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Japan Week in Bhutan 2019
FEATURE FILM - CRAYON SHIN CHAN–BRAVO! SAMURAI BATTLE 2002 / 95min / Dir: Keiichi HARA One morning, Shinnosuke and his parents have the exact same JAPAN WEEK IN BHUTAN dream. While Shin Chan becomes entranced with the “pretty lady” from that dream, his dog Shiro, also seems to have had the same September - October 2019 dream and begins digging a hole in the yard. Shin Chan discovers a wooden box in the hole. There’s a letter inside written in his own handwriting that says he’s in the second year of the Tensho era (1574). Even though he has no recollection of the letter, while standing at the bottom of the hole, he unwittingly travels through ©2002/Usui Yoshito. / Futabasha・ time to an unfamiliar place. SHIN-EI Animation・TV Asahi Corporation. JLPT (Japanese Language Proficiency Test) Seminar In December this year, JLPT will be conducted in Bhutan (Thimphu) for the first time. To commemorate this occasion, Japan Foundation will hold a JLPT seminar, explaining the purpose, usage, and countermeasures of the exam. All are welcome ! Mononoke – Animation program on BBS TV 2 from 1st October 2019 (Tue) at 5:00pm “Mononoke” is a Japanese horror taste animation which consists of 5 story- arcs, 12 episodes (25 min. each) in total. In feudal Japan, evil spirits known as mononoke plague both households and the countryside, leaving a trail of fear in their wake. One mysterious person has the power to slay the mononoke where they stand; he is known only as the Medicine Seller, and he vanquishes the spirits using the power of his Exorcism Sword. -
The American Legion Magazine Is the Official Publication of the American Legion and Is Owned Exclusively by the American Legion
THE AMERICAN EGION GAZINE NOVEMBER* 1942 . • wonder wkaff goose -stepper^ thinks about? 'Left . right . don't think . left many thousands of "superior Aryan" lives like yours. right . don't think. The Fuehrer thinksfor us. Victory soon. Americans The Texas Company alone pro- duces far more oil than all of Europe soft. Their tanks no good, planes no ... oil for lOO-octane aviation gaso- good. The Fuehrer says so. Left . line ... oil for Toluene to make right . , . don't think." TNT, oil for Butadiene, basis of * * * synthetic rubber. We are just one No, Hans, don't think, or you'll fal- company. Hundreds more are work- ter. Don't think of the American ing on other parts soldiers arriving in Europe, don't of our vast fight- think of the great armada of planes ing machine. and tanks and guns rolling off Amer- No, don't think, ica's production lines behind them. Hans. Soon you Don't think of the vast American will feel. .and un- oil fields which feed the tanks and fortunately your guns and planes ... oil for which Fuehrer cannot your Fuehrer would give many. feel for you. THE TEXAS COMPANY TEXACO FIRE-CHIEF AND SKY CHIEF GASOLINES • HAVOLINE AND TEXACO MOTOR OILS — ROANE WARING National Commander, The American Legion THE American Legion in honoring and marines will prove more than a ican Legion's more than a million mem- me by naming me its leader during match for whatever enemy they may bers and our half million Auxiliaries. this critical year in the history of be called upon to face. -
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Berlinale 2010 Nobuhiro Suwa, Hippolyte Girardot Generation YUKI & NINA Kplus YUKI & NINA YUKI & NINA YUKI & NINA Japan/Frankreich 2009 Darsteller Yuki Noë Sampy Länge 92 Min. Nina Arielle Moutel Format 35 mm, 1:1.85 Yukis Mutter Tsuyu Shimizu Farbe Yukis Vater Hippolyte Girardot Ninas Mutter Marilyne Canto Stabliste Regie Nobuhiro Suwa Hippolyte Girardot Buch Nobuhiro Suwa Hippolyte Girardot Kamera Josée Deshates Schnitt Hisako Suwa Ton Dominique Lacour Musik Lily Margot Szenenbild Emmanuel de Chauvigny Véronique Barnéoud China Suzuki Co-Produktion Les Films du Lendemain, Paris Arte France Cinéma, Issy-les- YUKI & NINA Moulineaux Als Yuki erfährt, dass ihre Eltern sich trennen werden, bricht eine Welt für die Neunjährige zusammen. Ihr Vater ist Franzose, ihre Mutter Japanerin, und nach der Trennung soll sie ihre Mutter nach Japan begleiten. Für Yuki bedeu - tet das, Paris und alles, was ihr vertraut ist, zu verlassen, vor allem aber, sich von Nina zu trennen, ihrer besten Freundin. Gemeinsam schmieden die Freun dinnen Pläne, um Yukis Eltern wieder zu versöhnen. Einfach wegzulau- fen scheint am Ende die beste Lösung zu sein. So wird der Wald ihr Ziel. Die Regisseure Hippolyte Girardot und Nobuhiro Suwa lernten sich 2004 anlässlich eines Films von Suwa kennen. Die beiden freundeten sich an, und Girardot zeigte Suwa Super8-Auf nahmen, die er bei Improvisations - work shops mit Teenagern aufgenommen hatte. So entstand die Idee, gemein sam einen Filmstoff zu entwickeln, der die Geschichte einer Tren - nung aus der Kinderperspektive erzählt. Nobuhiro Suwa: „Yukis Geschichte gleicht der von UN COUPLE PARFAIT. Bei der es auch um eine Trennung ging, erzählt aus entgegengesetzter Perspektive. -
Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
Cinemabreweryarts.Co.Uk | 01539 725133 Jan-Mar 2019
Cinema Jan-Mar 2019 breweryarts.co.uk | 01539 725133 Capernaum | Mar 01 For listings, information and online bookings, go to breweryarts.co.uk/cinema 02 Island of Hungry Ghosts The Brewery Cinema USEFUL INFO Doors open 10 minutes prior to January-March 2019 advertised start time and includes adverts & trailers All screenings have allocated seating; choose your preferred view when elcome to a new season of films We’ll also be welcoming back the booking Destroyer at the Brewery Cinema. Japan Foundation Touring Film You are welcome to enjoy alcoholic Programme with a selection of This winter/spring we will drinks in our cinema screens - served films, based around the theme of be bringing you the best in in plastic glasses only. Please drink love, in the intimate surroundings mainstream film and a selection responsibly TICKETS & OFFERS of British independent and of our Warehouse Cinema. The first W Only food & drink purchased at *Ticket Prices unless stated: specialist films from around the film in the series will be Tonight at the Brewery may be taken into the £8.50 | £7.50 OAP/NUS | £7.00 U18 world. the Movies which will be screened cinemas on Valentine’s Day – perfect timing! Book online: breweryarts.co.uk/cinema The 2019 Awards Season is This year, the Brewery will be Please note that hot drinks or via our box office: 01539 725133 well under way, and we’re are not permitted in Screen 3 looking forward to screening celebrating Inspirational Women some of the main contenders. in the Arts with special theatre, Screens 1 & 2 are equipped with an The Reel Deal Enjoy a movie & a pizza for only £15 Titles to look out for include comedy and spoken word infra-red assisted listening system & audio description facility. -
D Irecto R's N O
destination. solution in the end - the forest will be their new new their be will forest the - end the in solution an encounter back together. Running away seems like the only only the like seems away Running together. back France-Japan 2009 / 92 min / color / 35 mm / Dolby SRD Dolby / mm 35 / color / min 92 / 2009 France-Japan HG : I met Suwa in May 2004. He was preparing a film, A Perfect Nina devise schemes in order to get her parents parents her get to order in schemes devise Nina Couple, and wanted to see me about the male role. We met several synopsis with her best friend Nina. Together, Yuki and and Yuki Together, Nina. friend best her with Hippolyte Girardot Hippolyte Nobuhiro Suwa Suwa Nobuhiro times, speaking a great deal, and we enjoyed these conversations. & & One day I told him about a particular experience I had before even Japan, leaving everything behind in Paris, starting starting Paris, in behind everything leaving Japan, A film by film A becoming an actor: from improvisational work done with young She is going to have to follow her mother to to mother her follow to have to going is She teenagers, I had made some super 8 films. That interested him a Japanese. Japanese. great deal. And then he telephoned me to say he would very much like for us separating. Her father is French, and her mother is is mother her and French, is father Her separating. to work together. He spoke to me about his desire to write a story Yuki, nine years old, learns that her parents are are parents her that learns old, years nine Yuki, together and co-direct it. -
Et Les Fantômes © Hiroko Reijo, Asami, KODANSHA / WAKAOKAMI Project Project / WAKAOKAMI Asami, KODANSHA Reijo, © Hiroko
OKKOet les fantômes © Hiroko Reijo, Asami, KODANSHA / WAKAOKAMI Project Project / WAKAOKAMI Asami, KODANSHA Reijo, © Hiroko Un film de Kitarô Kôsaka Directeur de l’animation sur LE VENT SE LÈVE présente SYNOPSIS Seki Oriko, dite OKKO, est une petite fille formidable et pleine de vie. Sa grand-mère qui tient l’auberge familiale la destine à prendre le relais. Entre l’école et son travail à l’auberge aux côtés de sa mamie, la jeune Okko apprend à grandir, aidée par OKKO d’étranges rencontres de fantômes et autres créatures mystérieuses ! et les fantômes INTRODUCTION Adapté d’un livre pour enfants très populaire qui s’est vendu au Japon à plus de Un film de Kitarô Kôsaka 3 millions d’exemplaires, OKKO ET LES FANTÔMES est le premier long métrage Directeur de l’animation sur LE VENT SE LÈVE réalisé par Kitarô Kôsaka, ancien collaborateur