O Sentimental Machine
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Hunger on the Rise in Corporate America Try Where Five Years of a Bloody Campaign Led by the Regime in Riyadh Have Shattered the Health System
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 12 Pages Price 40,000 Rials 1.00 EURO 4.00 AED 39th year No.13638 Monday APRIL 13, 2020 Farvardin 25, 1399 Sha’aban 19, 1441 Iran says investigating Afghanistan thanks Iran Can the Iranian Top Iranian scholar possibility of coronavirus for free services to refugees clubs ask players to Hassan Anusheh as biological warfare 3 during COVID-19 10 take pay cut? 11 passes away at 75 12 Tax income up 31% in a year TEHRAN — Iran’s tax revenue has as value added tax (VAT)”, IRIB reported. increased 31 percent in the past Ira- Parsa also said that the country has nian calendar year (ended on March gained projected tax income by 102 percent Hunger on the rise 19), Omid- Ali Parsa, the head of Iran’s in the past year, and put the average tax National Tax Administration (INTA), income growth at 21 percent during the announced. previous five years. Putting the country’s tax income at 1.43 The head of National Tax Administra- quadrillion rials (about $34.04 billion) in tion further mentioned preventing from tax the previous year, the official said, “We could evasion as one of the prioritized programs collect 250 trillion rials (about $5.9 billion) of INTA. 4 in corporate See page 3 Discover Ozbaki hill that goes down 9,000 years in history America TEHRAN — “Nine thousand years of his- Ozbaki hill indicate some kind of com- tory.” It’s a phrase that may seem enough mercial link between Susa in Khuzestan to draw the attention of every history buff and this in Tehran province,” according across the globe. -
Borderlands / La Frontera: the New Mestiza
Borderlands la Frontera Gloria Anzaldua is also the co-editor of This Bridge Called My Back Gloria Anzaldua T/Je New Mestiza aunt lute books SAN FRANCISCO Copyright © 198 7 by Gloria Anzaldua All rights reserved First Edition 10-9-8-7 Aunt Lute Book Company PO. Box 410687 San Francisco, CA 94141 "Holy Relics" first appeared in Conditions Six, 1980. "Cervicide" first appeared in Labyris, A Feminist Artsjourna/, Vol. 4, #11, Winter 1983. "En el nombre de todas las madres que han perdido sus hijos en la guerra" first appeared in IKON: Creativity and Change, Second Series, #4, 1985. Cover and Text Design: Pamela Wilson Design Studio Cover Art: Pamela Wilson Typesetting: Grace Harwood and Comp-Type, Fort Bragg, CA Production: Cindy Cleary Lorraine Grassano Martha Davis Ambrosia Marvin Debra DeBondt Papusa Molina Rosana F rancescato Sukey Wilder Amelia Gonzalez Kathleen Wilkinson Printed in the U.S.A. Library of Congress Cataloging-in-Publication Data Anzaldua, Gloria. Borderlands : the new mestiza = La frontera I Gloria Anzaldua - 1st ed. - San Francisco : Aunt Lute, c1987. 203 p. : port. : 22 cm. English and Spanish. Some poems translated from Spanish. ISBN 1-879960-12-5 (pbk.): $9.95 I. Mexican-American Border Region - Poetry. 2. Mexican-American women - Poetry. 3. Mexican-American Border Region - Civilization. I. Title. 11. Title: Frontera. PS3551.N95B6 1987 811'.54-dc19 87-60780 AACR 2 MAR C Acknowledgements To you who walked with me upon my path and who held out a hand when I stumbled; to you who brushed past me at crossroads never to -
IFFR Sales Letter
Afghanistan Argentina RocKabul El azote Director(s): Travis Beard Director(s): José Celestino Prod. Countries: Campusano Afghanistan, Australia, India, Prod. Countries: Argentina Turkey, Bosnia and Prod. Year: 2017 Herzegovina Length: 88 Prod. Year: 2018 Status: International Length: 86 Premiere Genre: Creative Programme section: José Documentary Campusano Status: World Premiere Company: Compañía de cine Programme section: Contact: Paulina Portela Scopitone Email: 47th INTERNATIONAL Company: Rockabul Pty Ltd [email protected] FILM FESTIVAL Contact: Travis Beard Phone: +54 911 34002718 ROTTERDAM Email: Logline: The determination January 24 – February 4, [email protected] and dedication of a former 2018 Phone: +61 479 149 729 musician who is now a social DISTRIBUTOR LETTER Logline: Under Obama, the assistant in Bariloche – one of Listing all newly US government pumped the best-known tourist completed titles from the millions into the war in resorts in Patagonia – is not IFFR line-up. Afghanistan, a tiny portion of enough to avoid the Log lines from IFFR catalogue. which was spent on culture. misfortunes experienced by Even starting-out heavy metal local youths. This film In order of country. bands could get a subsidy. An reveals, without concessions, Australian soldier becomes the picture never presented the manager of the first local in the postcards of this town. group of foul-mouthed Sold territories: All available headbangers who dare defy except for Argentina the Taliban. (Compañía de cine) Trailer: https://www.youtube.com/ -
