movements are They sent for Jesus saying, but I go to wake him.’ Lord, have mercy; quite different. The Requiem Aeternam, Kyrie, Christ, have mercy; Sanctus etc. use the full resources of both choir Mary and Martha Disciples Lord, have mercy. and orchestra whereas the tableaux, as well as ‘Lord, he whom ye love is ill.’ ‘If he is asleep, he will recover.’ using semi-chorus, are characterised by muted 6 TABLEAU THREE strings, harp and baritone saxophone. Christ’s Christ Christ solos see the addition of the four horns. There ‘This illness is not unto death: it is for the glory ‘Lazarus is dead! I am glad that I was not there Semi-Chorus are moments when the two sound worlds become of God.’ so that you may believe.’ Now, when Jesus came, He found that Lazarus had superimposed. Most notably, the Benedictus already been four days in the tomb. Martha said, takes the form of a soprano solo sung by Mary 3 REQUIEM AETERNAM Semi-Chorus and, at the climax of the miracle when Christ Thomas said, Martha exclaims, “Unbind him! Loose him! Let him go!” Chorus ‘Lord, if you had been here, the mutes are removed from the strings, and Requiem aeternam dona eis Domine: Thomas, Disciples my brother would not have died.’ the full orchestra interject with the concluding et lux perpetua luceat eis. ‘Let us go with Him that we may die with him.’ section of this tableau. The final movement of Te decet hymnus Deus in Sion: Semi-Chorus the work is the Lux Aeterna, for choir and et tibi reddetur votum in Jerusalem. Jesus said, orchestra, together with the two female soloists. Andrew & Patrick Hawes Rest eternal grant unto them O Lord; Christ and let light perpetual shine upon them. ‘I am the resurrection and the life: he who believes We offer thee hymns, O God in Zion; in me, though he die, yet shall he live, and unto thee shall a vow be given in Jerusalem. and whosoever lives and believeth in me shall never die. Do you believe this?’ - 4 - - 5 - Martha free the souls of the faithful departed Christ 9 SANCTUS ‘Yes Lord: I believe that you are the Christ, from the mouth of the lion ‘Where have you laid him?’ the Son of God.’ nor let Tartarus swallow them; Chorus O Lord Jesus Christ, King of Glory, Semi-Chorus Sanctus, Sanctus, Sanctus, 7 O DOMINE JESU CHRISTE nor let them fall into darkness. Jesus wept. Dominus Deus Sabaoth. O Lord, we offer you sacrifices and prayers of Pleni sunt caeli et terra gloria tua. Chorus praise: accept them on behalf of those souls whom Christ Hosanna in excelsis. O Domine Jesu Christe, Rex gloriae, we remember today, Eyes, come and see the hard, cold stone of death. libera animas defunctorum de poenis inferni, As once you promised to Abraham and his seed. See, and then know the loss and fear in grief. Holy, holy, holy, et de profundo lacu: O Lord Jesus Christ, King of Glory, Know, and then fear the pain within His will; Lord God of Sabaoth O Domine Jesu Christe, Rex gloriae, free the souls of all the faithful departed from And see prefigured there Golgotha’s hill. Heaven and earth are full of thy glory. libera animas defunctorum de ore leonis, infernal punishment and the deep pit; Eyes, run with tears that spring from pity’s care; Hosanna in the highest. ne absorbeat tartarus: nor let them fall into darkness. Pity that flows from Love’s desire to share. O Domine Jesu Christe, Rex gloriae, Amen. Love pity me who Death for love will bear. 0 BENEDICTUS ne cadant in obscurum. Weep and still weep: Hostias et preces tibi Domine laudis offerimus: 8 TABLEAU FOUR Death’s sure decay is near. Mary / Chorus tu suscipe pro animabus illis, I lift up my eyes and beyond sense and sound Benedictus qui venit in nomine Domini. quarum hodie memoriam facimus. Semi-Chorus I see the mystery of Glorious love unbound; Hosanna in excelsis. Fac eas, Domine, de morte transire ad vitam. Mary came to Jesus and fell at His feet saying, Love not bound by reason, time or death: Quam olim Abrahae promisisti et semini eius. The gift of hope; the warm touch of His breath. Blessed are they who come in the name of the Lord. O Domine Jesu Christe, Rex gloriae, Mary Hosanna in the highest. libera animas defunctorum de poenis inferni, ‘Lord, if you had been here my brother would not Mary, Martha, Thomas et de profundo lacu: ne cadant in obscurum. have died.’ ‘See how much He loved him.’ q TABLEAU FIVE Amen. Semi-Chorus Semi-Chorus O Lord Jesus Christ, King of Glory, When Jesus saw her weeping, He was deeply moved Jesus, deeply moved came to the tomb. It was a free the souls of the faithful departed in spirit and said, cave and a stone lay upon it. Jesus said, from infernal punishment and the deep pit; O Lord Jesus Christ, King of Glory, - 6 - - 7 - Christ e TABLEAU SIX © Andrew Mellor ‘Take away the stone.’ Semi-Chorus Martha Jesus lifted up his eyes and said, ‘Lord, there will be a stench. He has been dead four days.’ Christ ‘Father, I thank thee that thou hearest me. Lazarus Christ come out!’ ‘Did I not tell you to believe and you would see the glory of God?’ Semi-Chorus The dead man came out bound in grave clothes. w AGNUS DEI Christ Chorus ‘Unbind him! Loose him! Let him go!’ Agnus Dei, qui tollis peccata mundi, miserere nobis. r LUX AETERNA Agnus Dei, qui tollis peccata mundi, miserere nobis.
Recommended publications
  • Program Notes by Ed Wight ALLELUIA British and American Composer Tarik O’Regan Remains Active on Both Sides of the Atlantic

