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- ／ － 一 一- た 。ぷ - ’． - － ｔ ゝ ｆ ﾌﾞﾄ Ｍ ~ こ: .･ り - iS ● 二 べ ５゛ - ら ル １ ４ １ こ 八ｊ ￥ リ ４ ，･４ ？ず.･.j7 ゝ 4 rr ，a’ ご やr 、 、 Ｗ ●-E:゛ -､'や ゛･べらﾐｰ･･ご へ ﾐい 戸 ゛゛ 吟1. ･ 、 、

･４ ~- ｀加 ‾ ”･ ●'S:. ．'

i ● ゴ バ 哨 遜（: 、 か －ｆ l ｎtr Ｏ ｄ Ｕ Ｃt ｉＯ ｎ

Ｔ ｈｅ “ Ｗ ｉｎｄ Ｐ ｈｏｎｅ ” ｓi ａ r ｅａｌ tｅｌｅｐｈｏｎｅ ｂ００th in the t ｏｗ ｎ ｏｆ Ｏt ｓｕchi in l ｗ ａte pr ｅｆｅｃtｕrｅ･

lt’ｓ ｎｏt ｃｏｎｎｅｃted t ｏ ａｎy ｐｈｏｎｅ ｌｉｎｅｓ. Ｂｕt ｅｖｅr ｓｉｎｃｅ tｈｅ Ｇr ｅａt Ea ｓt Ｊａｐａｎ Ｅａrthq ｕake di ｓａｓtｅr, ０ｖｅr

30,000 people ha ｖｅ ｃｏｍ ｅ tｏ thiｓ ｐｌａｃｅ. Ｔｈｅy all ha ｖｅ ｌｏｖｅｄ ｏｎｅｓ they ｗａｎＨ ｏ talk t ｏ. Ｔｈｅy ｗａｎＨ ｏ ｓａy

900dby ｅ tｏ theirfamily ｍ ｅｍ ｂｅrｓ, ｗho should be ther ｅ ｗith tｈｅ ｍ. For tho ｓｅ ｐｅｏｐｌｅ ｗｈｏ ａre liｖing ｗith

ｓｕch ｓａｄｎｅｓｓ, there i ｓ ａ ｍ ｏｖie that ｗill be ｓoftly, ｇｅｎtly by their ｓide. ln 2011 ，０t ｓｕchir ｅｓident ａｎｄ

ｇａrden d: ｅｓignerlt ａrｕ Ｓａｓaki in ｓtａ‖ed the “VVind Phone ” in hiｓ ｈｏｍｅ ｇａrｄｅｎ ，inｓpired by hi ｓ de ｓirｅ tｏ talk

ｗith hi ｓ ｄｅｃｅａsｅｄ ｃｏｕsｉｎ ｏｎｅ ｍ ｏrｅ tｉｍｅ. Ｇrad ｕally, people began t ｏ ｋｎｏｗ of it ａｓ‘t ｈｅ ｐｈｏｎｅ ｃｏｎｎｅｃted

tｏ ｈｅａｖｅｎ≒ ａｎｄ ｎｏｗ ｍ ａｎy ｐｅｏｐｌｅ ｃｏ ｍｅ ｊｕｓt tｏ ｖiｓit it･

Ｈａrｕ iｓ a high ｓｃｈｏｏｌｓt ｕｄｅｎt frｏｍ Ｏtｓｕchi ｗho ｗａｓ ａｆｆｅｃted by t ｈｅ Ｇrｅａt Ea ｓt Ｊａｐａｎ Ｅａrthq ｕａｋｅ

Ｄｉｓａｓtｅr. Ｓｈｅ ｇｏｅｓ to liｖｅ ｗith her ａｕｎtin Hir ｏｓhima, b ｕt her ｈｅａrtr ｅｍ ａｉｎｓｉｎ Ｏtｓｕchi. She begin ｓ to

hitchhike all the ｗ ａy back t ｏ ｈｅr ｈｏｍｅ tｏｗn. Ｓｈｅ ｍｅｅts, trａｖelｓ, ａｎｄ ｐａrtｓ ｗith many differ ｅｎt people

along herjour ｎｅy. And ｗhat kind of ｓｃｅｎｅry ｄｏｅｓ Ｈａru ｓｅｅ?

The film “Ｖｏｉｃｅs in the Wind ” is the firｓt ｍｏｖie thaHells the st ｏry oHhis phone booth. Takin9 0n thi ｓ diffic ｕlt

tｈｅｍ ｅ ｉｓ dirｅｃtｏr Ｎｏｂｕhir ｏ Ｓｕｗ ａ, dirｅｃtｏr ｏｆ Ｍ/Ｏther ａｎｄ Ｕｎ Ｃｏu ｐｌｅ Ｐａrfait. Ｔｈｅ ｉｍｐｏrtant pr ｏtａ９０ｎｉst

Ｈａrｕ is played by up- ａｎｄ-ｃｏｍｉｎｇ ａｃtrｅｓs Ｓｅrｉｎａ Ｍｏtｏｌａ, ｗho ｓｅ ｗａrｍ ｐｅrfor ｍ ａｎｃｅ ｉｓ supported by 9r ｅａt

Japarle ｓｅ ａｃtｏrs Ｈｉｄｅｏtｏｓhi Nishijima, Ｔｏshiyuki Ni ｓhida, ａｎｄ Ｔｏｍ ｏｋａｚｕ Miur ａ･

Ｓｕｗa dir ｅｃts tｈｅ ｍ ｏｖie ｗith hi ｓ signat ｕrｅ ｓtyle, f ｕlly ｃａｐtｕring t ｈｅ ａtｍｏｓpher ｅ ｏｆ tｈｅ ｍ ｏｍ ｅｎt, ａs ｗell a ｓ

tｈｅ ｎａtｕrａｌ ｍ ｏｖｅ ｍｅｎts of t ｈｅ ａｃtｏrｓ tｏ ｃrｅａtｅ ａ ｄｏｃｕｍ ｅｎtａry-like feel. lt ｗill feel as though y ｏu ａrｅ ９０１ｎ９

０ｎ ａｊｏur ｎｅy ａ１０ｎｇside t ｈｅ ｃｈａrａｃtｅrｓ, for ａ ｕniqu ｅ ｍｏｖｉｅ ｅｘper ｉｅｎｃｅ that ｗil目ｅａｖｅ ａ ｐｅrｍ ａｎｅｎt

lmpr ｅｓｓｌｏｎ ｏｎ ｖle ｗｅrｓ･ ゝ ' 轟; ”・ダ ……i ･4 、･ｉ ， ４.よ ●● 二｀‘｀411 ； ;･' ４･ 一一ir‘

lこｒ で こここ こ ‾ =こ ７‘７し ぴ’:Ｊ･ 向･

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St Ｏ ｒy

Aft ｅr being affected by lhe Gr ｅａt Ｅ ａｓt Ｊａｐ ａ ｎ Ｅ,ａrthquake

diｓａ ｓtｅr,high s ｃｈ ｏｏｌｓt ｕ ｄｅ ｎt Ｈ ａru (Ser ｉｎａ Ｍ ｏtｏｌａ) ｍ ｏｖｅ ｓ tｏ

Ｈ ｉrｏ ｓhima to li ｖｅ ｗith her ａ ｕnl Hir ｏ ｋｏ { Ｍ ａｋｉｋｏ Ｗ ａtａ ｎａ ｂｅ}･

Until the day of t ｈｅ ｅａrthq ｕ ａｋｅ ，Ｈ ａr ｕ had li ｖed ｗilh her family in lhe 10 ｗn of Ol ｓuchi in l ｗ ａte pr ｅｌｅｃtｕr ｅ.B ｕt that

day,the t ｓu ｎ ａ ｍ ｉ t００ ｋ ｈｅr family fr ｏ ｍ ｈｅr 。

Aft ｅr ｃ ｏ ｍ ｉｎｇ ｈｏ ｍ ｅ ｆrｏ ｍ ｓｃｈ ｏ ｏｌ ｏ ｎｅ ｄ ａy, Ｈ ａr ｕ find ｓ

Hir ｏ ｋ０ ，coIlap ｓed on the 1100r. She i ｓ ｌａ ｋｅ ｎ tｏ the ho ｓpital.

