DOCSLIB.ORG

The Story of Sonny Boy Slim

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Story of Sonny Boy Slim THE STORY OF SONNY BOY SLIM Ever since 2010, when Gary Clark Jr. wowed audiences with electrifying live sets everywhere from the Crossroads Festival to Hollywood’s historic Hotel Café, his modus operandi has remained crystal clear: “I listen to everything…so I want to play everything.” The revelation that is the Austin-born virtuoso guitarist, vocalist and songwriter finds him just as much an amalgamation of his myriad influences and inspirations. Anyone who gravitated towards Clark’s, 2011’s Bright Lights EP, heard both the evolution of rock and roll and a savior of blues. The following year’s full-length debut, Blak And Blu, illuminated Clark’s vast spectrum - “Please Come Home” is reminiscent of Smokey Robinson, while “Ain’t Messin’ Around” recalls Sly and the Family Stone. 2014’s double disc Gary Clark Jr–Live projected Clark into 3D by adding palpable dimension and transcendent power –– songs soared and drifted from the epic, psychedelic-blues of “When My Train Comes In” to his anthemic, hip-hop, rock-crunch calling card, “Bright Lights”, all the way down to the deep, dark, muddy water of “When The Sun Goes Down”. There are a handful of folks who have informed for the mélange of genres and styles, which comprise the genius of Clark. One is Michael Jackson. It was on Denver stop of MJ’s Bad Tour where a four-year-old Gary’s life was altered after witnessing The King of Pop. By the sixth grade, Clark would own his first set of strings (Ibanez RX20). As a teen, Clark began making a local name by jamming with adult musicians around nearby clubs. He struck a balance by singing in the church choir with his sisters. That gritty & sweet combination imbues the honey-thick soul that oozes from his vocals today. The eclectic Texas circuit, though, was Clark greatest university, where another culprit in the GCJ genesis lives: Clifford Antone, ambassador of the Austin music scene. Antone’s nightclub granted Clark the honor of sharing the stage with local blues heroes like Jimmie Vaughn, Hubert Sumlin Jr, and Pinetop Perkins. This on-the-job training, combined with studying licks by literal Kings like BB, Albert and Freddie, observing the mastery of Curtis Mayfield, Miles Davis, Hendrix, Marvin Gaye, Parliament-Funkadelic, and digesting the fresh edge of Tupac and Biggie, lifted the guitar prodigy up into a multi-instrumentalist, adept scribe, and undisputed music festival champ. Now, after spending the last five years transforming audiences from the California desert to the London metropolis, acquiring fans like Barack Obama, Keith Richards, Alicia Keys and Beyoncé along the way, the 6’4 Texan needs to spread his musical wings and spectrum hues wider. This exhibition will be Clark’s second full-length worldwide album, The Story of Sonny Boy Slim due from Warner Bros. Records on September 11th. The title’s inspiration is one half Clark’s Southern roots––those singers and local musicians who saw the future in this young man ––and other half, his acting debut in John Sayles’ 2007 film Honeydripper. A 23-year-old Clark played the fictitious Sonny, (in fact, already his family-given nick-name), a young musician who transformed the blues and R&B into rock and roll. On his latest, Clark isn’t trying to reinvent any wheel. He’d rather deploy as many wheels as possible in order to lead music fans toward his favorite destinations. “The Healing” mashes blues and hip-hop into the 21st century with a Marleyesque message of hope and faith. This journey of the soul hits Mississippi on the Delta jam of “Shake,” before pulling into the spiritual station of “Church,” serving gospel made with the purist folk elements: hypnotic strum, sweet harmonica, and aloud prayers as painful as they are beautiful (dare we say, Dylan-esque). “Grinder” makes musical graffiti out of fierce, freeform wah-wah screaming that spars with rap-tough urban tension. The code is completed once Clark’s chordophone wails a salute to all guitar gods. What this body of work accomplishes that its predecessors hadn’t is spotlight Gary Clark Jr., the