DOCSLIB.ORG

Jacob Gallagher Wsj

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jacob Gallagher Wsj Jacob gallagher wsj Continue TVTVNocturnal Animal looks as dark and sexy as you expect. By Justin Fenner September 15, 2016 Watch MoreStyleStyleBy Jake Gallagher On January 2, 9, 2013View MoreStyleStyleBy Jake Gallagher 12 December 2012View MoreStyleBy Jake GallagherAAusgus 8, 2012View MoreStyleStyleBy Jake Gallagher25, 2012View MoreStyleBy Jake Gallagher 3, Jake Gallagher18, 2012View MoreStyleBy 2012View MoreStyleStyleBy Jake GallagherJuly 3, 2012View MoreStyleBy Jake Gallagher27 June 2012View MoreStyleBy Jake Gallagher13, 2012View MoreStyleBy Jake Gallagher 6, 2012View MoreStyleBy Jake GallagherJune 6, 2012View MoreStyleBy Jake Gallagher30, 2012 MoreViewStyleStyleStyleBy Jake Gallagher , 2012Watch MoreStyleStyleBy Jake GallagherMay 17, 2012View MoreStyleStyleBy Jake GallagherMay 9, 2012View MoreStyleStyleBy Jake GallagherMay 2, 2012View MoreStyleBy Jake Gallagher 17 2012View MoreStyleBy Jake Gallagher11 2012View More Skip the main contentIt comes as no surprise that the infamous cantankerous former Oasis frontman has opinions. Here are some of his favorite and least favorite things in life29 June 2011I love Judge Judy. And who the fuck is that black guy with a bald head? Montela. My wife and I love this shit. Also, I like that Celebrity Rehabilitation you have in America, too. I watched it on TV, and then I went out the night after that Marilyn Manson concert, and that guy from Grease with a cane -- what's his fucking name? Did he die a couple of weeks ago? (Jeff Conaway.) He was there and asked me if I wanted a line. I'm like, What the fuck? You're destined to be in fucking rehab. New York is my favorite city in the world. I don't do it downtown much, but I love Central Park. I have to be at the trees, or I'm claustrophobic. People are there -- they don't take any crap either. Reminds myself a little of me, so I like it. I don't like jeans with holes in them. I love that they're gone. Levi, 504, never hit me. I like that they're a little tight in the ass, too. I'm obsessed with quadrophphenies. He gets me right away. I like that ballroom scene where he jumps from the balcony . These days, I stick to ginger ale. I don't have much time to drink. I haven't had anything since New Year's Eve. I'm just taking a break. I've been drinking for 25 years, man. When I go out though, I drink absolutely everything. I take a vacation on Lake Como a lot. Pretty expensive, but beautiful. If you go there, there is a restaurant called Black Cat in the mountains. It's outside on the rock, and you're looking at a fucking lake. Food is nonsense. It's amazing. My favorite album has to be something out of The Beatles. Fucking_ abbey Road_? A night of hard day! John Lennon Imagine. I like everything they've done. I like Lennon-style sunglasses. I got them at Barney's the other day. I need a little lenses in these bastards though. I've lived without them for so long though, so, really, fuck it. Available at barneys.com I don't like posh guitars. I don't even like them Martins. They're too smooth and polite for me. I love guitars that are damn loud. I have a 1962 Hummingbird Gibson who was beaten up a little bit. It's probably my favorite. Pictured: Gibson's 1962 Hummingbird There's no one I want to be, but Paul Weller of Jam has always looked so cool. My label, Pretty Green, is a reference to one of his songs. He made Paul Weller for the Pretty Green Collection for the summer of 2011, too. 1. Muse Muse scares me. They're like fucking creepy shit. But people like them. They at least play the guitar, but when I hear his voice, I like ... Ah, fuck it. After the doorman asked him if he wanted an umbrella in the rain during the interview: Umbrella? I only use them to glue people. I don't use gadgets. Like, people do all this shit on their phones. I just use it to call my missus and mates. Never sent an email in my life. I don't have apps. I don't even know how to download music. Similar stories for Irish-born Irish guitarist Rory Gallagher first caught our attention as the frontman of the power trio Taste, the famous band that swept the second wave of the British blues-rock boom of the 1960s to some success and fame. Gallagher began his solo career with the 1971 self-titled album and was on his way out, touring almost permanently until his death in 1995. Along the way, he recorded more than a dozen studio, and several live albums that showcased his incendiary style of play and underediced songwriting skills. Often overlooked in favor of contemporaries like Eric Clapton and Jimmy Page, Gallagher stands among the best blues-rock guitarists in the history of the genre. Live! In Europe (1972)Released only a year in the young solo career of the Irish blues guitarist, Live! Europe captures a young stallion prancing and preening through the stage, getting his feet under him and