Guitar Pro 7: Signature Sounds available STEEL GUITAR America A Horse with no Name America Apologies All Apologies Nirvana Babe Babe I'm Gonna Leave You Led Zeppelin Blue Eyes Behind Blue Eyes Limp Bizkit Bron Bron Yr Aur Led Zeppelin California California Joni Mitchell Cat Father and Son Cat Stevens Clap The Clap Yes Cross Road Cross Road Blues Robert Johnson Drake Road Road Nick Drake Dreamin California Dreamin' The Mamas and the Papas Drive Drive Incubus Dylan Bob Dylan Extreme More Than Words Extreme Fade Fade to Black Metallica Fans Fans Kings of Leon Frizz Moon River Bill Frisell Gently While My Guitar Gently Weeps The Beatles Goodbye Last Goodbye Jeff Buckley Greensleeves Greensleeves Jeff Beck Harper Sexuel Healing Ben Harper Jessica Jessica The Allman Bothers Band Joni A Case of You Joni Mitchell Life 18 and Life Skid Row Long Train Long Train Running The Doobie Brothers Mainstreet Mainstreet Breakdown Chet Atkins My Mind Where Is My Mind The Pixies 1 No Rain No Rain Blind Melon November November Rain Guns 'N Roses Old Man Old Man Neil Young Overnight Overnight Bag Rory Gallagher Pinball Pinball Wizard The Who Presence Dear God Avenged Sevenfold Redemption Redemption Song Bob Marley Revolution Talkin 'Bout a Revolution Tracy Chapman Road Road Nick Drake September Ends Wake Me Up When September Ends Green Day Sixteen Tons Sixteen Tons Merle Travis Sky Eye Eye in the Sky Alan Pasons Project Sleep The Sleep Pantera Stairway Stairway to Heaven Led Zeppelin Stomp Bron-Y-Aur Stomp Led Zeppelin Summer All Summer Long Kid Rock Theater Dream Theater Tommy Blue Blue Moon Tommy Emmanuel Western Plain Out on the Western Plain Rory Gallagher Your Children Teach Your Children Crosby, Stills, Nash & Young Zombie Zombie The Cranberries 12 STRING STEEL Alive Alive Pearl Jam America A Horse with No Name America California Hotel California The Eagles Corduroy Corduroy Pearl Jam Dreamin California Dreamin' The Mamas and the Papas Feeling More Than a Feeling Boston Firth Firth of Fifth Genesis Hotel Hotel California (Live) The Eagles Joy Sea of Joy Blind Faith Maggie Maggie May Rod Stewart Mama Mama I'm Coming Home Ozzy Osbourne Oddity Space Oddity David Bowie Watchtower All Along the Watchtower Jimi Hendrix 2 Way Show Me the Way Peter Frampton NYLON GUITAR Black Star Black Star Yngwie Malmsteen Girl Girl The Beatles Gold Fields of Gold Sting Guardian Guardian Angel John Mac Laughlin Heaven Tears in Heaven Eric Clapton Hopes High Hopes Pink Floyd Hotel Hotel California (Live) The Eagles Juana A mi Juana Diego de Morao Jucal Jucal Gerardo Nunez Manolo Manolo Sanlucar Mediterranean Mediterranean Sundance Paco de Lucia Nature Second Nature Eric Clapton Pass Autumn Leaves Joe Pass Pat Pat Metheny Probably It's Probably Me Eric Clapton Rain Tears in the Rain Joe Satriani Rey Antonio Rey Unforgiven The Unforgiven Metallica Way Home Can't Find My Way Home Blind Faith ELECTRIC CLEAN 18 18 & Life Skid Row Africa Africa Toto Alabama Sweet Home Alabama Lynyrd Skynyrd Always with Me Always with Me Always with You Joe Satriani Android Paranoid Android Radiohead Anywhere I Don't Live Anywhere Joe Bonamassa As You Are Come As You Are Nirvana Avenged Avenged Sevenfold B or W Black or White Michael Jackson Bay Sittin' on the Dock of the Bay Otis Redding Beautiful Day Beautiful Day U2 Bottle Message in a Bottle The Police 3 Breath Every Breathe You Take The Police Breathless Breathless The Corrs Carry On Carry On Wayward Son Kansas Change Wind of Change Scorpions Charming This Charming Man The Smiths Communique Communique Dire Straits Crazy Diamond Shine on You Crazy Diamond Pink Floyd Creep Creep Radiohead Crosstown Crosstown Traffic Jimi Hendrix Crush The Crush of Love Joe Satriani Dancing Don't Stop Dancing Creed Daughter Mama Talk to