Ａ ｓ Hir ｏ ｋｏ ｓleep ｓ q ｕietly in her ho ｓpital bed ，Ｈ ａru hug ｓ her ，

ａｎ ｄ ｌｅ ａｖｅ ｓ the ho ｓpilal. ｌｎ ａｎ ｅ ｍ ｐty jeld ，ｓ ｈｅ ｃrie ｓ ａ ｎｄ

ｓho ｕtｓ ａｌｏｎ ｅ ，『 ｅ ｍ ｅ ｍ ｂ ｅring her ｄｅ ｏｅａsed family｡

Ｈ ａr ｕ fall ｓ tｏ ｈｅr ｋｎｅ ｅ ｓ, all cried o ｕt. Ａ ｓmall lr ｕck pa ｓｓｅｓ

by,dri ｖｅ ｎ ｂy Ｋ ｏ ｈｅｉ (Ｔ ｏ ｍ ｏｋａｚ ｕ Mi ｕrａ). Ｈ ｅ ｂring ｓ Ｈ ａr ｕ to

hiｓ ho ｕｓｅ, ｗhere he li ｖｅ ｓ ｗith hi ｓ elderly ｍ ｏｌｈｅr. Ｈ ａr ｕ liｓtｅｎ ｓ tｏ t ｈｅ ｍ talk abo ｕt their ｖａrio ｕｓ ｅｘper ｉｅ ｎｃｅ ｓ in

Hjr ｏ ｓhima. Ｋ ｏ ｈｅｉ tａ ｋｅ ｓ herback t ｏ the ｓtalion ， bｕt Ｈ ａr ｕ

decide ｓ tａ ｋｅ ｓ the lr ａｉｎ ｉｎ tｈｅ ｃｏ ｍ ｐｌｅｌｅ ｏ ｐｐ ｏｓite dir ｅｃtｉｏ ｎ ｏｆ

ｈｏ ｍ ｅ｡

Ｗ ｈ ｅｎ ｓhe get ｓ off the train ，Ｈ ａr ｕ ｓtａrlｓ to hitchhike, ａｎ ｄ

ｓhe i ｓ gi ｖｅ ｎ ａ ride by ａ t ｗ ｏ ｎｉｏｅ ｐｅ ｏ ｐｌｅ, ｗ ｈ ｏ ａre brolher

ａｎ ｄ ｓiｓtｅr. Ｔ ｈｅ ｓiｓtｅr, Ｙ ｕka(Mir ａｉ Ｙ ａ ｍ ａ ｍ ｏtｏ)i ｓ pr ｅ ｇ ｎａ ｎt ，

ａｎ ｄ she let ｓ Ｈ ａr ｕ feel her ｓtｏ ｍ ａ ｃｈ, ｗher ｅ ｓｈ ｅ ｃａ ｎ ｆｅｅｌ the

baby ｍ ｏｖin9. Ａt night, Haruis ｓurr ｏunded by a bunch of

delinq ｕｅ ｎtｓ,and ju ｓt ｗ ｈ ｅｎ ｓhe i ｓ facing darlger, ｓhei ｓ

helped by Ｍ ｏrio (Hidet ｏ ｓhi Ni ｓh りｉｍ ａ), ａ ｍ ａ ｎ ｗho ha ｓ ｃ ｏ ｍ ｅ

ｆrｏ ｍ Ｆuku ｓhima, ｗho i ｓ on the road 100king for ａ Ｋ ｕrdis ｈ

ｍ ａ ｎ ｗ ｈ ｏ ｈ ａｄ ｃｏ ｍ ｅ the di ｓａｓtｅr- ａｆｆｅｃtｅ ｄ ａr ｅａ ａｓ ａ

ｖol ｕnt ｅ ｅr｡

Ｍ ｏrio ｕｓed t ｏ ｗ ｏrｋ ａ Ｈ ｈｅ ｎｕｃｌｅａr po ｗ ｅrplant,and lo ｓl

hiｓ family t ｏ the t ｓｕ ｎａ ｍ り ｕｓt like Har ｕ did. Aft ｅr ｖiｓitin9 1he

hous ｅ ｗher ｅ Ｍ ｏrio ｕ ｓed lo li ｖｅ, lhey ｖiｓiHhe ho ｕ ｓｅ ｏｆ

Ｍ ｏrio' ｓ frjend ｓ,t ｈｅ ｌｍ ａ ｄａ ｓ: father ｌｍ ａ ｄａ( Ｔ ｏｓhiy ｕkj

Nishida) ａ ｎｄ ｄ ａ ｕght ｅr Mit ｓｕy ｏ (Shoko lke ｚu), ｗ ｈｏ ｃｏ ｍ ｅ

ｏｕtt0 9｢ ｅ ｅＨ ｈｅ ｍ. Ａ ｓ they ｓin9 10cal folk ｓｏrlg ｓ ，ｌ ｍ ａ ｄａ ｓａy ｓ

ｓofllyt ｏ Ｍ ｏrio: “l ｗi ｓh l co ｕld ｓｅ ｅ that ｓhining ｓｃｅ ｎｅ ａg ａi ｎ

ｌｎ Ｍｏrio ’ｓ ｃａr, Ｈａrｕ iina ‖y ｍａｋｅｓ it back t ｏ Ｏtｓｕchi. Ｓｈｅ

ｄｏｅｓn ’ tｎ ｅｅｄ ａ ｍａｐｌ ｏ ｆｉｎｄ ｈｅr ｈｏｍｅ. But t ｈｅ ｏｎｌy thin9

1eflofit i ｓ tｈｅ ｃｏｍ ｅrｓ10ne, Ｓｈｅ ｈｅａrｓ that there i ｓ ａ ｐｈｏｎｅ

ｂｏｏtｈ ｐｅｏｐｌｅ ｃａ‖ the “VVind Phone ’≒ ｉｎ Ｏtｓｕchi, ｏｎ tｈｅ

Ｎａｍｉｉtａ ｃｏａｓt. lt’ｓ ｎｏt h00ked ｕp tｏ ａｎy ｐｈｏｎｅ ｌｉｎｅｓ, bｕt

people ｓtill uｓｅ tｈｅ ｐｈｏｎｅ ｌｏ tell their dead lriend ｓ and family ho ｗ they feel. Ｈａrｕ ９０ｅｓ tｏｗａrd herfinal ｓ10p, ａｓ if

ｓhe has ｂｅｅｎ ｇｕided ther ｅ ｈｅr ｅｎtirｅｊ ｏｕｍ ｅy … P ｒod ｕｃtｉｏｎ Ｎ ｏtｅ

H ｏｗthe pr ｏｊｅｃt bｅgａｎ The title cf t ｈｅ ｍ ｃvie is ‘IWind Phonel' (English 1111e

ln 2011 ，０t ｓｕchi ，lｗａｌｅr ｅｓident ａｎｄ ｇａrｄｅｎ ｄｅｓigner llVcice ｓ in t 卜le Wirld'I ) ，b ｕl tｈｅ ｐ ｈｃ ｎｅ ｂｏ ０１ｈ ｄｏｅ ｓｎｌ ｌ

ltａrｕ Ｓａｓaki irlｓlalled lhe l‘Ｗ ｉｎｄ Ｐｈｏrle" in hi ｓ ｈｏｍ ｅ ｍ ａｋｅ ａrl appear ａｎｃｅ ｕrllil the ｖｅry ｅ ｎｄ ｏｆ the ｓtｏry･