developing his dynamic show on which much of his reputation is based. Long on the interpretation of traditional and standard blues songs like Messin's Baby and Hoodoo Man, and short original material, Live! In Europe, the guitarist's reckless energy and youthful enthusiasm captures the early stages of a career that would have lasted three decades. Irish tour 1974 (1974) Two years after the release of Live! In Europe, Gallagher returned home to Ireland for a series of nine shows that showcased a confident, experienced veteran guitarist with a handful of studio recordings under his belt and an extended musical palette that he applied to a wider catalog of songs. Irish tour 1974 features musical highlights of the tour serves as a companion to a documentary of the same directed by Tony Palmer. The album offers an inspired mix of original songs such as Tattoo'd Lady, Walk On Hot Coals and A Million Miles Away, as well as a selection of cover versions of J.B. Hutto Too Much Alcohol and Muddy Waters I Wonder Who, standing as one of the best live blues rock recordings of the era. Calling Card (1976) Produced with the steady hand of former Deep Purple bassist Roger Glover, Gallagher Calling Card found the guitarist stretching his sound a little beyond blues-rock to include soul, jazz, and even pop in what would prove to be one of his strongest sets of original material. While crochet rockers such as Country Mile and the title track will be fan favourites on the live stage, melodic tracks such as Edged In Blue and I'll Admit You're Gone display another dimension of Gallagher's talents. Deuce (1971) Gallagher's sophomore album was released six months after his self-titled debut, but shows an incredible amount of artistic growth and maturity. Featuring eleven original songs, With Deuce Gallagher wrote a plan that he will follow through much of the rest of the decade, mixing rambling, guitar-driven blues-rock with snatches of acoustic country blues, intricate rock roots, and heartfelt RBC. His guitar tone and phrasing are excellent throughout, and his songwriting skills have evolved at an amazing pace. While Deuce has placed only one song in Gallagher's canon - Crest Of A Wave, there is literally a good track on the album. Notes from San Francisco (2011) This long-awaited lost album, recorded by Gallagher and his four-person band in San Francisco in 1977, was finally released in 2011 and turned out to be well worth the wait. Featuring nine original songs, some of which will be renamed a year from now for Photo-Finish, as well as several bonus tracks, Notes from San Francisco shows the artist straining within the blues-rock form and trying to expand his sound. The two-disc set includes a rock solid live performance from 1979 that puts (later) Stage Struck Shame. Blueprint (1973) Gallagher's pair of 1973 album releases will feature a guitarist at the top of his form, and are given a series of songs that will become fan favorites, performed by Gallagher over the next decade. Blueprint was the first of the couple, and if it is often overlooked in favor of the admittedly superior tattoo, this solid collection of material, however, is highlighted by including a raver Walk on Hot Coals, a sultry Daughter of the Everglades, and an extended jam that was the seventh son of a seventh son. The lively cover of Big Bill Broonzy's Banker's Blues is another good un, showcasing the acoustic skills of The Gallagher Blues. Photo-finish (1979)After disastrous 1977 sessions, which (many) later lead to long-lost San San San Gallagher split his band for five years. Stripping down to the power of the trio, retaining only bassist Jerry McEvoy and adding drummer Ted McKenna, Gallagher re-recorded several songs from the previous session for Photo-Finish, adding a few new tunes and pursuing a harder-edged blues-rock sound. While not the best album in Gallagher's environment, Photo-Finish still includes invulnerable fan favorites like Shinkicker, Mississippi Sheikh, and The Last of the Independent, as well as overlooked gems like Annie's twangy Juke Box. Tattoo (1973) Tattoo is an amazing achievement as Gallagher found inspiration to pen nine new tunes while touring largely in support of his album Blueprint, released just months earlier. Muse has obviously hit the guitarist hard as the tattoo includes some of the artist's best, and most popular songs of a long and prolific career, songs like Tattoo'd Lady, A Million Miles Away, and Cradle Rock Staples Gallagher live shows for years, While tunes like Delta-inspired folk-blues 20/20 Vision or Chicago blues-style Who's coming, with some delicious slide guitars, with some delicious fresh Evidence guitar (1988) Gallagher's latest studio album – it's a mixed bag of blues styles and performances by the guitarist, trying his hand at interpretations of zydeco, Chicago and Delta blues, as well as jazz along with typical dirty blues and British blues.
