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2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
2016 FMEA Professional Development Conference Guide a B 2016 FMEA Professional Development Conference Guide Index of Advertisers All Things Musical
2016 FMEA Professional Development Conference Guide A B 2016 FMEA Professional Development Conference Guide Index of Advertisers All Things Musical ..................................93 Contents Cannon Music Camp– Appalachian State University .................4 The Florida Music Educators Association (FMEA) is pleased to welcome you to DF Music–John Packer– the 2016 Professional Development Conference and All-State Concerts, Diversity in Denis Wick .......................................... 98, 121 Music Education: The Pathway to Lifelong Learning and Participation in Music, a Eastman School of Music .........................44 continuation of the association’s longstanding tradition of providing music education Florida Atlantic University ..................104 excellence. FMEA is proud to present outstanding clinicians, conductors, technical Florida Gulf Coast University ...............74 experts and vendors who are instrumental in making this event Florida’s premier music education experience for teachers, administrators and exceptional music stu- Florida International University .......IBC dents—from elementary school through post-secondary levels—as well as for the Florida Southern College .......................22 parents, family members and boosters who chaperone and mentor all-state students. Florida State University ..........................96 Participants have a variety of opportunities to observe master conductors and teach- Florida State University ers, to interact with renowned musicians and experts, to gather materials specific -
Gene Ammons Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Gene Ammons 音樂專輯 串行 (专辑 & 时间表) Velvet Soul https://zh.listvote.com/lists/music/albums/velvet-soul-7919419/songs Funky https://zh.listvote.com/lists/music/albums/funky-5509284/songs All Star Sessions https://zh.listvote.com/lists/music/albums/all-star-sessions-4729674/songs Soul Summit Vol. 2 https://zh.listvote.com/lists/music/albums/soul-summit-vol.-2-15818440/songs Sock! https://zh.listvote.com/lists/music/albums/sock%21-15814227/songs Big Bad Jug https://zh.listvote.com/lists/music/albums/big-bad-jug-4904975/songs Got My Own https://zh.listvote.com/lists/music/albums/got-my-own-5587667/songs You Talk That Talk! https://zh.listvote.com/lists/music/albums/you-talk-that-talk%21-8057541/songs Soul Summit https://zh.listvote.com/lists/music/albums/soul-summit-7564331/songs Free Again https://zh.listvote.com/lists/music/albums/free-again-5499729/songs Twisting the Jug https://zh.listvote.com/lists/music/albums/twisting-the-jug-7858586/songs The Boss Is Back! https://zh.listvote.com/lists/music/albums/the-boss-is-back%21-7719440/songs My Way https://zh.listvote.com/lists/music/albums/my-way-6946594/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-gene-ammons- The Soulful Moods of Gene Ammons 7765379/songs Brasswind https://zh.listvote.com/lists/music/albums/brasswind-4957970/songs The Black Cat! https://zh.listvote.com/lists/music/albums/the-black-cat%21-7718275/songs Brother Jug! https://zh.listvote.com/lists/music/albums/brother-jug%21-4975523/songs Boss Soul! https://zh.listvote.com/lists/music/albums/boss-soul%21-4947520/songs -
ELEVATION Songs from Afar
ELEVATION Songs from Afar Transylvanian expat pianist & composer Lucian Ban and ELEVATION celebrate their 2 n d album for Sunnyside records - Songs from Afar . Released in 2016 the album immediately garnered rave reviews and honors – DOWNBEAT BEST ALBUM OF THE YEAR , a 5* review in DB march 2016 issue, ALL ABOUT JAZZ calls it “a triumph of emotional and musical communication” and New York City Jazz Record talks of an “Inspiring and touching journey, that seamlessly blends the traditions of jazz and folk songs”. ”Alluring timelessness . a strong life-force that seems to flow through this music . like many of the great masters, pianist Lucian Ban makes personal art that feels universal” 5* STARS! “Songs From Afar is a triumph of emotional and musical communication, and is not to be missed” Streams of influence from the past and cultural identities sometimes merge with one’s quest for forms of expression. Songs From Afar represents two traditions, two musical worlds, and many musical elements coming together to fashion a unique identity that truly spans continents and styles. "Songs from afar is very personal for me because the album is intimately tied to my Romanian cultural heritage and to the jazz influences that help me find out more about where I come from – and where I’m going. It's not only the ancient Transylvanian folk songs that we approach in this recording, it's also how the other pieces and improvisations reflect the constant search for musical meaning" notes Transylvanian expat pianist and composer Lucian Ban talking about his 2 n d album with Elevation quartet in his 3 r d appearance for Sunnyside. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
