LINKS: Uu Nuclear Blast Video Clips · Nuclear Blast Bands on Tour · Nuclear Blast Albums in the Charts · New Songs on Spotify Uu

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LINKS: Uu Nuclear Blast Video Clips · Nuclear Blast Bands on Tour · Nuclear Blast Albums in the Charts · New Songs on Spotify Uu

New Release Information uu January MICHAEL SCHENKER FEST Release Date Pre-Order Start Warrior uu 26/01/2018 uu 01/12/2017 uu advertising in many important music magazines DEC/JAN 2018 uu album reviews, interviews in all important Metal magazines in Europe’s DEC/JAN 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories Price Code: LP05 uu retail marketing campaigns NB 4303-1 LP uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock Style: Rock websites all over Europe Territory: World uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu Tracklist: uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids 10” Single (45 RPM) uu banners, featured items at the shop, header images and a back- Side A ground on nuclearblast.de and nuclearblast.com 01. Warrior uu features and banners in newsletters, as well as special mailings Side B to targeted audiences in support of the release 01.Heart And Soul Line up: Gary Barden | vocals · Graham Bonnet | vocals · Robin McAuley | vocals · Doogie White | vocals Neil Murray| bass · Simon Phillips | drums · Michael Schenker | guitars Wayne Findlay| guitars, keyboard www.michaelschenkerhimself.com www.facebook.com/MichaelSchenkerRocks≠· www.nuclearblast.de/michaelschenkerfest NUCLEAR BLAST Tonträger Produktions- und Vertriebs-GmbH · OESCHSTRASSE 40 · D-73072 DONZDORF · GERMANY · PHONE +49-7162-9280-13 / -20 / -25 · FAX +49-7162-24554 uu www.facebook.com/nuclearblasteurope · www.twitter.com/nuclearblasteu uu LINKS: uu Nuclear Blast Video Clips · Nuclear Blast Bands on Tour · Nuclear Blast albums in the Charts · New Songs on Spotify uu www.nuclearblast.de.

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Michael Schenker Page 1 of 4 Anne Carlini
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