artist first -- as producer, singer-songwriter -- and string master second. His textured voice and eyes-wide writing hug listeners in with a disregard for time period other than the future. The reassuring “Our Love” could’ve easily been a standard in any decade past or present; “Down To Ride”, an avant-garde, soul love letter with its sensual falsetto, classic Casio synths, and outer- space guitar fade, fits into fresh unexplored sonic territories. The trippy flight “Wings” is Clark’s most modern flip as the Outkast fan is heard in his lyrical prime: “We got issues and people get misused/and girl I miss you/but I know that we’ll get through what we go through.” Sterling songwriting is where Mr. Clark’s evolution is arrayed best. Never has his pen’s moonshine been so in tune with the times. The Lone Star diamond gleams brightest when he’s sketching then voicing his country’s current and evergreen socio-economic tensions simultaneously. When he’s progressing the art of blues by replacing hopeless conclusion with empathy and strength. When he’s reintroducing and redefining red, white, and blue music. “Hold On,” impressively captures the struggle of being African-American in any era by stirring a pungent punch of Curtis Mayfield, Gil Scott-Heron and Buddy Guy influence over some serious (and visual) commentary. “Seems like new news is the old news from a different angle/another mother on TV crying cause her boy didn’t make it/She said, What am I gon’ do? What I’m gon’ tell these babies?” A 2015 reply is offered on the all-consuming space-age funk of “Star.” “I am devoted to seeing you shine on,” could be a message in falsetto from Clark to those babies, his country, his family, and his innermost self. With a musical palette as gracious and glorious as Gary Clark Jr’s, the target is most likely all of the above. As Clark put his mojo in full motion on the album’s opening track, “The Healing”, he eloquently states his subtle and underlying theme that “this music” is our hope, faith and ultimate healing. # # # Contact Warner Bros. Records Publicity: National: Rick Gershon 818-953-3473 / [email protected] National: Phylicia Fant 818-953-3781 / [email protected] National & Regional / Tour Press: Roderick Scott 818-953-3319 / [email protected] www.garyclarkjr.com www.facebook.com/GaryClarkJr www.twitter.com/garyclarkjr www.youtube.com/user/garyclarkjr .
Load more

Recommended publications
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • Gary Clark, Jr
    GARY CLARK, JR. 21st Century Blues The last two years have yielded a dizzying RISING FROM AUSTIN parade of triumphs for Gary Clark, Jr., the 28-year-old artist from Austin, Texas. With the by Tom Hyslop force of Warner Brothers Records behind him, Clark has received a promotional push that rivals that of any mainstream artist, one that certainly exceeds anything witnessed in the blues realm at least since the 1980s, with the mainstream breakouts of Stevie Ray Vaughan and Robert Cray, and possibly since the highly-publicized signing of Johnny Winter by Columbia Records in 1969. In the course of the blitz, Clark has performed at every major festival, including Coachella, SXSW, Made In America, Bonnaroo, Summerfest, Lollapalooza, Dave Mathews Band Caravan, Newport Folk Fest, Electric Forest, Sasquatch! Festival, Mountain Jam, and others, along with dates in the most coveted clubs; received ink in a dizzying variety of publications, from MOJO and SPIN to such unexpected settings as Esquire, Vanity Fair, and even the mainstream Entertainment Weekly, with recurring coverage in Rolling Stone, including a five- star rating for his debut EP on Warners, in a write-up that led off the review section; and made appearances on the major late-night shows: Conan, The Late Show with David Letterman, Late Night with Jimmy Fallon, The Tonight Show with Jay Leno. He has taped an episode of Austin City Limits as headliner. A fragment of “Bright Lights” provided the soundtrack to a major mobile phone provider’s ubiquitous TV advertisement, and the video for “Ain’t Messin’ ‘Round” received regular rotation on VH1, America’s almost univer- sally available cable music television channel.