de Hayao Miyazaki au sein du Studio Ghibli. Une adaptation du livre a d’abord été publiée en manga dans le magazine « shojo » Nakayoshi des éditions Kodansha. Dessinée par Eiko Ouchi, la série compte 7 tomes sortis entre 2006 et 2012 (inédite en France). SORTIE LE 12 SEPTEMBRE Enfin, en parallèle au long métrage, une série TV animée, produite par le studio Madhouse, est réalisée par une équipe distincte de celle du film en proposant une approche différente de l’oeuvre originale. La série est à découvrir en ce moment sur Manga One, disponible dans l’offre JAPON - DURÉE : 95 MIN Pickle TV d’Orange. LES PERSONNAGES Oriko Seki, alias Okko : Âgée de 12 ans, elle est en dernière année d’école primaire. -
Western Criticism, Labelling Practice and Self-Orientalised East Asian Films
Travelling Films: Western Criticism, Labelling Practice and Self-Orientalised East Asian Films Goldsmiths College University of London PhD thesis (Cultural Studies) Ji Yeon Lee Abstract This thesis analyses western criticism, labelling practices and the politics of European international film festivals. In particular, this thesis focuses on the impact of western criticism on East Asian films as they attempt to travel to the west and when they travel back to their home countries. This thesis draws on the critical arguments by Edward Said's Orientalism: Western Conceptions of the Orient (1978) and self-Orientalism, as articulated by Rey Chow, which is developed upon Mary Louise Pratt's conceptual tools such as 'contact zone' and 'autoethnography'. This thesis deals with three East Asian directors: Kitano Takeshi (Japanese director), Zhang Yimou (Chinese director) and 1m Kwon-Taek (Korean director). Dealing with Japanese, Chinese and Korean cinema is designed to show different historical and cultural configurations in which each cinema draws western attention. This thesis also illuminates different ways each cinema is appropriated and articulated in the west. This thesis scrutinises how three directors from the region have responded to this Orientalist discourse and investigates the unequal power relationship that controls the international circulation of films. Each director's response largely depends on the particular national and historical contexts of each country and each national cinema. The processes that characterise films' travelling are interrelated: the western conception of Japanese, Chinese or Korean cinema draws upon western Orientalism, but is at the same time corroborated by directors' responses. Through self-Orientalism, these directors, as 'Orientals', participate in forming and confirming the premises of western Orientalism. -
FIRST LOOK: Japan
FIRST LOOK: Japan SWEET BEAN An SAT 10/17 3:45 PM Japan • Director: Naomi Kawase EFSWEET1 Red bean paste is the filling in this poignant tale of life, compassion, and sweet endings. An uninspired red bean pancake chef is re-energized when a SUN 10/18 plucky septuagenarian’s irresistible homemade recipe makes his snacks a 4:45 PM local hit. Both characters use their creations, photographed in mouthwatering EFSWEET2 close-up, to rebuild from traumatic pasts. The latest from poetic Japanese auteur Naomi Kawase is a delectable philosophical dish. Japanese with subtitles. 113 min. THE EMPEROR IN AUGUST SUN 10/18 Nihon no ichiban nagai hi ketteiban Japan • Director: Masato Harada 1:45 PM EFEMP An intimate war picture, Masato Harada’s patient, understated period piece recreates the 24 hours leading up to Japan’s official surrender in WWII and the emperor’s resigned radio address to his people. Elegant shot framing captures the drawing rooms and negotiating tables where, 70 years ago, the most powerful men in Japan gathered to make a decision that would change the course of history. Japanese with subtitles. 135 min. KAKEKOMI SAT 10/17 Kakekomi onna to kakedashi otoko 3:00 PM Japan • Director: Masato Harada EFKAKE1 The latest from prolific writer-director Masato Harada (Chronicle of My SUN 10/18 Mother) is a beguiling character drama set during Japan’s Edo period. Three 7:30 PM women fleeing bad marriages find refuge at a monastery, one of their only outlets for obtaining a legal divorce. But just outside the gates, vengeful ex- EFKAKE2 husbands and the Yakuza lie waiting. -
Fukushima 50” at New York’S “Japan Cuts” Film Festival, July 17-30