Your Daughter Robben Ford Delay Like Hell Run Like Hell Pink Floyd Dime Pantera (Dimebag Darrell) Don't Cry Don't Cry Guns 'n Roses Echoes Echoes Pink Floyd Everlong Everlong Foo Fighters Fluorescent Fluorescent Adolescent Arctic Monkeys Fly Learning to Fly Tom Petty Freak Le Freak Chic Free Ride Free Ride Edgar Winter Group Free I'm Free The Rolling Stones Gloria Gloria Them Got the Blues Still Got the Blues Gary Moore Help Help! The Beatles Highway 61 Highway 61 Bob Dylan Big Brother and the Holding Holding Company Company Jailhouse Jailhouse Rock Elvis Presley Jamming Autowah Jamming Bob Marley Joe Hey Joe Jimi Hendrix Kiss Kiss Prince Kryptonite Kryptonite 3 Doors Down Kung Wah Kung Fu Curtis Mayfield Leppard Def Leppard Like Heaven Just Like Heaven The Cure Loser Loser Beck 4 Love Thing Love Thing Joe Satriani Mardy Mardy Bum Arctic Monkeys Mars The Kill 30 Seconds to Mars Matters Nothing Else Matters Metallica Mayer John Mayer Medicate Dream Octavarium II Medicate (Awakening) Dream Theater Midnight Lee After Midnight (Live) Albert Lee Midnight strat After Midnight (Live) Eric Clapton Million Miles A Million Miles Away Rory Gallagher Misery Misery Maroon 5 Money Money Pink Floyd Moon Walking on the Moon The Police Moonlight Moonlight Shadow Mike Oldfield Mr Jones Mr Jones Counting Crows Nervous 19th Nervous Breakdown The Rolling Stones Night Still of the Night Whitesnake No Surprises No Surprises Radiohead One One Metallica Parisienne Parisienne Walkways Gary Moore Parlour Blueberry Old Time Picking Parlour Marcel Dadi Pieces Pieces Sum 41 Preacher Man Son of a Preacher man Dusty Springfield Probably Lead It's Probably Me Eric Clapton Purple Purple Rain Prince Ramblin Ramblin' Man The allman Brothers Refried Autowah Refried Funky Chicken Dixie Dregs Refried Wah Refried Funky Chicken Dixie Dregs Remains The Song Remains the Same Led Zeppelin Roxanne Roxanne The Police Running Long Train Running The Doobie Brothers Sailor Single Handed Sailor Dire Straits Sanatarium Sanatarium Metallica Sensitive Sensitive Kind J.J. Cale Sex Machine Sex Machine James Brown Shelter Gimme Shelter The Rolling Stones So Heavy I Want You (She's So Heavy) The Beatles Stay Alive Stayin' Alive The Bee Gees 5 Stuck Stuck with You Huey Lewis and the News Sultans Sultans of Swing Dire Straits Big Brother and the Holding Summertime Summertime Company Surrender Tender Surrender Steve Vai Tissue Scar Tissue Red Hot Chili Peppers Too Good Ain't Too Good Rory Gallagher Travis Merle Travis Under Bridge Under the Bridge Red Hot Chili Peppers Wall The Wall Pink Floyd Wes Wes Montgomery Wing Little Wing Jimi Hendrix Zombie Zombie The Cranberries OVERDRIVE GUITAR Bout Love Ain't Talkin' Bout Love Van Halen 69 Summer of 69 Bryan Adams Alabama Sweet Home Alabama Lynyrd Skynyrd And Them Us and Them Pink Floyd Anywhere I Don't Live Anywhere Joe Bonamassa Apache Apache The Shadows Back in Anger Don't Look Back in Anger Oasis Banquet Banquet Bloc Party Betty Black Betty Ram Jam Bottom Fat Bottomed Girls Queen Breeze Call Me the Breeze J.J. Cale Brother The Brother Robben Ford Burn Burn Deep Purple Business Takin' Care of Business Bachman Turner Overdrive Can't Dance I Can't Dance Genesis Charming This Charming Man The Smiths Sergent Pepper's Lonely Hearts Club Club Band Band The Beatles Cocaine Cocaine Eric Clapton Communication Communication Breakdown Led Zeppelin Cries Mary The Wind Cries Mary Jimi Hendrix 6 Crosscut Crosscut Saw Albert King Crossing Time Double Crossing Time Eric Clapton Cruise Cruise Control Dixie Dregs Damn Right Damn Right I've Got the Blues Buddy Guy Don't Stop Don't Stop Fleewood Mac Dream On Dream On Aerosmith Edge The Edge Emotions Emotions Wound Us So Larry Carlton F.B.I. F.B.I. The Shadows Fluorescent Fluorescent