    [Show full text]
  • Murder Ballads.Pdf
    This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/104313/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Newman, Daniel 2017. Murder ballads: Nick Cave and his approach to killing in song. Musicology Australia 39 (2) , pp. 96-115. 10.1080/08145857.2017.1393149 file Publishers page: https://doi.org/10.1080/08145857.2017.1393149 <https://doi.org/10.1080/08145857.2017.1393149> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. Daniel Newman, Cardiff Law School To be published in Musicology Australia Murder Ballads: Nick Cave and his approach to killing in song Abstract Violence and murder have a strong cultural currency the implications of which should be pursued by those with an interest in law and society, crime, and justice. Murder ballads are songs about death and killing with a history stretching back to the nineteenth century. Drawing out the major themes of this genre can help scholars gain a handle on how murder has been treated in popular culture, thereon providing an enhanced understanding of the human condition.
    [Show full text]
  • 1 2 | Lonestarmusic Lonestarmusic | 3
    LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue SHOVELS AND ROPE pg 38 O’ What Two Can Do The triumphant union, joyful noise and crazy good times of Cary Ann Hearst and Michael Trent by Kelly Dearmore FEATUREs 34 Q&A: Paul Thorn — By Lynne Margolis 48 Sunny Sweeney finds the light — By Holly Gleason 52 Lee Ann Womack: When I come around — By Richard Skanse 56 Cory Branan: The wandering musical spirit of Americana’s free-ranging “No-Hit Wonder” — By Adam Daswon 58 Imagine Houston: An excerpt from Reverb, the new novel by Joe Ely Photo courtesy of All Eyes Media 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Design: Melissa Webb Advertising/Marketing: Kristen Townsend Apart from the opportunity to work with a team of really good people Advertising: Tara Staglik, Erica — especially graphic designer Melissa Webb, who I’d already known and Brown greatly respected for years — one of the things that appealed most to me Artist & Label Relations: Kristen Townsend about joining this magazine five years ago was owner Zach Jennings’ vision that LoneStarMusic could be about more than just Texas music. Even more Contributing Contributing and Writers Photographers than Texas Red Dirt music. We all agreed that we would still focus on songwriters and roots and/or country(ish) music — pretty much anything Richard Skanse John Carrico that could directly or even indirectly fall under the category of “Americana” in Lynne Margolis Lynne Margolis Brian T.
    [Show full text]
  • Rye Your Voice Is Your Calling Card.Indd
    Your Voice Is Your Calling Card “Suzann Rye has designed a course which will absolutely inspire and empower you. In a step-by-step approach, she helps you discover and connect with your true voice—the real you, or the Dream Character, as she calls it. Your Voice Is Your Calling Card touches on the spiritual, the emotional, and the physical aspects of performance, allowing you to create an authentic, harmonious, and whole stage persona. Learn from Suzann’s twenty years of stage experience, and let her help you fi nd your Dream Character.” Roger N. Quevillon Minister/Bachelor of Metaphysical Science (B.Msc.), University of Sedona Coauthor of Living in Clarity, from the best-selling series, Wake Up . Live ! e Life You Love www.! eTruthBWiseCJourney.com “I met Suzann Rye during a seminar on the power of the voice. I was amazed by her profound understanding of the mechanics of the vocal instrument, but perhaps even more importantly, I realized what a remarkable advocate of the holistic dimension of the voice she is. ! is book contains a wealth of practical knowledge. It is both helpful and inspiring. I invite you to let Suzann be your guide in this fascinating journey to discover your own inner voice and build it step by step to make it ‘your calling card.’” Nabil Doss Speaker, Voice Specialist, and Narrator President 2008–2009, Canadian Association of Professional Speakers, Montreal Chapter “What a fantastic book—simply packed with valuable lessons! ! ere are many self-help books, programs, and systems that exist today. But this is really something fresh, exciting, and entertaining.
