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Buddhist Pilgrimage
Published for free distribution Buddhist Pilgrimage ew Edition 2009 Chan Khoon San ii Sabbadanam dhammadanam jinati. The Gift of Dhamma excels all gifts. The printing of this book for free distribution is sponsored by the generous donations of Dhamma friends and supporters, whose names appear in the donation list at the end of this book. ISB: 983-40876-0-8 © Copyright 2001 Chan Khoon San First Printing, 2002 – 2000 copies Second Printing 2005 – 2000 copies New Edition 2009 − 7200 copies All commercial rights reserved. Any reproduction in whole or part, in any form, for sale, profit or material gain is strictly prohibited. However, permission to print this book, in its entirety , for free distribution as a gift of Dhamma , is allowed after prior notification to the author. ew Cover Design Inset photo shows the famous Reclining Buddha image at Kusinara. Its unique facial expression evokes the bliss of peace ( santisukha ) of the final liberation as the Buddha passes into Mahaparinibbana. Set in the background is the Great Stupa of Sanchi located near Bhopal, an important Buddhist shrine where relics of the Chief Disciples and the Arahants of the Third Buddhist Council were discovered. Printed in Kuala Lumpur, Malaysia by: Majujaya Indah Sdn. Bhd., 68, Jalan 14E, Ampang New Village, 68000 Selangor Darul Ehsan, Malaysia. Tel: 03-42916001, 42916002, Fax: 03-42922053 iii DEDICATIO This book is dedicated to the spiritual advisors who accompanied the pilgrimage groups to India from 1991 to 2008. Their guidance and patience, in helping to create a better understanding and appreciation of the significance of the pilgrimage in Buddhism, have made those journeys of faith more meaningful and beneficial to all the pilgrims concerned. -
Curriculum Vitae)
Mr. SHAKIR NASEER (Curriculum Vitae) Position: (LECTURER BPS-18) Department of Archaeology, University of Balochistan, Quetta-Pakistan Vital Statistics: • Father’s Name: Naseer Ahmed • Date of Birth: Feb. 07, 1991 • Marital Status: Single • P. Address: Department of Archaeology, University of Balochistan, (JB Campus) Quetta-Pakistan • Cell No. +92-333-3002829 • Email address: [email protected] • Official Email: [email protected] • Academia Profile: https://independent.academia.edu/ShakirNaseer • ResearchGate: https://www.researchgate.net/profile/Shakir_Naseer Academic Background: PhD. in Archaeology (2019-in Process) Department of Archaeology, University of Peshawar, Khyber Pakhtunkhwa, Pakistan M. Phil. in Archaeology (2014-2017) Department of Archaeology, University of Peshawar, Khyber Pakhtunkhwa, Pakistan M. Phil. Dissertation Archaeological Survey in District Noshki, Balochistan: An Assessment M.Sc. in Archaeology (2012-2014) Taxila Institute of Asian Civilizations (TIAC), Quaid-i-Azam University, Islamabad, Pakistan M.Sc. Thesis The Museum Collection of Balochistan Study Center, University of Balochistan, Quetta Graduation in BSC (2010-2012) Government Degree College Panjgur, Balochistan Higher Secondary School Certificate (2008-2010) Government Degree College Panjgur, Balochistan MR. SHAKIR NASEER (CURRICULUM VITAE) PAGE 2 Specializations: • Neolithic & Bronze Age archaeology of Balochistan and Pakistan • Museum documentations and museum developments • Field Surveys and Excavations: Trench Marking, Section drawings, -
De-Fragmenting Gandhāran Art: Advancing Analysis Through Digital Imaging and Visualization Ian Haynes, Iwan Peverett, Wannaporn Rienjang with Contributions by Luca M