Load more

Recommended publications
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • The Story of Sonny Boy Slim
    THE STORY OF SONNY BOY SLIM Ever since 2010, when Gary Clark Jr. wowed audiences with electrifying live sets everywhere from the Crossroads Festival to Hollywood’s historic Hotel Café, his modus operandi has remained crystal clear: “I listen to everything…so I want to play everything.” The revelation that is the Austin-born virtuoso guitarist, vocalist and songwriter finds him just as much an amalgamation of his myriad influences and inspirations. Anyone who gravitated towards Clark’s, 2011’s Bright Lights EP, heard both the evolution of rock and roll and a savior of blues. The following year’s full-length debut, Blak And Blu, illuminated Clark’s vast spectrum - “Please Come Home” is reminiscent of Smokey Robinson, while “Ain’t Messin’ Around” recalls Sly and the Family Stone. 2014’s double disc Gary Clark Jr–Live projected Clark into 3D by adding palpable dimension and transcendent power –– songs soared and drifted from the epic, psychedelic-blues of “When My Train Comes In” to his anthemic, hip-hop, rock-crunch calling card, “Bright Lights”, all the way down to the deep, dark, muddy water of “When The Sun Goes Down”. There are a handful of folks who have informed for the mélange of genres and styles, which comprise the genius of Clark. One is Michael Jackson. It was on Denver stop of MJ’s Bad Tour where a four-year-old Gary’s life was altered after witnessing The King of Pop. By the sixth grade, Clark would own his first set of strings (Ibanez RX20). As a teen, Clark began making a local name by jamming with adult musicians around nearby clubs.
    [Show full text]
  • The Spirit of the Living Creatures Was in the Wheels -- Ezekiel 1:21
    The spirit of the living creatures was in the wheels -- Ezekiel 1:21 "Wheels Within Wheels deepens the musical experience created at Congregation Bet Haverim by lifting the veil between the ordinary and the sacred, so that our earthy expression of musical holiness connects with the celestial resonance of the universal. Like Ezekiel’s mystical vision, the spirals of harmonies, voices and instruments evoke contemplation, awe and celebration. At times Wheels Within Wheels will transport you to an intimate experience with your innermost self, and at other times it will convey a profound connection with the world around you." -- Rabbi Joshua Lesser THE MUSICIANS OF CONGREGATION BET HAVERIM Chorus Soprano: Nefesh Chaya, Sara Dardik, Julie Fishman, Nancy Gerber, Joy Goodman, Ellie McGraw, Theresa Prestwood, Rina Rosenberg, Faith Russler, Sandi Schein Alto: Jesse Harris Bathrick, Elke Davidson, Gayanne Geurin, Kim Goldsmith, Rebecca Green, Carrie Hausman, Alix Laing, Rebecca Leary Safon, AnnaLaura Scheer, Valerie Singer, Linda Weiskoff, Valerie Wolpe, McKenzie Wren Tenor: Ned Bridges, Brad Davidorf, Faye Dresner, Henry Farber, Alan Hymowitz, Lynne Norton Bass: Dan Arnold, Gregg Bedol, David Borthwick, Gary Falcon, Bill Laing, Bill Witherspoon, Howard Winer Band Will Robertson, guitar, keyboards; Natalie Stahl, clarinet, saxophone; Sarah Zaslaw, violin, viola; Reuben Haller, mandolin; Jordan Dayan, bass, electric bass; Mike Zimmerman, drum kit, percussion; Henry Farber and Gayanne Geurin, percussion; with Matthew Kaminski, accordion Strings Sarah Zaslaw and Benjamin Reiss, violin; David Borthwick, viola; Ruth Einstein, cello; Will Robertson, double bass Children’s Choir and CBH Community School Chorus director: Will Robertson Music director: Gayanne Geurin Thank You It takes a shul to raise a recording.
