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Japanese Cinema’S Logic], Tokyo: SanIchi Shobo¯
14 DARK VISIONS OF JAPANESE FILM NOIR Suzuki Seijun’s Branded to Kill (1967) Daisuke Miyao I think that motion pictures should create events by themselves . They should not restrict themselves to merely recreating what has actually happened . Once such events created on the screen occur in reality, motion pictures begin to have a relationship with the society for the first time. (Suzuki Seijun quoted in Ueno 1991: 114) Suzuki Seijun’s 1967 film Branded to Kill (Koroshi no rakuin – hereafter Branded) – the story of a contract killer being dismissed by a gangster organization – created a controversial real life incident when Nikkatsu, one of Japan’s oldest film studios, dismissed Suzuki, then one if its contract directors, ten months after its release. On April 25, 1968, Suzuki was directing the television series Aisai-kun konbanwa: aru ketto¯ [Good Evening, Mr Devoted Husband: A Duel]. He received a telephone call from the secretary of Hori Kyu¯saku, the president of Nikkatsu, and was told that the studio would not pay his salary for April. Just like that, Suzuki Seijun was fired from Nikkatsu. To be sure, Branded had not been a financial and critical success. The film journal Kinema Junpo¯ reported that the release of Branded on a double feature with A Bug That Eats Flowers (Hana wo ku¯ mushi, Nishimura Sho¯goro¯, 1967) ‘resulted in less than 2,000 viewers at Asakusa and Shinjuku and about 500 in Yu¯rakucho¯ on the second day’ (quoted in Ueno 1986: 336). Indeed, Yamatoya Atsushi (1994: 38), one of Branded’s screenwriters, recalls that the Nikkatsu theater in Shinjuku where the film was originally screened was more or less empty on its opening day. -
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Berlinale 2010 Nobuhiro Suwa, Hippolyte Girardot Generation YUKI & NINA Kplus YUKI & NINA YUKI & NINA YUKI & NINA Japan/Frankreich 2009 Darsteller Yuki Noë Sampy Länge 92 Min. Nina Arielle Moutel Format 35 mm, 1:1.85 Yukis Mutter Tsuyu Shimizu Farbe Yukis Vater Hippolyte Girardot Ninas Mutter Marilyne Canto Stabliste Regie Nobuhiro Suwa Hippolyte Girardot Buch Nobuhiro Suwa Hippolyte Girardot Kamera Josée Deshates Schnitt Hisako Suwa Ton Dominique Lacour Musik Lily Margot Szenenbild Emmanuel de Chauvigny Véronique Barnéoud China Suzuki Co-Produktion Les Films du Lendemain, Paris Arte France Cinéma, Issy-les- YUKI & NINA Moulineaux Als Yuki erfährt, dass ihre Eltern sich trennen werden, bricht eine Welt für die Neunjährige zusammen. Ihr Vater ist Franzose, ihre Mutter Japanerin, und nach der Trennung soll sie ihre Mutter nach Japan begleiten. Für Yuki bedeu - tet das, Paris und alles, was ihr vertraut ist, zu verlassen, vor allem aber, sich von Nina zu trennen, ihrer besten Freundin. Gemeinsam schmieden die Freun dinnen Pläne, um Yukis Eltern wieder zu versöhnen. Einfach wegzulau- fen scheint am Ende die beste Lösung zu sein. So wird der Wald ihr Ziel. Die Regisseure Hippolyte Girardot und Nobuhiro Suwa lernten sich 2004 anlässlich eines Films von Suwa kennen. Die beiden freundeten sich an, und Girardot zeigte Suwa Super8-Auf nahmen, die er bei Improvisations - work shops mit Teenagern aufgenommen hatte. So entstand die Idee, gemein sam einen Filmstoff zu entwickeln, der die Geschichte einer Tren - nung aus der Kinderperspektive erzählt. Nobuhiro Suwa: „Yukis Geschichte gleicht der von UN COUPLE PARFAIT. Bei der es auch um eine Trennung ging, erzählt aus entgegengesetzter Perspektive. -
Main Screen: 1100 Seats (To Run Only 35Mm Film Prints)