Adolescent Arctic Monkeys For Nothing Money for Nothing Dire Straits Forever Fuck Forever Babyshambles Franz Franz Ferdinand Give It Up Don't Give It Up Larry Carlton Glass Heart of Glass Blondie Goes Down When the Sun Goes Down Arctic Monkeys Going Home Going Home Ten Years After Goode Johnny B. Goode Chuck Berry Highway Highway to Hell ACDC Hip What Is Hip? Tower of Power Hoochie Rock and Roll, Hoochie Koo Johnny Winter Immigrant Immigrant Song Led Zeppelin In Arms Brothers in arms Dire Straits In Time Back in Time Huey Lewis and the News Jack The Jack ACDC Jessica Jessica The Allman Brothers Kashmir Kashmir Led zeppelin Lithium Lithium Nirvana Lotta Whole Lotta Love Led Zeppelin Mars The Kill 30 Seconds to Mars Mayer John Mayer My Car Drive My Car The Beatles Nation Army Seven Nation Army The White Stripes Nice Guy No More Mr Nice Guy Alice Cooper Of Love The Power of Love Huey Lewis and the News On It Stand on It Jeff Beck Outsider The Outsider A Perfect Circle 7 Pa Ti Samba Pa Ti Santana Page Jimmy Page Pieces Pieces Sum 41 Pork Pie Goodbye Pork Pie Hat Jeff Beck Pretender The Pretender Foo Fighters Ramble Ramble On Led Zeppelin Reaper Don't Fear the Reaper Blue Oyster Cult Reelin Reelin' in the Years Steely Dan Rory Rory Gallagher SRV Wing Little Wing Stevie Ray Vaughan Sand Castles Made of Sand Jimi Hendrix Sling Shot Sling Shot Jeff Beck Smoke Smoke on the Water Deep Purple Snake Boogie Tube Snake Boogie ZZ Top So Heavy I Want You (She's So Heavy) The Beatles Springfield For What It's Worth Buffalo Springfield Sugar Brown Sugar The Rolling Stones Sultans Sultans of Swing Dire Straits Sunshine Sunshine of Your Love Cream Surrender Tender Surrender Steve Vai Sweet Dreams Sweet Dreams Marilyn Manson T.N.T. T.N.T. ACDC This Way Walk This Way Aerosmith Thrill The Thrill Is Gone B.B. King To Run Born to Run Bruce Springsteen Today Had to Cry Today Eric Clapton Voodoo Wah Voodoo Child Jimi Hendrix Who Who Are You The Who Writer Lady Writer Dire Straits Yell Rebel Yell Billy Idol You Girls No You Girls Franz Ferdinand
Jack the Ripper: the Divided Self and the Alien Other in Late-Victorian Culture and Society
Jack the Ripper: The Divided Self and the Alien Other in Late-Victorian Culture and Society Michael Plater Submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy 18 July 2018 Faculty of Arts The University of Melbourne ii ABSTRACT This thesis examines late nineteenth-century public and media representations of the infamous “Jack the Ripper” murders of 1888. Focusing on two of the most popular theories of the day – Jack as exotic “alien” foreigner and Jack as divided British “gentleman” – it contends that these representations drew upon a series of emergent social and cultural anxieties in relation to notions of the “self” and the “other.” Examining the widespread contention that “no Englishman” could have committed the crimes, it explores late-Victorian conceptions of Englishness and documents the way in which the Ripper crimes represented a threat to these dominant notions of British identity and masculinity. In doing so, it argues that late-Victorian fears of the external, foreign “other” ultimately masked deeper anxieties relating to the hidden, unconscious, instinctual self and the “other within.” Moreover, it reveals how these psychological concerns were connected to emergent social anxieties regarding degeneration, atavism and the “beast in man.” As such, it evaluates the wider psychological and sociological impact of the case, arguing that the crimes revealed the deep sense of fracture, duality and instability that lay beneath the surface of late-Victorian English life, undermining and challenging dominant notions of progress, civilisation and social advancement. Situating the Ripper narrative within a broader framework of late-nineteenth century cultural uncertainty and crisis, it therefore argues that the crimes (and, more specifically, populist perceptions of these crimes) represented a key defining moment in British history, serving to condense and consolidate a whole series of late-Victorian fears in relation to selfhood and identity.