    [Show full text]
  • Murder Ballads.Pdf
    This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/104313/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Newman, Daniel 2017. Murder ballads: Nick Cave and his approach to killing in song. Musicology Australia 39 (2) , pp. 96-115. 10.1080/08145857.2017.1393149 file Publishers page: https://doi.org/10.1080/08145857.2017.1393149 <https://doi.org/10.1080/08145857.2017.1393149> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. Daniel Newman, Cardiff Law School To be published in Musicology Australia Murder Ballads: Nick Cave and his approach to killing in song Abstract Violence and murder have a strong cultural currency the implications of which should be pursued by those with an interest in law and society, crime, and justice. Murder ballads are songs about death and killing with a history stretching back to the nineteenth century. Drawing out the major themes of this genre can help scholars gain a handle on how murder has been treated in popular culture, thereon providing an enhanced understanding of the human condition.
    [Show full text]
  • Alex Harvey and “The Tomahawk Kid”: Mode and Interpretation
    Alex Harvey and “The Tomahawk Kid”: Mode and Interpretation David Montgomery Abstract: Alex Harvey and the Sensational Alex Harvey Band achieved only marginal popularity during Harvey’s lifetime. Yet an examination of Harvey’s “The Tomahawk Kid,” based on Robert Louis Stevenson’s Treasure Island, shows an idiosyncratic musical style that combines rock and Scottish Celtic influences, subtle textual interpretation, unique compositional choices, and modal tonalities. Introduction The academic study of popular music oscillates between two preoccupations. On one hand, the dogmas of sub-cultural theory still influence popular music discourse and general cultural theory to a great degree. On the other hand, this discourse cannot escape the parameters of its label— popular. In essence, the two poles may be staked as cultural theory versus popular appreciation; but in a way difficult to describe, the application of critical theory has begun to seem more like an attempt to avoid an aesthetic conundrum— a kind of elevation of the demotic artefact to a height it cannot bear. Ever resourceful, the practitioners of popular music studies have wriggled out of this quandary and into the at least temporarily secure embrace of post­ feminist studies, world pop, and the ethnography of locale; in other words, into areas where inquiry is either of self-evident importance, exotic, or comfortably esoteric. Even if the locale is no more exotic than Glasgow, Scotland or Montgomery, Alabama, or the object mundane, the conceit of the critical stance has proven sufficient. Things change, canons crumble, time has done its work. The difficult “aesthetics” of popular music studies, the indeterminate nature of its aims, is a nagging problem.
    [Show full text]
  • The Essential Rory Gallagher Pdf Free Download
    THE ESSENTIAL RORY GALLAGHER PDF, EPUB, EBOOK Rory Gallagher | 128 pages | 01 Oct 2009 | Music Sales Ltd | 9781847723819 | English | London, United Kingdom The Essential Rory Gallagher PDF Book Wednesday 26 August He is regularly credited as one of the most influen… read more. Friday 14 August Welcome back. Friday 4 September Sunday 6 September Thursday 9 July Trivia About The Essential Ror The guitar solos bite down hard as it slows down to an almost whisper midway but is battered into submission by the main riff as it ends on a Godzilla like stomped outro. Rockpalast Archiv. Event occurs at Saturday 1 August Saturday 29 August Monday 24 August Tuesday 20 October Archived from the original on 16 January Retrieved 28 April Tuesday 15 September After Fresh Evidence , he embarked on a tour of the United States. Sunday 20 September Retrieved 10 January Flynn Amps. He relied entirely on radio programs and television. Sunday 12 July Scrobble from Spotify? Born in Ballyshannon , County Donegal , [3] and brought up in Cork , Gallagher recorded solo albums throughout the s and s, after forming the band Taste during the late s. Thursday 30 July So I owe Rory Gallagher my sound. View full artist profile. The Essential Rory Gallagher Writer Friday 24 April All Languages. Help Learn to edit Community portal Recent changes Upload file. Retrieved 18 September Monday 31 August All nineteen songs from Taste and On the Boards the only two studio albums released by the band Taste before Rory pursued his solo career. Saturday 30 May November saw the release of the album Deuce.