Location: Chandan Cinema, Juhu Main Screen: 1100 Seats (to run only 35mm film prints) Show Time 1st Show 2nd Show 3rd Show 4th Show 5th Show Date/Day 10.00 am 12.30 Noon 3.30 pm 5.30 pm 8.00 pm 21-10-.2010 No shows No shows No shows At: 7.00 p.m. Opening Function followed by the Inaugural Film Thursday THE SOCIAL NETWORK Dir.: David Fincher (USA / 2010 /35mm / Col. / 120’) 22-10-2010 10:30 am Inauguration of To start show by 1:30 p.m. POETRY ON THE PATH (NA PUTU) UNITED RED ARMY Friday Japanese Cinema followed by SUBMARINO Dir.: Lee Chang-dong Dir.: Jasmila Zbanic (Bosnia and Dir.: Kôji Wakamatsu ABOUT HER BROTHER (OTÔTO) Dir.: Thomas Vinterberg (South Korea / 2010 / 35mm / Col. / 139’) Herzegovina-Austria-Germany- (Japan / 2007 / 35mm / Col. / 190') Dir.: Yôji Yamada (Denmark-Sweden / 2010 / 35mm / Col. / Croatia / 2010 / 100’) (Japan / 2010 / 35mm / 35mm / 105') 126’) WC WC WC CJC CJC 23-10-2010 HOLD ME TIGHT (HOLD OM UNDERTOW (CONTRACORRIENTE) HONEY (BAL) R SANDCASTLE Saturday MIG) Dir.: Javier Fuentes-León Dir.: Semih Kaplanoglu Dir.: Michael Noer & Tobias Lindholm Dir.: Boo Junfeng Dir.: Kaspar Munk (Peru-Colombia/ 2009 / 35mm / Col. / (Turkey-Germany / 2010 / 35mm / Col. / 103') (Denmark / 2010 / 35mm / Col. / 90’) (Singapore / 2010 / 35mm / Col. / 92') (Denmark / 2010 / 35mm / Col. / 80') 100’) ATC WC WC IC-Presentation IC-Presentation 24-10-2010 ON TOUR (TOURNÉE) BUNRAKU MUNDANE HISTORY OUTRAGE CATERPILLAR Sunday Dir.: Mathieu Amalric Dir.: Guy Moshe Dir.: Anocha Suwichakornpong Dir.: Takeshi Kitano Dir.: Kôji Wakamatsu (France / 2010 / 35mm / Col. -
Hand in Hand: Kouno Fumiyos Mangaserie KONO SEKAI NO
Repositorium für die Medienwissenschaft Jaqueline Berndt Hand in Hand: Kouno Fumiyos Mangaserie KONO SEKAI NO KATASUMI NI (IN THIS CORNER OF THE WORLD) im Vergleich zur Anime-Adaptation durch Katabuchi Sunao 2018 https://doi.org/10.25969/mediarep/11961 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Berndt, Jaqueline: Hand in Hand: Kouno Fumiyos Mangaserie KONO SEKAI NO KATASUMI NI (IN THIS CORNER OF THE WORLD) im Vergleich zur Anime-Adaptation durch Katabuchi Sunao. In: Hans-Joachim Backe, Julia Eckel, Erwin Feyersinger u.a. (Hg.): Ästhetik des Gemachten: Interdisziplinäre Beiträge zur Animations- und Comicforschung. Berlin: de Gruyter 2018, S. 53–84. DOI: https://doi.org/10.25969/mediarep/11961. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.1515/9783110538724-004 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Jaqueline Berndt Hand in Hand Kouno Fumiyos Mangaserie Kono sekai no katasumi ni (In This Corner of the World) im Vergleich zur Anime- Adaptation durch Katabuchi Sunao Abstract: Die Charakterisierung von Manga und Anime als superflach tendiert dazu, die materiale Dimension ihrer Gemachtheit zu übersehen. Während Ge- machtheit im Sinne von Stilisierung, Hypermedialität und parodischer Intertex- tualität zunehmend Aufmerksamkeit findet, sind die Beharrlichkeit des Hand- werks, die Rolle der Handzeichnung und die Vorliebe für ein analoges Erscheinungsbild bislang kaum hinsichtlich ihrer medienästhetischen Konse- quenzen diskutiert worden. -
D Irecto R's N O
destination. solution in the end - the forest will be their new new their be will forest the - end the in solution an encounter back together. Running away seems like the only only the like seems away Running together. back France-Japan 2009 / 92 min / color / 35 mm / Dolby SRD Dolby / mm 35 / color / min 92 / 2009 France-Japan HG : I met Suwa in May 2004. He was preparing a film, A Perfect Nina devise schemes in order to get her parents parents her get to order in schemes devise Nina Couple, and wanted to see me about the male role. We met several synopsis with her best friend Nina. Together, Yuki and and Yuki Together, Nina. friend best her with Hippolyte Girardot Hippolyte Nobuhiro Suwa Suwa Nobuhiro times, speaking a great deal, and we enjoyed these conversations. & & One day I told him about a particular experience I had before even Japan, leaving