ｇａrｄｅｎ.Lat ａr,aflert ｈｅ Ｇrｅａt ＥａsI Japar ｌ Ｅ ａrlhq ｕａｋｅ， Ｓ ｕ ｗ ａ ｐｌａｃｅ ｄ ｍ ｏrｅ ｉｍ ｐ ｏrt ａｎｃｅ ｏｎ ｌｈｅ ｅｘperier ｌｃｅｓlhat

ｍ ａｎy ｐｅｃｐｌｅ ｃａｍ ｅ tｃ ｖiｓil lhiｓ phone bc01h lo taik lo the pr ｏtａ ｇｏ ｎｉｓt Ｈ ａrｕ ha ｓ along lhe ｗ ａy ，Ｈ ｅ ｓａy ｓ tha,t itl ｓ

friend ｓ ａrld family ｍ ｅｍ ｂｅrｓ lhey lo ｓt, Thiｓ ｐｈｅｎｏ ｍｅｎｏｎ ｂｅｃａ ｕｓｅ ｅｖｅry ｏｎｅ ｗho ｖiｓitｓ tｈ ｅ Ｗ ｉｎｄ Ｐ ｈ ｏｎｅ ｈａ ｓ

ｗａｓ ｅr ｐｏrｌｅｄ ｉｎ ｎｅｗｓpaper ｓ, ０ｎｌｉｎｅ,ａrld in a TV lheir ｏｗn indi ｖid ｕal ｓlory ，

docu ｍｅｎtary. The produceroHhisfilm pr ｏｊｅｃＩ，EiJilzLJmi 、

ｗａｓ ｏｎｅ ｏｆ ｈt ｅ ｐｅｏｐｌｅ ｍ ｏｖed by ｓｕch rｅｐｏrtｓ. ｚlｕmi C ａ Ｓtin9 appr ｏａｃｈｅｄ Ｓａsaki at hi ｓ ｈｏｍ ｅ ｍａｎy tｉｍ ｅｓ，ａ ｓking14]｢

permi ｓｓｉｏｎＩ ｏ ｃrｅａｌｅ ａ ｍ ｏｖｉｅ ａｂｏｕt lhe ｓlory･ Ｗ ｈｅｎ Casting forlhe main charact ｅrHar ｕ ｗ ａs ｄｏ ｎｅ

Ｎｏｂｕhiro S ｕｗａ ｗ ａｓ ａｓked lo dir ｅｃt,he ｓaid: I･1 1hoｕght il throLjgh a ｕditｉｏｎs,and ｕp' ａｎｄ-(二ｏ ｍ ｉｎｇ ａｃtrｅs5 Ser ｊｎａ

ｗｏｕld be ｖｅry dific ｕlt１ ０ ｍ ａｋｅ ａ ｍ ｏｖｉｅ ａｂｏｕt lhiｓ Ｍ ｏtｏｌａ ｗａs chos ｅｎｆ ｏrthe role. Ｍ ｏtola does ｎｏt yet

ｓｕbJed. ゜ ha ｖe m ｕ(h acting e ｘper ｉｅｎｃｅ, bｕtSu ｗa ｗas r ｅsolut ｅ;'|

Ｈｅ ｃｏｎtinｕｅｓ: lllt０ t０ｋ qｕile ｓｏｍ ｅ ｉt ｍｅ １０『eali ｚelhe thought,she ‘ stheonly ｏｎｅ ｗhocandoit. ″

ｖiｓion of lhi ｓ ｍ ｏｖie. lhad ｗalched lhe doc ｕｍｅｎtａry ｏｎ "Shej sthekindofpers ｏｎｆｏr ｗ ｈｏ ｍtimef10 ｗs ｕ

Ｔ Ｖ ｌｈａｌｓ ｅrｖｅｄ ａｓ ｚl ｕmil ｓ inｓpirａｌｉｏｎ, andil ｗ ａｓjｕｓl difFerently fr ｏｍ ｅｖｅryｏｎｅ ｅｌsｅ, Wheny ｏｕaskhera

heartbreaking thr Ｄｕgho ｕt.Ｔｈｅ ｐｅｏｐｌｅ ｓho ｗn i･｢ltｈｅ q ｕestionjttakesalongtimeforherto gi ｖｅ ａｎ ａｎs ｗｅr! ｄｏｃｕｍｅｎtａry, ｅｖｅｎ tho ｕgh lhey ｏｆｃ ｃｕrｓｅ ｇａｖｅ their SheJ 5( 二ｌｅａrly thinking a lot, b ｕt ｗ ｈｅｎs ｈｅ ｅ permi ｓｓｉｏｎｌ ｃ ｂｅ ｎｌｍ ｅｄ ａｎｄ ｓho ｗｎ ， lkept ｗｏｎｄｅrirlg ｃｏ ｍ ｍu ｎr(二ａtｅsit' srloteasyt ｏ ｕndersland.That' 5 her

ｗhether l ｓ110ｕld keep ｗalching lhem. Ａｎｄ ｆｏr tｈｅ ｐｅｏｐｌｅ char ｍ,Haruasacharact ｅrhasa! ｏtofs( ｅｎｅs ｗher ｅ

ｈ tｈｅ ｄｏｃｕｍ ｅｎｌａry ， lthink lhey ｗｅrｅ ａｂｌｅ １０ ｓｐｅａｋ shei sr10t speakin9, bLlt y ｏｕ ｎｅｖｅr geUired of

ｏｐｅｎｌy ｂｅｃａｕｓｅ they ｈａｄ ｎｅｖｅr ｂｅｅrl aｓked t ｏ ｓhar ｅ ｗatclling her.11ho ｕght that ｗas ｖery 900d.'｢

ｂｅｆｏrｅ.llho ｕght, ｅｖｅｎ tho ｕgh thal' ｓ ｓｏ ｍｅthing ly ｐｉｃａｌ Hideot ｏshi Nish りj｢la‘ s last appearancein a

ｏｆａ ｄｏｃｕｍ ｅrllary ，ｍａybe y ｃｕ ｃＱｕld e ｖｅrl do the ｓame S ｕｗａ-directed lilm ｗ ａs 1997' s 2y Ｄｕｏ.Ｔｏ ｍ ｏｋａｚLj

lhing ｗith a lct ｉｃｎａｌｍ ｃｖie,I' Mi ｕrａａ ｎｄ Ｍ ａｋｉｋｏ Ｗ ａtａｎａｂざslast ａｐｐｅａrａｎｃｅsina

Su ｗa fjlm ｗa5 1999' s Ｍy Ｏther, NishUima' s role in this Ｔ ｈ ｅ ｊ Ｏ Ｕ ｍ ｅy Of filming fr Ｏ ｍ ｍ ｏｖie is diflicult, similarto h15 ｢ole in 2yD ｕ０. He ｗas

Ｔ ｈｅ ｓtｏry i ｓ ａｂｏ ｕt a high ｓch001 gir ｌ ｎａ ｍ ｅ ｄ Ｈ ａrｕ ａｓ ｓhe often ｗ ｏrking hard on ilt on the sel.

tΓａｖel ｓ lr ｏ ｍ Ｈｉrｏ ｓhima back io her ｈ ｏｍ ｅ tｏ ｗr1 0f Ot ｓｕchi ， S ｕｗasays: “Hispartis ｖｅryhea ｖy.andhischaract ｅris

b ｕt thal ｗ ａｓnl l t ｈ ｅ ｏriginal plan. Ｔ ｈｅ ｏriginal idea ｗ ａｓ for ｎｏt ｖery ｗ ｅ‖-denned,50 1t ｗa5 a lot of pr ｅss ｕrｅ ｏｎ ｈｉｍ.