    [Show full text]
  • Port Na Bpúcaí Title Code 1 Altan 25Th Anniversary Celebration with The
    Port na bPúcaí Title Code Aberlour's Save the last drop 9,95 1 Abbey Ceili Band Bruach at StSuiain 9,95 1 Afro Celt Sound System POD (CD & DVD) CDRW 116 18,95 Afro Celt Sound System Vol 1 - Sound Magic CDRW61 14,95 Afro Celt Sound System Vol 2 - Release CDRW76 14,95 1 Afro Celt Sound System Vol 3 - Further in time CDRW96 14,95 Afro Celt Sound System Anatomic CDRW133 16,95 Afro Celt Sound System Seed CDRWG111 Altan 25th Anniversary Celebration with the ALT001 16,95 2 RTE concert orchestra Altan Altan ( Frankie & Mairead ) GLCD 1078 16,95 Altan another sky... 724384883829 12,95 Altan Best of, The (2CDs) GLCD 1177 16,95 1 Altan The best of Altan - The Songs 7, 24354E+11 9,95 Altan Blackwater CDV2796 12,95 Altan Blue Idol, The CDVE961/ 8119552 16,95 Altan Finest, The CCCD100 8,95 Altan First ten years 1986-1995, The GLCD 1153 14,95 Altan Glen Nimhe - The Poison Glen COM4571 16,95 Altan harvest storm GLCD 1117 16,95 Altan horse with a heart GLCD 1095 16,95 Altan island angel GLCD 1137 16,95 1 Altan Local ground VERTCD069 19,95 Altan Runaway sunday CDV2836 12,95 Altan Red crow, The GLCD 1109 16,95 Altan The widening gyre 16,95 1 Ancient voice of Ireland Haunting Irish melodies 9,95 2 Anúna Anúna DANU21 9,95 1 Anúna Deep dead blue DANU020 14,95 Anúna Illumination DANU029 Anúna Invocation DANU015 14,95 Anúna Sanctus DANU025 14,95 Anúna Winter Songs DANU 16 14,95 Arcade Fire The subburbs 6,95 5 Arcady After the ball..
    [Show full text]
  • Rye Your Voice Is Your Calling Card.Indd
    Your Voice Is Your Calling Card “Suzann Rye has designed a course which will absolutely inspire and empower you. In a step-by-step approach, she helps you discover and connect with your true voice—the real you, or the Dream Character, as she calls it. Your Voice Is Your Calling Card touches on the spiritual, the emotional, and the physical aspects of performance, allowing you to create an authentic, harmonious, and whole stage persona. Learn from Suzann’s twenty years of stage experience, and let her help you fi nd your Dream Character.” Roger N. Quevillon Minister/Bachelor of Metaphysical Science (B.Msc.), University of Sedona Coauthor of Living in Clarity, from the best-selling series, Wake Up . Live ! e Life You Love www.! eTruthBWiseCJourney.com “I met Suzann Rye during a seminar on the power of the voice. I was amazed by her profound understanding of the mechanics of the vocal instrument, but perhaps even more importantly, I realized what a remarkable advocate of the holistic dimension of the voice she is. ! is book contains a wealth of practical knowledge. It is both helpful and inspiring. I invite you to let Suzann be your guide in this fascinating journey to discover your own inner voice and build it step by step to make it ‘your calling card.’” Nabil Doss Speaker, Voice Specialist, and Narrator President 2008–2009, Canadian Association of Professional Speakers, Montreal Chapter “What a fantastic book—simply packed with valuable lessons! ! ere are many self-help books, programs, and systems that exist today. But this is really something fresh, exciting, and entertaining.
    [Show full text]
  • Links: Michael Schenker Fest
    New Release Information uu March MICHAEL SCHENKER FEST Release Date Pre-Order Start Territory: World Resurrection uu 02/03/2018 uu 15/12/2017 Style: Rock uu DIGI and Earbook incl. bonus DVD uu advertising in many important music magazines DEC/JAN 2018 uu album reviews, interviews in all important Metal magazines in Europe’s DEC/JAN 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (main- ly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a background on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release Price Code: CD01 uu Tracklists: NB 4173-0 CD+DVD-DIGI (incl. Bonus-DVD) Digi / CD: 01. Heart And Soul 02. Warrior 03. Take Me To The Church 04. Night Moods Price Code: CD04 05. The Girl With The Stars In Her Eyes 06. Everest NB 4173-2 CD 07. Messin’ Around 08. Time Knows When It´s Time 09.
