6 New Trends Impacting Festival and Consumer Events
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August Highlights at the Grant Park Music Festival
FOR IMMEDIATE RELEASE Contact: Jill Hurwitz,312.744.9179 [email protected] AUGUST HIGHLIGHTS AT THE GRANT PARK MUSIC FESTIVAL A world premiere by Aaron Jay Kernis, an evening of mariachi, a night of Spanish guitar and Beethoven’s Ninth Symphony on closing weekend of the 2017 season CHICAGO (July 19, 2017) — Summer in Chicago wraps up in August with the final weeks of the 83rd season of the Grant Park Music Festival, led by Artistic Director and Principal Conductor Carlos Kalmar with Chorus Director Christopher Bell and the award-winning Grant Park Orchestra and Chorus at the Jay Pritzker Pavilion in Millennium Park. Highlights of the season include Legacy, a world premiere commission by the Pulitzer Prize- winning American composer, Aaron Jay Kernis on August 11 and 12, and Beethoven’s Symphony No. 9 with the Grant Park Orchestra and Chorus and acclaimed guest soloists on closing weekend, August 18 and 19. All concerts take place on Wednesday and Friday evenings at 6:30 p.m., and Saturday evenings at 7:30 p.m. (Concerts on August 4 and 5 move indoors to the Harris Theater during Lollapolooza). The August program schedule is below and available at www.gpmf.org. Patrons can order One Night Membership Passes for reserved seats, starting at $25, by calling 312.742.7647 or going online at gpmf.org and selecting their own seat down front in the member section of the Jay Pritzker Pavilion. Membership support helps to keep the Grant Park Music Festival free for all. For every Festival concert, there are seats that are free and open to the public in Millennium Park’s Seating Bowl and on the Great Lawn, available on a first-come, first-served basis. -
SXSW: INSEAD @ South by Southwest
SXSW: INSEAD @ South by Southwest The 2012 edition of the South by Southwest conference (SWSX) wrapped up in Austin last week. Over the last years, this has become one of hottest stops on the startup circuit, earning a reputation as the biggest breeding ground for new ideas and creative technologies– notably, both foursquare and twitter catapulted to the big leagues after they presented early versions at SWSX. To coincide with all the buzz around SXSW, I consumer allowing for an unprecedented level of decided to spend a better part of this week’s interaction. The revenue enhancing possibilities sessions of Identifying New Business Opportunities, enabled by such a platform are endless– in the same an MBA class I am currently teaching, discussing way as Google search revolutionized internet some of the hottest trends from the conference. A display advertising, getglue could do the same for small contingent from the class had attended SXSW TV advertising. and they got us started by sharing what caught their attention at the conference (Thanks Nicole, Charlotte Next consider, Storify, a service that enables users and Joanna!). As is typical in the INSEAD classroom, to curate social networks to build social stories, our very creative group of MBA participants bringing together media scattered across the Web couldn’t stop imagining the possibilities enabled by into a coherent narrative. Essentially, the idea is to some of the newest media platforms debuted at the use the community to attack the last holdout parts of conference — hopefully, some of the ideas will internet publishing– content curation. While most become real products, that I can blog about one content creation has already been delegated to the day! More pertinent for the readers of this blog, as a crowds, this platform essentially does the same for group we identified a few clear trends and content curation and organization. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Hacking the Renaissance (MLA15) (With Tweets) · Robincamille · Storify Browse Log in Hacking the Renaissance (MLA15)
1/19/2018 Hacking the Renaissance (MLA15) (with tweets) · robincamille · Storify Browse Log In Hacking the Renaissance (MLA15) MLA 2015 panel #s420 (tweets in oldest → newest order) byRobin Camille27 Views storify.com 27 views Embed 1. ACL @ACriticismLab The Augmented Criticism Lab presents at #MLA15 first thing tomorrow! (8:30 PST) #s420 j.mp/1tUIz6f #restup 12:28 AM - Jan 10, 2015 2 1 2. Christopher Warren @ChrisVVarren Pre-tweeting #mla15 #s420: Here's a quick 4-minute video intro to Six Degrees of Francis Bacon @6Bacon dropbox.com/s/kda5xxiq02x3… 1:30 AM - Jan 10, 2015 3 4 3. Christopher Warren @ChrisVVarren Pre-tweeting #mla15 #s420: Here's a quick 4-minute video intro to Six Degrees of Francis Bacon @6Bacon dropbox.com/s/kda5xxiq02x3… 1:30 AM - Jan 10, 2015 3 4 https://storify.com/robincamille/hacking-the-renaissance-mla15 1/8 1/19/2018 Hacking the Renaissance (MLA15) (with tweets) · robincamille · Storify 4. Sarah Werner @wynkenhimself On my way to the Shakespeare committee meeting, so sadly missing Hacking the Renaissance #mla15 #s420 mla15.org/420 10:49 AM - Jan 10, 2015 5. Jacqueline Wernimont @profwernimont have to choose between #MLA15 #s420 and #s448 this a.m. - boo divided attentions #toomanygoodthings 11:26 AM - Jan 10, 2015 1 2 6. Mattie Burkert @Mattie_Burkert Very excited to be at #s420, "Hacking the Renaissance" featuring @ullyot @douglasduhaime @ajamesbradley @ChrisVVarren & @robincamille #mla15 11:33 AM - Jan 10, 2015 3 7. Daniel Powell @djp2025 At #mla15 #s420 , hearing @ullyot & Adam Bradley talk abt hacking the Renaissance. 11:34 AM - Jan 10, 2015 1 8. -
