DOCSLIB.ORG

2016 FMEA Professional Development Conference Guide a B 2016 FMEA Professional Development Conference Guide Index of Advertisers All Things Musical

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2016 FMEA Professional Development Conference Guide a B 2016 FMEA Professional Development Conference Guide Index of Advertisers All Things Musical 2016 FMEA Professional Development Conference Guide A B 2016 FMEA Professional Development Conference Guide Index of Advertisers All Things Musical ..................................93 Contents Cannon Music Camp– Appalachian State University .................4 The Florida Music Educators Association (FMEA) is pleased to welcome you to DF Music–John Packer– the 2016 Professional Development Conference and All-State Concerts, Diversity in Denis Wick .......................................... 98, 121 Music Education: The Pathway to Lifelong Learning and Participation in Music, a Eastman School of Music .........................44 continuation of the association’s longstanding tradition of providing music education Florida Atlantic University ..................104 excellence. FMEA is proud to present outstanding clinicians, conductors, technical Florida Gulf Coast University ...............74 experts and vendors who are instrumental in making this event Florida’s premier music education experience for teachers, administrators and exceptional music stu- Florida International University .......IBC dents—from elementary school through post-secondary levels—as well as for the Florida Southern College .......................22 parents, family members and boosters who chaperone and mentor all-state students. Florida State University ..........................96 Participants have a variety of opportunities to observe master conductors and teach- Florida State University ers, to interact with renowned musicians and experts, to gather materials specific Summer Camps .........................................85 to classroom applications and to learn about the topics and issues that provide for HAPCO Music Foundation, Inc. ...........IFC musical excellence. Ithaca College School of Music ................41 Advertisers’ Index ...................................1 Mini-Concerts ....................................38-39 Jody Jazz ......................................................15 Kennesaw State University President’s Message .................................3 History of the FMEA Professional School of Music ..........................................86 Development Conference and Message From the Mayor of Tampa .....5 Presidents ................................................40 Lee University School of Music ............26 FMEA Summer Institute ........................6 Preconference Schedule ........................43 Longy School of Music of Executive Director’s Notes .....................7 Bard College ............................................. 115 Conference Schedule of Events ......45-72 Manhattan School of FMEA Officers and Directors .............8-9 Schedule At-A-Glance ......................75-87 Music Camp ..................................................2 Message From Conference University Gatherings ...........................89 Mark Custom Recording Chairman ................................................ 11 Service, Inc. .................................................27 Thank You to Our Supporters .......90-91 Registration and Ticket Policy ........ 12-13 North Broward Preparatory School .....106 FMEA Poster Session........................92-93 Code of Conduct .................................... 14 Palm Beach Atlantic University ............10 2016 FMEA College Night ....................94 Frequently Asked Questions ............... 15 QuaverMusic.com .................................. BC Tampa Area Map and Parking All-State Concert Rehearsal Information .............................................95 Rovner Products, Inc. ................................33 Sites and Times.................................. 16-18 2016 FMEA Hall of Fame Stetson University ....................................67 All-State Concerts At-A-Glance ........... 19 Inductee ...................................................97 University of Central Florida ........88, 119 2016 Preconference............................20-21 2016 FMEA Awards University of Colorado Boulder ..............49 President’s Concert ................................23 Presentations ...................................99-105 University of Florida ...............................55 FMEA First General Florida Corporate and Academic Partners ...............................100 University of Georgia Bands ................. 117 Membership Session .........................24-26 In Concert: Boston Brass .......................28 Tampa Convention Center University of Miami– Floor Plan ............................................. 107 Frost School of Music ..............................73 Concert Recital: Dale Reith ..................29 Exhibition Hall Layout ................. 108-109 University of North Florida ...................69 In Concert: Exhibitors Directory ..................... 110-125 University of South Florida ............ 42, 71 The Florida Orchestra ......................30-31 Wake Forest University .......................... 113 FMEA Second General Thank You to Our Exhibitors .............126 Membership Session .........................32-33 Exhibitors by Booth Number ...... 127-128 Advertisers shown in bold provide additional Concerts ............................................. 34-36 support to FMEA members through their membership in the Corporate and Academic Partners program. These advertisers deserve This program is sponsored in part by the State of Florida, your special recognition and attention. Department of State, Division of Cultural Affairs, and the Florida Arts Council. 