    [Show full text]
  • Jacob Gallagher Wsj
    Jacob gallagher wsj Continue TVTVNocturnal Animal looks as dark and sexy as you expect. By Justin Fenner September 15, 2016 Watch MoreStyleStyleBy Jake Gallagher On January 2, 9, 2013View MoreStyleStyleBy Jake Gallagher 12 December 2012View MoreStyleBy Jake GallagherAAusgus 8, 2012View MoreStyleStyleBy Jake Gallagher25, 2012View MoreStyleBy Jake Gallagher 3, Jake Gallagher18, 2012View MoreStyleBy 2012View MoreStyleStyleBy Jake GallagherJuly 3, 2012View MoreStyleBy Jake Gallagher27 June 2012View MoreStyleBy Jake Gallagher13, 2012View MoreStyleBy Jake Gallagher 6, 2012View MoreStyleBy Jake GallagherJune 6, 2012View MoreStyleBy Jake Gallagher30, 2012 MoreViewStyleStyleStyleBy Jake Gallagher , 2012Watch MoreStyleStyleBy Jake GallagherMay 17, 2012View MoreStyleStyleBy Jake GallagherMay 9, 2012View MoreStyleStyleBy Jake GallagherMay 2, 2012View MoreStyleBy Jake Gallagher 17 2012View MoreStyleBy Jake Gallagher11 2012View More Skip the main contentIt comes as no surprise that the infamous cantankerous former Oasis frontman has opinions. Here are some of his favorite and least favorite things in life29 June 2011I love Judge Judy. And who the fuck is that black guy with a bald head? Montela. My wife and I love this shit. Also, I like that Celebrity Rehabilitation you have in America, too. I watched it on TV, and then I went out the night after that Marilyn Manson concert, and that guy from Grease with a cane -- what's his fucking name? Did he die a couple of weeks ago? (Jeff Conaway.) He was there and asked me if I wanted a line. I'm like, What the fuck? You're destined to be in fucking rehab. New York is my favorite city in the world. I don't do it downtown much, but I love Central Park.
    [Show full text]
  • Gary Clark Jr. Coming to Tanger Center on October 27
    Gary Clark Jr. Coming to Tanger Center on October 27 Greensboro, N.C. – Multiple Grammy-winning and Billboard chart topper Gary Clark Jr. is coming to the Steven Tanger Center for the Performing Arts on October 27. Tickets are on sale Friday, July 23 at 10 a.m. at TangerCenter.com and Ticketmaster.com. Clark achieved global impact following his first Grammy Award in 2014 winning Best Traditional R&B Performance for the track “Please Come Home” from his Warner Records debut album Blak And Blu, and seemingly never left the road. Throughout 2019 Clark ascended to greater heights with the release of This Land – his third full-length studio album which bowed at #6 on the Billboard Top 200, marking his third consecutive Top 10 debut. The album and single of the same name attracted acclaim from the likes of The New York Times, The Washington Post, The Los Angeles Times, Rolling Stone, Pitchfork and more. He has performed on Saturday Night Live, The Late Show with Stephen Colbert, The Ellen DeGeneres Show, The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, Jimmy Kimmel Live!, Good Morning America, CBS News Sunday, CBS This Morning, The Today Show, Late Night with Seth Meyers, The Daily Show with Trevor Noah, The Howard Stern Show, WTF with Marc Maron and more. Clark’s domestic tours became instant sell outs and his international profile found him topping bills at legendary festivals around the world and venues including the Hollywood Bowl, along with multiple appearances in stadiums supporting and sharing the stage with The Rolling Stones.