THE CLEVELAND ORCHESTRA WHAT IS AN ORCHESTRA? Student Learning Lab for The Percussion Family 1 Table of Contents PART 1: Let’s Meet the Percussion Family ...................... 3 PART 2: Let’s Listen to Nagoya Marimbas ...................... 6 PART 3: Music Learning Lab ................................................ 8 2 PART 1: Let’s Meet the Percussion Family An orchestra consists of musicians organized by instrument “family” groups. The four instrument families are: strings, woodwinds, brass and percussion. Today we are going to explore the percussion family. Get your tapping fingers and toes ready! The percussion family includes all of the instruments that are “struck” in some way. We have no official records of when humans first used percussion instruments, but from ancient times, drums have been used for tribal dances and for communications of all kinds. Today, there are more instruments in the percussion family than in any other. They can be grouped into two types: 1. Percussion instruments that make just one pitch. These include: Snare drum, bass drum, cymbals, tambourine, triangle, wood block, gong, maracas and castanets Triangle Castanets Tambourine Snare Drum Wood Block Gong Maracas Bass Drum Cymbals 3 2. Percussion instruments that play different pitches, even a melody. These include: Kettle drums (also called timpani), the xylophone (and marimba), orchestra bells, the celesta and the piano Piano Celesta Orchestra Bells Xylophone Kettle Drum How percussion instruments work There are several ways to get a percussion instrument to make a sound. You can strike some percussion instruments with a stick or mallet (snare drum, bass drum, kettle drum, triangle, xylophone); or with your hand (tambourine).
Southern Illinois University Carbondale OpenSIUC September 1980 Daily Egyptian 1980 9-8-1980 The aiD ly Egyptian, September 08, 1980 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_September1980 Volume 65, Issue 11 Recommended Citation , . "The aiD ly Egyptian, September 08, 1980." (Sep 1980). This Article is brought to you for free and open access by the Daily Egyptian 1980 at OpenSIUC. It has been accepted for inclusion in September 1980 by an authorized administrator of OpenSIUC. For more information, please contact opensiuc@lib.siu.edu. Recfee hike to be so"l{ht 'Daily 'Egyptian for next fall By Scott Ca._ Staff Writer Monday, September 8, l~Vol. 65, No.ll Southern Illinois University The SIU-C admini11tratioa fo:s! S6 ere:in the $18 Studentu: -~Rec:re8tiOD Fee for fall 1981. Bruce Swinburne, Yice president for student affairs, SIU-C ethacoal, livestock funds blocked said the increase is needed u operation and maintenance of By Michael MOIISOil vetoes after the governor signed grant from the lP.gislature, could use the $100,000 im the Recreation Bui~ and Staff Writer two bills for us in the last Sanders said. Those funds ran mediately for research," will be requested at the bom'd Gov. James Thompson said month," Sanders said."On the out in June and the University Sanders said. "and that we no to the SIU system Friday whole, we have been treated was forced to reallocate funds would -:;~:cept the additional msw't~~ur:::rinc:reass in when he vetoed University- really well by the legislature from within the system to $500,000;: everyone understood the fee have been avoided siDce related bills requesting $600,000 and the governor." 1'0ntinue the research.