Guide Tweeting As a Cultural Organisation Taras Young Digital Content Manager
Version 1 – November 2013 Guide Tweeting as a cultural organisation Taras Young Digital Content Manager Arts Marketing Association This work is licensed under a Creative Commons Attribution- ShareAlike 2.0 UK: England & Wales License Published 2013 Supported by Created and managed by In partnership with 2 Introduction There are about 200m active Twitter users worldwide, 15m of whom are in the UK. Of these, 9m participate in discussion, while 6m are ‘lurkers’ – watching without participating1. With a quarter of the population using Twitter, then, it’s not difficult to make the case for cultural organisations to have a presence. This guide will introduce you to the basics of Twitter, give guidance on day-to-day use, and finally provide some more advanced tips and tools. This guide is being continuously updated – if you have any suggestions, or spot any errors or omissions, please get in touch with the author at [email protected]. Contents 1. Twitter basics ...................................................................................................... 3 Tweeting to other people ............................................................................ 3 Retweeting .................................................................................................. 4 Direct messages .......................................................................................... 4 2. What to tweet ..................................................................................................... 5 3. Building followers and increasing engagement -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Canal Convergence Events
Item 23 CITY COUNCIl REPORT Meeting Date: June 27, 2017 General Plan Element: Economic Vitality General Plan Goal: Sustain Scottsdale as a tourist destination ACTION Adopt Resolution No. 10821 authorizing a FY 2017/18 Tourism Development Fund operating contingency transfer in the amount of $650,000 to the Tourism and Events Department operating budget for use in supporting the 2018 Canal Convergence events. BACKGROUND It started as an idea, a conversation, a meeting and grew into a partnership between the City of Scottsdale, Scottsdale Public Art and Salt River Project. Many others have since joined, all of whom share in the belief that Public Space conceived upon the nature of what supports us, what keeps us here, what inspires our creativity and enables our growth is the reflection of all that is important for sustaining life in this desert city. Canal Convergence is this idea. Since 2012 it has been a place of engagement, a place where international and local artists come together to celebrate a one of a kind community environment and immersive art experience for all, and a new point of pride for Scottsdale residents and businesses. As Canal Convergence began taking shape, the Tourism Strategic Plan adopted by City Council in 2013 outlined the importance of creating a destination event during the tourism industry's shoulder season (May through December). Through the Council appointed Tourism Advisory Task Force (TATF) and Request for Proposal (RFP) process, the city contracted with Webb Management Services to complete a three-phased destination event study. The goal of the study (Webb Report) was to identify events that would: 1. -
A Framework for Teaching with Twitter and Storify
Teaching with Twitter and Storify 487 A Framework for Teaching with Twitter and Storify Rosemary M. Caron, PhD, MPH Abstract The education of baccalaureate health administration students needs to be adaptable in this age of healthcare reformation and the use of social media can be an educational tool that not only presents a familiar communication environment, but also encourages the learner to adapt this tool to their disci- pline of study. To examine the utility and effectiveness of implementing social media to teach basic epidemiology concepts, the use of Twitter and Storify in the laboratory component of the course is presented. The purpose of this article is to describe three learning exercises that are part of the application course modules developed to increase student knowledge and skills with respect to how epidemiological principles