DOCSLIB.ORG

Festival Overview

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Festival Overview Festival Overview Festival History & Future Inspired by Mayor Henry Maier’s vision of a festival for all, Summerfest continues to bring people from around the community, and around the world, together for 11 days of music, food and fun. Over 50 years since its inception, the festival has grown immensely to become the World’s Largest Music Festival. Throughout the longstanding tradition of Summerfest, the festival has seen music’s hottest acts alongside the industry’s biggest icons. Similarly, the American Family Amphitheater has captivated fans since 1987 featuring superstars and historic acts with artists such as: The Rolling Stones, Paul McCartney, The Beach Boys, Prince, Bruno Mars, Lady Gaga, Whitney Houston, Tom Petty, Metallica, Pearl Jam and The Eagles. Summerfest truly has something for everyone throughout the 75-acre grounds. From music spanning nearly every genre to wide ranging unique culinary options, shows for the whole family to a plethora of eclectic shopping experiences, Summerfest is sure to have something for every fan. In 2018, food vendors will offer over 70 new menu items. From bacon cannolis to pulled pork poppers, Wisco burgers to fish n chips cones, the grounds are loaded with remarkable new food and beverage options. The historic nature of the festival is coupled with Summerfest’s constant drive to improve Henry Maier Festival Park. 2018 will see a completely reimagined north end of the grounds with a brand new North Gate plaza, a new U.S. Cellular® Connection Stage and a new Klement’s Sausage and Beer Garden. The renovations to the North Gate and community plaza were made possible through a partnership with American Family Insurance and will connect Henry Maier Festival Park to the new Lakefront Gateway Project and downtown Milwaukee, as well as providing a new entrance for festival-goers. In the same vicinity, the entirely rebuilt U.S. Cellular® Connection Stage will include an increased capacity with a scenic backdrop of the stunning Milwaukee lakefront, a larger performance area with enhanced production capabilities, a 25-foot LED video screen for enhanced views of performances and mobile device charging amenities around the stage area. Lastly, thanks to a new partnership with Klement’s Sausage Company, the Klement's Sausage and Beer Garden will feature acoustic music from 2:00-8:00 pm daily, spotlighting local artists. Modelled as a “backyard” picnic-style area, there will be a seated lounge area, picnic tables, and barbeque grills, as well as locations to purchase Klement’s products. Summerfest can look forward to more updates in the near future. The existing Uline Warehouse will be renovated following Summerfest 2018. The new stage will include increased capacity and improved access for attendees, while featuring a backdrop of the Milwaukee skyline and the lakefront. In addition, the American Family Insurance Amphitheater will be rebuilt. Construction of the new 23,000-seat amphitheater will feature enhanced production space, additional restaurant options, new restroom facilities and new hospitality areas. Now, over five decades after its inaugural festival in 1968, Summerfest holds true to Mayor Henry Maier’s initial vision of a festival for all. Offering daily free or discounted admission promotions Summerfest is one of the most accessible and affordable festivals in the world for fans in the community and beyond. Similarly, Summerfest offers an exceptionally diverse entertainment line-up, welcoming music fans of all genres. Summerfest’s roots grow deep in the city and the festival is proud of its heritage as Milwaukee’s signature celebration of summer. 2018 American Family Insurance Amphitheater Headliners: • (6/27) Imagine Dragons with special guest Grace VanderWaal • (6/28) James Taylor & His All-Star Band with special guest Bonnie Raitt & Her Band • (6/29) Halsey & Logic with special guest NF • (6/30) Florida Georgia Line with special guest Bebe Rexha • (7/1) Dave Matthews Band • (7/3) J. Cole with special guest TBA • (7/4) Journey & Def Leppard • (7/5) Shawn Mendes with special guest Charli XCX • (7/6) Blake Shelton with special guest Luke Combs • (7/7) The Weeknd with special guest Big Boi • (7/8) Arcade Fire with special guest Manchester Orchestra Times and Dates • June 27 – July 1 / July 3 – 8, 2017 • Festival Hours: noon – midnight (daily) Summerfest Tickets • Adults and Children over 10: o Weekday Admission Ticket (valid Tuesday – Friday prior to 4:00 pm): $14 o General Admission Ticket (valid any day, any time): $21 • Seniors (60 and over): $9 • Children (10 and under): $9 • Infants (2 and under): FREE • U.S. Cellular® 3-Day Pass: $51 o Saves $12! Passes are valid for one admission per day on any 3 days of Summerfest and are non-transferable. SECURITY POLICIES Please keep the following security policies in mind as you plan your visit to Summerfest: • All visitors and employees should be prepared to comply with metal detection and other security screening requirements before entering the Summerfest grounds. • No bags larger than 9”x10”x12” or backpacks of ANY size, will be permitted on the grounds and they, along with any other prohibited items, will not be checked at guest services. All bags that adhere to the bag policy will be searched upon entering. • There will be designated screening lanes at each gate for patrons who do not have a bag. • A patron may not enter or remain on the grounds while concealing or openly carrying any knife or firearm. Failure to comply with this notice will result in immediate ejection from the festival. Visit Summerfest.com for a complete list of prohibited items and admission information. Fest Facts • Established in 1968 • Recognized as “The World’s Largest Music Festival” • Milwaukee’s cornerstone summer celebration • Hosts music industry’s hottest stars, emerging talent and local favorites • Approximately 850,000 attend yearly • Over 1,000 performances • 12 stages • Delectable food and beverages available • World-class festival setting Media Contact Information Sarah Smith Pancheri | VP Sales & Marketing • Direct: (414) 270-6438 • Cell: (414) 477-0053 Julie Stolper Dieckelman| Media Relations • Office: (414) 270-6517 • Cell: (262) 853-1602 .