    [Show full text]
  • AUDIO BOOKS, MUSIC, MOVIES 2Nd Quarter 2013 Audio Books
    AUDIO BOOKS, MUSIC, MOVIES 2nd Quarter 2013 Audio Books Millar, Melvin. You matter: 7 practices of living a life of purpose / Melvin Miller with Federica Baldan. Reverend Melvin Miller and Federica Baldan use seven practices that call people to put their faith--any faith!--into action as they coach listeners to uncover the road blocks in our way and help us live a life with purpose. BF637.S4 M555 2012AB Hamilton, Edith, 1867-1963. Mythology / by Edith Hamilton. For over fifty years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology. From Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom, Edith Hamilton's classic collection not only retells these stories with brilliant clarity but shows us how the ancients saw their own place in the world and how their themes echo in our consciousness today. BL310 .H3 2013AB Wicks, Robert. Street spirituality / Robert Wicks. A connection between contemplation and a willingness to be of service when we don’t feel like being of service. BX2350.65 .W53 2011 Dotson, Bob. American story : a lifetime search for ordinary people doing extraordinary things For more than four decades, Bob Dotson has been travelling all over the United States searching for those who have made a difference. With American Story, he shares their stories along with inspiration that can help anyone reach their goals. E169.12 .D68 2013AB Goodwin, Doris Kearns. Team of rivals : the political genius of Abraham Lincoln / Doris Kearns Goodwin.
    [Show full text]
  • Signature Sounds Available
    Guitar Pro 7: Signature Sounds available STEEL GUITAR America A Horse with no Name America Apologies All Apologies Nirvana Babe Babe I'm Gonna Leave You Led Zeppelin Blue Eyes Behind Blue Eyes Limp Bizkit Bron Bron Yr Aur Led Zeppelin California California Joni Mitchell Cat Father and Son Cat Stevens Clap The Clap Yes Cross Road Cross Road Blues Robert Johnson Drake Road Road Nick Drake Dreamin California Dreamin' The Mamas and the Papas Drive Drive Incubus Dylan Bob Dylan Extreme More Than Words Extreme Fade Fade to Black Metallica Fans Fans Kings of Leon Frizz Moon River Bill Frisell Gently While My Guitar Gently Weeps The Beatles Goodbye Last Goodbye Jeff Buckley Greensleeves Greensleeves Jeff Beck Harper Sexuel Healing Ben Harper Jessica Jessica The Allman Bothers Band Joni A Case of You Joni Mitchell Life 18 and Life Skid Row Long Train Long Train Running The Doobie Brothers Mainstreet Mainstreet Breakdown Chet Atkins My Mind Where Is My Mind The Pixies 1 No Rain No Rain Blind Melon November November Rain Guns 'N Roses Old Man Old Man Neil Young Overnight Overnight Bag Rory Gallagher Pinball Pinball Wizard The Who Presence Dear God Avenged Sevenfold Redemption Redemption Song Bob Marley Revolution Talkin 'Bout a Revolution Tracy Chapman Road Road Nick Drake September Ends Wake Me Up When September Ends Green Day Sixteen Tons Sixteen Tons Merle Travis Sky Eye Eye in the Sky Alan Pasons Project Sleep The Sleep Pantera Stairway Stairway to Heaven Led Zeppelin Stomp Bron-Y-Aur Stomp Led Zeppelin Summer All Summer Long Kid Rock Theater
    [Show full text]
  • UNIVERSAL MUSIC • American Idol – Top 4 E.P's • Colbie Caillat – All Of
    • American Idol – Top 4 E.P’s • Colbie Caillat – All Of You • Cascada – Original Me • New Releases From Classics And Jazz Inside!! And more… UNI11-27 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final I N T E R S C O P E / UNIVERSAL ISLAND DEFJAM NEW RELEASE *SHORT SELL* **ARTWORK NOT FINAL *** Artist/Title: Theory Of A Deadman / The Truth Is Artist/Title: MC Mario / Summer Anthems Standard Cat#: 2539602252 Deluxe Cat#: 2539602332 Cat. #: 0075334902 Price Code: SP Standard Price Code: SP Deluxe Price Code: AV Bar Code: Standard UPC Deluxe UPC 6 00753 34902 1 Order Due: June 16, 2011 Release Date: July 5, 2011 8 25396 02252 4 8 25396 02332 3 File: Genre Code: 17 Box Lot: 25 Dance/Compilation Order Due: June 23, 2011 Release Date: July 12, 2011 File: Rock Genre Code: 37 Box Lot: 25 Just The Facts: Key Tracks: • Mario’s First release with Universal Music • Lowlife • Canada “Mixdown 2011” in March of 2011 debuted at #7 on Soundscan with over 4,000 units in the first week Vancouver’s Theory of a Deadman return to the rock • This was the Highest debut for an MC Mario scene with their fourth studio album, The Truth Is…, release since 1998 and best first week and one due out July 12 via 604 Records/Universal Music week sales since 2002!! Canada. The album was recorded at Bay 7 in Los • MC MARIO is an artist and brand with 57 Angeles with producer Howard Benson (My Chemical releases and three million albums sold in Canada to date over his 17 year career.