Weekly Cultural News, substitute for monthly Cultural News July 13 - 19, 2020 US online premiere of film “Fukushima 50” at New York’s “Japan Cuts” film festival, July 17-30 New York – Japan Society announces the full Fukushima 50 lineup for the 14th annual JAPAN CUTS: Directed by Setsuro Festival of New Japanese Film, the largest Wakamatsu, 2020, 122 min. festival of its kind in North America, set for July 17-30 as an entirely online experience. When the magnitude 9.0 Great East Japan Earthquake Continuing its annual mission to showcase the struck off the coast of the best and most exciting films coming out of Japan Tohoku region in northeast- Fukushima 50 © 2020 “FUKUSHIMA 50” today, the summer festival will expand its reach ern Japan at 2:46 PM on Production Committee beyond New York to introduce 30 features and March 11, 2011, it caused a 12 short films to audiences across the U.S. massive tsunami that soon reached the Fukushima Daiichi Nuclear Power Plant. The festival’s Centerpiece Presentation is the online premiere of Fukushima 50 , a blockbuster In Fukushima 50, as waves penetrate the facili- drama that details the heroic actions of workers ties, shift supervisor Toshio Izaki (Koichi Sato) at the Fukushima Daiichi Nuclear Power Plant assesses the overheating reactors while coordi- who stayed behind to avert a catastrophe of nating with plant manager Masao Yoshida (Ken global magnitude. Watanabe), who mediates with Tepco (Tokyo Electric Power Company) headquarters amidst Virtual tickets go on sale Friday, July 10 at 10:00 micro-management and government inaction. -
FREE ANIME FILM SHOWING the Remarkable Life and Works of Japanese Artist and Ukiyo-E Painter Katsushika Hokusai, As Seen from the Eyes of His Daughter, O-Ei
FREE ANIME FILM SHOWING The remarkable life and works of Japanese artist and ukiyo-e painter Katsushika Hokusai, as seen from the eyes of his daughter, O-Ei. An opportunity to discover how life was in Tokyo back in 1814 during the Edo period. WEDNESDAY 30 NOVEMBER 2016 19:00 FREE ENTRANCE RESERVATION REQUIRED: CINÉ UTOPIA 16, avenue de la Faïencerie [email protected] - 46 41 51 43 L-1510 Luxembourg (Limpertsberg) 93 min Japan 2015 in Japanese with English subtitles A SUMPTOUS, SENSUOUS ANIMATED WORK OF ART! - Los Angeles Times GORGEOUS! A SMALL POETIC WONDER! - The Hollywood Reporter CRITICS’ PICK! EXTRAORDINARY! ENCHANTING! THOUGHT PROVOKING! - New York Times The Japanese Embassy in Luxembourg organizes a free anime film showing of « MISS HOKUSAI » From award-winning director Keiichi Hara (Colorful) and Japanese powerhouse Production I.G (creators of Ghost in the Shell) comes a remarkable story of the daughter behind one of history’s most famous artists. As all of Edo flocks to see the work of the revered painter Hokusai, his daughter O-Ei toils diligently inside his studio. Her masterful portraits, dragons and erotic sketches – sold under the name of her father – are coveted by upper crust Lords and journeyman print makers alike. Shy and reserved in public, in the studio O-Ei is as brash and uninhibited as her father, smoking a pipe while sketching drawings that would make contemporary Japanese ladies blush. But despite this fiercely independent spirit, O-Ei struggles under the domineering influence of her father and is ridiculed for lacking the life experience that she is attempting to portray in her art. -
Hunger on the Rise in Corporate America Try Where Five Years of a Bloody Campaign Led by the Regime in Riyadh Have Shattered the Health System
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 12 Pages Price 40,000 Rials 1.00 EURO 4.00 AED 39th year No.13638 Monday APRIL 13, 2020 Farvardin 25, 1399 Sha’aban 19, 1441 Iran says investigating Afghanistan thanks Iran Can the Iranian Top Iranian scholar possibility of coronavirus for free services to refugees clubs ask players to Hassan Anusheh as biological warfare 3 during COVID-19 10 take pay cut? 11 passes away at 75 12 Tax income up 31% in a year TEHRAN — Iran’s tax revenue has as value added tax (VAT)”, IRIB reported. increased 31 percent in the past Ira- Parsa also said that the country has nian calendar year (ended on March gained projected tax income by 102 percent Hunger on the rise 19), Omid- Ali Parsa, the head of Iran’s in the past year, and put the average tax National Tax Administration (INTA), income growth at 21 percent during the announced. previous five years. Putting the country’s tax income at 1.43 The head of National Tax Administra- quadrillion rials (about $34.04 billion) in tion further mentioned preventing from tax the previous year, the official said, “We could evasion as one of the prioritized programs collect 250 trillion rials (about $5.9 billion) of INTA. 4 in corporate See page 3 Discover Ozbaki hill that goes down 9,000 years in history America TEHRAN — “Nine thousand years of his- Ozbaki hill indicate some kind of com- tory.” It’s a phrase that may seem enough mercial link between Susa in Khuzestan to draw the attention of every history buff and this in Tehran province,” according across the globe.