Load more

Recommended publications
  • August Highlights at the Grant Park Music Festival
    FOR IMMEDIATE RELEASE Contact: Jill Hurwitz,312.744.9179 [email protected] AUGUST HIGHLIGHTS AT THE GRANT PARK MUSIC FESTIVAL A world premiere by Aaron Jay Kernis, an evening of mariachi, a night of Spanish guitar and Beethoven’s Ninth Symphony on closing weekend of the 2017 season CHICAGO (July 19, 2017) — Summer in Chicago wraps up in August with the final weeks of the 83rd season of the Grant Park Music Festival, led by Artistic Director and Principal Conductor Carlos Kalmar with Chorus Director Christopher Bell and the award-winning Grant Park Orchestra and Chorus at the Jay Pritzker Pavilion in Millennium Park. Highlights of the season include Legacy, a world premiere commission by the Pulitzer Prize- winning American composer, Aaron Jay Kernis on August 11 and 12, and Beethoven’s Symphony No. 9 with the Grant Park Orchestra and Chorus and acclaimed guest soloists on closing weekend, August 18 and 19. All concerts take place on Wednesday and Friday evenings at 6:30 p.m., and Saturday evenings at 7:30 p.m. (Concerts on August 4 and 5 move indoors to the Harris Theater during Lollapolooza). The August program schedule is below and available at www.gpmf.org. Patrons can order One Night Membership Passes for reserved seats, starting at $25, by calling 312.742.7647 or going online at gpmf.org and selecting their own seat down front in the member section of the Jay Pritzker Pavilion. Membership support helps to keep the Grant Park Music Festival free for all. For every Festival concert, there are seats that are free and open to the public in Millennium Park’s Seating Bowl and on the Great Lawn, available on a first-come, first-served basis.
    [Show full text]
  • Canal Convergence Events
    Item 23 CITY COUNCIl REPORT Meeting Date: June 27, 2017 General Plan Element: Economic Vitality General Plan Goal: Sustain Scottsdale as a tourist destination ACTION Adopt Resolution No. 10821 authorizing a FY 2017/18 Tourism Development Fund operating contingency transfer in the amount of $650,000 to the Tourism and Events Department operating budget for use in supporting the 2018 Canal Convergence events. BACKGROUND It started as an idea, a conversation, a meeting and grew into a partnership between the City of Scottsdale, Scottsdale Public Art and Salt River Project. Many others have since joined, all of whom share in the belief that Public Space conceived upon the nature of what supports us, what keeps us here, what inspires our creativity and enables our growth is the reflection of all that is important for sustaining life in this desert city. Canal Convergence is this idea. Since 2012 it has been a place of engagement, a place where international and local artists come together to celebrate a one of a kind community environment and immersive art experience for all, and a new point of pride for Scottsdale residents and businesses. As Canal Convergence began taking shape, the Tourism Strategic Plan adopted by City Council in 2013 outlined the importance of creating a destination event during the tourism industry's shoulder season (May through December). Through the Council appointed Tourism Advisory Task Force (TATF) and Request for Proposal (RFP) process, the city contracted with Webb Management Services to complete a three-phased destination event study. The goal of the study (Webb Report) was to identify events that would: 1.