De-fragmenting Gandhāran art: advancing analysis through digital imaging and visualization Ian Haynes, Iwan Peverett, Wannaporn Rienjang with contributions by Luca M. Olivieri The Global Connections of Gandhāran Art Proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-695-0 ISBN 978-1-78969-696-7 (e-Pdf) DOI: 10.32028/9781789696950 www.doi.org/10.32028/9781789696950 © Archaeopress and the individual authors 2020 Gandhāran ‘Atlas’ figure in schist; c. second century AD. Los Angeles County Museum of Art, inv. M.71.73.136 (Photo: LACMA Public Domain image.) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ����������������������������������������������������������������������������������������������������������������������������iii Illustrations ����������������������������������������������������������������������������������������������������������������������������������������iii Contributors ��������������������������������������������������������������������������������������������������������������������������������������� iv Preface ������������������������������������������������������������������������������������������������������������������������������������������������ -
The Parinirvana Cycle and the Theory of Multivalence: a Study Of
THE PARINIRVĀṆA CYCLE AND THE THEORY OF MULTIVALENCE: A STUDY OF GANDHĀRAN BUDDHIST NARRATIVE RELIEFS A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2017 By Emily Hebert Thesis Committee: Paul Lavy, Chairperson Kate Lingley Jesse Knutson TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... ii INTRODUCTION ......................................................................................................................... 1 CHAPTER 1. BUDDHISM IN GREATER GANDHĀRA ........................................................... 9 Geography of Buddhism in Greater Gandhāra ....................................................................... 10 Buddhist Textual Traditions in Greater Gandhāra .................................................................. 12 Historical Periods of Buddhism in Greater Gandhāra ........................................................... 19 CHAPTER 2. GANDHĀRAN STŪPAS AND NARRATIVE ART ............................................. 28 Gandhāran Stūpas and Narrative Art: Architectural Context ................................................. 35 CHAPTER 3. THE PARINIRVĀṆA CYLCE OF NARRATIVE RELIEFS ................................ 39 CHAPTER 4 .THE THEORY OF MULTIVALENCE AND THE PARINIRVĀṆA CYCLE ...... 44 CHAPTER 5. NARRATIVE RELIEF PANELS FROM THE PARINIRVĀṆA CYCLE ............ 58 Episode -
Buddhist Sculptures of Malakand Collection: Its History, Analysis and Classification
106 Ancient Punjab – Volume 7, 2019 BUDDHIST SCULPTURES OF MALAKAND COLLECTION: ITS HISTORY, ANALYSIS AND CLASSIFICATION Amjad Pervaiz, Nafees Ahmad & Rizwan Nadeem ABSTRACT This study is about the selected sculptures of the Malakand collection, which delineate salient and conspicuous features of the Gandhāra Art. This collection has historical importance and shows diversification of different postures and actions. These sculptures represent the traditions and practices of Buddhism in Gandhāra and they portray the standard of art, the soul and spirit of the followers and artists. Basis of classifying sculptures is established on the confined and distinctive analysis and material of stone used in making the sculptures. To establish the chronology and to specify the exact area of origin, the sculptures were extensively and exhaustively studied from the viewpoint of Zonal Workshops. While observing the quality and style of the art along with material used for making the sculptures it becomes clear that the artist paid attention to the socio-economic and religious conditions of the time in his mind. Methodology used for research of the present study is based on descriptive as well as analytical approach. The architectural elements like Persepolitan and Corinthian pillars are still present and observed in the villages of Malakand and different parts of Gandhāra region. Keywords: Sculpures of Malakand, Gandhara Art, Buddhism, artists, stylistic analysis, socio-economic, religious condition, carving, architectural. INTRODUCTION Indian Sub-Continent has been the core of rich cultural heritage and the abode of civilization of the Indus valley. The researchers in archaeology, art, anthropology and history have brought out important information about developments that took place over the millennia. -