Marjorie Garber
Marjorie Garber •!• "We are here tonight," he informed the au dience, "to listen to a lecture." Kingsley Amis, Lucky Jim h E TANNER LECTURES sponsored by the Princeton University Center for Human Values were organized this year with special attention to disciplinarity and its discontents. Novelist John Coetzee's two lectures, "The Philosophers and the Animals" and "The Poets and the Animals," met with responses from four scholars with widely different disciplinary (or interdisciplinary) trainings: an animal ethicist, a biologist, a historian of religion, and a literary critic. Even within Coetzee's lecture-narratives themselves, we might note, some characters express anxiety about disciplines and their authority. The college president, we learn, used to be a political scientist. (What is he now?) "That's just anthropology," scoffs Norma, the philosopher of mind, when the subject of dietary laws comes up. And novelist Elizabeth Costello is equally dismissive of certain social science experiments which she regards as mere imbecilities. In view of these partitions of knowledge, I thought I had better pose some questions having to do with the disciplines I was trained in or might be supposed to know something about-disci plines like literature, psychoanalysis, gender theory, cultural studies, and Shakespeare (which has emerged in recent years as 73 REFLECTIONS MARJORIE GA RBER virtually a discipline unto itself). Here were the questions that came to my mind. • What, if anything, is the "value" of literary study in today's academy and today's world? Is literary analysis a human • What does the form have to do with the content? value? This is a central question for all literary critics, of whatever In the next few pages I will hazard some very brief answers to generation and vintage-and with a novelist of this skill and art each of these sweeping questions. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
EXEGESIS Transcending Boundaries Fiction by South Asian–Australian
EXEGESIS Transcending Boundaries Fiction by South Asian–Australian authors published in Australia Part I of Thesis Doctorate of Creative Arts Thesis SHARON RUNDLE Doctoral Candidate Faculty of Arts and Social Sciences University of Technology, Sydney Supervisor, Dr Devleena Ghosh Co-Supervisor, Dr Debra Adelaide May, 2017 Transcending Boundaries Exegesis Sharon Rundle CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student: Date: 12th September, 2016 This research is supported by an Australian Government Research Training Program Scholarship. i Transcending Boundaries Exegesis Sharon Rundle Acknowledgements Acknowledgements This research is supported by an Australian Government Research Training Program Scholarship. My thanks to my Principal Supervisor, Devleena Ghosh, and Co-Supervisor, Debra Adelaide. Devleena Ghosh provided clear direction, rigorous questions and considered critiques, which allowed my thesis to keep evolving and developing. I am also most appreciative of my sessions with Debra Adelaide. I thank all the participants who contributed to my research ̢ most of whom shall remain nameless to respect their privacy ̢ who gave honest, well-thought-through responses to my questions in our interviews. Their firsthand experiences have provided invaluable insight and substance to the statistical data. -
Feature Films in the Japan Foundation Toronto Library
Feature Films in The Japan Foundation Toronto Library * In alphabetical order by director/producer and title ** Region code listed if incompatible with region code used in North America only Directors A-D Format Director/Producer Title Language Call Number (Region) Anno, Hideaki Shin Godzilla Japanese audio with English subtitles; BR FLM ANN 2017 庵野 秀明 シン・ゴジラ English audio DVD Aoyama, Shinji EM embalming Japanese audio with English subtitles DVD FLM AOY 2005 青山 真治 EM エンバーミング Aoyama, Shinji An obsession Japanese audio with English subtitles DVD FLM AOY 2005 青山 真治 冷たい血 Aoyama, Shinji Wild life Japanese audio with English subtitles DVD FLM AOY 2005 青山 真治 Brooks, Sue Japanese story English audio DVD FLM BRO 