2017 Summerfest Story Ideas
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
August Highlights at the Grant Park Music Festival
FOR IMMEDIATE RELEASE Contact: Jill Hurwitz,312.744.9179 [email protected] AUGUST HIGHLIGHTS AT THE GRANT PARK MUSIC FESTIVAL A world premiere by Aaron Jay Kernis, an evening of mariachi, a night of Spanish guitar and Beethoven’s Ninth Symphony on closing weekend of the 2017 season CHICAGO (July 19, 2017) — Summer in Chicago wraps up in August with the final weeks of the 83rd season of the Grant Park Music Festival, led by Artistic Director and Principal Conductor Carlos Kalmar with Chorus Director Christopher Bell and the award-winning Grant Park Orchestra and Chorus at the Jay Pritzker Pavilion in Millennium Park. Highlights of the season include Legacy, a world premiere commission by the Pulitzer Prize- winning American composer, Aaron Jay Kernis on August 11 and 12, and Beethoven’s Symphony No. 9 with the Grant Park Orchestra and Chorus and acclaimed guest soloists on closing weekend, August 18 and 19. All concerts take place on Wednesday and Friday evenings at 6:30 p.m., and Saturday evenings at 7:30 p.m. (Concerts on August 4 and 5 move indoors to the Harris Theater during Lollapolooza). The August program schedule is below and available at www.gpmf.org. Patrons can order One Night Membership Passes for reserved seats, starting at $25, by calling 312.742.7647 or going online at gpmf.org and selecting their own seat down front in the member section of the Jay Pritzker Pavilion. Membership support helps to keep the Grant Park Music Festival free for all. For every Festival concert, there are seats that are free and open to the public in Millennium Park’s Seating Bowl and on the Great Lawn, available on a first-come, first-served basis. -
Canal Convergence Events
Item 23 CITY COUNCIl REPORT Meeting Date: June 27, 2017 General Plan Element: Economic Vitality General Plan Goal: Sustain Scottsdale as a tourist destination ACTION Adopt Resolution No. 10821 authorizing a FY 2017/18 Tourism Development Fund operating contingency transfer in the amount of $650,000 to the Tourism and Events Department operating budget for use in supporting the 2018 Canal Convergence events. BACKGROUND It started as an idea, a conversation, a meeting and grew into a partnership between the City of Scottsdale, Scottsdale Public Art and Salt River Project. Many others have since joined, all of whom share in the belief that Public Space conceived upon the nature of what supports us, what keeps us here, what inspires our creativity and enables our growth is the reflection of all that is important for sustaining life in this desert city. Canal Convergence is this idea. Since 2012 it has been a place of engagement, a place where international and local artists come together to celebrate a one of a kind community environment and immersive art experience for all, and a new point of pride for Scottsdale residents and businesses. As Canal Convergence began taking shape, the Tourism Strategic Plan adopted by City Council in 2013 outlined the importance of creating a destination event during the tourism industry's shoulder season (May through December). Through the Council appointed Tourism Advisory Task Force (TATF) and Request for Proposal (RFP) process, the city contracted with Webb Management Services to complete a three-phased destination event study. The goal of the study (Webb Report) was to identify events that would: 1. -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
47 Report to Planning Committee Date 10 May 2018 by Director Of
Agenda Item Agenda Item 10 Report PC28/18 Report to Planning Committee Date 10 May 2018 By Director of Planning Local Authority Winchester City Council Application Number SDNP/18/00939/CND Applicant Mr Peveril Bruce Applications Variation of Conditions 2, 9, 10 and 11 on Planning Consent SDNP/15/06486/FUL Address The Matterley Estate, Alresford Road, Ovington Hampshire SO24 0HU Recommendation: 1. That temporary planning approval be granted subject to a deed of variation to the Section 106 Agreement being completed to incorporate the application details and subject to the conditions set out in Paragraph 10.1 of this report, and; 2. That authority be delegated to the Director of Planning to refuse the application