2016 FMEA Professional Development Conference Guide 1 2 2016 FMEA Professional Development Conference Guide John K. Southall, PhD President’s President—Florida Music Message Educators Association Welcome Back to the Future of Music Education This year’s conference theme is Diversity in Music An exceptional cast of session presenters from across Education: The Pathway to Lifelong Learning and Participation the country is participating in the conference, and a in Music. The conference experience will provide an comprehensive schedule of conference events has been opportunity for all participants to attend clinic sessions created for your benefit. Please make time in your and performances that focus primarily on our diverse schedule to attend, learn and grow from these out- and ever-changing world of music education. I sincerely standing individuals. hope you will be inspired by this tremendous oppor- Dr. Clifford Madsen will be the keynote speaker, and tunity to learn and to grow professionally during the Dr. Glenn Nierman, NAfME president, will be a guest conference. presenter during the First General Membership Session. The planning process for each FMEA conference The Annual Awards Ceremony will be held during the begins immediately following the previous conference. Second General Membership Session. We will enjoy For an entire year, many individuals are involved with special performances by the Boston Brass, The Florida planning and implementing processes for what will Orchestra, the UCF Flying Horse Big Band, the Florida prove to be a most comprehensive conference for the Atlantic University ¡Cantemos! and a number of select benefit of all members and participating students. The and outstanding high school and middle school ensem- FMEA staff and the Conference Committee have been bles. There are 21 all-state ensemble performances instrumental in creating a foundation of success for all scheduled this year, with a premiere performance by in the planning process. A large number of volunteers the nation’s first All-State Elementary Orff Ensemble. from all component organizations, as well as other Let us not forget the value of social interaction and colleagues, are involved in the conference planning the importance of connecting with each other during and implementation process and have spent countless the conference on both the professional and personal hours working for the benefit of all. I am privileged to levels. We all can learn many wonderful things, beyond have the opportunity to work with so many outstand- the scheduled conference events, through our personal ing individuals, and I hope you will join me in letting and small group interactions with other music educa- everyone involved in the planning and implementation tors. I believe that the social interactions in which we of the conference know that we appreciate their hard choose to participate during the conference are vitally work and effort! important. This is certainly a time for the development I hope you will find time to attend the following of new relationships and the renewed spirit found in FMEA events during the conference: the continuation of current friendships and profession- Preconference (Wednesday, 12:30 p.m.-5:30 p.m.) al collaborations. A sense of renewed purpose can be President’s Concert (Wednesday, 7 p.m.) the end result! w First General Membership Session I wish you all the very best in your conference w (Thursday, 10:30 a.m.) endeavors. I hope you will find your experience reward- w Exhibition Grand Opening (Thursday, 12:20 p.m.) ing, thought provoking and inspirational. Have a won- Second General Membership Session derful time and Happy New Year! w (Friday, 9 a.m.) w Research Poster Session (Friday, 12 noon) Sincerely, All-State Ensemble Performances w (Thursday-Saturday) w Invited Ensemble Performances John K. Southall, PhD, FMEA President w (Wednesday-Friday) 2016 FMEA Professional Development Conference Guide 3 4 2016 FMEA Professional Development Conference Guide 2016 FMEA Professional Development
Load more

Recommended publications
  • 2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
    Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession.
    [Show full text]
  • Gene Ammons Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
    Gene Ammons 音樂專輯 串行 (专辑 & 时间表) Velvet Soul https://zh.listvote.com/lists/music/albums/velvet-soul-7919419/songs Funky https://zh.listvote.com/lists/music/albums/funky-5509284/songs All Star Sessions https://zh.listvote.com/lists/music/albums/all-star-sessions-4729674/songs Soul Summit Vol. 2 https://zh.listvote.com/lists/music/albums/soul-summit-vol.-2-15818440/songs Sock! https://zh.listvote.com/lists/music/albums/sock%21-15814227/songs Big Bad Jug https://zh.listvote.com/lists/music/albums/big-bad-jug-4904975/songs Got My Own https://zh.listvote.com/lists/music/albums/got-my-own-5587667/songs You Talk That Talk! https://zh.listvote.com/lists/music/albums/you-talk-that-talk%21-8057541/songs Soul Summit https://zh.listvote.com/lists/music/albums/soul-summit-7564331/songs Free Again https://zh.listvote.com/lists/music/albums/free-again-5499729/songs Twisting the Jug https://zh.listvote.com/lists/music/albums/twisting-the-jug-7858586/songs The Boss Is Back! https://zh.listvote.com/lists/music/albums/the-boss-is-back%21-7719440/songs My Way https://zh.listvote.com/lists/music/albums/my-way-6946594/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-gene-ammons- The Soulful Moods of Gene Ammons 7765379/songs Brasswind https://zh.listvote.com/lists/music/albums/brasswind-4957970/songs The Black Cat! https://zh.listvote.com/lists/music/albums/the-black-cat%21-7718275/songs Brother Jug! https://zh.listvote.com/lists/music/albums/brother-jug%21-4975523/songs Boss Soul! https://zh.listvote.com/lists/music/albums/boss-soul%21-4947520/songs
    [Show full text]
  • Download Booklet
    FOREWORD FROM JOE oseph Cook is a leading figure in t is always an honour to be asked J the worldwide brass community and I to conduct on a solo CD, especially t’s been 9 years since the release holds the greatest respect with his when the soloist is Eb tuba ace Joe I of my first solo album Debut with peers as one of the finest tuba players of his Cook. Another expat, making new roots in Black Dyke Band in 2008. Debut 2 generation. Norway, it seems that a strong bond between is a chance for me to share some new pieces, Joe and Manger Musikklag has already been lesser known gems and other pieces that I I have known Joseph for over 20 years, formed. have enjoyed playing over the years from the initially as an emerging talent at the National solo tuba repertoire. Youth Brass Band of Great Britain and We had a Friday evening and a Saturday latterly as the finest Eb tuba soloist I have ever morning to put down the material with band. I’ve had the pleasure of meeting some great conducted at Black Dyke. Newly written commissions, arrangements young composers willing to write for the of old pop standards and the extremely tuba, which I’m pleased to present on this Joseph has enjoyed phenomenal success on challenging Derek Bourgeois Tuba Concerto album, as well as an unrecorded piece by a the contest platform including winning the made up the repertoire. Manger Musikklag prolific giant of brass band composition. British Open, National and European titles, supported Joe fantastically throughout performing in many of the world’s greatest the session and Joe himself demonstrated There are many great tuba players showing festivals, including at the BBC Proms, and why he is considered one of the best in the the tuba in such a positive light, showcasing has literally toured the world performing in movement.
    [Show full text]
  • Downbeat.Com December 2020 U.K. £6.99
    DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
    [Show full text]
  • JOHN KEAL MUSIC GROUP 2019-20 MUSIC ACCESSORY CATALOG John Keal Music Group Table of Contents
    JOHN KEAL MUSIC GROUP 2019-20 MUSIC ACCESSORY CATALOG John Keal Music Group Table of Contents Reeds 1 89 Years of Service Woodwind Accessories 2–5 Brass Accessories 6–8 In 1930, a young John Keal opened In 2005 John Keal incorporated his first music store at 315 Central Av- D&M Music of Pleasant Valley into Stands 9 enue in Albany. A 24-year-old musi- its operation. Started in 1976 by Ed cian, his beginning ambition was only Diefes and Henry Mikolajeski, two Cases 10 to teach saxophone in a private studio. well-respected repairmen in the Hud- However, he soon became a supplier son Valley, this store was servicing area of reeds and other accessories for his schools in the same way John Keal was Marching Equipment 11 fellow musicians. Eventually, this led in the Capital District. him to establish contacts with the instru- In the summer of 2012 John Keal Drums, Percussion 12–19 ment manufacturers of the day and he Music bought Hermie’s Music of became a source for band and orchestral Schenectady. This was a natural fit, Violin, Viola, Cello Strings 20 instruments as well. Almost by accident, as Hermie’s had long been known as John Keal had discovered a local music the school music store of Schenectady String Accessories 20–22 market, and the increasing demand soon County. Hermie’s was started in 1940 prompted him to put aside his teaching by Hermie Fredricks, and was operated Music Lesson Books 23 and concentrate his efforts solely on the by his son Norman until its sale.
    [Show full text]
  • Faculty Biographies National Presenting Sponsor
    Faculty Biographies National Presenting Sponsor 2013 MUSIC FOR ALL SUMMER SYMPOSIUM, presented by Yamaha Symposium Division Coordinators and Educational Consultants MARK BUSELLI Ensembles under Casagrande’s direction have been Division Coordinator selected to perform at honor clinics and festivals, and his Jazz Band bands have been consistent winners at marching and jazz Mark Buselli is Director of Jazz Studies contests and festivals. His ensembles have performed at the at Ball State University. Awards include French Reeds Festival in the French Riviera, at Orchestra Hall a 2010-2011 BSU College of Fine Arts in the Chicago Symphony Center, at Carnegie Hall in New Dean’s Creative Arts Award, a Creative York City, and throughout Europe. In 2007, the John Hersey Renewal grant from the Indianapolis Arts band program was awarded the prestigious Sudler Flag of Council in 2005, a Teacher of the Year Honor from the John Philip Sousa Foundation. award in 2004 at Butler University, a Creative Vision award from In 2004, Casagrande was one of three conductors in the NUVO in May of 2007, a top 10 CD release of 2009 (December United States chosen to participate in the National Band 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD Association International Conducting Symposium in Rome, of the decade (January 2010) in DownBeat magazine for the Italy, conducting the Italian National Army Band. Casagrande Buselli/Wallarab release of “Basically Baker.” Buselli has over 40 was inducted into the prestigious American Bandmasters arrangements published for big bands, brass ensemble and Association in 2009. He has been published in The piano/trumpet.