2004 Chiba, Sonny Yellow fangs Japanese audio with English subtitles DVD FLM CHI 2009 千葉 真一 リメインズ : 美しき勇者たち Chikaura, Kei Complicity Japanese and Mandarin audio with DVD FLM CHI 2020 近浦 啓 コンプリシティ : 優しい共犯 English subtitles Coixet, Isabel Map of the sounds of Tokyo English and Japanese audio with DVD FLM COI 2009 イザベル・コイシエ ナイト・トーキョー・デイ English subtitles Le coeur régulier English, French and Japanese audio d'Alcantara, Vanja DVD FLM DAL 2016 心の静寂 with English subtitles Deme, Masanobu Baruto no gakuen Japanese and German audio with DVD (2) FLM DEM 2006 出目 昌伸 バルトの楽園 Japanese subtitles only Created May 2021 German, English and Japanese audio Dörrie, Doris Cherry blossoms DVD FLM DOR 2008 with English subtitles Dörrie, Doris Enlightenment guaranteed German audio with English subtitles DVD FLM DOR 2002 Directors E-F BR Eastwood, Clint Flags of -
Yosano Akiko and the Tale of Genji / G.G
Yosano Akiko and The Tale ofGenji "Akiko on a Certain Day," from the early years of the Taisho period. Courtesy of Chikuma Shobo Publishing Co., Ltd. Yosano Akiko and The Tale ofGenji G. G. Rowley Ann Arbor 2000 Center for Japanese Studies The University of Michigan Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 2000 The Regents of the University of Michigan Published by the Center for Japanese Studies, The University of Michigan 202 S Thayer St., Ann Arbor, MI 48104-1608 Michigan Monograph Series in Japanese Studies Number 28 PERMISSIONS Material for chapter three draws upon an article "Literary Canon and National Iden- tity: The Tale ofGenji in Meiji Japan," Japan Forum 9.1 (1997): 1-15 and is reprinted here with permission of the British Association for Japanese Studies and Routledge. Material for chapter six first appeared in an article "Textual Malfeasance in Yosano Akiko's Shiny aku Genji monogatari" Harvard Journal of Asiatic Studies 58.1 (June 1998): 201-19 and is reprinted here with permission of the editors. Library of Congress Cataloging-in-Publication Data Rowley, Gillian Gaye, 1960- Yosano Akiko and the Tale of Genji / G.G. Rowley. p. cm. — (Michigan monograph series in Japanese studies no. 28) Includes bibliographical references and index. ISBN 0-939512-98-X (cloth : alk. paper) 1. Yosano, Akiko, 1878-1942—Criticism and interpretation. 2. Murasaki Shikibu, b. 978? Genji monogatari. I. Murasaki Shikibu, b. 978? Genji monogatari. II. Title. III. Series. PL819.O8R68 2000 895.6f144—dc21 99-089978 This book was set in Janson Text Jacket design by Seiko Semones This publication meets the ANSI/NISO Standards for Permanence of Paper fo Publications and Documents in Libraries and Archives (Z39.48-1992). -
Under the Open Sky
Under the Open Sky (Original title: Subarashiki Sekai) Length: 126min. / Release in Japan: Feb 11, 2021 SYNOPSIS Mikami, an ex-yakuza of middle age with most of his life in prison, gets released after serving 13 years of sentence for murder. Hoping to find his long lost mother, from whom he was separated as a child, he applies for a TV show and meets a young TV director Tsunoda. Meanwhile, he struggles to get a proper job and fit into society. His impulsive, adamant nature and ingrained beliefs cause friction in his relationship with Tsunoda and those who want to help him. INTERVIEW with Director NISHIKAWA Miwa --How were you inspired by the novel that this film is based on? Mr. Ryuzo Saki’s novel, Mibuncho (tr. “Inmate Files”), is written like a documentary about an actual murderer’s life after his release from prison. I encountered this novel around 30 years after its publication and was surprised at how rigorous the adventure is for someone to go back to a “normal life” once they step off the path. The social system has changed in the past 30 years, but people’s thoughts and attitude toward ex-convicts have not to the same degree. Do we live in a society that gives us a second chance at life? I feel that everybody in Japan harbors an unspoken anxiety and suffocation by an unforgiving world. --You conducted exhaustive research and took four years to write the screenplay. It’s my first time making a film based on a story written by another author and also about a real person, which is a huge responsibility as the director. -
Kathleen Singles Alternate History Narrating Futures