    [Show full text]
  • Neotrance and the Psychedelic Festival DC
    Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival.
    [Show full text]
  • 47 Report to Planning Committee Date 10 May 2018 by Director Of
    Agenda Item Agenda Item 10 Report PC28/18 Report to Planning Committee Date 10 May 2018 By Director of Planning Local Authority Winchester City Council Application Number SDNP/18/00939/CND Applicant Mr Peveril Bruce Applications Variation of Conditions 2, 9, 10 and 11 on Planning Consent SDNP/15/06486/FUL Address The Matterley Estate, Alresford Road, Ovington Hampshire SO24 0HU Recommendation: 1. That temporary planning approval be granted subject to a deed of variation to the Section 106 Agreement being completed to incorporate the application details and subject to the conditions set out in Paragraph 10.1 of this report, and; 2. That authority be delegated to the Director of Planning to refuse the application with appropriate reasons if the Section 106 Agreement is not completed within 2 months of the 10 May 2018 Planning Committee meeting. Executive Summary Temporary planning approval was granted in 2016 to allow one music festival and one sports endurance event to be held each year on the Matterley Estate. The temporary approval was for a limited period expiring on 31 December 2019 to allow the impact of the additional number of attendees to the music festival event on the amenities of the area and the special qualities and enjoyment of the National Park to be reviewed. Currently the permission allows for two more festivals to take place until the permission expires. The applicant now seeks a variation to a number of conditions on the planning permission. In summary the main variations proposed are: An increase in the number of attendees from 59,999 to 64,999 (plus an additional 1,000 on Sunday tickets for local residents) (Condition 2).
    [Show full text]
  • Boom Festival | Rehearsing the Future
    Boom festival | Rehearsing the Future Music and the Prefiguration of Change by Saul Roosendaal 5930057 Master’s thesis Musicology August 2016 supervised by dr. Barbara Titus University of Amsterdam Boom festival | Rehearsing the future Contents Foreword .................................................................................................................................... 3 Introduction ................................................................................................................................ 4 1. A Transformational Festival ................................................................................................. 9 1.1 Psytrance and Celebration ........................................................................................... 9 1.2 Music and Culture ..................................................................................................... 12 1.3 Dance and Musical Embodiment .............................................................................. 15 1.4 Art, Aesthetics and Spirituality ................................................................................. 18 1.5 Summary ................................................................................................................... 21 2. Music and Power: Prefigurating Change ........................................................................... 23 2.1 Education: The Liminal Village as Forum ................................................................ 25 2.1.1 Drugs and Policies .........................................................................................
    [Show full text]
  • The Aotearoa Digital Arts Reader Edited by Stella Brennan and Su
    Contents The Aotearoa Digital Arts Reader 5 Foreword 76 Contemporary Ma ¯ or i Edited by Stella Brennan and Su Ballard Sally Jane Norman Women’s New Media Designed by Jonty Valentine Art Practice © 2008 the artists and authors. All rights reserved. Apart from fair dealing for the purposes of private study, research, criticism 11 Introduction Maree Mills or review as permitted under the New Zealand Copyright Act no part of this publication may be Stella Brennan and Su Ballard reproduced without permission. 86 Kawhia & Kete #1, 22, "Internet; Environment" copyright © Julian Priest 2007, GNU General Public License. 15 ADA: A Web of Sites 20 and 83 ISBN: 978-0-9582789-9-7 Caroline McCaw Lisa Reihana A catalogue record for this book is available from The National Library of New Zealand 21 What is Digital? Concepts 90 Sampling Tradition: and a Chronology The Old in New Media Title: The Aotearoa Digital Arts Reader Douglas Bagnall Janine Randerson Author/Contributor: Brennan, Stella (ed); Ballard, Su (ed) Publisher: Aotearoa Digital Arts and Clouds 28 Cloud Shape Classifier 97 Solar Circuit Aotearoa Douglas Bagnall New Zealand Trudy Lane and Ian Clothier 30 Local Knowledge and Aotearoa Digital Arts Trust Clouds New Media Theory 104 Composition for farmer, www.aotearoadigitalarts.org.nz PO Box 68-187, Newton, Auckland 1145 Danny Butt three dogs and 120 sheep Aotearoa New Zealand www.clouds.co.nz for four-channel video 36 Mushroom installation Brit Buckley Alex Monteith Every effort has been made to trace the copyright holders of the illustrations reproduced in this book. Unfortunately, this has not been possible in all cases.