ａ y ｏｕng per ｓ ｏｎ ｆrｏ ｍ ｗ ｅ ｓler ｎ ｊ ａｐａ ｎ ｗho ｗ ｅ ｎt thr ｏ ｕｇｈ ａ B ｕtl kne ｗ ｌｃ ｏｕld co ｕrltｏｎ ｈｉｍ. E3ｕt dlsＧｉ ｎ th 巳s ｃｅｎｅ

ｎ ａtｕral di ｓａ ｓtｅr ｌｅａrｎ ｓ ｏＨ ｈｅ ‘IVVind Phonel' ａ ｎｄ ｈｅａ ｄｓ tｏ ｗheretheygot ｏtheKurdjs ｈ ｃｏｍ ｍ ｕnity,he saidjl

０ １ｓ ｕchi. had no idea ｗhat t ｏ ｄｏ there as an a(t ｏrso it90t me

‘IBulfor ｍ ｅ ，11houghHher ｅ ｗ ａs ａ ｇ Ｆｅａｌ ｍ ｅａ ｎｉｎｇ ｉrlthe kind of do ｗn “ ! Aftｅr filmin9, hesent me an email that

idea of ‘going back t ｏ ０ １ｓｕchi･ ，Ｇ ｏｉｎｇ ｂａ ｃｋ tｏ ｆａｃｅ ｌｈｅ sid,T m91adthatl ｗasablet ｏsay ｗhatl ｗantedt ｏ

ｐｌａ ｃｅ ｉｎ ｗhich y ｏｕ LJｓedt ｏ ｂ ｅ, eighl y ｅａrｓ aft ｅr tｈｅ say,be{ 二aLjse itｗas y ｏｕ.JAndyes,0ns ｅt,bothofus

ｅ ａrthq ｕａ ｋｅ ，Ｔ ｈａtl ｓ ｗher ｅ y ｏ ｕ ｗ ｅr ｅ ｂ ｏ ｍ ａ ｎｄ rai ｓed ， doni t hold anything ba 〔kfr ｏ ｍ ｅａ〔h oth 巳｢,ａｎｄ ｗ ｏrk

ｗher ｅ y ｏｕ ｃｅrtainly ha ｖｅ ｍ ｅ ｍ ｏrie ｓ ｏｆ ｐｌａ ｃｅ ｓ thal ar ｅ t０９ｅtherto make d15{ 二ｏｖｅries.｢'

Ｉｏｎ ｇ ｇｏ ｎｅ ，Ｂy gohg back t0 1hat ｐｌａｃｅ ， 11hink y ｏｕ ｓtａrtt ｏ 5 ｕｗａ ａ１５０ ｆｏurld interesting the difierent ｗａys

s ｅｅ ｌｈｅ ｍ ｕI!iple lay ｅr ｓ of lhing ｓ,II S ｕｗ ａ ｓａys｡ ｖｅtｅran act ｏrslikeTomokaz ｕMiLjra and Toshiy ｕki

To Su ｗa ， this ｗas his first ｅ χperience going on the NFshida approachedtheira(tin9･

rｏａ ｄ １０ ｆｉｌｍ ａ ｍ ｏｖie, ｍ ｕch like 01d lr ｏａｄ ｍ ｏｖie ｓ ≒ "Miura has s ｏｍ ｅthing ofa direct ｏr in him. He i･s al ｗays

｀ll admit l didn' t q ｕile ｓｅ ｅ ｌｈｅ ｅ ｎtirｅ ｓｃａｌｅ ｏＨ ｈｅ ｍ ｏｖie thinkingabo ｕtho ｗhischaractercanmakethemo ｖｉｅ

frｏ ｍ ｌｈ ｅ ｖｅry beginnirlg. ０ ｆ ｃｏ ｕrｓｅ,jnt ｈｅ ｅrld ｗ ｅ ｈａ ｖｅ ｅｖｅｎ ｂｅttｅr,ａｎｄ ｗ 卜lalhesho ｕlddolomakethat

tｈｅ ｃ ｈａrａｃｌｅr ａrriｖing at the VVind Phone ， bｕｌ ｂｅ ｃａｕ ｓｅ ｌ happen,Hehadalotofdiffer ｅｎtplans,s Ｄ ｗ ｅ talked a

ａ ｎｄ the ｓtaff had no idea ｗhat t ｈｅ ａｄ ｏrｓ ｗ ｏｕld ｓａy ｏ ｎｃｅ 10t ｏ ｎ sｅt, Ｍyfilm5cripts arerl ゛ t eｘa(tly set in 5t ｏｎｅ，

they ｗ ｅrｅ ｉｎ the Phone b001h, ｗ ｅ ｈ ａｄ ｎｏ ｉｄ ｅａ ｈｏ ｗ it b ｕtMiura' s s ｃｅｎｅs ｗｅrｅ ｅｘtremelyimportant,A ｎd

ｗ ｏｕld t ｕ ｍ ｏ ｕt, ａ ｎ ｄ ｗ ｅ ｗ ｅrｅ really ｅχciled t ｏ ｓｅｅ ｗhal

ｗ ｏｕld happerl." h ｅreally br ｏughl t ｈ ｅ ｍ ｏｖie t ｏｇ ｅther, This is the first Ａ ｐｐｅ ａrir19 1「1 1he mc ｖｉｅ ａre Kurdishr ｅsiderlts of

time l' ｖｅ ｗ ｏrked ｗith Ni ｓhida ， bｕt it ｗ ａ ｓ a 101 0f JaparlWherlor ｌｅ ｏｎ ｈｅ Ｋ ｕrd ｓlalksaboLjl ho ｗ hi ｓ

fｕrl. Ｈ ｅ ｗ ａ ｓ alrｅ ａ ｄy ｉｎ ｃ ｈａrａ ｄ ｅrl【 】ｎ ｇ ｂｅｋ 】rel ｗ ａｓ falhertried t ｏ ｅ ｎtｅr tｌｌｅ ｃｃ ｕｎtry ａｓ ａ ref ｕｇｅ ｅ ａrld

rｅａ ｄy lo ｓａy ｌａｃtｉｏ ｎリ Ｅ ｖｅrylhing Ni ｓhida ｓａys ｗ ａ ｓ ｗ ａｓ ｓｕddenly ａrr ｅｓted by immigr ａｌｉｏｎ ａｎｄ ｗ ａ ｓ ｓtill

impr ｏｖiｓed.lenlr ｕｓled 卜lim t ｃ ｓａy ｗhat ｅｖｅr he in pri ｓｏｎ,that i ｓ ｏｎｅ ｏｆ the painf ｕl e ｘper ｉｅ ｎｃ ｅｓ that

ｗ ａrlled 10 ｓａy.' ゜ ｍ ａrly of t ｈｅ ｍ ｈａ ｖｅ ｅ χper ｉｅ ｎｏｅｄ ｈ ｅrｅ ａ ｎ ｄ ｎ ｏｗ｡

Ｓ ｕ ｗ ａ ｙIVVhere i ｓ their ｈｏ ｍ ｅ? Ｔ ｈｅy ｍ ａy ｇ ｏ ｂ ａｃｋ lmpr Ｏ Ｖ ｉ Ｓ ａt ｉＯ ｎ ａ ｌ Ａ Ｃtin9