    [Show full text]
  • RFP2014565 Musical Instrument Repairs
    James City County Purchasing Office 101-F Mounts Bay Road, Suite 300 Williamsburg, VA 23185 Phone: (757) 253-6648 Fax: (757) 253-6753 Email: [email protected] JAMES CITY COUNTY, VIRGINIA SEALED REQUEST FOR PROPOSAL 20-14565 Title: Musical Instrument Repair Services Issue Date: February 12, 2020 Due Date: March 12, 2020, NO LATER THAN 2:00 p.m., local time at the Purchasing Office, 101-F Mounts Bay Road, Suite 300, Williamsburg, Virginia 23185 Submit: One (1) Original and five (5) Copies Inquiries: All questions pertaining to this project should be directed to Linda Hodges, Senior Procurement Specialist in writing via email: [email protected] no later than 12:00 p.m. on February 27, 2020 an Addendum will be issued by James City County Purchasing. WILLIAMSBURG/JAMES CITY COUNTY PUBLIC SCHOOLS DOES NOT DISCRIMINATE IN THE SOLICITATION OR AWARDING OF CONTRACTS ON THE BASIS OF RACE, RELIGION, FAITH-BASED ORGANIZATIONS, COLOR, NATIONAL ORIGIN, AGE, DISABILITY OR ANY OTHER BASIS PROHIBITED BY STATE OR FEDERAL LAW. In compliance with this Sealed Request for Proposal and subject to all the conditions thereof, the undersigned offers to furnish the goods/services requested and certifies he/she has read, understands requirements of this bid and is authorized to contract on behalf of the firm named below. My signature on this solicitation constitutes certification that I or my designated representative have inspected the job site and am aware of the conditions under which the work must be accomplished. Claims, as a result of failure to inspect the job site, will not be considered by the school division.
    [Show full text]
  • Pasic 2001 Marching Percussion Festival
    TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed.
    [Show full text]
  • Dayton C. Miller Flute Collection
    Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction ......................................................................................................................................................... iii Biographical Sketch.............................................................................................................................................. vi Scope and Content Note..................................................................................................................................... viii Description of Series............................................................................................................................................. xi Container List ........................................................................................................................................................ 1 FLUTES OF DAYTON C. MILLER............................................................................................................... 1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright
    [Show full text]
  • June 2021 ITG Journal
    International Trumpet Guild® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet June 2021 ITG Journal The International Trumpet Guild® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on electronic devices for the sole use of the end-user • Print a single copy of this file • Quote fair-use passages of this file in not-for-profit research papers as long as the ITG Journal, date, and page number are cited as the source. The International Trumpet Guild®, under the umbrella of United States and international copyright laws, prohibits the following without prior writ ten permission from the Publications Editor of the ITG: • Duplication or distribution of this file or its contents in any manner that does not conform with the uses as stated above • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any party, including such a device intended to be used wholly within an institution. By scrolling past this page you agree to the fair use guidelines stated above. http://www.trumpetguild.org This cover sheet must accompany this file. The removal of this information is strictly prohibited and can result in expulsion from the organization and legal action.
    [Show full text]
  • 2015 Washington, D.C
    of Out Many, August 13–16, 2015 Washington, D.C. !,, 9/5.%%$ 4/+./7 !"/54 &,54%).352!.#% WWWFLUTEINSURANCECOM ,AKEVIEW$RIVE 3UITE! 3EBRING &,53! SERVICE ANDERSON GROUPCOM &,,ICENSE,s),,ICENSEs#!,ICENSE) 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 3 nfaonline.org LET’S PLAY FLUTE! AN INNOVATIVE METHOD FOR STUDENTS OF ANY AGE by Elizabeth Weinzierl & Edmund Waechter Let’s Play Flute! is a new English adaptation of a successful method by noted *HUPDQÀXWLVWVDQGSHGDJRJXHV WITH PLAY-ALONG ONLINE AUDIO: 50600096 • Method Book 1 • 50600097 • Method Book 2 • 50600098 • Repertoire Book 1 • 50600099 • Repertoire Book 2 • 50600124 • Piano accompaniments for Method Books 1 & 2 • SPECIAL CONFERENCE OFFER FOR FLUTE TEACHERS Get a FREE copy of Method Book 1 at the Hal Leonard exhibit booth #417 while supplies last. 4 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 nfaonline.org rself Indulge you Choose your Powell and never look back. connect with us at booth #131. Follow us at #PowellFlutesDC. ® VERNE Q. POWELL® FLUTES INC. One Clock Tower Place, Maynard, MA 01754 USA 978.461.6111 www.PowellFlutes.com Table of Contents Letter from the President ................................................................................9 Officers, Directors, Staff, Convention Volunteers, and Competition Coordinators............................................................................14 Welcome Letter from the Mayor of Washington, D.C.............................18 From the Convention Program Chair..........................................................20
    [Show full text]