are evident in the community in which the student lives. Specifically, the exercises were designed to: (1) demonstrate how social media is useful to research discipline-specific content; (2) curate relative course material from numerous social media sources; and (3) communicate to one’s broader community the significance of specific epidemiologic-oriented issues that affect our everyday life. At the conclusion of the labs, students reported that they had not previously considered the use of social technology for learning; were likely to include Twitter and Storify as part of their online research tools for future assignments; and were more apt to communicate with peers and the instructor via these mediums. The benefits of this applied learning approach for students and the faculty instructor are discussed. Please address correspondence to: Rosemary M. -
Sponsorship Effects on Music Festival Participants
Copenhagen Business School 2014 MSoc.Sc.Service Management MASTER’S THESIS Sponsorship Effects on Music Festival Participants Victor Guedon David Gramm Kristensen February, 5th, 2014 Supervisor Helle Haurum 111 Pages / 267.755 Characters Abstract While worldwide investments in sole sponsorship fees were expected to reach $53.3 billion in 2013, findings from the academic research on sponsorships’ ability to impact customers’ perception of a sponsor are inconsistent; ranging from positive, small or ambiguous effects to negative or no effects at all. Thus, the objective of the current research was to contribute by researching if participation in a music festival, NorthSide 2013, would influence festival participants’ perception of the main sponsor Royal Beer. To do so, the chosen research design was a pre-post event quasi experimental design with independent samples. It was crucial to have both pre and post event measurements of event participants to investigate a potential change. Moreover, the quasi-experimental strategy was deemed relevant since it features the use of a control group to identify the source of an effect. Identified as one of the reasons for the inconsistent academic findings, the aim was to avoid conscious processing of the respondents by eliciting sponsorships or the two entities together, so that answers collected would account for the effects rather than respondents’ opinions about how this sponsorship affected them. In pursuance of this research several practical steps have been undertaken: a thorough literature review, a face-to-face interview of the Royal Beer brand manager, creation of a beer brand personality scale fitted to the Danish setting, a focus group to translate the brand personality facets and most importantly; the design and data collection of three distinct questionnaires that resulted in a total of 950 valid responses. -
CORINNE WEISGERBER Ph.D
Educational History THE PENNSYLVANIA STATE UNIVERSITY, UNIVERSITY PARK, PA — PH.D., 2002 Communication Arts & Sciences Dissertation: Turning to the Internet for help on sensitive topics: The online sleep paralysis community THE PENNSYLVANIA STATE UNIVERSITY, UNIVERSITY PARK, PA — M.A., 1999 Speech Communication Thesis: : Studying initial interaction in computer-mediated and face-to-face communication Ph.D. MIAMI UNIVERSITY, OXFORD, OH — B.A., 1997 Speech Communication UNIVERSITÉ LIBRE DE BRUXELLES, BELGIUM — PREMIÈRE CANDIDATURE, 1995 Journalisme et Communication Professional Appointments ASSOCIATE PROFESSOR OF COMMUNICATION, ST. EDWARD’S UNIVERSITY, AUSTIN, TX, 2012-PRESENT ASSISTANT PROFESSOR OF COMMUNICATION, ST. EDWARD’S UNIVERSITY, AUSTIN, TX, 2006-2012 RESEARCHER/INSTRUCTOR, CAIN PROJECT, RICE UNIVERSITY, HOUSTON TX, 2005-2006 [email protected] ASSISTANT PROFESSOR OF COMMUNICATION, TEXAS A&M UNIVERSITY AT PRAIRIE VIEW, TX, 2002-2005 Teaching Experience ST. EDWARD’S UNIVERSITY COMM 1317: Presentational Speaking COMM 2312: Interpersonal Communication COMM 2326: Persuasion COMM 2337: Principles of Public Relations (formerly COMM 3337) COMM 2399/JOUR 2314: Interactive Media Production & Design COMM 3301: Research Methods COMM 3309: Social Media for PR (formerly COMM 4352) COMM 4326: PR for Nonprofits (our PR campaigns class) COMM 4350: Internship for the Communication Major RICE UNIVERSITY Researcher/Instructor, Cain Project in Engineering & Professional Communication (08/2005 - 07/2006) WEISGERBER Instructional Responsibilities: Engaged in a wide variety of curriculum development and teaching activities in collaboration with faculty in the natural sciences and engineering. Collaborations involved syllabus and assignment design, communication instruction, and assessment of oral student performance. Research Responsibilities: Studied and investigated communication processes, pedagogy, and industry best practices. Pursued independent research projects and participated in a research collective. -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival.