Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Editors:Editors:Editors: Ihsan Ali*

Total Page:16

File Type:pdf, Size:1020Kb

Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Editors:Editors:Editors: Ihsan Ali* Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Editors:Editors:Editors: Ihsan Ali* Muhammad Naeem Qazi** Price: US $ 20/- Title:Title:Title: Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Frontispiece: Buddha Visiting Kashyapa Correspondence Address: Hazara University, Mansehra, NWFP – Pakistan Website: hu.edu.pk E-mail: [email protected] * Professor, Department of Archaeology, University of Peshawar, Currently Vice Chancellor, Hazara University, Mansehra, NWFP – Pakistan ** Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan CONTRIBUTORS 1. Prof. Dr. Ihsan Ali, Vice Chancellor Hazara University, Mansehra, Pakistan 2. Muhammad Naeem Qazi, Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan 3. Ihsanullah Jan, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 4. Muhammad Ashfaq, University Museum, Hazara University 5. Syed Ayaz Ali Shah, Department of Archaeology, University of Peshawar, Pakistan 6. Abdul Hameed Chitrali, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 7. Muhammad Imran Khan, Archaeologist, Charsadda, Pakistan 8. Muhammad Haroon, Archaeologist, Mardan, Pakistan III ABBREVIATIONS A.D.F.C. Archaeology Department, Frontier Circle A.S.I. Archaeological Survery of India A.S.I.A.R. Archaeological Survery of India, Annual Report D.G.A. Director General of Archaeology E.G.A.C. Exhibition of the German Art Council I.G.P. Inspector General Police IsMEO Instituto Italiano Per il Medio ed Estremo Oriente P.M. Peshawar Museum IV CONTENTS Chapter 1 Gandhara, its History and Art ............................................................................ 1-25 IHSAN A LI & M. N AEEM Q AZI 1.1 The Term Gandhara ............................................................................................... 1 1.2 Geography of Gandhara ........................................................................................ 1 1.3 History .....................................................................................................................2 1.4 Gandhara Art .......................................................................................................... 11 1.5 Foreign Influence of Gandhara Art...................................................................... 14 1.6 Peshawar Museum Buddhist Collection from Gandharan Sites ........................ 16 Chapter 2 JATAKAS: Previous Birth Stories of Buddha ............................................... 27-48 M. NAEEM Q AZI , S YED A YAZ A LI S HAH & M. A SHFAQ 2.1 Introduction ............................................................................................................. 27 2.2 Sculptural Representation in the Peshawar Museum .......................................... 30 2.3 Depankara Jataka ................................................................................................... 31 2.4 Íyama Jataka .......................................................................................................... 36 2.5 Maitryakanyaka Jataka........................................................................................... 38 2.6 Amara Jataka .......................................................................................................... 43 2.7 Vißvantara Jataka.................................................................................................... 44 Chapter 3 Life Story of Buddha: Maya's Dream — Return to the Palace .............. 49-64 IHSAN A LI , I HSANULLAH J AN & M. A SHFAQ 3.1 Introduction ............................................................................................................. 49 3.2 Dream Scenes ......................................................................................................... 49 3.3 Interpretation of the Dream ................................................................................... 51 3.4 Birth of Siddhartha................................................................................................. 52 3.5 Birth of Kanthaka and Chandaka ........................................................................ 57 V 3.6 Bath Scene .............................................................................................................. 58 3.7 Seven Steps of Siddhartha..................................................................................... 61 3.8 Welcoming Scene: Return to Kapilavastu ........................................................... 62 Chapter 4 Life Story of Buddha: Horoscope — Athletic Contests............................. 65-75 IHSAN A LI, M. NAEEM Q AZI & A BDUL H AMEED C HITRALI 4.1 Introduction ............................................................................................................. 65 4.2 Horoscope Scenes .................................................................................................. 65 4.3 School Scene .......................................................................................................... 68 4.3.1 School Going Scene..................................................................................... 68 4.3.2. Siddhartha in School ................................................................................... 69 4.4 Athletic contests ..................................................................................................... 70 Chapter 5 Life Story of Buddha: Palace Life — First Meditation ............................. 77-92 IHSAN A LI, I HSANULLAH J AN & M. A SHFAQ 5.1 Introduction ............................................................................................................. 77 5.2 Bridal and Marriage Scenes .................................................................................. 78 5.3 Drinking and Merry-making Scenes .................................................................... 83 5.4 Palace and Street Scenes ....................................................................................... 89 5.5 Proceeding Towards Annual Fair ......................................................................... 90 5.6 First Meditation ....................................................................................................... 