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
THE STORY OF SONNY BOY SLIM Ever since 2010, when Gary Clark Jr. wowed audiences with electrifying live sets everywhere from the Crossroads Festival to Hollywood’s historic Hotel Café, his modus operandi has remained crystal clear: “I listen to everything…so I want to play everything.” The revelation that is the Austin-born virtuoso guitarist, vocalist and songwriter finds him just as much an amalgamation of his myriad influences and inspirations. Anyone who gravitated towards Clark’s, 2011’s Bright Lights EP, heard both the evolution of rock and roll and a savior of blues. The following year’s full-length debut, Blak And Blu, illuminated Clark’s vast spectrum - “Please Come Home” is reminiscent of Smokey Robinson, while “Ain’t Messin’ Around” recalls Sly and the Family Stone. 2014’s double disc Gary Clark Jr–Live projected Clark into 3D by adding palpable dimension and transcendent power –– songs soared and drifted from the epic, psychedelic-blues of “When My Train Comes In” to his anthemic, hip-hop, rock-crunch calling card, “Bright Lights”, all the way down to the deep, dark, muddy water of “When The Sun Goes Down”. There are a handful of folks who have informed for the mélange of genres and styles, which comprise the genius of Clark. One is Michael Jackson. It was on Denver stop of MJ’s Bad Tour where a four-year-old Gary’s life was altered after witnessing The King of Pop. By the sixth grade, Clark would own his first set of strings (Ibanez RX20). As a teen, Clark began making a local name by jamming with adult musicians around nearby clubs.
ARIZONA 500 2021 FINAL LIST OF SONGS # SONG ARTIST Run Time 1 SWEET EMOTION AEROSMITH 4:20 2 YOU SHOOK ME ALL NIGHT LONG AC/DC 3:28 3 BOHEMIAN RHAPSODY QUEEN 5:49 4 KASHMIR LED ZEPPELIN 8:23 5 I LOVE ROCK N' ROLL JOAN JETT AND THE BLACKHEARTS 2:52 6 HAVE YOU EVER SEEN THE RAIN? CREEDENCE CLEARWATER REVIVAL 2:34 7 THE HAPPIEST DAYS OF OUR LIVES/ANOTHER BRICK IN THE WALL PART TWO ANOTHER BRICK IN THE WALL PART TWO 5:35 8 WELCOME TO THE JUNGLE GUNS N' ROSES 4:23 9 ERUPTION/YOU REALLY GOT ME VAN HALEN 4:15 10 DREAMS FLEETWOOD MAC 4:10 11 CRAZY TRAIN OZZY OSBOURNE 4:42 12 MORE THAN A FEELING BOSTON 4:40 13 CARRY ON WAYWARD SON KANSAS 5:17 14 TAKE IT EASY EAGLES 3:25 15 PARANOID BLACK SABBATH 2:44 16 DON'T STOP BELIEVIN' JOURNEY 4:08 17 SWEET HOME ALABAMA LYNYRD SKYNYRD 4:38 18 STAIRWAY TO HEAVEN LED ZEPPELIN 7:58 19 ROCK YOU LIKE A HURRICANE SCORPIONS 4:09 20 WE WILL ROCK YOU/WE ARE THE CHAMPIONS QUEEN 4:58 21 IN THE AIR TONIGHT PHIL COLLINS 5:21 22 LIVE AND LET DIE PAUL MCCARTNEY AND WINGS 2:58 23 HIGHWAY TO HELL AC/DC 3:26 24 DREAM ON AEROSMITH 4:21 25 EDGE OF SEVENTEEN STEVIE NICKS 5:16 26 BLACK DOG LED ZEPPELIN 4:49 27 THE JOKER STEVE MILLER BAND 4:22 28 WHITE WEDDING BILLY IDOL 4:03 29 SYMPATHY FOR THE DEVIL ROLLING STONES 6:21 30 WALK THIS WAY AEROSMITH 3:34 31 HEARTBREAKER PAT BENATAR 3:25 32 COME TOGETHER BEATLES 4:06 33 BAD COMPANY BAD COMPANY 4:32 34 SWEET CHILD O' MINE GUNS N' ROSES 5:50 35 I WANT YOU TO WANT ME CHEAP TRICK 3:33 36 BARRACUDA HEART 4:20 37 COMFORTABLY NUMB PINK FLOYD 6:14 38 IMMIGRANT SONG LED ZEPPELIN 2:20 39 THE