    Program Notes by Ed Wight ALLELUIA British and American Composer Tarik O’Regan Remains Active on Both Sides of the Atlantic

    Program Notes by Ed Wight ALLELUIA British and American composer Tarik O’Regan remains active on both sides of the Atlantic. Born in London in 1978, he attended Pembroke College, Oxford. O’Regan became composer-in-residence for Corpus Christi College, Oxford in 2000, which launched his professional career as a composer. He also served on the music faculty of Trinity College, Cambridge. Moving to the United States, O’Regan won a Fulbright Fellowship to Columbia University in 2004, another Fellowship at Harvard, and in 2010 was subseQuently appointed to the faculty of the Institute for Advanced Study at Princeton. His compositions won the British Composer Award in for vocal composition in 2005 and liturgical composition in 2007, and have been nominated for two Grammy Awards in the United States. While writing a handful of orchestral and chamber works, O’Regan is primarily a vocal composer - with several operas, cantatas, and over sixty works for choir. The Pro Musica Girl’s Chorus of Hungary commissioned this lively 2004 composition. After the brief introduction, the alto voices begin a light, jazz-like syncopated ostinato pattern which lasts throughout the piece. O’Regan soon casts a high-flying soprano melody over it. Listen as the ostinato expands from two to three voices, and the soprano line divides near the end for a wonderful five-voiced climax. PRAYER TO A GAURDIAN ANGEL Born in Lincolnshire in 1958, British composer Patrick Hawes taught at Pangbourne College and Charterhouse School until the age of 40, when he turned to composition full time. Acclaimed in both instrumental and vocal music, he currently lives near the Norfolk coast, and says he is inspired “by the beauty of nature, English literature, and his Christian faith.” His brother Andrew Hawes, an Anglican priest, wrote the lyrics for Prayer to a Guardian Angel.
  • The Three Towers December 2018 & January 2019

    The Three Towers December 2018 & January 2019

    The Three Towers December 2018 & January 2019 Serving the communities in and around Edenham, Swinstead, Witham on the Hill, Toft, Lound and Manthorpe Advertising manager: [email protected] Editor: [email protected] Incumbent in the United Benefice of Edenham with Witham on the Hill and Swinstead, Warden of Edenham Regional House and Ministry Experience Scheme Leader The Bishop of Lincoln is pleased to announce the appointment of the Reverend Edward Martin as Incumbent in the United Benefice of Edenham with Witham on the Hill and Swinstead, as Warden of Edenham Regional House and Ministry Experience Scheme Leader. Father Edward has most recently been working as Priest in Charge of Grimsby Saint Augustine and Great Grimsby Saint Andrew and Saint Luke. The licensing service will take place on Thursday 14 February 2019, 7pm at St Andrew’s, Witham on the Hill, with the Bishop of Grantham, the Bishop of Richborough and the Archdeacon of Boston officiating. 24th October 2018 The Old Palace, Lincoln. LN2 1PU 01522-504050 [email protected] Website edition: http://parishes.lincolnshire.gov.uk/ToftcumLoundandManthorpe/ Father Edward Martin Fr Edward Martin (Ed) was born in Nottinghamshire and grew up in a small village near Newark. After attending school in Tuxford where he met his wife Lesley, Ed studied for a BA in Politics at Hull University before working for several years at the Benefits office in Lincoln. Ed and his family made the move to Mirfield in 2000 where he studied for the priesthood at the College of the Resurrection. Ordained in 2003, Ed served his curacy in Carrington on the outskirts of Nottingham before being appointed as Priest in Charge of Chapel St Leonards and Hogsthorpe.
  • The GIA Historical Music Series

