Cultural Highlights in Saxony 2021 by Date
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August Highlights at the Grant Park Music Festival
FOR IMMEDIATE RELEASE Contact: Jill Hurwitz,312.744.9179 [email protected] AUGUST HIGHLIGHTS AT THE GRANT PARK MUSIC FESTIVAL A world premiere by Aaron Jay Kernis, an evening of mariachi, a night of Spanish guitar and Beethoven’s Ninth Symphony on closing weekend of the 2017 season CHICAGO (July 19, 2017) — Summer in Chicago wraps up in August with the final weeks of the 83rd season of the Grant Park Music Festival, led by Artistic Director and Principal Conductor Carlos Kalmar with Chorus Director Christopher Bell and the award-winning Grant Park Orchestra and Chorus at the Jay Pritzker Pavilion in Millennium Park. Highlights of the season include Legacy, a world premiere commission by the Pulitzer Prize- winning American composer, Aaron Jay Kernis on August 11 and 12, and Beethoven’s Symphony No. 9 with the Grant Park Orchestra and Chorus and acclaimed guest soloists on closing weekend, August 18 and 19. All concerts take place on Wednesday and Friday evenings at 6:30 p.m., and Saturday evenings at 7:30 p.m. (Concerts on August 4 and 5 move indoors to the Harris Theater during Lollapolooza). The August program schedule is below and available at www.gpmf.org. Patrons can order One Night Membership Passes for reserved seats, starting at $25, by calling 312.742.7647 or going online at gpmf.org and selecting their own seat down front in the member section of the Jay Pritzker Pavilion. Membership support helps to keep the Grant Park Music Festival free for all. For every Festival concert, there are seats that are free and open to the public in Millennium Park’s Seating Bowl and on the Great Lawn, available on a first-come, first-served basis. -
Canal Convergence Events
Item 23 CITY COUNCIl REPORT Meeting Date: June 27, 2017 General Plan Element: Economic Vitality General Plan Goal: Sustain Scottsdale as a tourist destination ACTION Adopt Resolution No. 10821 authorizing a FY 2017/18 Tourism Development Fund operating contingency transfer in the amount of $650,000 to the Tourism and Events Department operating budget for use in supporting the 2018 Canal Convergence events. BACKGROUND It started as an idea, a conversation, a meeting and grew into a partnership between the City of Scottsdale, Scottsdale Public Art and Salt River Project. Many others have since joined, all of whom share in the belief that Public Space conceived upon the nature of what supports us, what keeps us here, what inspires our creativity and enables our growth is the reflection of all that is important for sustaining life in this desert city. Canal Convergence is this idea. Since 2012 it has been a place of engagement, a place where international and local artists come together to celebrate a one of a kind community environment and immersive art experience for all, and a new point of pride for Scottsdale residents and businesses. As Canal Convergence began taking shape, the Tourism Strategic Plan adopted by City Council in 2013 outlined the importance of creating a destination event during the tourism industry's shoulder season (May through December). Through the Council appointed Tourism Advisory Task Force (TATF) and Request for Proposal (RFP) process, the city contracted with Webb Management Services to complete a three-phased destination event study. The goal of the study (Webb Report) was to identify events that would: 1. -
Holiday Themes Saxony
Holidays in Saxony – Main topics Holiday in Saxony? Experiences with a wow effect! Where is Raphael’s famous painting “The Sistine Madonna” located? Where was the first European porcelain invented? Where does the world’s oldest civic orchestra perform? In Saxony. For the first time, Germany’s no. 1 cultural destination is the “Official Cultural Destination of ITB Berlin”. Note: Saxony is the official culture partner of ITB Berlin NOW 2021. At the virtual platform from 9 to 12 March, those keen to delve into the world of Saxony’s cultural attractions should visit the Kultur-Café, which will feature interviews, videos, classical and modern music and presentations. Contact: Tourismus Marketing Gesellschaft Sachsen Bautzener Str. 45 – 47, 01099 Dresden Communications Director Mrs. Ines Nebelung phone: +49 (0)351-4917025, fax: +49 (0)351-4969306, [email protected] www.sachsen-tourismus.de These are our main topics Saxony is the no. 1 cultural destination ................................................................................................ 2 Saxony impresses with UNESCO World Heritage Sites ....................................................................... 4 Chemnitz – “C the unseen“ in the Capital of Culture 2025 .................................................................... 6 Highest-quality handicrafts: The many-faceted history of Saxony’s handicrafts industry ...................... 8 850 years of winemaking in Saxony – discovering enjoyment ............................................................ 10 -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