with appropriate reasons if the Section 106 Agreement is not completed within 2 months of the 10 May 2018 Planning Committee meeting. Executive Summary Temporary planning approval was granted in 2016 to allow one music festival and one sports endurance event to be held each year on the Matterley Estate. The temporary approval was for a limited period expiring on 31 December 2019 to allow the impact of the additional number of attendees to the music festival event on the amenities of the area and the special qualities and enjoyment of the National Park to be reviewed. Currently the permission allows for two more festivals to take place until the permission expires. The applicant now seeks a variation to a number of conditions on the planning permission. In summary the main variations proposed are: An increase in the number of attendees from 59,999 to 64,999 (plus an additional 1,000 on Sunday tickets for local residents) (Condition 2). -
Kendall Murphy Advisor: Archie Lee Coates IV 4/24/2017
Kendall Murphy Advisor: Archie Lee Coates IV 4/24/2017 Kendall Murphy School of Visual Arts, MFA Design for Social Innovation Thesis 2017 Process Book 1 “It’s my job as an artist to be out there pushing peoples’ buttons and making them question everything.” Marilyn Manson Problem: High Consumption Rate of Animal Products According to the USDA, the average American consumed 180 pounds of meat Figure 1 in 2014. As human population grows, it generates more demand within the food system, possibly disproportionately for meat products, as we are currently consuming more meat, eggs, and nuts than the recommended amount (Figure 1). As consumption rate increases, so do greenhouse gas emissions, strain on our fresh water supply, land use, and livestock waste, which contributes to ocean dead zones. Animal agriculture is responsible for more greenhouse gas emissions than all combined global transportation.1,2 About 44 percent of livestock emissions are in the form of methane (CH4).2 The remaining part is almost equally shared between Nitrous Dioxide (N2O, 29 percent) and Carbon Dioxide (CO2, 27 percent).2 CH4 has 25 times the global warming potential of CO2, while N2O has 298 times the global warming potential of CO2.3 Animal-based food products are also extremely water intensive compared to alternative high-protein foods. For example, it takes as around 12,139 more liters of water to produce one pound of beef compared to one pound of rice and beans.4,5 When animal waste is improperly managed, it could pollute waterways with excess nutrients, contributing to algae blooms which lead to the degradation of oxygen levels, and thus create dead zones. -
Boom Festival | Rehearsing the Future
Boom festival | Rehearsing the Future Music and the Prefiguration of Change by Saul Roosendaal 5930057 Master’s thesis Musicology August 2016 supervised by dr. Barbara Titus University of Amsterdam Boom festival | Rehearsing the future Contents Foreword .................................................................................................................................... 3 Introduction ................................................................................................................................ 4 1. A Transformational Festival ................................................................................................. 9 1.1 Psytrance and Celebration ........................................................................................... 9 1.2 Music and Culture ..................................................................................................... 12 1.3 Dance and Musical Embodiment .............................................................................. 15 1.4 Art, Aesthetics and Spirituality ................................................................................. 18 1.5 Summary ................................................................................................................... 21 2. Music and Power: Prefigurating Change ........................................................................... 23 2.1 Education: The Liminal Village as Forum ................................................................ 25 2.1.1 Drugs and Policies ......................................................................................... -
Sun, Fun, Loud Rock N' Roll: It Must Be Warped Tour 13 Two Plays
The Pioneer A&E Thursday, July 12, 2007 5 Sun, Fun, Loud Rock n' Roll: It Must Be Warped Tour 13 By Landen Koepkey Twelve hours earlier, around 9 a.m., assembled: emo kids, rockabillys, inflatable lineup list of band names attendance knew the true source. biggest pre-performance buzz, the Staff Writer the fun was yet to come. The sun was vintage punks (a la London), new and stage numbers swayed in the Before the headlining bands were UK based The Gallows, played to an out and the smell of sunblock was in age punks (San Francisco style), light breeze. set to take the stages, the Warped enthusiastic group. t was almost 10 p.m., and four the air. Hundreds of vehicles stood wannabes, goths, shirtless drunken The crowd flocked to it as if it were Tour offered a few more attractions The last and final band to play was I friends sat quietly around the stagnant on the roads in front of the hooligans, underage jailbait and a beacon upon a hill and stood below for the weary: Lucha Libre (Mexican none other than Bad Religion. The sun table at the local Applebee’s. Their Shoreline Amphitheater in Mountain misplaced parents wondering what in in worship. Each person quickly jotted professional wrestling) and a giant soaked crowd raised their fists in the vocal cords were shot, their skin was View. The tickets said that the gates hell they had gotten themselves into. down their favorite bands names inflatable water slide. air and sang along. burnt to the color and the consistency open at 10 a.m., but the eager fans All stood yearning to enter. -
What Audiences Did Vans Unlock from 23 Years Of
WHAT AUDIENCES DID VANS UNLOCK FROM 23 YEARS OF SPONSORING WARPED TOUR? ans was founded in 1966 by the brothers Paul and Jim van Doren alongside Gordon Lee and V Serge Delia, together they released the first Vans skateboard shoe under the simple name “#44”. Over fifty years later with a business revenue of $2.9bn recorded in 2017, Vans has become an international youth footwear staple. From the offset, Vans was always credible within, and THE WORLD’S MOST purchased by, the skateboarding community, but the brand recognised that their existing strategy would not ICONIC YOUTH facilitate brand awareness with mainstream audiences. In the mid 90’s, Vans entered into one of the most successful music-led brand partnerships ever, which FESTIVAL was undeniably a huge contributor on the brand’s journey toward achieving global recognition. When Kevin Lyman kicked off the first Warped Tour in June 1995 in Boise, Idaho, he had no idea he was launching what would become the world’s most iconic youth music festival. Ahead of the festival’s second year, both Vans and Calvin Klein approached Lyman with partnerships in mind - Lyman chose to reject the fashion behemoth in favour of the skate shoe brand. t the time, Vans had In its first year the festival had ambitions to continue focused on electric alternative A building the brand but had rock, but in the years that identified the need for a crossover followed the genres expanded platform that would allow Vans to and bands like Bad Religion, be seen by a bigger section of the No Doubt, Blink-182 and even youth market without alienating Katy Perry, travelled extensively the skateboard scene. -
The Aotearoa Digital Arts Reader Edited by Stella Brennan and Su
Contents The Aotearoa Digital Arts Reader 5 Foreword 76 Contemporary Ma ¯ or i Edited by Stella Brennan and Su Ballard Sally Jane Norman Women’s New Media Designed by Jonty Valentine Art Practice © 2008 the artists and authors. All rights reserved. Apart from fair dealing for the purposes of private study, research, criticism 11 Introduction Maree Mills or review as permitted under the New Zealand Copyright Act no part of this publication may be Stella Brennan and Su Ballard reproduced without permission. 86 Kawhia & Kete #1, 22, "Internet; Environment" copyright © Julian Priest 2007, GNU General Public License. 