ANALYSIS of BUDDHIST SCULPTURES a Case Study of Malakand Collection in Swat Museum by Amjad Pervaiz TAXILA INSTITUTE of ASIAN
ANALYSIS OF BUDDHIST SCULPTURES A Case Study of Malakand Collection in Swat Museum By Amjad Pervaiz TAXILA INSTITUTE OF ASIAN CIVILIZATIONS QUAID-I-AZAM UNIVERSITY ISLAMABAD 2016 CERTIFICATE This thesis by Amjad Pervaiz is accepted in its present form by the Taxila Institute of Asian Civilizations, Quaid-i-Azam University Islamabad, as satisfying the thesis requirements for the Degree of Doctor of Philosophy in Asian Studies. Prof. Dr. Muhammad Ashraf Khan Supervisor _________________ External Examiner __________________ External Examiner __________________ Director (TIAC) Dr. Ghani-ur-Rehman __________________ Dated: __________________ Declaration I hereby declare that this thesis in its present form is the result of my individual research and it has not been submitted concurrently to any university for any other degree. ______________ Amjad Pervaiz TAXILA INSTITUTE OF ASIAN CIVILIZATIONS QUAID-I-AZAM UNIVERSITY ISLAMABAD I hereby recommend that the Dissertation prepared under my supervision by Mr. Amjad Pervaiz, entitled Analysis of Buddhist Sculptures: A Case Study of Malakand Collection in Swat Museum be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Asian Studies. _____________________ Prof. Dr. M. Ashraf Khan Supervisor DEDICATION I dedicate this work to my parents, sisters, wife and daughters Yousra Khan, Mahnoor Amjad and Ayesha Amjad who suffered and compromised a lot to enable me to complete this study. Contsents LIST OF MAPS ........................................................................................................... -
Origin and Development of the Indus Script: Insights from Harappa and Other Sites, In: Lashari, K
Kenoyer, J.M., 2020. The Origin and Development of the Indus Script: Insights from Harappa and other Sites, in: Lashari, K. (Ed.), Studies on Indus Script, National Fund for Mohenjodaro, Karachi, pp. 217-236. Origin and Development of the Indus Script: Insights from Harappa and other sites Jonathan Mark Kenoyer Origin and Development of the Indus Script: Insights from Harappa and other sites Introduction The origin of the Indus script has been a source of considerable discussion ever since the discovery and excavation of the Indus cities of Mohenjo-daro and Harappa in the 1920s to 1930s (Marshall 1931; Vats 1940). When the Indus civilization was discovered the only other early civilizations known to have writing in the Old World were the ancient Sumerians along the Tigris and Euphrates Rivers in southern Mesopotamia (Nissen 1993), the ancient Egyptians along the Nile (Baines 2004) and the ancient Chinese along the Huang He (Yellow) River in north central China (Haicheng 2015). The oracle bone inscriptions at the site of Yinxu in Anyang were being discovered around the same time that Mohenjo-Daro and Harappa were being excavated (Bagley 1999, 127). Although at first some scholars thought that there might be some influence from Mesopotamian writing systems, in the first major report on the excavations at Mohenjo Daro in 1931, Gadd clearly states that there was no connection between the Indus script and the writing of Sumer or for that matter Egypt (Gadd 1931, 411). Surveys and test excavations in Baluchistan (Stein 1929; Hargreaves and Sewell 1929 (reprint 1981); Stein 1931) and Sindh (Majumdar 1934; Stein 1942) had recovered pottery that appeared to be older than that found at Mohenjo Daro, but little attention was paid to the presence of potter’s marks or graffiti on these different types of pottery. -
Walking with the Unicorn Social Organization and Material Culture in Ancient South Asia