    The GIA Historical Music Series

    GIA Publications, Inc. 2018 2018 Music Education Catalog At GIA, we aspire to create innovative resources that communicate the joys of music making and music learning—that delve deeper into what it means to be musical. By working with leading authors who represent the very best the profession has to offer for all levels from preschool through college and beyond, GIA seeks to help music teachers communicate the joy, art, skill, complexity, and knowledge of musicianship. This year we again offer a wide range of new resources for early childhood through college. Scott Edgar explores Music Education and Social Emotional Learning (page 7); the legendary Teaching Music through Performance in Band series moves to Volume 11 (page 8); Scott Rush publishes Habits of a Significant Band Director (page 9) and together with Christopher Selby releases Habits of a Successful Middle Level Musician (pages 10-11). And there’s finally a Habits book for choir directors (page 12). James Jordan gives us four substantial new publications (pages 13-16). There’s also an Ultimate Guide to Creating a Quality Music Assessment Program (page 19). For general music teachers, there is a beautiful collection of folk songs from Bali (page 21), a best- selling book on combining John Feierabend’s First Steps in Music methodology with Orff Schulwerk (page 23), plus the new folk song picture book, Kitty Alone (page 24), just to start. All told, this catalog has 400 pages of resources to explore and enjoy! We’re happy to send single copies of the resources in this catalog on an “on approval” basis with full return privileges for 30 days.
  • Download PDF Program

    Download PDF Program

    QCFF 2016 4:00PM-6:00PM The Queen City Film Festival (QCFF), Western Appalachian Block 1 Maryland's premiere film festival, is held each “Rapidan: A Journey Down A Virginia River” year in early Fall in Cumberland, Maryland. (4:00pm), Phil Audibert, USA, 3 minutes - A Founded in 2012, and currently in our fifth short video set to music showing a pristine year, QCFF 2016 offers a four-day program of river in Virginia from its source to its screenings and educational panels, and confluence with the Rappahannock River. welcomes filmmakers from around the world. Located in Allegany County, Cumberland “State Inspection” (4:06pm), David Smith, USA, offers a delightful blend of hospitality and 8 minutes - An anxious young man tries to history; mingled with charming shops, talk to a girl he meets while waiting for his car delicious dining, arts and entertainment and at an auto repair shop. lots of events and activities. We are also Bounty Momma "Shakespeare in the Trailer pleased to introduce visiting filmmakers to Park" (4:15pm), Wendy Keeling, USA, 11 local media. minutes - The bounty hunting world will never be the same under the watch of hot tempered redneck momma Twyla Sue Dollarhide and Thursday, October 6 her dim witted family. Twyla Sue Dollarhide, 12:00PM-2:00PM aka “Bounty Momma”, is a no-nonsense southern firecracker with a reality show who, Filmmaker/Media Reception despite the incompetence of her gun toting These informal, unstructured "meet & greet" lamebrain family and film crew, proudly sessions allow networking time for boasts that she “always gets her man”! This filmmakers, staff, and media.
  • Jackson Hole Cowboys

    Jackson Hole Cowboys

    Jan. 29, 2006--- JACKSON HOLE, Wyo. -- I hear cowboys are the next big thing. As Oscar season approaches, cowboys are getting notice for walking the line or crossing it. Johnny Cash seemed to be on to this in 1991 when he released the album "The Mystery of Life." Well, partner, there's no mystery about the best place to be a real cowboy: The Million Dollar Cowboy Bar in Jackson Hole (pop. 8,700). The bar dates back to 1937, and cowpokes like Waylon Jennings, Willie Nelson and Hank Williams Jr. have played the room. Original owner Ben Goe had the first liquor license in the state of Wyoming since the repeal of Prohibition, and the bar is included on the Jackson Hole Historical Society's downtown walking tour. The bar walls are lined with knobbled pine imported from forests in western Wyoming, and the bar top is inlaid with 624 silver dollars. Guests sit at the 75-foot- long bar atop any one of 38 big-butt saddles, with stirrups that were installed in the mid-1980s. Some people sit sidesaddle, others get on and can't get off -- and that's before they've had a couple of cold Teton beers. The dance floor can hold up to 50 swinging couples, and the downtown roadhouse has four very active pool tables. I visited the cowboy bar a year ago after getting a custom cowboy hat made down the street at the Jackson Hole Hat Co. The hats are built one at a time in the back of the store.
  • December 2004 Troubadour