    [Show full text]
  • Woodstock: the Creation and Evolution of a Myth
    UNLV Retrospective Theses & Dissertations 1-1-1994 Woodstock: The creation and evolution of a myth Jo Raelene Sorrell University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sorrell, Jo Raelene, "Woodstock: The creation and evolution of a myth" (1994). UNLV Retrospective Theses & Dissertations. 394. http://dx.doi.org/10.25669/hbla-mq2i This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microhlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Danny Wimmer Presents 2021 Festival Calendar
    Danny Wimmer Presents 2021 Festival Calendar: DWP Partners With Inkcarceration Music & Tattoo Festival For July 23-25 Event In Mansfield, OH Louder Than Life Set For September 23-26 With Newly Added Thursday Night Celebration In Louisville, KY Welcome To Rockville Expands To 4 Days And Shifts From Spring To November 11-14 In Daytona Beach, FL Previously Announced Aftershock Set For October 7-10 In Sacramento, CA, Almost Sold Out As the music industry looks to bring live events back to eager fans in 2021, leading independent live entertainment producer and promoter Danny Wimmer Presents is excited to announce its upcoming festival calendar for the year. The event lineup includes the return of fan favorites Louder Than Life and Welcome To Rockville, alongside the previously announced Aftershock, and new to the DWP family, Inkcarceration Music & Tattoo Festival. Louder Than Life, the largest rock festival in America, will take place September 23-26, 2021 at Highland Festival Grounds at KY Expo Center in Louisville, Kentucky and will be adding a Thursday night celebration event to kick off the weekend. All current pass holders will receive admission to the newly added Thursday night kickoff celebration for free. Welcome To Rockville will return with an expanded 4-day festival weekend that furthers its reputation as Florida’s biggest rock experience, and will move to a new weekend for 2021, November 11-14. Rockville will also have a new home, relocating to the Daytona International Speedway in Daytona Beach, Florida. Due to the festival date change from May to November, current Welcome To Rockville ticketholders will have the opportunity to request a refund or use their passes for the upcoming November festival.
    [Show full text]
  • Immigrants Handed the Dirty Work Language Foreigners Are Reluctant to Find Fault in Work Condi- Barriers Tions Because Residence Permits Require an Employ
    ISSUE 19 (149) • 14 – 19 MAY 2010 • €3 • WWW.HELSINKITIMES.FI FESTIVAL GUIDE DOMESTIC BUSINESS LIFESTYLE EAT & DRINK Special issue: New laws New career Improving Ethnic shops Summer to ban through your life yet unknown festival guide begging networking by coaching to Finns page 12 page 3 page 8 page 14 pages 16 Mental care seeks to cross Immigrants handed the dirty work language Foreigners are reluctant to find fault in work condi- barriers tions because residence permits require an employ- PETRA NYMAN ment contract. HELSINKI TIMES KRISTA SIHVONEN FINNS are often labelled as a nation HEIDI EKDAHL – STT same wages for their work as a na- particularly sensitive to mental ALEKSIS TORO – HT tive Finn would.” health problems such as depression. Occupational protection should Defects of the mind are not, howev- AN ETHNIC divide between native be more active and work conditions er, something exclusive to us north- and immigrant fi elds of employ- should be better monitored, the re- ern dwellers, but anyone regardless ment is threatening to form in Fin- port states. When an immigrant per- of their nationality can require the land, according to a study by the son’s residence permit depends on an professional care of a psychiatrist. Finnish Work Environment Fund. employment contract, the employ- Moving to another culture can “In the interest of competitiveness er in practice grants the residence be especially challenging and immi- the labour market has been made permit. This leads to a reluctance to grants may not always be supplied more fl exible. Contractual terms question the practices of the work- with adequate care when it comes to and conditions have weakened.