Walking with the Unicorn Social Organization and Material Culture in Ancient South Asia Jonathan Mark KenoyerAccess Felicitation Volume Open Edited by Dennys Frenez, Gregg M. Jamison, Randall W. Law, Massimo Vidale and Richard H. Meadow Archaeopress Archaeopress Archaeology © Archaeopress and the authors, 2018. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78491 917 7 ISBN 978 1 78491 918 4 (e-Pdf) © ISMEO - Associazione Internazionale di Studi sul Mediterraneo e l'Oriente, Archaeopress and the authors 2018 Front cover: SEM microphotograph of Indus unicorn seal H95-2491 from Harappa (photograph by J. Mark Kenoyer © Harappa Archaeological Research Project). Access Back cover, background: Pot from the Cemetery H Culture levels of Harappa with a hoard of beads and decorative objects (photograph by Toshihiko Kakima © Prof. Hideo Kondo and NHK promotions). Back cover, box: Jonathan Mark Kenoyer excavating a unicorn seal found at Harappa (© Harappa Archaeological Research Project). Open ISMEO - Associazione Internazionale di Studi sul Mediterraneo e l'Oriente Corso Vittorio Emanuele II, 244 Palazzo Baleani Archaeopress Roma, RM 00186 www.ismeo.eu Serie Orientale Roma, 15 This volume was published with the financial assistance of a grant from the Progetto MIUR 'Studi e ricerche sulle culture dell’Asia e dell’Africa: tradizione e continuità, rivitalizzazione e divulgazione' All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by The Holywell Press, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2018. -
Unit-1 Global Tourist Traffic Trends and Receipts Patterns Over the Years
International Tourism BTTM-203 UNIT-1 GLOBAL TOURIST TRAFFIC TRENDS AND RECEIPTS PATTERNS OVER THE YEARS Structure: 1.1 Objectives. 1.2 Introduction. 1.3 Tourist traffic trends over the years 1.3.1 Present Scenario 1.3.2 Regional Highlights 1.4 Tourism receipts over the years. 1.4.1 Present Scenario 1.5 Let Us Sum Up 1.6 Clues to Answers 1.7 References 1.1 OBJECTIVES: After reading this Unit you will be able to: • To understand the tourist arrivals patterns in past few years, • To know about the trends of tourist receipts in international tourism, • To understand the pattern of tourist arrivals all over the world • To know about the most visited countries. • To know about the top tourism receipts earners. 1.2 INTRODUCTION: Tourism has become a popular global leisure activity. In 2010, there were over 940 million international tourist arrivals, with a growth of 6.6% as compared to 2009. International tourism receipts grew to US$ 919 billion (euro 693 billion) in 2010, corresponding to an increase in real terms of 4.7% .The massive movement of tourists world over and the economic transformation that is taking place because of tourism are known features of tourism. However, the unimaginable growth of international tourism has also brought about rapid changes in terms of economic growth as well as decline. 1 International Tourism BTTM-203 In this Unit, we attempt to give an overview of the issues involved in tourism at a global level and the economic impacts that have been generated or felt as a result of it. -
The Buddhist Collection of Wali-E Swat: Its History, Classification and Analysis
The Buddhist Collection of Wali-e Swat: Its History, Classification and Analysis by Tahira Tanweer INSTITUTE OF ARCHAEOLOGY AND ANTHROPOLOGY FACULTY OF ARTS AND HUMANITIES UNIVERSITY OF PESHAWAR 2010 The Buddhist Collection of Wali-e Swat: Its History, Classification and Analysis Dissertation submitted to the Institute of Archaeology and Anthropology, University of Peshawar in partial fulfillment of the requirements for the award of the degree of Doctor of Philosophy Approved by: 1. Professor Dr. M. Farooq Swati Institute of Archaeology & Anthropology University of Peshawar Supervisor 2. Internal Examiner 3. External Examiner INSTITUTE OF ARCHAEOLOGY AND ANTHROPOLOGY UNIVERSITY OF PESHAWAR 2010 2 C O N T E N T S Chapter Page Preface iv Acknowledgements v Maps viii List of Tables x Abbreviations xi 1 Introduction and Brief History of the Wali’s Collection 1 Introduction 1 The Beginning of Archaeological Research in the Swat Valley 3 The History and Sources of the Wali’s Collection 4 Subject Matter of the Wali’s Collection 5 2 Cultural History and Geography of the Swat Valley 8 Nomenclature of Swat 8 Cultural and Historical Profile of the Swat Valley 8 Geography of the Swat Valley 18 Population and Human Settlements 22 Flora and Fauna 23 3 Catalogue of the Wali’s Collection 26 Catalogue of Wali-e Swat Collection 26 4 Classification and Analysis on the Basis of Zonal 89 Workshops Classification of the Collection 89 Classification on the Subject Matter 89 Jātakas or Previous Births’ Stories of the Buddha 89 The Life Story of the Buddha 90 -