ｏｎｌy t0 1rld that it i ｓ ｇ Ｑｎｅ. lt ’ｓ ａ ｓｃｅ ｎｅ ｌｈ ａt ｍ ａ ｋｅ ｓ Nob ｕhir ｏ Ｓ ｕ ｗa i ｓ a dir ｅ ｃtｏr ｗho ｗ ｏrk ｓ Ljnder the y ｏ ｕ thirlk abo ｕt ho ｗ ｈｏ ｍ ｅ１０ ｗrl ｓ ｃ ａｎ ｂｅ ｌｏｓl ，「11he | principle lhat t ｈｅ ａｃ１０rｓ ｓho ｕld impr ｏｖiｓ ｅ ａ ｃｃｏrding laUer ｈ ａｌｆ ｏＨ ｈ ｅ ｍ ｏ ｖie lherel ｓ ａ ｓｃｅ ｎｅ ｗher ｅ tｏ ｗhat ｅｖｅr ｃｏ ｍ ｅｓ ｏ ｕt of t ｈ ｅ ｍ Ｖ ｏｉｃｅ ｓ in lhe Wind ＮｉｓhidaJ ｓ ｌｍ ａｄ ａ ｓing ｓ a folk ｓｏ ｎ ｇ ，ｓol ｗ ａｓ ~ 〃 一乙･W ‾ ha ｓ ａ ｓｃript ， bｕt ｎｅ ｗlhing ｓ ｗ ｅre added lo it ｅｖｅry thinking abo ｕt ｗhal ｓong l ｗanled him t ｏ ｓing. Ｓ ｏ ｍ ｏrnirlg. S ｕ ｗa lalked ｗit卜l ｌtｌｅ ａｃtｏrｓ ｏ ｎ ｓel, ａ ｎｄ ｗ ｈｅ ｎ ｌ ａ ｓked Ni ｓhida ， he ｓaid ，゜Shin- Ｓ ｏ ｍ ａ-b ｕｓhi iｓ ｓimply ｗaited for ｗhale ｖｅr ｅ ｍ ０１１０rlｓ ａ ｎ ｄ ｗ ｏrd ｓ ａ ｎｉｃｅ ｓｃｎ ｇｊ Ｓ ｏ ｈ ｅ ｓａ ｎ ｇ that, and l lhink it ’ ｓ ａ ｗoLjld springforlh fr ｏ ｍtheirhearts. ｓong lhat ｓlrｏrlgly ｅｖｏ ｋｅ ｓ ａ ｓｅrl ｓｅ ｏｆ ‘IＡ ｃｌｏrｓ ｄｏ ｎ' tJ ｕ ｓt‘ａ ｃt≒they ‘ｅｘiｓr . Ｗ ｈａｌ ｌｈ ｏ ｍ ｅtｏｗnl ｡ ’ ｅ ｍ ｏtｉｏｎｓ ａrｅ they feeling ？ Ｈ ｏ ｗ do they r ｅａｃt in

thi ｓ ｓilｕａｌｉｏｎ? Ｗ ｈａt ａre lhey thinkir19? Ｔ ｈｏｓｅ T ｈ ｅ Ｌ ａ Ｓt SCene ｙ qLle ｓtｉｏ ｎｓ ｗill ha ｖe difr ｅrｅrlt ａ ｎ ｓｗ ｅrｓ for ｅｖ ｅry Thehillinthet ｏ ｗ ｎ ｏｆ Ｏt ｓLjc111 ｗher ｅ ｌｈ ｅ Ｗ ｉｎ ｄ Ｐ ｈ ｏ ｎｅ 卜 per ｓ ｏrl ，ｅｖ ｅry ｗ ａy ｏrli ｖirlg. Ｔ ｏ ｍ ｅ, ａ ｍ ｏｖie iｓ all ｓtａ ｎｄ ｓ iｓ ａ ｂｅａ ｕtilｕl ｓｐａ ｃｅ ｄｅｓigned by gar ｄｅ ｎｅrlt ａrｕ ｗ abo ｕt ｃ ａｐtｕring lho ｓｅ ｍ ｏ ｍ ｅ ｎtｓ." Ｓ ａｓaki.lt feel ｓ like a ｕ10pia ｗhe 陀t ｉｍ ｅ ｈａ ｓ ｓtopped. Ｙ ａsLjko Bepp ｕ ，ｗho plays t ｈｅ ｍ ｏther ｏｆ

ａ lt’ｓ ａ ｐｌａ ｃｅ that i ｓ q ｕitｅ ｏ Ｌ』1-of-the- ｗ ａy and diffic ｕlt tｏ Ｔ ｏ ｍ ｏ ｋａｚｕ Mi ｕrａ' ｓ ｃｈａrａ ｃtｅr, iｓ fr ｏ ｍ Ｈ ｉrｏｓhima.

ｇ ｅtt ０, ｓ ｏ ｐ ｅｏ ｐｌｅ ｏｎｌy ｃ ｏ ｍ ｅ to lhe iVVind Phone ’ｗ ｈｅ ｎ Ｗ ｈｅ ｎ ｈｅr ｃｈａrａ ｃtｅrirl t ｈｅ ｍ ｏｖie i ｓ talkirlg abD ｕt

theyreally need il ，Ｈ ａr ｕ lirld ｓ it ａt tｈ ｅ ｅ ｎ ｄ ０１ ｈｅr herchild110cd memorie ｓ, tho ｓｅ ａr ｅ Ｂ ｅｐ ｐｕl ｓ ａ ｃtｕ ａｌ

Jo ｕ ｍ ｅy. Ａ ｎ ｄ ｗ ｈａｌ Ｈ ａr ｕ ｓａy ｓ ｗ ｈｅｎ ｓhe ｓlep ｓ inlo the ｅｘperier ｌｃｅｓ. Ni ｓhiJima maket ｉｍ ｅt ｃ ｈａｖｅ

● p110neb001h ｗ ａｓlefl ｕpt ｏ Ｍ ｏtｏｌａ ｈｅrselft ｏ ｄｅｃｉｄ ｅ. ｃｏ ｎｖｅrｓａｉｉｏｎｓ ｗitht ｈｅ ｍ ａ ｎ ｗholi ｖｅ ｄ ｉｎ ｏ ｎｅ ｏｆtlle

SLj ｗajVVherl ｗ ｅ ｗ ｅrｅ ｗritin9 1he ｓｃript, the ｗrit ｅr ho ｕ ｓｅ ｓ ai ｗhich they ｗ ｅre filming. Ｔ ｈ ｅ ｍ ａｎ ，ｗ 卜10

ln ｕkai and l oft ｅｎ talked abo ｕt ｗhat she ｗ ｏｕld s ａy al ｗ ａｓ ａ ｌｏｃａｌ t0 1hat ａr ｅａ 、didn' t lell Ni ｓhiJima abo ｕt ４ ａ tｈ ｅ ｅ ｎ ｄ ，０ 「 ｗhelher ｓhe ｓho ｕld ｓａy ａrlylhing al all. ｗ ｏrk, ０｢ ｍ ｅ ｍ ｏrie ｓ of the day of the di ｓａｓtｅr,b ｕt Ｔ ｈｅr ｅ ｗ ｅrｅ ｓｏ ｍ ｅ ｌｉｎｅ ｓ lhat lrl ｕkai had ｗritｌｅｎ ｃt ｃｏｕrｓｅ ａ ｂｏ ｕt llle pr ｅｓｅrlt, Ｗ ｈａt ａr ｅ y ｏ ｕr hobbie ｓ? Ｗ ｈａt

Ｂ ｕt ａ ｓ ｗ ｅ ９０t ｃ１０ｓｅr to filming lhat ｓｃｅ ｎｅ ， la ｓｋｅｄ do y ｏ ｕ like t ｏ ｅａｌ? Ｈ ｅ ｗ ａｎted t ｏ ｌｅ ａrｎ ａ ｂ ｏｕllhe

Ｍ ｏｉｏｌａ tｏ try ａ ｎｄ ｗrile do ｗ ｎ ｗhat ｓhe ｗ ｏｕld like 10 ｓａy･ fine detaiI ｓ ｏｆ ｅｖｅrydaylile.

