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New Release Information uu March MICHAEL SCHENKER FEST Release Date Pre-Order Start Territory: World Resurrection uu 02/03/2018 uu 15/12/2017 Style: Rock uu DIGI and Earbook incl. bonus DVD uu advertising in many important music magazines DEC/JAN 2018 uu album reviews, interviews in all important Metal magazines in Europe’s DEC/JAN 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (main- ly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a background on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release Price Code: CD01 uu Tracklists: NB 4173-0 CD+DVD-DIGI (incl. Bonus-DVD) Digi / CD: 01. Heart And Soul 02. Warrior 03. Take Me To The Church 04. Night Moods Price Code: CD04 05. The Girl With The Stars In Her Eyes 06. Everest NB 4173-2 CD 07. Messin’ Around 08. Time Knows When It´s Time 09. Anchors Away 10. Salvation 11. Livin‘ A Life Worth Livin‘ 12. The Last Supper Price Code: CD13 Bonus DVD: NB 4173-7 CD+DVD-Earbook (incl. Bonus-DVD) 01. Warrior (video clip) 02. Michael Schenker Fest – The Documentation 03. Michael Schenker Fest - Interview 04. Michael Schenker Fest at Loudpark 2017 Price Code: LP17 NB 4173-1 2LP 2LP (black in gatefold) Side A 01. Heart And Soul 02. Warrior 03. Take Me To The Church 04. Night Moods Side B Price Code: LP20 01. The Girl With The Stars In Her Eyes 02. Everest NB 4173-4 2LP (clear in gatefold) 03. Messin’ Around 04. Time Knows When It´s Time Side C 01. Anchors Away 02. Salvation 03. Livin’ A Life Worth Livin’ 04. The Last Supper Side D -etched- Line up: Michael Schenker | guitars, vocals Gary Barden | vocals Graham Bonnet | vocals Robin McAuley | vocals Doogie White | vocals Chris Glen | bass Ted McKenna | drums Steve Mann | guitars, keyboards www.michaelschenkerfest.com · www.nuclearblast.de/michaelschenkerfest NUCLEAR BLAST Tonträger Produktions- und Vertriebs-GmbH · OESCHSTRASSE 40 · D-73072 DONZDORF · GERMANY · PHONE +49-7162-9280-13 / -20 / -25 · FAX +49-7162-24554 uu www.facebook.com/nuclearblasteurope · www.twitter.com/nuclearblasteu uu LINKS: uu Nuclear Blast Video Clips · Nuclear Blast Bands on Tour · Nuclear Blast albums in the Charts · New Songs on Spotify uu www.nuclearblast.de.

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Michael Schenker Page 1 of 4 Anne Carlini
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FEATURE MSG At least that’s what rock fans in the ’70s went around shouting. But the German guitarist wasn’t comfortable with such hero worship. What he wanted to do was focus on the music, wanting to find out “what I had to say that was inside me.” So he left UFO in 1978, formed the Michael Schenker Group and is still on his quest for musical nirvana. Howard Johnson speaks to Michael to find out if he’s getting close… A HUGE NUMBER OF rock fans worldwide still consider Nevertheless, UFO was the launching pad for a career Michael Schenker the ultimate guitar hero. He may well where Schenker has consistently won accolades for being be 65 years old now, but there’s still good reason for one of hard rock’s most important guitar players. But agreeing with this point of view. Schenker’s enduring MSG was the first time that Michael took charge of his ability to summon up blazing rock music that is also own career, and his work in the period between 1980 and deeply tender and full of feeling is what sets him apart 1992 when Barden, Bonnet and McAuley were at different from the herd of hard rock guitarists. times fronting the group is worthy of investigation, And here’s the good news. After any number of well- especially as it’s an era that has remained somewhat documented ups and downs during a career spanning ignored. In true Rock Candy Mag style, where we like to a frankly unbelievable 50 years, the Michael Schenker explore the road less travelled, that’s where we wanted to Fest project that he first unveiled in 2016 now sees him focus our interview with this true guitar legend… happy, healthy, emotionally engaged and, above all, playing great guitar.
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