    [Show full text]
  • 2019 Official Schedule the World’S Largest Music Festival®
    2019 OFFICIAL SCHEDULE THE WORLD’S LARGEST MUSIC FESTIVAL® FOR UPDATES ON TALENT, TICKETS, AND MORE VISIT SUMMERFEST.COM CALLING ALL WARRIORS PEDALPEDAL YOURYOUR WAYWAY TO TO POWER POWER TEST YOUR SPEED && AGILITYAGILITY WITH PHONEPHONE TAG TAG RACERACE TOTO UNSCRAMBLE PHOTOS COMPETECOMPETE AGAINST AGAINST FRIENDS FRIENDS AND & FAMILY FAMILY Take on exciting tech challenges and games at the U.S. Cellular located at the U.S. Cellular® Wireless Connection Warriors arena Stage. — 2 USCC_2019 Summerfest Brochure Ad_4x8.375_v6wh.indd 1 4/15/19 3:23 PM YOUR SAVINGS IS IN OUR NAME... FREE ® Summerfest Ticket WITH 2 9-pack 16 oz. Aluminum Bottles Miller Lite or Miller Draft or 2 12-pack bottles any variety Leinenkugel Craft Beer STOCK UP & $5 ON ANY $50 PURCHASE OF THESE saveMILLER PRODUCTS AT DISCOUNT LIQUOR Coupon Valid 5/23/19-7/7/19 A FAMILY TRADITION keeping you in good spirits since 1960 Visit us on Facebook/Twitter/Instagram or at WWW.DISCOUNTLIQUORINC.COM MILWAUKEE WAUKESHA 5031 W. Oklahoma Ave. 919 N. Barstow Ave. (414) 545-2175 (262) 547-7525 3 Presented by FESTIVAL HOURS 12:00 p.m. – 12:00 a.m., daily BOX OFFICE HOURS Before Summerfest 10:00 a.m. – 6:00 p.m., Monday – Friday 10:00 a.m. – 1:00 p.m., Saturdays through Summerfest During Summerfest 10:00 a.m. – 10:00 p.m., daily ADMISSION Save time and skip the line - purchase tickets online at Summerfest.com. All tickets can also be purchased at any Summerfest gate during the festival. The same prices apply. Admission tickets are valid for one day only, unless otherwise stated.
    [Show full text]
  • The Gothic Bach*
    Understanding Bach, 7, 9-20 © Bach Network UK 2012 The Gothic Bach* ISABELLA VAN ELFEREN In Episode 27 of the Inspector Morse mysteries, ‘The Day of the Devil’ (1993), a priest (played by Richard Griffiths) is summoned to his church in the middle of the night by the sound of organ music. As he walks to the church, the cascading melodies of J. S. Bach’s Toccata and Fugue in D minor (BWV 565) thunder through the hollow darkness. The organist is John Peter Barrie (played by Keith Allen), a satanist, rapist and murderer who has escaped from custody and is looking for vengeance. The scene, of course, ends far from happily, as the priest finds one of Barrie’s traumatised victims in the same sacred space that should safeguard those who enter it from such atrocities. This scene does not achieve its chilling effect by what it shows, but by what it keeps from the viewer. We do not see violence, murder or blood, but are led to feel that something is very wrong. The dim moonlight and blue-ish colours, the images of the empty church interior, and, most impressively, the bombastic music echoing through the dark night: all of these forebode and suggest, but never actualise the occult terror that pervades the atmosphere. By Inspector Morse standards this scene is unusually terrifying, but simultaneously unusually clichéd. All too often, cinema has presented us with the arcane desecrating the holy and we have heard evildoers play the organ in horror films. The use of well- known formulae to express themes of implicit uncanniness and transgression is characteristic of what has been called the ‘literature of terror’, the Gothic.1 This mode of writing found its way into the cinema in the early twentieth century, and from there to the television screen, popular music and the game console: in all of these we encounter the same motifs of arched windows, of supernatural presence, and of supremely spooky music.
    [Show full text]
  • 6 New Trends Impacting Festival and Consumer Events
    New Trends Impacting Festival and Consumer Events How consumer behavior and technological changes are fueling industry growth and better event experiences for audiences nationwide The world of festivals and consumer events has evolved well beyond pie judging at the county fair, pitching a lawn chair at a concert, and ogling hot rods at a car show. Today, people come together to celebrate more unique interests, hobbies and passions from the newest animes coming out of Japan to electronic dance music and craft-brewed pilsners, stouts, and wheat beers through targeted, niche events. What’s more, attendees and fans are enjoying personalized experiences as never before. Organizers are finding new ways to tailor packages and offer exclusive passes that cater to their audience’s growing appetite for customization and greater choice. Some organizers are even adding new categories to their events (think wine tasting at an art festival), to excite more people and boost attendance. Technology is also reshaping the industry. Advances in data gathering and analysis and wireless technology vastly improve how events are planned and managed. Social networks have been a boon to event marketing and promotions, as fans build communities of like-minded friends and share their excitement far and wide. All of these trends drive significant growth in the festivals and consumer events space around the world and it’s not going to be slowing down anytime soon. This Britepaper discusses how event directors and promoters can take advantage of what’s happening across the industry to plan smarter, operate with greater speed and flexibility, and develop new revenue sources for their events.
    [Show full text]