Ｂｅ ｃａ ｕｓｅ y ｏｕ donl l really ｋ ｎｏ ｗ ｗhaty ｏｕ ｗ ａ ｎＨ ｏ Ｓ ｕｗ ａ ｓａy ｓ:‘Iln a ｓ ｅｎｓ ｅ, tlliｓ ｍ ｏｖie i ｓ ａ

ｅ ｘpr ｅｓｓ ｕｎtil lhat t ｉｍ ｅ ｃｏ ｍ ｅ ｓ.’ ｄ ｏｃｕ ｍ ｅ ｎtａry ａｂｏ ｕt Ｊａｐ ａｎ｡ 11' ｓ ａ ｂ ｏｕl bea ｕlifｕＩ

Finally,lhey ’「e lilming lhe s ｃ ｅｎｅ. The 旨sl take isn ’ t Ｊａ ｐａｎ ｅ ｓｅ ｓｃｅrlery ａrld loGal hi ｓtＱry･ AIl t ｈｅ

gr ｅａt. Ｍ ａybe lhe ｗ ｏrd ｓ ａrｅ ｎ ’ t lirling ｕp ｗell ｗilh t ｈｅ ｃｈａrａ ｃtｅrｓ ha ｖｅ their ｏ ｗ ｎ ｐ ａｓIｓ, their ｏ ｗrｌ

ｅ ｍ ｏtｉｏｎ ｓ, Ｔ ｈｅ ｌａ ｋｅ ｕ ｓed in the flrlal film i ｓ ａ ｃtｕally t 卜le ｍ ｅ ｍ ｏrie ｓ, ａ｢ld they all pile ｕp like geological ｓIrａtａ ，

2ndt ａｋｅ.Afler Ｓ ｕｗ ａ ｓａy ｓ‘ ｃｕt ≒11e a ｓk ｓ Ｍ ｏtｏｌａ ｈ ｏｗ ltho ｕghtit ｗ ａ ｓ ｖｅryimpor ｉａｎ Ｈ ｏ ｃａｐtｕrｅ ｓｕch

ｓhefeel ｓ. Ｓ ｈｅ ｓａy ｓyIl think l did it, ’ａｎ ｄ Ｓ ｕ ｗ ａ ａ ９rｅｅ ｓ. ｓtrａtａ ｅ ｓpecially ｎｏ ｗ, 8 y ｅ ａrｓ aft ｅr the di ｓａ ｓtｅr.'

lt’ｓ ａ ｌｏ ｎｇ ｓｃｅrle, ｏ ｖｅr 10 min ｕtｅｓ, ａ「ld Har ｕ ’ｓ

Ｌ Ｏ Ｓt ａ ｎ ｄ Ｗ Ｏ Ｕ ｎ ｄ ｅ ｄ Ｈ Ｏ ｍ ｅt Ｏ Ｗ ｎ Ｓ 『ｎｅｓｓａｇ ｅ ｐｏ ｕrｓ ｏ ｕl of her,aft ｅr ｓhe ha ｓ bottled it ｕp in

Ｎ ｉｓh りｉｍ ａ' ｓ ｃｈａrａ ｃtｅr Ｍ ｏrio i ｓ looking for ｓilerｌｃｅ ｆｏrthe enlir ｅ ｍ ｏｖie. Ｔ ｈｅ ｗ ｃrd ｓ ｓｏｕnd

ｓｏ ｍ ｅｏ ｎｅ, ａ｢ld meel ｓ ｓ ｏ ｍ ｅ Ｋ ｕrdi ｓh people. 11' ｓ an ab ｓol ｕlely ｂｅａ ｕtifｕl.

odd epi ｓode irl lhe st ｏry onhi ｓ ｍ ｃｖie. 11 may ｎｃｌ ｂ ｅ

ａ ｆａ ｍ ｉｌｉａr ｓ ｕbject for ｐｅ ｏ ｐｌｅ ｉｎ Ｊａ ｐａｎ ， bｕtitl ｓ ａ ｎ

ｉｓｓｕ ｅ ｃ１０ｓ ｅ tｏ ｈｏ ｍ ｅ ｆｏr ｍ ａrly ｗ ｅ ｓｌｅ ｍ ｃｏ ｕrltrie ｓ.

Thi ｓ ｓｏｅｎ ｅ ｓtrongly ｃｏ ｍ ｍ ｕrlicat ｅｓ that ｅｖｅ ｎ ｈ ｅrｅ ｉｎ

Ｊａ ｐａ ｎ ，111erｅ ａrｅ ｆｏrｅｉｇ ｎ ｅrｓ ｗho ｗiｓh they ｃｏ ｕld

rel ｕ ｍ t0 1heir ｈｏ ｍ ｅtｏｗrl ｓ ，b ｕｌ ｃａ ｎ' 1.

C ａst Ｐｒｏfilｅ

“ Ｈ ａｒｕ ” Sｅｒｅｎａ Ｍ ｏtｏｌａ / モ ト ー ラ 世 里 奈

B ｏrｎ Ｏ ｃtｏｂｅr 91h 1998 1n Toky ｏ. Ｄｅｂｕtｅｄ ａｓ a model in 2015 jn SO- ＥＮ ｍａｇａｚｉｎｅ. Ｓｈｅ ｈａs ｓｉｎｃｅ ａｐｐｅａrｅｄ ａs ａ ｍ ｏｄｅｌｆｏr ｖａrio ｕｓ apparel br ａｎｄｓ ａｎｄ ｆａｓｈｉｏｎ ｍａｇａｚｉｎｅs. She had an int ｅrｅｓt ｉｎ ａｃtin9 ， and in 2018 deb ｕted in the 2018 mo ｖie “Girlｓ'Ｅｎｃｏｕｎtｅr ぴ 少 女 廻 遁 』)". Ｈｅr ａｃting also left ａｎ ｉｍｐrｅｓｓｉｏｎ ｏｎ ｖie ｗｅrｓ in the 2018 NHK dr ａｍａ ‘ＩＡｎ ｌｎｖiｓible Cradle く｢透 明 な ゆ り か ご｣)". ０ther ａｐｐｅａrａｎｃｅｓ inclｕde 2019' ｓ“ Ｍy Father,lhe Bride( 『お い し い 家 族 』)， ａｎｄ“ Ｂｌａｃｋ Ｓｃｈｏｏｌ Ｒｕleｓ (『ブ ラ ッ ク 校 則 』)"，ａ ｍｏｖie and dr ａｍ ａ ａｌｓｏ ｏｎ Ｈｕlｕ. She i ｓ ａ ｎｅｗ ｕp- ａｎｄ-ｃｏｍｉｎｇ ａｃtrｅｓｓ ｗho ｗill ne ｘl appearjn the J ｕly 2020 『ｅｌｅａｓｅ “Ｒｅｎ Ｒｅｎ Ｄｏ Ｆａ(『恋 恋 豆 花 』)･

“Ｍ ｏrio ” Hidet ｏshi Nish吊ｍａ／西 島 秀俊

B ｏｍ Ｍａrch 29th 1971 1n Toky ｏ. Firｓt appeared in the 1994 mo ｖie “Ｇ ｈｏｓt Pub( 『居 酒 屋 ゆ う れ い 抑',ln 1997 ， appear ｅｄ ｉｎ Ｎｏｂｕhirｏ Ｓｕｗａ’ｓ“2y Ｄｕｏ（1(2/ デ ュ オJ)". Ｓｉｎｃｅt ｈｅｎ ｈｅ ｈａｓ ａｐｐｅａrｅｄ ｉｎ ｍ ａｎy ｍｏｖieｓ ａｎｄ ＴＶ ｄrａｍａｓ. M ａｉｎ ｍｏｖｉｅ ａｐｐｅａrａｎｃｅｓ include “Ｄｏ‖ｓ" in2002 ，Kikyo in 2005 パＶａｃａtｉｏｎ く『 休 暇 』)"in 2008, CUTin 2011 ，“ Ｍ ＯＺＵ" in 2015, “Ｓａｍurai' ｓ Pr ｏｍｉｓｅ ぴ 散 り 椿 』)"in 2018, andin2019 Det ｅｃtiｖｅ Ｐｉｋａｃｈｕ( Ｊａｐａｎｅｓe d ｕb) パAir ｃraft Ｃａrrier lb ｕk( 『 空 母 い ぶ き 』〉パNinky ｏ Ｇａｋｕｅｎ (( 任 侠 学 園J)", ａｎｄ ｍ ｏrｅ.