    December 2004 Troubadour

    FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news January 2005 www.sandiegotroubadour.com Vol. 4, No. 4 what’s Nickel Creek: inside Living the Dream Welcome Mat ………3 Mission Statement Contributors Tales from the Trails Full Circle.. …………4 Eugene Vacher Recordially, Lou Curtiss Front Porch …………6 KKSM’s Joan Rubin Tom Boyer Parlor Showcase... …8 Nickel Creek Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze The Highway’s Song... 12 Al Kooper Of Note. ……………13 Griffin House The Taylor Harvey Band Itai ickles the horse chews February 1981, also a home grown Sean and Sara when the surf is good, Rookie Card contentedly in the prodigy raised in the Idylwild moun - and one can feel the excitement in Tom McRae small backyard pasture tains a couple of hours from Vista, it the house as they prepare for one of ‘Round About ....... …14 as the three young - is the mandolin. The three friends are their regular surf safaris to Carlsbad. January Music Calendar sters on the back already creating quite a stir at blue - Mom Karen happily shows the latest porch play their instru - grass festivals and contests. photos of the body board exploits, The Local Seen ……15 ments. It’s peaceful and Life is good in those early days. and Sean and Sara both expound on Photo Page Pbucolic in rural Vista during the mid School at home, church and church the great rides, and “getting pound - 1980s for these three home- activities, surfing, skiing, camping with ed” on the bigger days.
  • NOTE to NORFOLK CHOIRS 27 March 2014 PATRICK

    NOTE to NORFOLK CHOIRS 27 March 2014 PATRICK

    Chairman: Bob Cumber 16 St Nicholas Place Sheringham Norfolk NR26 8LF Tel: 01263 822331 Email: [email protected] www.sheringhamandcromerchoral.co.uk Registered Charity 281467 NOTE TO NORFOLK CHOIRS 27 March 2014 PATRICK HAWES WORKSHOP SATURDAY 17 MAY 2014 AUDEN THEATRE HOLT Thanks to generous funding from Arts Council England and North Norfolk District Council Big Society Fund, Sheringham and Cromer Choral Society are able to offer a unique Choral Workshop which will be led by the internationally acclaimed COMPOSER Patrick Hawes at the Auden Theatre Gresham’s School Holt on Saturday 17 May 2014. Patrick Hawes, who lives in north Norfolk, is a former composer-in-residence at Classic FM probably best known for The Highgrove Suite commissioned by Prince Charles. His latest album Angel is currently riding high in the classical music charts. He has been commissioned by the choral society to write Eventide (In Memoriam Edith Cavell) to commemorate the outbreak of the First World War. The work celebrates the life, faith and courage of Norfolk’s very own WW1 heroine, nurse Edith Cavell, executed in 1915 for her part in helping hundreds of allied troops escape occupied Europe. The work which has been written for adult voices, a semi chorus of unbroken children’s voices, soprano soloist, chamber orchestra, harp and organ will be premiered in Norwich Cathedral on Saturday 12 July with the English Chamber Orchestra and Elin Manahan Thomas. As will be seen from the following Workshop timetable Mr Hawes will talk about what it is like to be a composer in the early 21st century with particular reference to Eventide prior to its first performance.
  • Rock & Roll's War Against

    Rock & Roll's War Against

    Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429
  • Mama Bears V3 No3.Pdf

    Mama Bears V3 No3.Pdf

    2 Mama Bears Newt & Notes/June-July n.i.U.U.jJ.!-...-...... ----------------------------------------------------------------------- W o m e n ' s W o r k , were proud to do it so you don't nave to NOTES & NEWS a conplste’ leaning se'vice ^ssiosntial/csmr-.sncal/vacareies Mama Bears will close down to Alice's mild horror. (Not dig­ you want to support this cause, for O N E DAY in June, to remove nified during business hours, you and have goods and services to 'si's^snce? the chimney in the coffee house know). So, all these art-worked adcfto the raffle, contact us. For area. The exact date is not known squares, ranging from the.simple example, suave, debonair Mar- lanisu; lioochar 4 2 U - B 7 5 7 as we go to press, but it will be name to increasingly elaborate guereife Kotwitz, of Amazon d u rin g th e last half o f Ju n e . multi-color fantasies, are gather­ Earthworks, is donating some of We'll post the date on our ing a life of their own, as each her lovely earthware. (And a date, event board when we know. Re­ artistic flair inspires others. too, Marguerite? Did we hear moving the chimney itself isn't a T W e will photograph the floor in that right?) big deal, as the mortar between^ sections and piece them together. The raffle wifi be in Septem­ the bricks is so old it's re ad ^Ia -N to provide an accessible picture ber, so you have plenty of tirm^to crumble.
  • Life's Mystery Life's Hope