SCHLOESSERLAND SACHSEN. Fireplace Restaurant with Gourmet Kitchen 01326 Dresden OLD SPLENDOR in NEW GLORY
Savor with all your senses Our family-led four star hotel offers culinary richness and attractive arrangements for your discovery tour along Sa- xony’s Wine Route. Only a few minutes walking distance away from the hotel you can find the vineyard of Saxon master vintner Klaus Zimmerling – his expertise and our GLORY. NEW IN SPLENDOR OLD SACHSEN. SCHLOESSERLAND cuisine merge in one of Saxony’s most beautiful castle Dresden-Pillnitz Castle Hotel complexes into a unique experience. Schloss Hotel Dresden-Pillnitz August-Böckstiegel-Straße 10 SCHLOESSERLAND SACHSEN. Fireplace restaurant with gourmet kitchen 01326 Dresden OLD SPLENDOR IN NEW GLORY. Bistro with regional specialties Phone +49(0)351 2614-0 Hotel-owned confectioner’s shop [email protected] Bus service – Elbe River Steamboat jetty www.schlosshotel-pillnitz.de Old Splendor in New Glory. Herzberg Żary Saxony-Anhalt Finsterwalde Hartenfels Castle Spremberg Fascination Semperoper Delitzsch Torgau Brandenburg Senftenberg Baroque Castle Delitzsch 87 2 Halle 184 Elsterwerda A 9 115 CHRISTIAN THIELEMANN (Saale) 182 156 96 Poland 6 PRINCIPAL CONDUCTOR OF STAATSKAPELLE DRESDEN 107 Saxony 97 101 A13 6 Riesa 87 Leipzig 2 A38 A14 Moritzburg Castle, Moritzburg Little Buch A 4 Pheasant Castle Rammenau Görlitz A72 Monastery Meissen Baroque Castle Bautzen Ortenburg Colditz Albrechtsburg Castle Castle Castle Mildenstein Radebeul 6 6 Castle Meissen Radeberg 98 Naumburg 101 175 Döbeln Wackerbarth Dresden Castle (Saale) 95 178 Altzella Monastery Park A 4 Stolpen Gnandstein Nossen Castle -
47 Report to Planning Committee Date 10 May 2018 by Director Of
Agenda Item Agenda Item 10 Report PC28/18 Report to Planning Committee Date 10 May 2018 By Director of Planning Local Authority Winchester City Council Application Number SDNP/18/00939/CND Applicant Mr Peveril Bruce Applications Variation of Conditions 2, 9, 10 and 11 on Planning Consent SDNP/15/06486/FUL Address The Matterley Estate, Alresford Road, Ovington Hampshire SO24 0HU Recommendation: 1. That temporary planning approval be granted subject to a deed of variation to the Section 106 Agreement being completed to incorporate the application details and subject to the conditions set out in Paragraph 10.1 of this report, and; 2. That authority be delegated to the Director of Planning to refuse the application with appropriate reasons if the Section 106 Agreement is not completed within 2 months of the 10 May 2018 Planning Committee meeting. Executive Summary Temporary planning approval was granted in 2016 to allow one music festival and one sports endurance event to be held each year on the Matterley Estate. The temporary approval was for a limited period expiring on 31 December 2019 to allow the impact of the additional number of attendees to the music festival event on the amenities of the area and the special qualities and enjoyment of the National Park to be reviewed. Currently the permission allows for two more festivals to take place until the permission expires. The applicant now seeks a variation to a number of conditions on the planning permission. In summary the main variations proposed are: An increase in the number of attendees from 59,999 to 64,999 (plus an additional 1,000 on Sunday tickets for local residents) (Condition 2). -
Boom Festival | Rehearsing the Future