91 Chapter 6 Life Story of Buddha: The Renunciation—Crossing of River Niranjana ..... 93-102 M. NAEEM Q AZI & M. A SHFAQ 6.1 Introduction ............................................................................................................. 93 6.2 The Great Renunciation ......................................................................................... 93 6.3 The Great Departure .............................................................................................. 95 6.4 Farewell of Chandaka and Kanthaka ................................................................... 99 6.5 Bodhisattva Siddhartha Crossing a River ............................................................ 100 VI Chapter 7 Life Story of Buddha: Fasting Siddhartha — Mara's Attack ................... 103-119 M. NAEEM Q AZI & I HSAN U LLAH J AN 7.1 Introduction ............................................................................................................. 103 7.2 Fasting Siddhartha .................................................................................................. 104 7.3 Swastika Offers Grass ............................................................................................ 106 7.4 Hymns of Naga Kalika and his Wife Before Siddhartha .................................. 107 7.5 Approach to the Bodhi Tree ................................................................................. 110 7.6 Mara'a Attack.......................................................................................................... 110 Chapter 8 Life Story of Buddha: Trapusha and Balika's food offering — First Sermon at Sarnath ......................................................................................... 121-138 M. NAEEM Q AZI, M. ASHFAQ & M. I MRAN K HAN 8.1 Introduction ............................................................................................................. 121 8.2 Offering of Four Bowls ......................................................................................... 122 8.3 Siddhartha Receiving Offerings from Lady Sujatha, Trapusha Balika and Gods of the Four Quadrants ................................................................................. 126 8.4 Offering of Food .................................................................................................... 127 8.5 Gods Entreats Buddha to Preach.......................................................................... 127 8.6 Preparation for the First Sermon .......................................................................... 128 8.7 The First Sermon .................................................................................................... 130 Chapter 9 Life Story of Buddha: Miracles at Sravasti ................................................... 139-188 M. NAEEM Q AZI, IHSANULLAH J AN & M. A SHFAQ 9.1 Introduction ............................................................................................................. 139 9.2 Twin Miracle, Emanation of Fire and Stream ..................................................... 144 9.3 Great Miracle .......................................................................................................... 145 9.3.1 Preaching Buddha with Standing
Recommended publications
  • Looking at Gandhāra
    HISTORIA I ŚWIAT, nr 4 (2015) ISSN 2299-2464 Kumar ABHIJEET (Magadh University, India) Looking at Gandhāra Keywords: Art History, Silk Route, Gandhāra It is not the object of the story to convey a happening per se, which is the purpose of information; rather, it embeds it in the life of the storyteller in order to pass it on as experience to those listening. It thus bears the marks of the storyteller much as the earthen vessel bears the marks of the potter's hand. —Walter Benjamin, "On Some Motifs in Baudelaire" Discovery of Ancient Gandhāra The beginning of the 19th century was revolutionary in terms of western world scholars who were eager to trace the conquest of Alexander in Asia, in speculation of the route to India he took which eventually led to the discovery of ancient Gandhāra region (today, the geographical sphere lies between North West Pakistan and Eastern Afghanistan). In 1808 CE, Mountstuart Elphinstone was the first British envoy sent in Kabul when the British went to win allies against Napoleon. He believed to identify those places, hills and vineyard described by the itinerant Greeks or the Greek Sources on Alexander's campaign in India or in their memory of which the Macedonian Commanders were connected. It is significant to note that the first time in modern scholarship the word “Thupa (Pali word for stupa)” was used by him.1 This site was related to the place where Alexander’s horse died and a city called Bucephala (Greek. Βουκεφάλα ) was erected by Alexander the Great in honor of his black horse with a peculiar shaped white mark on its forehead.
    [Show full text]
  • Eclectic Antiquity Catalog
    Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes © University of Notre Dame, 2010. All Rights Reserved ISBN 978-0-9753984-2-5 Table of Contents Introduction..................................................................................................................................... 1 Geometric Horse Figurine ............................................................................................................. 5 Horse Bit with Sphinx Cheek Plates.............................................................................................. 11 Cup-skyphos with Women Harvesting Fruit.................................................................................. 17 Terracotta Lekythos....................................................................................................................... 23 Marble Lekythos Gravemarker Depicting “Leave Taking” ......................................................... 29 South Daunian Funnel Krater....................................................................................................... 35 Female Figurines.......................................................................................................................... 41 Hooded Male Portrait................................................................................................................... 47 Small Female Head......................................................................................................................
    [Show full text]
  • Test-Booklet
    Test No: 2 Date: 12.01.2019 Max. Marks: 250 Max. Time 3 Hours ANTHROPOLOGY- ALL INDIA TEST SERIES ARCHEOLOGY, GENERAL ANTHROPOLOGY PAPER-1, CHAPTERS- 1.1 to 1.8 & PAPER-2, CHAPTERS- 1.1 to 1.3 KEY 1a. Visual Anthropology • Visual anthropologists look at the visual aspects of a culture, such as art and media, and are also interested in how anthropological data can be represented visually, • Visual anthropologists are concerned with both the visual aspects of culture and using media to present data visually. • study a wide range of cultural aspects, including art, dance, ritual, jewelry, body adornments; also intersects with archaeology in the study of prehistoric art, such as cave paintings • Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. • study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. • research topics include sand paintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs • Displaying data visually presents unique advantages that aren't always found through writing. For example, something as detailed and visually-focused as a dance is easily conveyed through a video, where the viewer can get a sometimes stronger sense of the experience • So-called "collecting clubs" included the British anthropologists Edward Burnett Tylor, Alfred Cort Haddon, and Henry Balfour, who exchanged and shared photographs as part of an attempt to document and classify ethnographic "races." • Bateson and Mead took more than 25,000 photos while conducting research in Bali, and published 759 photographs to support and develop their ethnographic observations.
    [Show full text]
  • Buddhist Histories
    JIABS Journal of the International Association of Buddhist Studies Volume 25 Number 1-2 2002 Buddhist Histories Richard SALOMON and Gregory SCHOPEN On an Alleged Reference to Amitabha in a KharoÒ†hi Inscription on a Gandharian Relief .................................................................... 3 Jinhua CHEN Sarira and Scepter. Empress Wu’s Political Use of Buddhist Relics 33 Justin T. MCDANIEL Transformative History. Nihon Ryoiki and Jinakalamalipakara∞am 151 Joseph WALSER Nagarjuna and the Ratnavali. New Ways to Date an Old Philosopher................................................................................ 209 Cristina A. SCHERRER-SCHAUB Enacting Words. A Diplomatic Analysis of the Imperial Decrees (bkas bcad) and their Application in the sGra sbyor bam po gnis pa Tradition....................................................................................... 263 Notes on the Contributors................................................................. 341 ON AN ALLEGED REFERENCE TO AMITABHA IN A KHARO∑™HI INSCRIPTION ON A GANDHARAN RELIEF RICHARD SALOMON AND GREGORY SCHOPEN 1. Background: Previous study and publication of the inscription This article concerns an inscription in KharoÒ†hi script and Gandhari language on the pedestal of a Gandharan relief sculpture which has been interpreted as referring to Amitabha and Avalokitesvara, and thus as hav- ing an important bearing on the issue of the origins of the Mahayana. The sculpture in question (fig. 1) has had a rather complicated history. According to Brough (1982: 65), it was first seen in Taxila in August 1961 by Professor Charles Kieffer, from whom Brough obtained the photograph on which his edition of the inscription was based. Brough reported that “[o]n his [Kieffer’s] return to Taxila a month later, the sculpture had dis- appeared, and no information about its whereabouts was forthcoming.” Later on, however, it resurfaced as part of the collection of Dr.
    [Show full text]
  • NARTAMONGЖ 2013 Vol. Х, N 1, 2 F. R. ALLCHIN ARCHEOLOGICAL and LANGUAGE-HISTORICAL EVIDENCE for the MOVEMENT of INDO
    NARTAMONGÆ 2013 Vol. Х, N 1, 2 F. R. ALLCHIN ARCHEOLOGICAL AND LANGUAGE-HISTORICAL EVIDENCE FOR THE MOVEMENT OF INDO-ARYAN SPEAKING PEOPLES INTO SOUTH ASIA The present Symposium serves a useful purpose in focusing our attention upon the difficulties encountered in recognising the movements of peoples from archeological evidence. One of the reassuring aspects of the broad inter- national approach which is experienced in such a gathering is that it serves to show the common nature of the problems that confront us in trying to re- construct the movements of the Indo-Aryans and Iranians, whether in the South-Russian steppes or the steppes of Kazakhstan; the Caucasus or the southern parts of Middle Asia properly speaking; or in Iran, Afghanistan, Pa- kistan or India. Perhaps this is why there were recurrent themes in several pa- pers, and why echoes of what I was trying to express appeared also in the pa- pers of others, notably in those of B. A. Litvinsky and Y. Y. Kuzmina. In particular, there seems to be a need for a general hypothesis or model for these movements. Such a model must be inter-disciplinary, combining the more limited models derivable from archeological, historical, linguistic, anth- ropological and other categories of data. Strictly speaking, the several hypo- theses derived from each of these categories should first be formulated inde- pendently, and then as a second stage they should be systematically compared to one another. Only when there do not appear to be serious contradictions be- tween them should they be regarded as ready for incorporation into the general model.
    [Show full text]
  • Ancient Universities in India
    Ancient Universities in India Ancient alanda University Nalanda is an ancient center of higher learning in Bihar, India from 427 to 1197. Nalanda was established in the 5th century AD in Bihar, India. Founded in 427 in northeastern India, not far from what is today the southern border of Nepal, it survived until 1197. It was devoted to Buddhist studies, but it also trained students in fine arts, medicine, mathematics, astronomy, politics and the art of war. The center had eight separate compounds, 10 temples, meditation halls, classrooms, lakes and parks. It had a nine-story library where monks meticulously copied books and documents so that individual scholars could have their own collections. It had dormitories for students, perhaps a first for an educational institution, housing 10,000 students in the university’s heyday and providing accommodations for 2,000 professors. Nalanda University attracted pupils and scholars from Korea, Japan, China, Tibet, Indonesia, Persia and Turkey. A half hour bus ride from Rajgir is Nalanda, the site of the world's first University. Although the site was a pilgrimage destination from the 1st Century A.D., it has a link with the Buddha as he often came here and two of his chief disciples, Sariputra and Moggallana, came from this area. The large stupa is known as Sariputra's Stupa, marking the spot not only where his relics are entombed, but where he was supposedly born. The site has a number of small monasteries where the monks lived and studied and many of them were rebuilt over the centuries. We were told that one of the cells belonged to Naropa, who was instrumental in bringing Buddism to Tibet, along with such Nalanda luminaries as Shantirakshita and Padmasambhava.
    [Show full text]
  • ACKNOWLEDGEMENT Peshawar Museum Is a Rich Repository of the Unique Art Pieces of Gandhara Art in Stone, Stucco, Terracotta and Bronze
    ACKNOWLEDGEMENT Peshawar Museum is a rich repository of the unique art pieces of Gandhara Art in stone, stucco, terracotta and bronze. Among these relics, the Buddhist Stone Sculptures are the most extensive and the amazing ones to attract the attention of scholars and researchers. Thus, research was carried out on the Gandharan Stone Sculptures of the Peshawar Museum under the supervision of Prof. Dr. Ihsan Ali, the then Director of Archaeology and Museums, Govt. of NWFP, currently Vice Chancellor Hazara University and Muhammad Naeem Qazi, Assistant Professor, Department of Archaeology, University of Peshawar. The Research team headed by the authors included Messrs. Syed Ayaz Ali Shah, Muhammad Ashfaq, Abdul Hameed Chitrali, Muhammad Zahir, Asad Raza, Shahid Khan, Muhammad Imran Khan, Asad Ali, Muhammad Haroon, Ubaidullah Afghani, Kaleem Jan, Adnan Ahmad, Farhana Waqar, Saima Afzal, Farkhanda Saeed and Ihsanullah Jan, who contributed directly or indirectly to the project. The hard working team with its coordinated efforts usefully assisted for completion of this research project and deserves admiration for their active collaboration during the period. It is great privilege to offer our sincere thanks to the staff of the Directorate of Archaeology and Museums Govt. of NWFP, for their outright support, in the execution of this research conducted during 2002-06. Particular mention is made here of Mr. Saleh Muhammad Khan, the then Curator of the Peshawar Museum, currently Director of the Directorate of Archaeology and Museums, Govt. of NWFP. The pioneering and relevant guidelines offered by the Directorate of Archaeology and Museums, Govt. of NWFP deserve appreciation for their technical support and ensuring the availability of relevant art pieces.
    [Show full text]
  • Phase Iii Architecture and Sculpture from Taxila 6.1
    CHAPTER SIX PHASE III ARCHITECTURE AND SCULPTURE FROM TAXILA 6.1 Introduction to the Phase III Developments in the Sacred Areas and Afonasteries ef Taxila and the Peshawar Basin A dramatic increase in patronage occurred across the Peshawar basin, Taxila, and Swat during phase III; most of the extant remains in these regions were constructed at this time. As devotional icons of Buddhas and bodhisattvas became increasingly popular, parallel trans­ formations occurred in the sacred areas, which still remained focused around relic stupas. In the Peshawar basin, Taxila, and to a lesser degree Swat, the widespread incorporation of large iconic images clearly reflects changes occurring in Buddhist practice. Although it is difficult to know how the sacred precincts were ritually used, modifications in the spatial organization of both sacred areas and monasteries provide some insight. Not surprisingly, the use and incorporation of devotional images developed regionally. The most dramatic shift toward icons is observed in the Peshawar basin and some of the Taxila sites. In contrast, Swat seemed to follow a different pattern, as fewer image shrines were fabricated and sacred areas were organized along different lines. This might reflect a lack of patronage; perhaps new sites following the Peshawar basin format were not commissioned because of a lack of resources. More likely, the Buddhist tradition in Swat was of a different character; some sites-notably Butkara I-show significant expansion following a uniquely Swati format. At a few sites in Swat, however, image shrines appear in positions analogous to those of the Peshawar basin; Nimogram and Saidu (figs. 109, 104) arc notable examples.
    [Show full text]
  • Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha)
    Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Ihsan Ali Muhammad Naeem Qazi Hazara University Mansehra NWFP – Pakistan 2008 Uploaded by [email protected] © Copy Rights reserved in favour of Hazara University, Mansehra, NWFP – Pakistan Editors: Ihsan Ali* Muhammad Naeem Qazi** Price: US $ 20/- Title: Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Frontispiece: Buddha Visiting Kashyapa Printed at: Khyber Printers, Small Industrial Estate, Kohat Road, Peshawar – Pakistan. Tel: (++92-91) 2325196 Fax: (++92-91) 5272407 E-mail: [email protected] Correspondence Address: Hazara University, Mansehra, NWFP – Pakistan Website: hu.edu.pk E-mail: [email protected] * Professor, Department of Archaeology, University of Peshawar, Currently Vice Chancellor, Hazara University, Mansehra, NWFP – Pakistan ** Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan CONTRIBUTORS 1. Prof. Dr. Ihsan Ali, Vice Chancellor Hazara University, Mansehra, Pakistan 2. Muhammad Naeem Qazi, Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan 3. Ihsanullah Jan, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 4. Muhammad Ashfaq, University Museum, Hazara University 5. Syed Ayaz Ali Shah, Department of Archaeology, University of Peshawar, Pakistan 6. Abdul Hameed Chitrali, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 7. Muhammad Imran Khan, Archaeologist, Charsadda, Pakistan 8. Muhammad Haroon, Archaeologist, Mardan, Pakistan III ABBREVIATIONS A.D.F.C. Archaeology Department, Frontier Circle A.S.I. Archaeological Survery of India A.S.I.A.R. Archaeological Survery of India, Annual Report D.G.A. Director General of Archaeology E.G.A.C. Exhibition of the German Art Council I.G.P. Inspector General Police IsMEO Instituto Italiano Per il Medio ed Estremo Oriente P.M.