ヒ “ ｈ Ｔｌａｄ ａ ” nshiy ｕki Nishida /西 田敏行

B ｏrｎ Ｎｏｖｅｍ ｂｅr 4th 1947 1n F ｕkｕｓhima. Joined t ｈｅ Ｓｅｉｎｅｎｚａ ｌｈｅａtｅr training program in 1968, and 9rad ｕaled in 1970, ｂｅｃｏｍｉｎｇ ａ ｍｅｍ ｂｅr.1n 1978, ｈｅ ａｐｐｅａredint ｈｅ ＴＶ ｄrａｍａ “Jo ｕrｎｅy tｏ ｌｈｅ Ｗ ｅｓl『L 洒 遊 記 』)･｀.ln 1980, ｈｅ ａｐｐｅａred in lkenaka Genta 80k9 (｢ 池 中 玄 太80 キ ロ｣).From 1988 he appeared in the film ｓｅrie ｓ ”Frｅｅ ＆Easy び 釣 リ バ カ 日 誌JP, ｂｅｃｏｍｉｎｇ ａ ｎａtionally-belo ｖｅｄ ａｃtｏr. Ｍ ａｉｎ ｍｏｖｉｅ ａｐｐｅａrａｎｃｅｓ incIｕde “Ａ Ｃｌａｓｓ tｏ Ｒｅｍｅｍｂｅr(r 学 校 よ) (1993), “Ｔｈｅ Ｒａｉｎｂｏｗ Ｓｅｅｋｅr『r 虹 を つ か む 男 』)"(1996), “Ｄａｗｎ ｏｆ Ｎｅｗ Ｄａy: Ｔｈｅ Ｍａｎ Ｂｅｈｉｎｄ ＶＨ Ｓr 陽 は ま た 昇 る 』" (2002),Penguin ｓ in the Sky- Ａｓahiy ａｍａ Ｚｏｏ (r 旭 山 動 物 園 物 語 ペ ン ギ ン が 空 を と ぶJ)(2009)yISt ａr Ｗａtching D09 (1 ‾ 星 守 る 犬))"(2011), “Ｒｅｕnion 『f 遺 体 ～ 明 日 へ の 十 日 間 』)"(2013), “Ｏｕtrａｇｅ Ｃｏｄａ(『ア ウ ト レ イ ジ 最 終 章 』)"(2017) ，

l

‐l｡

ｔ

９ Ｓ ９

ｘ‘‐

“ Ｋ ｏ ｈ ｅｉ” T ｏｍ ｏｋａｚｕ Mi ｕrａ / 三 浦 友 和

B ｏｍ Ｊａｎｕａry 28t ｈ １９５２ １ｎ Ｙａｍａｎａｓhi. Ｄｅｂｕtｅｄ ａｓ ａｎ ａｄ ｏrin 1972. Ｈｅr ｅｃｅｉｖｅｄ ａｃｃｌａｉｍ ｆｏr ｓｕch r ｏｌｅｓ ａｓ ｉｎ Ｎ ｏｂuhir ｏ Ｓu ｗａ'ｓ 1999 film My Ｏther, ｗinning Be ｓt Ａｃtｏr al the 24th Hochi Film A ｗａrd ｓ, ａｎｄ Ｂｅｓt Ａｃtｏr ａtthe gt ｈ Ｊａｐａｎｅｓｅ Ｍ ｏｖｉｅ Ｃrilicｓ Ａｗａrd ｓ. ０therfilm appear ａｎｃｅｓ inclｕde 1 974' ｓ“ Ｔｈｅ Ｄａｎｃｉｎｇ Ｇｉrl of ｚul [ じ伊 豆 の 踊 り 子]) ， 1985' ｓ Ｔy ｐｈｏｏｎ Ｃｉｕb し 台 風 ク ラ ブ｣) ，1989' ｓ“226", 2007' ｓ“Adrift(r 転 々J)"in Toky ０, 2009js “Ｔｈｅ Ｕｎｆroken ( 『 沈 ま ぬ 太 陽J 』",2010' ｓ“ Ｏ ｕtrａｇｅけ ア ウ ト レ イ ジ 』)",2011's “Ｃr ｏsｓrｏａｄｓ(『Rail ｗａyｓ 愛 を 伝 え ら れ な い 大 人 た ち へ 』)",2016' ｓ “６４ ＳＩＸ ＦＯ ＵＲ(f64 汀and “Ｔｈｅ Ｋａtｓｕr暗 Ｍ ｕrder Ｃａｓｅ(『葛 城 事 件J 』",2018' ｓ“Ａ Ｆｏrｅｓt ｏｆ Ｗ ｏｏｌａ ｎｄ Ｓtｅｅｌぐ 羊 と 鋼 の 森J)", ａｎｄ ｍｏrｅ. Stａ汀p ｒｏｍ ｅ

？ り ，

Dir ｅ Ｃt Ｏr NObUhir Ｏ Ｓ Ｕ Ｗ ａ / 諏 訪 敦 彦

Bom 1960,in Hiro5hima. Ｂｅｇａｎ ｍａｋｉｎｇ ｍｏｖies ｗhile still a stｕderltatTokyoZokeiUni ｖｅrsity （S ｈｏｏｌ

ｏｆ Ｄｅsign. ln 1985, he dir ｅ（ted,prod ｕｃｅｄ,ｗrｏtｅ,and 5hot the sho ｒtfilm “Ｈａｎａsａrｅrｕ ＧＡＮＧｊ≒ ｗhi（h

ｗａsｅ ｎtｅred int ｏ the 8th Pia Film Festi ｖal.He has als ｏ ｗｏrｋｅｄ ｏｎ sｅｖｅrａｌＴＶｄｏｃｕｍｅｎtａries,ｗith his

1995 doc ｕｍｅｎtａry abo ｕt Sojin Kamiy ａｍａ,ｏ ｎｅ ｏｆthe ｖｅry feｗ actｏrs frｏｍ Ｊａｐａｎtｏ ｗｏrkin

Holly ｗｏｏｄ, receiｖing high prais ｅ. He made his feat ｕrｅ-length film deb ｕt in 1 997 ｗith ″2/Ｄｕｏ≒Fr ｏｍ

ｈｅrｅ, hisｕniq ｕe impr ｏｖisａtｉｏｎａｌ style offilmmaking began in ear ｎｅst. ln 1999, h15 film “Ｍ/Ｏther" ｗｏｎ

the FIPRESCI Pri ｚｅ ａt the 52nd (: ａｎｎｅs Film Festi ｖal, Best Film at the 14th Takasaki Film Fe5ti ｖal, and

BestScript ａt 54th Mainichi Film A ｗａrds.He has ｍａｄｅ seｖｅrale χperｉｍｅｎtal fjlms, 5ｕch as H St ｏry ，

ｗhichisaremakeofAlainRes ｎａｉs'ぐHir ｏsｈｉｍａ Ｍｏｎ Ａｍｏｕlｿﾞ¨ Ｕｎ Ｃｏｕple Parfait'≒s ｅt in Paris ａｎｄ

ｍａｄｅ ｗith a French and Japanes ｅ stafC'Y ｕki ＆Nina, ″ｗhich st ａrred a 9-year-old girl ｗith rlo prｅｖioｕs

acling e ｘperｉｅｎｃｅ,ａ‖ ofｗhich ｗｅrｅ(二reated ｗitｈ ｎｏ sｅt scenar10. 1n 201 7,hereleased “The Lion Sleeps

TonighC ｗhich stars legendaryFrench act ｏrJe ∂ｎ-Pierre Lea ｕd. Hec ｕrrｅｎtly teache5 at the 9｢ad ｕａtｅ

s（ｈｏｏｌｏ ｆｆｉ ｌｍ ａｎｄ ｎｅｗ media at Ｔｏｋyo Uni ｖｅrsity oftｈｅ Ａrts.