Boom festival | Rehearsing the Future Music and the Prefiguration of Change by Saul Roosendaal 5930057 Master’s thesis Musicology August 2016 supervised by dr. Barbara Titus University of Amsterdam Boom festival | Rehearsing the future Contents Foreword .................................................................................................................................... 3 Introduction ................................................................................................................................ 4 1. A Transformational Festival ................................................................................................. 9 1.1 Psytrance and Celebration ........................................................................................... 9 1.2 Music and Culture ..................................................................................................... 12 1.3 Dance and Musical Embodiment .............................................................................. 15 1.4 Art, Aesthetics and Spirituality ................................................................................. 18 1.5 Summary ................................................................................................................... 21 2. Music and Power: Prefigurating Change ........................................................................... 23 2.1 Education: The Liminal Village as Forum ................................................................ 25 2.1.1 Drugs and Policies ......................................................................................... -
The Aotearoa Digital Arts Reader Edited by Stella Brennan and Su
Contents The Aotearoa Digital Arts Reader 5 Foreword 76 Contemporary Ma ¯ or i Edited by Stella Brennan and Su Ballard Sally Jane Norman Women’s New Media Designed by Jonty Valentine Art Practice © 2008 the artists and authors. All rights reserved. Apart from fair dealing for the purposes of private study, research, criticism 11 Introduction Maree Mills or review as permitted under the New Zealand Copyright Act no part of this publication may be Stella Brennan and Su Ballard reproduced without permission. 86 Kawhia & Kete #1, 22, "Internet; Environment" copyright © Julian Priest 2007, GNU General Public License. 15 ADA: A Web of Sites 20 and 83 ISBN: 978-0-9582789-9-7 Caroline McCaw Lisa Reihana A catalogue record for this book is available from The National Library of New Zealand 21 What is Digital? Concepts 90 Sampling Tradition: and a Chronology The Old in New Media Title: The Aotearoa Digital Arts Reader Douglas Bagnall Janine Randerson Author/Contributor: Brennan, Stella (ed); Ballard, Su (ed) Publisher: Aotearoa Digital Arts and Clouds 28 Cloud Shape Classifier 97 Solar Circuit Aotearoa Douglas Bagnall New Zealand Trudy Lane and Ian Clothier 30 Local Knowledge and Aotearoa Digital Arts Trust Clouds New Media Theory 104 Composition for farmer, www.aotearoadigitalarts.org.nz PO Box 68-187, Newton, Auckland 1145 Danny Butt three dogs and 120 sheep Aotearoa New Zealand www.clouds.co.nz for four-channel video 36 Mushroom installation Brit Buckley Alex Monteith Every effort has been made to trace the copyright holders of the illustrations reproduced in this book. Unfortunately, this has not been possible in all cases. -
Woodstock: the Creation and Evolution of a Myth
UNLV Retrospective Theses & Dissertations 1-1-1994 Woodstock: The creation and evolution of a myth Jo Raelene Sorrell University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sorrell, Jo Raelene, "Woodstock: The creation and evolution of a myth" (1994). UNLV Retrospective Theses & Dissertations. 394. http://dx.doi.org/10.25669/hbla-mq2i This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microhlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
ESPON CPS 08 Scientific Report Annex IX Elbe-Labe.Pdf
Cross-border Public Services (CPS) Targeted Analysis Final Report Scientific Report – Annex IX Case study report – Euroregion Elbe/Labe Version 16/11/2018 This targeted analysis is conducted within the framework of the ESPON 2020 Cooperation Programme, partly financed by the European Regional Development Fund. The ESPON EGTC is the Single Beneficiary of the ESPON 2020 Cooperation Programme. The Single Operation within the programme is implemented by the ESPON EGTC and co-financed by the European Regional Development Fund, the EU Member States and the Partner States, Iceland, Liechtenstein, Norway and Switzerland. This delivery does not necessarily reflect the opinions of members of the ESPON 2020 Monitoring Committee. Authors Lüer, Christian (Spatial Foresight) Zillmer, Sabine (Spatial Foresight) Advisory Group ESPON EGTC Rossignol, Nicolas Technical Support Hans, Sebastian (Spatial Foresight) Schürmann, Carsten (TCP International) Acknowledgements Hiersemann, Konrad (State Directory Saxony, Landesdirektion Sachsen) Hilbrenner, Patrick (Hospital of Sebnitz) Holec, Robert (Municipality