KHYBER PAKHTUNKHWA PROVINCE and NORTHERN AREAS PROTECTED by the FEERAL GOVERNMENT Abbottabad District 1
ARCHAEOLOGICAL SITES AND MONUMENTS IN KHYBER PAKHTUNKHWA PROVINCE AND NORTHERN AREAS PROTECTED BY THE FEERAL GOVERNMENT Abbottabad District 1. Jandial, A,B,C,D, (excavated remains), Tafikian, Abbottabad. 2. Sirsukh city, Marchabad, Abbottabad. 3. Jaulian site, Jaulian, Abbottabad. 4. Piplan site, Jaulian, Abbottabad. 5. Garhian (Lal Chak) stupa and monastery, Garhian, Abbottabad. 6. Badalpur stupa and monastery, Badalpur, Abbottabad. 7. Ancient stie, Bhamala, Abbottabad. 8. Tofikian mound, Tofikian, Abbottabad. 9. Therr Bajran Sites B,C,D, Tofikian, Abbottabad. 10. Pind Ghakhran mound, Pind Ghakhran, Abbottabad. 11. Mirpur mound, Mirpur, Abbottabad. 12. Tope iste (mound), Jaulian, Abbottabad. 13. Bhera (mound) Bhera, Abbottabad. 14. Chitti site, Chitti, Abbottabad. 15. Tarnawa Chitti site A & B, Tarawa, Abbottabad. 16. Burj or Tuma site, Garamthun, Abbottabad. 17. Bhari Dheri, Kutehra, Abbottabad. 18. Dana Wali, Kutehra, Abbottabad. 19. Tope site, Kamalpur, Abbottabad. 20. Part of site, Dobandi, Abbottabad. 21. Zuro Dheri, Village Shin kiari, Abbottabad. Bannu District 22. Akra (A) mound, near Village Bhart, Bannu. 23. Akra (B) mound, near Village, Vhart, Bannu. 24. Sheri Khan Tarakai, Village Jani Khel Wazir, Bannu. 25. Ghundai, Village Bakka, Khel Wazir, Bannu. Buner District 26. Ranighat Totalai, Buner. Dera Ismail Khan District 27. Northern Kafir Kot, ancient fort and temple, Umer Khel, D.I.Khan. 28. Graveryard including four tombs at Lal Mohra Sharif, Lunda Pahar, D.I.Khan 29. Rehman Dheri, Hisam, D.I.Khan. 31. Southern Kafir Kot, ancient fort and temple, Bilot, D.I.Khan. Kohat District 32. Kohat fort, Kohat. Mansehra District 33. Tomb of Hazrat Shaheed Ahmad Maujadid Baralvi, Bala Kot, Mansehra. 34. Tomb of Shah Ismail Shaheed, Bala Kot, Mansehra. -
BUDDHIST ARCHITECTURE in the SWAT VALLEY, PAKISTAN Stupas, Viharas, a Dwelling Unit
ACT-FIELD SCHOOL PROJECT REPORTS AND MEMOIRS SPECIAL VOLUME, 1 ISMEO BUDDHIST ARCHITECTURE IN THE SWAT VALLEY, PAKISTAN Stupas, Viharas, a Dwelling Unit doMenico faccenna Piero sPagnesi with the collaboration of luca M. olivieri foreword by Marco Mancini and adriano rossi 2nd Edition PAKISTAN-ITALIAN DEBT SWAP PROGRAM italian archaeological Mission in Pakistan directorate of archaeology and MuseuMs, kP Province This Volume is published thanks to the generous support of ISMEO and Università di Bologna “Alma mater Studiorum”, Dipartimento di Beni Culturali, Printing costs were generously supported by a private grant. Layout and graphic by BraDypUS BraDypUS.net COMMUNICATING CULTURAL HERITAGE The Volume is realized in collaboration with the Sapienza - Università di Roma Dipartimento di Storia, Disegno e Restauro dell’Architettura. Editing by Elisabetta Valento and Erika Vecchietti. BUDDHIST ARCHITECTURE IN THE SWAT VALLEY, PAKISTAN. Stupas, Viharas, a Dwel- ling Unit, by Domenico Faccenna and Piero Spagnesi, with the collaboration of Luca M. Olivieri, foreword by Marco Mancini and Adriano Rossi 2nd edition ISBN: 9788898392315 ISBN-A (doi) 10.978.8898392/315 This work is released nder the following terms: Attribution - You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. NonCommercial - You may not use the material for commercial purposes. NoDerivatives - If you remix, transform, or build upon the material, you may No additional restrictions - You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.