FilmOgraphy

1984: Ｈａｎａｓａrｅrｕ Ｇ ＡＮＧ － Ｅｎtｅred in Pia Film Fe ｓtiｖal

1997: 2y Ｄu ｏ － ＲｏＵｅrdam Film Fe ｓtiｖal ， Be ｓt Ａｓian film ，ｅ ｌｃ｡

1999: Ｍ/ Ｏther － FIPRESCI Pri ｚｅ ａｌ Ｃａｎｎｅｓ Film Fe ｓliｖal

2001 : Ｈ Ｓtｏry

2002: ａ ｌｅＵｅr frｏｍ Ｈｉrｏshima － ａ ｓegmenl in the omnibus “Aft ｅr Ｗａr ≒ Ｇr ａｎ Ｐriχ ａt Ｌｏｃａｍ ｏ ｌｎtｅｍ ａtionai

Film Fe ｓtiｖal

2005: Ｕｎ Ｃｏｕｐｌｅ Ｐａrfait － Ｌｏｃａｍｏ ｌｎtｅ ｍａtional Film Festi ｖal ， Special Pri ｚｅ ｏｆ the J ｕry, ＣＩＣＡＥ Ａｗａrd

2006: Ｐｌａｃｅ ｄｅs Vicloir ｅｓ（s ｅｇｍｅｎt ol Pari ｓ je t’ａ ｉｍｅ）

2009: Ｙｕki ＆ Ｎｉｎａ（ｃｏ-dirｅｃted ｗith Hippolyt ｅ Ｇｉrａrdol ）

2010: Ｋｕrokami

2017:The Liorl ｓleep ｓ Tonight Afler tr ａｖelin9 0 ｖｅr t300 kilomet ｅrｓ frｏｍ Ｈｉrｏｓhima t ｏ rｅtｕｍ t ｏ ｈｅr ｈｏｍ ｅtｏｗ ｎ，Ｈ ａrｕ finds the

‘VVind Phorle レ ａ［ｍ ｏst by ａｃｃｉｄｅｎt. S10 ｗly, ｓｈｅ ｅｎtｅrｓ tｈｅ ｐｈｏｎｅ ｂ００th, and begins s ａying ho ｗ

ｓhe feel ｓｊ ｏ ｈｅr ｄｅｃｅａｓed family. F ｖｅｎtｕally the ｗ ｏrd ｓ ａrｅ ｏｖｅrflo ｗing ｗit ｈ ｅ ｍ ｏtｉｏｎ, ａｎｄ ａs ｗ ｅ

ｗｅre filming that ｓｃｅｎｅ ， lｗａｓ ｓtrｕck ｗilh a ｓlrａｎｇｅ ｓｅｎｓａtｉｏｎ. ltho ｕght: lhi ｓ iｓ ｎｏt fictiorl that l ’ ｍ

ｓｈｏｏtin9.1t ｓ ｎｏt ａ ｄｏｃｕｍ ｅｎtａry. ltj ｓ ｓomelhing thal doe ｓnl t ｎｅｅｄ to be pr ｏｖｅｎ ａ trｕth ora lie.

Ｗ ｈａt iｓ thiｓ? lt ｗａｓ the ｓｅrlｓｅ that l ｗ ａｓ filming ｓｏｍ ｅthing completely irr ｅｐｌａｃｅａｂｌｅ, that l ｗｏｕld

ne ｖｅr ｃｏｍ ｅ ａｃrｏｓｓ ａｇａｌｎ｡

la ｓked Ser ｉｎａ Ｍ ｏtｏｌａ tｏ ｃｏｍ ｅ ｕp ｗith her ｏｗ ｎ ｌｉｎｅｓ for that s ｃｅｎｅ, ａｎｄ ｐｅrhap ｓ l felt that ｗａy

ｂｅｃａｕｓｅ ｏ↑her ｗ ｏｎｄｅrfｕl pr ｅｓｅｎｃｅ ａｎｄ ｃrｅａtiｖity. ０r,perhap ｓ ｅｖｅry ｓin91e per ｓｏｎ Ｈａrｕ ｍ ｅｅtｓ

ａｌｏｎｇ ｈｅr joLJmey, play ｅｄ ｆａｎtａｓtically by t ｈｅ ｏther ａｃtｏrｓ, ｅｎｖeloped her ｉｎ ａ ｗａr ｍ ｋｉｎｄｎｅｓｓ, ａｎｄ

thank ｓ tｏ their ‘irrｅｐｌａｃｅａｂｌｅ ’ｍ ｅｅtin9 ，Ｈ ａrｕ’ ｓ ｍｅ ｍ ｏrie ｓ ａｎｄ ｅχper ｉｅｎｃｅs ｗｅre imprint ｅｄ ｏｎ

Ｍ ｏtｏｌａ.And l reali ｚｅ ｏｎｅ ｍ ｏrｅ ｉｍ ｐｏrtａｎt thir19: right ｎｏｗ, | ’m list ｅｎｉｎｇ tｏ the ｖｏｉｃｅ ｏｆ Ｈａrｕ, ｗｈｏ

ｄｏｅｓ ｎｏt ｅχiｓt, b ｕt her ｅχiｓtｅｎｃｅ ｉｓ fillir19 ｕp t ｈｅ ｂｏｏth ofthe Wir ｌｄ Ｐｈｏｎｅ ， ltIｓ ｂｅｅrl ｓtanding

ther ｅ ｆｏr 8 y ｅａrｓ,fillir19 ｕp ｗith the tho ｕght ｓ, ｖｏｉｃｅｓ, ｗｏrd ｓ, ｓａｄｎｅｓｓ,「e9 「ｅt of tho ｓｅ ｗho ｖiｓＸt it .

all piling ｕp like geographic ｓtrａtａ. Ａｎｄther ｅ, ｎｏｗ, Ｈ ａrｕ iｓ ｓpeaking ，ａ ｌｍ ｏｓt like a pr ａy ｅr, tｈｅ

Ｗ ｉｎｄ Ｐｈｏｎｅ taking her ｓｏｍ ｅｗher ｅ=filling her ｗith ｗ ａr ｍth ｗher ｅ ｓhe ｗａｓ ｏｎｃｅ ｃ１０ｓed off. lt felt

like ｓｏｍ ｅthin9 「ｅａｌａｎｄtrLJe=that ｗｅｎt bey ｏｎｄ ｗhat ａ ｍ ｏｖie iｓ｡

Ｔｈａt ｗａｓ the last day of fijmin9 ， 1tｗ ａs bright ａｎｄ s ｕｎｎy, tho ｕgh it had been c10 ｕdy ｕp LJntil the

day befor ｅ. Ｂｕt that day the ｗind ble ｗ fier ｃｅｌy, ａｌｍ ｏｓt ｌｉｋｅ ａｎ ａｃt of 90d ，ｓhaking the flo ｗｅrｓ ａｎｄ

trｅｅｓ ｖｉｏｌｅｎtly, and it ble ｗ t ｈｅ ｃｌｏｕd ｓ ａｐａrt, lettin9 1he ｓｕｎ ｓhine thr ｏｕgh ， making it int ｏ ａ ｄrａｍ ａtic

ｓｃｅｎｅ. lt ｗ ａs like the ｗind ｗ ａs picking ｕｐ Ｈａrｕ’ｓ ｖｏｉｃｅ ｆrｏｍ ｗithint ｈｅ Ｗ ｉｎｄ Ｐｈｏｎｅ ｂ００tｈ ａｎｄ

ｃａrrying her ｗｏrd ｓ ａｗａy t ｏ ｈｅａｖｅｎ ，ｕ ｐ ｏｎ that hill. lt ｗａｓ a littｌｅ ｃｉｎｅ ｍ ａtic mir ａｃｌｅ.

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