of Dolní Poustevna) Horeni, Oliver (German Upper Elbe Transport Association, VVO) Kubsch, Rüdiger (Euroregion Elbe/Labe) Linhart, Zbyněk (Ustí nad Labem county) Ruckh, Mike (Municipality of Sebnitz) Winkler, Tina (Hospital of Sebnitz) Zabel, Gudrun (Saxon State Ministry of the Interior) Information on ESPON and its projects can be found on www.espon.eu. The web site provides the possibility to download and examine the most recent documents produced by finalised and ongoing ESPON projects. This delivery exists only in an electronic version. © ESPON, 2018 Printing, reproduction or quotation is authorised provided the source is acknowledged and a copy is forwarded to the ESPON EGTC in Luxembourg. Contact: [email protected] Cross-border Public Services (CPS) Final Report Scientific Report – Annex IX Case study report – Euroregion Elbe/Labe Table of contents 1 Summary .......................................................................................................................... -
2022 Bachfest
www.bachfestleipzig.de BACH– We Are Family BACHFEST LEIPZIG 09.–19. JUNI 2022 Bachfest der Neuen Bachgesellschaft BACH – We Are FAMILY 2 Festivalhöhepunkte / Festival Highlights 4 Choralkantaten / Chorale Cantatas 20 Buchungsbedingungen / Booking terms and conditions 26 Veranstaltungsorte / Venues 28 Impressum / Imprint 29 BACH – We Are FAMILY Am Anfang stand die Vision, ein Bachfest zu feiern, wie es die weitver- It all began with the dream of holding a Bachfest similar to the kind of zweigte Musikerfamilie Bach einst in Thüringen zu feiern pflegte. celebration the much-ramified Bach family of musicians would once Einmal im Jahr traf sie sich an einem bestimmten Ort, um gemeinsam have held in Thuringia. Once a year, they met at a certain place to feast, zu schmausen, zu singen und zu musizieren. sing and make music. Heute ist die Bach-Familie eine globale. Überall auf der Welt gibt es Today, the Bach family is a global one. All over the world, there are Menschen, die ihre Liebe zu Johann Sebastian Bach gemeinsam leben: people who live out their love of Johann Sebastian Bach together – in in Bach-Chören und Bach-Gesellschaften. Die älteste unter ihnen, Bach choirs and Bach societies. The oldest of all of these, the Neue die Neue Bach-Gesellschaft, feiert 2022 ihr jährliches Bachfest wieder Bach-Gesellschaft, will be celebrating its annual Bach Festival with us mit uns zusammen. again in 2022. Aber um unsere Vision Realität werden zu lassen, haben wir auch alle But to make our dream reality, we have also invited all the other ›family übrigen ›Familienmitglieder‹ nach Leipzig eingeladen, also sämtliche members‹ – that is, all the Bach associations around the globe – to Bach-Vereinigungen, die wir auf dem Globus fanden, über 250 an Leipzig: more than 250 in number. -
Nature in the Eastern Ore Mountains / Ost-Erzgebirge / Východní Krušnohoří
Nature in the Eastern Ore Mountains / Ost-Erzgebirge / Východní Krušnohoří A short introductory guide to the Schellerhau conservation training Jens Weber, Grüne Liga Osterzgebirge e.V., [email protected] Diversity might be among the most obvious traits of the scenery in the eastern part of Erzgebirge/Ore Mountains/Krušnohoří. The variety of landscape is mostly made up by an alternation of forests and open spaces on relatively small scales, and the open spaces interspersed with lots of wooded and non-wooded biotopes. In contrast to other mountain ranges of Central Europe, only about 30 % of the region are compact forests. Very typical - and of great conservation value - are meadows, crossed by stone ridges ("Steinrücken"). This sort of landscape diversity offers room for biodiversity, too. The Eastern Ore Mountains are home for nearly 1000 species of vascular plants, about one quarter of plant species in all of Germany. A few of them have their only German occurrence here since the climate conditions resemble more those in central-east European mountain ranges. Because of their natural rarity, but far more because of rapidly changing ecological conditions, about 20 % of the plants got listed in the Red List of Endangered Species. Other groups of organisms show similar numbers: > 1000 species of fungi in the Eastern Ore Mountains (180 species on the Red List), 100 spp. butterflies (60 Red List), 130 spp. birds (40 RL), 60 spp. mammals (20 RL). To save the endangered plant and animal species requires conservation of the great diversity of habitats - created by geological history as well as human land use history.