15 ADA: A Web of Sites 20 and 83 ISBN: 978-0-9582789-9-7 Caroline McCaw Lisa Reihana A catalogue record for this book is available from The National Library of New Zealand 21 What is Digital? Concepts 90 Sampling Tradition: and a Chronology The Old in New Media Title: The Aotearoa Digital Arts Reader Douglas Bagnall Janine Randerson Author/Contributor: Brennan, Stella (ed); Ballard, Su (ed) Publisher: Aotearoa Digital Arts and Clouds 28 Cloud Shape Classifier 97 Solar Circuit Aotearoa Douglas Bagnall New Zealand Trudy Lane and Ian Clothier 30 Local Knowledge and Aotearoa Digital Arts Trust Clouds New Media Theory 104 Composition for farmer, www.aotearoadigitalarts.org.nz PO Box 68-187, Newton, Auckland 1145 Danny Butt three dogs and 120 sheep Aotearoa New Zealand www.clouds.co.nz for four-channel video 36 Mushroom installation Brit Buckley Alex Monteith Every effort has been made to trace the copyright holders of the illustrations reproduced in this book. Unfortunately, this has not been possible in all cases. -
Woodstock: the Creation and Evolution of a Myth
UNLV Retrospective Theses & Dissertations 1-1-1994 Woodstock: The creation and evolution of a myth Jo Raelene Sorrell University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sorrell, Jo Raelene, "Woodstock: The creation and evolution of a myth" (1994). UNLV Retrospective Theses & Dissertations. 394. http://dx.doi.org/10.25669/hbla-mq2i This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microhlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Fortify Fest Features Funky Feat
Fortify Fest features Funky Feat By Submitted Posted Aug 6, 2019 at 10:45 AM Updated Aug 6, 2019 at 10:48 AM Seven bands at Fortify Music Fest at Fort DuPont August 10 If you like the music of Little Feat, Steely Dan and sounds of Southern Rock, then you are going to love the 2019 Fortify Music Fest. Little Feat, on their national tour celebrating their 50th anniversary sometimes break to play at smaller venues, have fun and jam. They will be coming to Fort DuPont in Delaware City. The last time Little Feat played in Delaware was 1990. Four of the original members of the legendary band Little Feat, will be preforming as Funky Feat. The music starts at 1 p.m. and runs until 9 p.m. The 2019 Fortify Music Fest features two of the best up and coming local artists, The Susquehanna Floods and Lovebettie. There will be some great southern rock classics by High Noon and in the late afternoon you can enjoy the extraordinary and iconic sounds of Steely Dan, played by Countdown to Ecstasy. Tickets $35, children under the age of 12 are free. Tickets are available at www.fortifyfest.com. Gates open at noon. The Susquehanna Floods 1 to 2 p.m. LoveBettie 2:30 to 3:30 High Noon 4 to 5:30 Count Down to Ecstasy 6 to 7 Funky Feat 7:30 to 9 Community stage featuring The Quixote Project (2 p.m. and 6:45 p.m.) and Lights of the North (3 p.m.) and special 5 p.m. -
The Bad News for the Harbor
Healthy Harbor Report Card October 2012 Working together for a vacant lots with the help of Baltimore’s Power swimmable, !shable Harbor! in Dirt program. With the support of local Whether it’s cleaning up litter from a vacant lot, government and advocacy from area businesses picking up after our pets, or using rain barrels and nonprofits, the Maryland state legislature has and rain gardens to reduce the amount of recently passed new laws that will help reduce water running off our properties, we all have a water pollution and establish designated role to play in keeping our streams and Harbor funding for projects that decrease polluted clean. Cleaning and greening neighborhoods stormwater runoff. To help steer all of this in Baltimore City and Baltimore County is the activity, Waterfront Partnership of Baltimore only way Baltimore Harbor will ever be safe for has published the Healthy Harbor Plan, which swimming and fishing because storm drains details the steps that need to be taken by and streams in our neighborhoods connect us citizens, government, and businesses to make Fish kill at Baltimore Harbor. the Harbor swimmable and fishable by 2020 all to the Harbor and the Chesapeake Bay. Photo credit: Waterfront Partnership of Baltimore. (available at HealthyHarborBaltimore.org). As an example of the great partnerships The bad news for the Harbor being formed, on a chilly November morning, Even though a lot is being done, we still have a group of 80 volunteers rolled up their sleeves, a long way to go. Baltimore Harbor is listed got down in the dirt and planted over 350 as impaired by trash under the Federal Clean trees in Baltimore’s Hillsdale Park.