everything behind in Paris, starting starting Paris, in behind everything leaving Japan, A film by film A becoming an actor: from improvisational work done with young She is going to have to follow her mother to to mother her follow to have to going is She teenagers, I had made some super 8 films. That interested him a Japanese. Japanese. great deal. And then he telephoned me to say he would very much like for us separating. Her father is French, and her mother is is mother her and French, is father Her separating. to work together. He spoke to me about his desire to write a story Yuki, nine years old, learns that her parents are are parents her that learns old, years nine Yuki, together and co-direct it. -
43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine. -
Mubii Japan 90 Jaar Japanse Cinema
Filmprogramma Mubii Japan 90 jaar Japanse cinema 25 september t/m 16 december 2015 EYE FILMMUSEUM AMSTERDAM eyefilm.nl/japan Ontdek de Japanse cinema in EYE Wie wil weten wat de Japanse film zo uniek maakt, is dit najaar in EYE op het goede adres. Met een overzicht van ruim veertig titels geeft het filmmuseum inzicht in meer dan negentig jaar fascineren- de filmgeschiedenis uit het Verre Oosten, van de vroege twintigste eeuw tot nu. De Japanse cinema geldt als een van de belangrijkste filmculturen van de wereldcinema, met als boegbeelden de beroemde regisseurs Yasujirō Ozu (1903-1963) en Akira Kurosawa (1910-1998). Er zijn echter meer makers die hebben bijgedragen tot de verrassende veelzijdigheid van de Japanse film; tot hen behoort bijvoorbeeld de in Nederland nog vrijwel onbekende Mikio Naruse, die zich – net als Ozu – een meester toont in de tekening van ogenschijnlijk gewone levens. Mūbii Japan (‘Mūbii’ is fonetisch Japans voor ‘movie’) laat zien dat de reikwijdte van de Japanse film groter is dan de lijst bekende namen. Het programma – met het thema van de tragische liefde als rode draad – is een ontdekkingsreis door de Japanse filmgeschiedenis, van Teinosuke Kinugasa’s stille avant-gardeklassieker A Page of Madness (1926) tot de recente arthousefilms van Hirokazu Kore-eda. Van klassiekers als Naked Youth (Nagisa Oshima) en Ran (Akira Kurosa- wa) zijn in EYE recente restauraties te zien; ook put het filmmuseum uit de eigen collectie met werk van meesters als Ozu en Shohei Imamura en besteedt het aandacht aan de Japanse genrefilm. Fraaie voorbeelden zijn de yakuzafilms (Seijun Suzuki, Takeshi Kitano) en koel gestileerde softpornotitels zoals Love Hotel van de in Nederland nauwelijks bekende Sōmai Shinji (1948-2001). -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss). -
Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth Is Organized by JETRO / UNIJAPAN with the Support from Agency for Cultural Affairs (Goverment of Japan)
JA P A N BOOTH 2 O 1 6 i n C A N N E S M a y 1 1 - 2 O, 2 O 1 6 Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth is Organized by JETRO / UNIJAPAN with the support from Agency for Cultural Affairs (Goverment of Japan). JETRO, or the Japan External Trade Organization, is a government-related organization that works to promote mutual trade and investment between Japan and the rest of the world. Originally established in 1958 to promote Japanese exports abroad, JETRO’s core focus in the 21st century has shifted toward promoting foreign direct investment into Japan and helping small to medium-sized Japanese firms maximize their global business potential. UNIJAPAN is a non-profit organization established in 1957 by the Japanese film industry under the auspice of the Government of Japan for the purpose of promoting Japanese cinema abroad. Initially named “Association for the Diffusion of Japanese Film Abroad” (UniJapan Film), in 2005 it joined hands with the organizer of Tokyo International Film Festival (TIFF), to form a combined, new organization. CONTENTS 1 Asmik Ace, Inc. 2 augment5 Inc. 3 CREi Inc. 4 Digital Frontier, Inc. 5 Gold View Co., Ltd 6 Hakuhodo DY music & pictures Inc. (former SHOWGATE Inc.) 7 nondelaico 8 Open Sesame Co., Ltd. 9 POLYGONMAGIC Inc. 10 Production I.G 1 1 SDP, Inc. 12 STUDIO4˚C Co., Ltd. 13 STUDIO WAVE INC. 14 TOHOKUSHINSHA FILM CORPORATION 15 Tokyo New Cinema, Inc. 16 TSUBURAYA PRODUCTIONS CO., LTD. 17 Village INC. CATEGORY …Action …Drama …Comedy …Horror / Suspense …Documentary …Animation …Other SCREENING SCHEDULE Title Day / Starting Time / Length of the Film / Place Asmik Ace, Inc. -
Movie Museum FEBRUARY 2019 COMING ATTRACTIONS
Movie Museum FEBRUARY 2019 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! BOY ERASED ISLE OF DOGS BLACKkKLANSMAN THE WIFE (2018-US/Australia) (2018-Germany/US) (2018-US) (2017-UK/Sweden/US) LITTLE BIG MASTER in widescreen animation in widescreen in widescreen in widescreen Ng goh siu hai dik hau jeung with Lucas Hedges, Nicole voiced by Bryan Cranston, (2015-Hong Kong) Cantonese w/Eng subtitles ws Kidman, Russell Crowe Koyu Rankin, Bill Murray with John David Washington, with Glenn Close, Directed by Joel Edgerton with Miriam Chin Wah Yeung Directed by Wes Anderson Adam Driver, Topher Grace, Jonathan Pryce, Max Irons, 11:15am, 3:00, 5:00, 8:45pm 12:00, 3:30 & 8:45pm 11am, 1:00, 5:00 & 8:45pm ---------------------------------- Laura Harrier, Alec Baldwin, Christian Slater, ---------------------------------- ---------------------------------- Corey Hawkins Elizabeth McGovern THE SONG OF THE WIFE ISLE OF DOGS SPARROWS (2017-UK/Sweden/US) (2018-Germany/US) (2008-Iran) in widescreen Co-written and Directed by Directed by animation in widescreen Persian w/Eng subtitles ws Glenn Close, Jonathan Pryce, Spike Lee Björn Runge voiced by Bryan Cranston, Directed by Majid Majidi Christian Slater, Max Irons 10:45am, 1:15, 3:45, 6:15 12:00, 1:45, 3:30, 5:15, Edward Norton, Yoko Ono & 8:45pm 7:00 & 8:45pm 3:00 & 7:00pm 1:15 & 7:00pm Jan 31 1:45, 5:15 & 7:00pm 1 2 3 4 Hawaii Premiere! Hawaii Premiere! Hawaii Premiere! MY TOMORROW, A PRIVATE WAR THE GUILTY A KILLER'S KEY 29+1 (2018-UK/US) aka Den skyldige (2017-Hong Kong) YOUR -
[email protected] + CREATIVE MANAGEMENT
+ www.stardustgroup.jp www.stardust.co.jp [email protected] + CREATIVE MANAGEMENT STARDUST PROMOTION, one of the biggest talent agencies in Japan, has been very ac@ve and influen@al in the Japanese entertainment business, ever since its establishment in 1979. Nowadays STARDUST group keep being effec@ve in the front line through branches in music, movie, and internet contents industries. Stardust Promotion Co., Ltd. Management for actors, actresses, models Planning and production in TV, movies, radio and other entertainment contents Stardust Music Co., Ltd. & SDR, Inc. Planning and producing original music masters Management of music copyrights Management of music artists and bands Producing and releasing CDs Producing music TV shows SDP Inc. Movie:Planning, Production, Distribution, Publicity, Home Video, New Media Publication:Talents’ Photo Books, Movie-related Books, Beauty/Diet How-to Books Stardust Net Co., Ltd. Planning, creating and operating group companies websites and official fan club websites SDM Co., Ltd. Management for specialists of culture, beauty, cooking, sports Training and casting animal talents SDI Co., Ltd. Merchandising for male talents WONDER STYLE Merchandising for female talents Running official fun club shopping website Design and create stage costumes for artist, TV commercial and movies + STARDUST talents in internaonal projects Win Morisaki Nana Komatsu “Ready Player “Silence” One” (US, 2018) (US, 2016) by Steven Spielberg By Mar@n Scorsese Kento Hayashi Maki Sakai “青禾男高Fist & “KANO” Faith” (China, 2017)