    [Show full text]
  • Rory Gallagher Irish Tour 1974 Mp3, Flac, Wma
    Rory Gallagher Irish Tour 1974 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Irish Tour 1974 Country: Europe Released: 2010 MP3 version RAR size: 1321 mb FLAC version RAR size: 1173 mb WMA version RAR size: 1264 mb Rating: 4.8 Votes: 273 Other Formats: VQF MPC AA MP1 MIDI AUD FLAC Tracklist Hide Credits 1 Walk On Hot Coals 2 Tattoo‘d Lady 3 Who‘s That Coming 4 A Million Miles Away 5 Going To My Home Town 6 Cradle Rock As The Crow Flies 7 Written-By – Tony Joe White 8 Hands Off 9 Bullfrog Blues Extras 10 "Rory Gallagher Music Maker" 11 Toredown 12 Laundromat 13 Pistol Slapper Blues 14 Don't Know Where I'm Going 15 Bullfrog Blues 16 "In Your Town" Credits Bass – Gerry McAvoy Cameraman – Les Young Drums – Rod De'Ath Executive-Producer – Donal Gallagher* Film Director – Tony Palmer Piano – Lou Martin Sleeve, Design – Mark Jessett Vocals, Guitar, Harmonica – Rory Gallagher Written-By – Rory Gallagher (tracks: 1 to 6, 8, 9) Notes A Film By Tony Palmer Running time: 123 minutes approx. All tracks Strange Music Ltd/BMG Music Publishing Ltd. except Track 7 Olofsong Music. "Rory Gallagher: Music Maker" - Directed by TE Studios, of Bil Keating, a day in the life of Rory Gallagher during the Irish Tour of 1972, with live presentation at Savoy Cinema, Limerick "In Your Town" - Filmed at Japanese Tour of 1974. Comments and audio of Donal Gallagher and Gerry McAvoy Barcode and Other Identifiers Barcode: 7 898103 207463 Other versions Category Artist Title (Format) Label Category Country Year BMG Rory Irish Tour 1974 75517 458439
    [Show full text]
  • THE GARY MOORE DISCOGRAPHY (The GM Bible)
    THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
    [Show full text]
  • Signature Sounds Available
    Guitar Pro 7: Signature Sounds available STEEL GUITAR America A Horse with no Name America Apologies All Apologies Nirvana Babe Babe I'm Gonna Leave You Led Zeppelin Blue Eyes Behind Blue Eyes Limp Bizkit Bron Bron Yr Aur Led Zeppelin California California Joni Mitchell Cat Father and Son Cat Stevens Clap The Clap Yes Cross Road Cross Road Blues Robert Johnson Drake Road Road Nick Drake Dreamin California Dreamin' The Mamas and the Papas Drive Drive Incubus Dylan Bob Dylan Extreme More Than Words Extreme Fade Fade to Black Metallica Fans Fans Kings of Leon Frizz Moon River Bill Frisell Gently While My Guitar Gently Weeps The Beatles Goodbye Last Goodbye Jeff Buckley Greensleeves Greensleeves Jeff Beck Harper Sexuel Healing Ben Harper Jessica Jessica The Allman Bothers Band Joni A Case of You Joni Mitchell Life 18 and Life Skid Row Long Train Long Train Running The Doobie Brothers Mainstreet Mainstreet Breakdown Chet Atkins My Mind Where Is My Mind The Pixies 1 No Rain No Rain Blind Melon November November Rain Guns 'N Roses Old Man Old Man Neil Young Overnight Overnight Bag Rory Gallagher Pinball Pinball Wizard The Who Presence Dear God Avenged Sevenfold Redemption Redemption Song Bob Marley Revolution Talkin 'Bout a Revolution Tracy Chapman Road Road Nick Drake September Ends Wake Me Up When September Ends Green Day Sixteen Tons Sixteen Tons Merle Travis Sky Eye Eye in the Sky Alan Pasons Project Sleep The Sleep Pantera Stairway Stairway to Heaven Led Zeppelin Stomp Bron-Y-Aur Stomp Led Zeppelin Summer All Summer Long Kid Rock Theater
    [Show full text]