Kathleen Singles Alternate History Narrating Futures Edited by Christoph Bode Volume 5 Kathleen Singles Alternate History Playing with Contingency and Necessity The research leading to these results has received funding from the European Research Council under the European Community’s Seventh Framework Programme (FP7/2007–2013) / ERC grant agreement no. 229135. Dissertation, Ludwig-Maximilians-Universität München, 2012. ISBN 978-3-11-027217-8 e-ISBN 978-3-11-027247-5 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de . © 2013 Walter de Gruyter GmbH, Berlin/Boston Typesetting: PTP-Berlin Protago-TEX-Production GmbH, Berlin Printing and binding: Hubert & Co. GmbH & Co. KG, Göttingen ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Content 1 Introduction | 1 1.1 Contexts: Alternate Histories and Future Narratives | 1 1.2 Methodology | 4 1.3 Proceedings and Theses | 6 1.4 Selection of Primary Sources | 10 1.4.1 Medium vs. Genre | 10 1.4.2 The International Spectrum | 11 2 The Poetics of Alternate History | 14 2.1 ‘History’ in Alternate History | 26 2.1.1 The Postmodern Challenge to History | 26 2.1.2 Referentiality: Possible-worlds Theory | 33 2.1.3 ‘History’ as the Normalized Narrative of the Past | 43 -
Book 2 Names Omitted.Indd
The 3rd EAJS Conference in Japan 第三回EAJS日本会議 BOOK OF ABstRacts The University of Tsukuba Faculty of Humanities and Social Sciences 14 - 15 September 2019 Supported by the Japan Foundation Contents Section A - Anthropology & Sociology / Urban & Environmental Studies ........................................................3 Section B - Visual & Performing Arts, Film & Media Studies ................................................................................36 Section C - History ................................................................................65 Section D - Language, Linguistics, Translating & Teaching ......................................................................................100 Section E - Literature ...........................................................................131 Section F - Politics, International Relations & Economics ......................171 Section G - Religion & Philosophy .......................................................181 Section H - Other Disciplines / Interdisciplinary ....................................197 Anthropology & Sociology / Urban & Environmental Studies Section A - Anthropology & Sociology / Urban & Environmental Studies Section Convenors: Jun‘ichi Akashi (University of Tsukuba), Alyne Delany (Tohuku University) & Hidehiro Yamamoto (University of Tsukuba) A-1-1 Zuzanna Baraniak-Hirata (Ochanomizu University) CONSUMING THE “WORLD OF DREAMS”: NARRATIVES OF BELONGING IN TAKARAZUKA FAN CULTURE Recent fan culture studies have often focused on formation of fan communi- -
Gloria Anzaldua Gloria Anzaldua Is A.Lso the Co-Editor of This Bridge Called My Back Borderlands Fafrontera the New Mestiza
Gloria Anzaldua Gloria Anzaldua is a.lso the co-editor of This Bridge Called My Back Borderlands fafrontera The New Mestiza aunt lute books SAN FRANCISCO Copyright ©1987 by Gloria Anzaldua Acknowledgements All rights reserved To you who walked with me upon my path and who held out a hand when I stumbled; First Edition to YOll who brushed past me at crossroads never ~o touch me 20-19-18-17-16 again; to you whom I never chanced to meet but who inhabit Aunt Lu~e Book Company borderlands similar to mine; p.D. Box 410687 San Francisco, CA 94141 to you for whom the borderlands is unknown territory; "Holy Relics" first appeared in C()ndition~ Six, 1980. to Kit Quan, for .feeding me and listening to me ram and "Cervicide" first appeared in L,ahyris, A Feminist AmJournal, Vol. 4,#11, rave; Winter 1983. to Melani,e Kaye/Kamrowitz, .for believing in m~ and being "En el nomhre de tOMS las madres que han perdido JUS hijoJ en laguerra" first ther,e for me; appeared in IKON: Creativity and Ch.ange,. Second Series,. #4, 1985,. to Joan Pinkvoss, my editor and publisher, midwi~e extraor dinaire, whose understanding., caring, and batanced mixture of Cover and Text Design: Pamela Wilson Design Studio gentle prodding and pressure not only helped me bring this "baby" to term, but helped to create it; these images and words Cover An: Pamela Wilson are for you. Typesetting: Grace Harwood and Comp:[ype,. Fon Bragg, CA To the production staff at Spinsters/ Auot Lute who bore Production: Cindy Cleary Lorraine Grassano the pressure of impossible deadlines well: Martha Davis whose Martha Davis Ambrosia Marvin invaluable and excellent copy-editing has made the material Debra DeBondt Papusa Molina more readable and cohesive; Debra DeBondt who worked long Rosana Francescato Sukey Wilder and hard to keep the book Dn schedule; Pam Wilson and Graoe Amelia Gonzalez Kathleen Wilkinson Harwood.;.