Plugged In Issue Six • the official school newspaper of Speedway Senior High School • March 1,1 2011 A pro prospect in our midst? Lost Frogs: Junior hockey star just one of the guys Four Found Greatness comes in many shapes and sizes. At Speedway and other east High, it comes in the form of 5’6”, 135-pound junior, Mason coast cities than By Sandy Bauers The Philadelphia Inquirer Jobst. He is one of the top junior hockey prospects in his age in Indianapolis. (MCT) group. Jobst has talked to In August, conservationists and The 17-year old center has lived and breathed hockey recruiters at many biologists launched a five-month nearly his entire life. It all started on his third birthday, when colleges around the search to try to find 100 “lost” species young Mason received a pair of brand new ice skates. Soon country; Colorado, of amphibians. Some 126 researchers after, he was wearing them around constantly. At age four, Minnesota, Yale, combed five continents in search of Jobst enrolled in his first youth hockey league, where he Maine, and Boston frogs, salamanders and others that had played the game for the first time at Pepsi Coliseum. College. not been seen in a decade or longer Nowadays, Mason is still playing hockey at Pepsi Mason spends a and were feared extinct. Coliseum. Recently, he had the chance to play on United lot of time working The good/bad news: They found States Hockey out. He has U18, four. They also made 11 re-discoveries League’s (USHL) Indiana Jr.
NZ Top 40 9 May 2006.qxd 5/9/06 4:17 PM Page 1 CHART 1511 9 May 2006 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 9852802 3595692 1 82876819912 1 18BEEP THE PUSSYCAT DOLLS FEAT. WILL.I.AM UNIVERSAL 1 18NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS 4 EMI 1 NEW 1 10,000 DAYS TOOL SBME 3572140 9837828 82876714672 2 410BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 2 27WAITING FOR THE WEEKEND VARIOUS 1 UNIVERSAL 2 NEW 1 PEARL JAM PEARL JAM 1 SBME 82876827172 3466222 RR80882 3 26I'M IN LUV (WIT A STRIPPER) T-PAIN FEAT. MIKE JONES SBME 3 44MEMORIES ARE MADE OF THIS VOL 3 VARIOUS 1 EMI 3 131ALL THE RIGHT REASONS NICKELBACK 3 ROADRUNNER/UNIVERSAL 3648400 5101139972 82876812762 4 NEW 1 DROWN BLINDSPOTT CAPITOL/EMI 4 NEW 1 ACOUSTIC LOVE SONGS VARIOUS 1 WEA/WARNER 4 13 2 THE VERY BEST OF ROY ORBISON 1 SBME 99729 5101139952 9871823 5 73IF IT'S COOL NESIAN MYSTIK BOUNCE/UNIVERSAL 5 34BROKEN DREAMS II VARIOUS 1 WEA/WARNER 5 NEW 1 THE ITALIAN PATRIZIO BUANNE UNIVERSAL 9850564 3641662 7567837525 6 59PUMP IT BLACK EYED PEAS UNIVERSAL 6 72I LOVE MUM VARIOUS 1 EMI 6 241BACK TO BEDLAM JAMES BLUNT 7 WEA/WARNER 3567882 9837819 8602472 7 610PUT YOUR RECORDS ON CORINNE BAILEY RAE CAPITOL/EMI 7 52HIP HOP IV: THE COLLECTION VARIOUS UNIVERSAL 7 313EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 9852863 828768742012