    Life's Mystery Life's Hope

    Life’s Mystery Life’s Hope Poetry by Arthur Freeman, Bethlehem, PA Content: Introduction ............................................................................................................................................................2 Life’s Welcome........................................................................................................................................................5 Come Now Life................................................................................................................................................................ 5 Life Is............................................................................................................................................................................... 5 There Are Moments ......................................................................................................................................................... 6 Come to the Edge............................................................................................................................................................. 7 Death, I See Your Smile .................................................................................................................................................. 7 Where Life Goes .............................................................................................................................................................. 7 Laughter ..........................................................................................................................................................................
  • 2004 Cotter High School Dedicat- Grandparents Join Them in This Event

    2004 Cotter High School Dedicat- Grandparents Join Them in This Event

    Cotter High School Ramblin’s Cotter Mission Statement Cotter is a Catholic school community promoting excellence through prayer, learning and service. Office of the President Preparing for the future of Cotter There have been numerous articles published recently in various newspapers, from the Wall Street Journal to the Winona Daily News regarding the decline in secondary students’ math and science scores in the United States. Many of these articles have outlined the challenges needed to meet the demand for educated workers. Cotter High School has been striving to translate these challenges into opportunities. Across the nation, states are analyzing projections of high school graduates, which sug- gest that in the near future Minnesota will not be producing enough college graduates to meet the total workforce demands of replacing retirees and filling new positions. President of Cotter Schools According to a report by the Federal Reserve Bank of Minneapolis, between 2008 and Dr. Craig W. Junker 2030, "Roughly 76 million baby boomers will leave the workforce, some of them retir- ing well before they reach 65. But only 48 million workers in Generation X will be available to replace them." Although there is a growing demand for highly-educated workers in order to sustain and grow the economy, Minnesota will face the prospect of growing education gaps, workforce deficits, and the loss of jobs to other states and nations. Research cited by the Minnesota Private College Council point out that the number of jobs in Minnesota, requiring some college education, will grow by 21 percent from 2002-2012. Jobs in engineering and science related areas are increasing three times faster than other professions, yet a declining number of high school students are prepared for–or encouraged to pursue–related college degrees.
  • San Diego Public Library New Additions November 2011

    San Diego Public Library New Additions November 2011

    San Diego Public Library New Additions November 2011 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes MP3 Audiobooks Audiovisual Materials Music Scores Biographies Newspaper Room Fiction Call # Author Title [MYST] FIC/BENISON Benison, C. C. Twelve drummers drumming : a mystery [MYST] FIC/BRADLEY Bradley, C. Alan I am half‐sick of shadows [MYST] FIC/CAMILLERI Camilleri, Andrea. The potter's field [MYST] FIC/CAMILLERI Camilleri, Andrea. The shape of water [MYST] FIC/CLARK Clark, Carol Higgins. Mobbed [MYST] FIC/CLEVERLY Cleverly, Barbara. Strange images of death : a Joe Sandilands murder mystery [MYST] FIC/CONNOLLY Connolly, John The burning soul : a thriller [MYST] FIC/CORBY Corby, Gary. The Ionia sanction [MYST] FIC/DOHERTY Doherty, P. C. The Templar magician [MYST] FIC/DOSS Doss, James D. Coffin man [MYST] FIC/DUNCAN Duncan, Elizabeth J. A killer's Christmas in Wales [MYST] FIC/EDWARDS Edwards, Yvvette. A cupboard full of coats [MYST] FIC/FIELDS Fields, Tricia. The territory [MYST] FIC/FINCH Finch, Charles (Charles B.) A burial at sea [MYST] FIC/GAVIN Gavin, Rick. Ranchero [MYST] FIC/GORMAN Gorman, Edward. Bad moon rising [MYST] FIC/GRABIEN Grabien, Deborah. Graceland [MYST] FIC/GRABIEN Grabien, Deborah. London calling [MYST] FIC/GRAFTON Grafton, Sue. V is for vengeance [MYST] FIC/HALL Hall, Patricia Dead beat [MYST] FIC/HEALD Heald, Tim. Death in the opening chapter [MYST] FIC/HECHTMAN Hechtman, Betty Behind the seams [MYST] FIC/HILLERMAN Hillerman, Tony.