    [Show full text]
  • November-December 2012
    November • December, 2012 Issue 345 jazz The Future of Album Art &blues report now in our 38th year November • December 2012 • Issue 345 Is Album Cover Art Gone For Good? The digital music age means no more packaging Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Forward, Nancy Ann Lee, Peanuts, Wanda Simpson, Mark Smith, Duane By David Merline Verh, Emily Wahl and Ron Wein- stock. Physical media is rapidly be- for much of the 1950s and 1960s. coming a relic of the 20th Century. But in the psychedelic rock era, al- Check out our constantly updated As music downloads, online gaming, bum cover art began to take on more website. Now you can search for and streaming video make listening, significance, a trend pioneered by— CD Reviews by artists, titles, record playing, and watching whatever we whoPhoto else—The by Martin Beatles,Philbey with their labels, keyword or JBR Writers. 15 want whenever we want to simple album—you guessed it—Sgt. Pep- years of reviews are up and we’ll be and convenient, the need to own per’s Lonely Hearts Club Band. going all the way back to 1974. That album was one of the first round pieces of plastic containing Comments...billwahl@ jazz-blues.com albums or games or movies seems in which the cover design made as Web www.jazz-blues.com ever more quaint. This sea-change much of a statement as the music. in the way we consume media has It was one of the first rock albums Copyright © 2012 Jazz & Blues Report upended the entertainment industry, to include printed lyrics, one of the and among the many casualties has first to have a custom inner sleeve, No portion of this publication may be re- and its elaborate cover, composed produced without written permission from been the art of the album cover.
    [Show full text]
  • The Guardian, September 22, 1993
    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 9-22-1993 The Guardian, September 22, 1993 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1993). The Guardian, September 22, 1993. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Issue No 5. Vol. 29 "» Printed on Recycled Paper Wrighl Slate University Wednesday,September 22, Students take plunge at Fall Fest INSIDE: Lenny comes our way Pagcin Elizabethan expedition WSU students travel to the past at the Ohio Renaissance Festival. Page 11 Faculty on display An department faculty exhibit their talents. Page 13 Volleyball j Fountain of youth j drowning WSU. | Page 12 News 1-5,8 Opinion 6-7 Spotlight 9-14 Sports.. 15-1 7 Classifieds....1 8 Comics 19 2 THE GUARDIAN WEDNESDAY SIC ITEM BER 22. 1993 NEWS Campus crime report TUESDAY. SEPTEMBER that the following items were sto- in Hawthorne. broken by an unkown person. 14 len from his vehicle in I'it Parking A 23-year-old female reported Wright State University Lot 10 at Springwood Lane Apart- that her C parking permit was Physical Plant had one Sanyo A 20-year-old female re- ments: a Jensen pull out am/I'm ^ CAMPUF stolen from her vehicle, which was dorm size refrigerator worth ported thai her wallel was stolen tape stereo with Alpine amplifier ' <rd in Allyn C parking lot.
    [Show full text]