    [Show full text]
  • Index of Places
    INDEX OF PLACES Abhayagirivihra, monastery 185, 186, Beijing 北京 307, 390, 395, 396, 407, 189–191 410, 411, 413–418, 421, 424 Afghanistan passim Be-ri 408 Agni (ancient Qaraahr) 77, 94, 97, Bhbhr 4, 63 98, 105, 106, 113 Bharukaccha (Barygaza) 147 Aúina 88 Bimaran (Bimarn) 58 Alasanda 139 Bla-brang bKra-shis-’khyil (Labrang), Alexandria 7, 13, 132, 139, 147, 148, monastery 419 152, 154, 158 Boda-yin Küriye, monastery 418 Alexandria-among-the-Arachosians 139 see also Yeke Küriye Alexandria-under-the-Caucasus 139 Brag-lha-mo (Drag Lhamo) 305 Amarvat 58 ’Bras-spungs (Drepung), Amdo 328 monastery 317, 402, 407, 425 Undhra Prade 180 ’Bri-gung 372 Anhui 安徽 176 ’Bri-gung, monastery 373, 383 Antioch (Syria) 132, 147, 148 Bru-sha (Gilgit) 335 Anurdhapura 139, 140, 186 Bukhara 77, 90, 93, 142, 145 Anxi 安西 330 dBu-ru-ka-tshal, chapel 314 Anzhina-Tepe (Tajikistan) 52 Buryatia 423 Aparntaka 138 dBus 304, 346, 347, 349, 353, 361 Aparaaila 40 Byang-chub-sems-bskyed-gling, Apraca 55, 62 temple 324 Aqsu 77, 107, 108 Byang-thang 304 Arabia 148 Bya-sa 348 Arachosia 134, 135, 137, 138 Aria 75, 80 ab iyal, monastery 396, 399 Armenia 148 anyn 88 Astana tombs 105 Caitika 40 Athens 148, 203 Caizhuangcun 蔡莊村 221 aqar 400, 401, 410, 412, 425 Bactres (modern Balkh) 88 Ceylon 78, 436 Bactres, river 75 Chang’an 長安 1, 53, 91, 100, 105, Bactria passim 107, 168, 172, 174–176, 179, 187, Baln 88 261, 285, 292, 297 Bagrm 139 Characene 203 Begram (Kap ) 57 Charsadda (Charsa a) 49, 61 Baima si 白馬寺, monastery 438 see also Pukalvat Bairam-ali 83 Chehelkhneh 146 Bajaur 55 Chengdu
    [Show full text]
  • The Social and Symbolic Role of Early Pottery in the Near East
    THE SOCIAL AND SYMBOLIC ROLE OF EARLY POTTERY IN THE NEAR EAST A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY BURCU YILDIRIM IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE DEPARTMENT OF SETTLEMENT ARCHAEOLOGY JULY 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Tülin Gençöz Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Prof. Dr. D. Burcu Erciyas Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Assoc. Prof. Dr. Çiğdem Atakuman Supervisor Examining Committee Members (first name belongs to the chairperson of the jury and the second name belongs to supervisor) Assoc. Prof. Dr. Marie H. Gates (Bilkent Uni., ARK) Assoc. Prof. Dr. Çiğdem Atakuman (METU, SA) Assoc. Prof. Dr. Neyir K. Bostancı (Hacettepe Uni., ARK) Assoc. Prof. Dr. Ufuk Serin (METU, SA) Assoc. Prof. Dr. Yiğit H. Erbil (Hacettepe Uni., ARK) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Burcu Yıldırım Signature : iii ABSTRACT THE SOCIAL AND SYMBOLIC ROLE OF EARLY POTTERY IN THE NEAR EAST Yıldırım, Burcu Ms., Department of Settlement Archaeology Supervisor: Assoc.
    [Show full text]
  • Between Feasts and Daily Meals. Towards an Archaeology Of
    Between Feasts and Daily Meals Susan Pollock (ed.) BERLIN STUDIES OF THE ANCIENT WORLD – together in a common physical and social setting – is a central element in people’s everyday lives. This makes com- mensality a particularly important theme within which to explore social relations, social reproduction and the working of politics whether in the present or the past. Archaeological attention has been focused primarily on feasting and other special commensal occasions to the neglect of daily commensality. This volume seeks to redress this imbalance by emphasizing the dynamic relation between feasts and quotidian meals and devoting explicit attention to the micro- politics of Alltag (“the everyday”) rather than solely to special occasions. Case studies drawing on archaeological ( material) as well as written sources range from the Neolithic to the Bronze Age in Western Asia and Greece, Formative to late pre-Columbian com munities in Andean South America, and modern Europe. berlin studies of 30 the ancient world berlin studies of the ancient world · 30 edited by topoi excellence cluster Between Feasts and Daily Meals towards an archaeology of commensal spaces edited by Susan Pollock Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de. © 2015 Edition Topoi / Exzellenzcluster Topoi der Freien Universität Berlin und der Humboldt-Universität zu Berlin Cover image: Wall plaque with feasting scene, found in Nippur. Baghdad, Iraq Museum. Winfried Orthmann, Propyläen Kunstgeschichte Vol. 14: Der alte Orient. Berlin: Propyläen, 1975, Pl. 79b. Typographic concept and cover design: Stephan Fiedler Printed and distributed by PRO BUSINESS digital printing Deutschland GmbH, Berlin ISBN 978-3-9816751-0-8 URN urn:nbn:de:kobv:188-fudocsdocument0000000222142-2 First published 2015 Published under Creative Commons Licence CC BY-NC 3.0 DE.
    [Show full text]