Download Booklet
FOREWORD FROM JOE oseph Cook is a leading figure in t is always an honour to be asked J the worldwide brass community and I to conduct on a solo CD, especially t’s been 9 years since the release holds the greatest respect with his when the soloist is Eb tuba ace Joe I of my first solo album Debut with peers as one of the finest tuba players of his Cook. Another expat, making new roots in Black Dyke Band in 2008. Debut 2 generation. Norway, it seems that a strong bond between is a chance for me to share some new pieces, Joe and Manger Musikklag has already been lesser known gems and other pieces that I I have known Joseph for over 20 years, formed. have enjoyed playing over the years from the initially as an emerging talent at the National solo tuba repertoire. Youth Brass Band of Great Britain and We had a Friday evening and a Saturday latterly as the finest Eb tuba soloist I have ever morning to put down the material with band. I’ve had the pleasure of meeting some great conducted at Black Dyke. Newly written commissions, arrangements young composers willing to write for the of old pop standards and the extremely tuba, which I’m pleased to present on this Joseph has enjoyed phenomenal success on challenging Derek Bourgeois Tuba Concerto album, as well as an unrecorded piece by a the contest platform including winning the made up the repertoire. Manger Musikklag prolific giant of brass band composition. British Open, National and European titles, supported Joe fantastically throughout performing in many of the world’s greatest the session and Joe himself demonstrated There are many great tuba players showing festivals, including at the BBC Proms, and why he is considered one of the best in the the tuba in such a positive light, showcasing has literally toured the world performing in movement. -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
JOHN KEAL MUSIC GROUP 2019-20 MUSIC ACCESSORY CATALOG John Keal Music Group Table of Contents
JOHN KEAL MUSIC GROUP 2019-20 MUSIC ACCESSORY CATALOG John Keal Music Group Table of Contents Reeds 1 89 Years of Service Woodwind Accessories 2–5 Brass Accessories 6–8 In 1930, a young John Keal opened In 2005 John Keal incorporated his first music store at 315 Central Av- D&M Music of Pleasant Valley into Stands 9 enue in Albany. A 24-year-old musi- its operation. Started in 1976 by Ed cian, his beginning ambition was only Diefes and Henry Mikolajeski, two Cases 10 to teach saxophone in a private studio. well-respected repairmen in the Hud- However, he soon became a supplier son Valley, this store was servicing area of reeds and other accessories for his schools in the same way John Keal was Marching Equipment 11 fellow musicians. Eventually, this led in the Capital District. him to establish contacts with the instru- In the summer of 2012 John Keal Drums, Percussion 12–19 ment manufacturers of the day and he Music bought Hermie’s Music of became a source for band and orchestral Schenectady. This was a natural fit, Violin, Viola, Cello Strings 20 instruments as well. Almost by accident, as Hermie’s had long been known as John Keal had discovered a local music the school music store of Schenectady String Accessories 20–22 market, and the increasing demand soon County. Hermie’s was started in 1940 prompted him to put aside his teaching by Hermie Fredricks, and was operated Music Lesson Books 23 and concentrate his efforts solely on the by his son Norman until its sale. -
Faculty Biographies National Presenting Sponsor
Faculty Biographies National Presenting Sponsor 2013 MUSIC FOR ALL SUMMER SYMPOSIUM, presented by Yamaha Symposium Division Coordinators and Educational Consultants MARK BUSELLI Ensembles under Casagrande’s direction have been Division Coordinator selected to perform at honor clinics and festivals, and his Jazz Band bands have been consistent winners at marching and jazz Mark Buselli is Director of Jazz Studies contests and festivals. His ensembles have performed at the at Ball State University. Awards include French Reeds Festival in the French Riviera, at Orchestra Hall a 2010-2011 BSU College of Fine Arts in the Chicago Symphony Center, at Carnegie Hall in New Dean’s Creative Arts Award, a Creative York City, and throughout Europe. In 2007, the John Hersey Renewal grant from the Indianapolis Arts band program was awarded the prestigious Sudler Flag of Council in 2005, a Teacher of the Year Honor from the John Philip Sousa Foundation. award in 2004 at Butler University, a Creative Vision award from In 2004, Casagrande was one of three conductors in the NUVO in May of 2007, a top 10 CD release of 2009 (December United States chosen to participate in the National Band 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD Association International Conducting Symposium in Rome, of the decade (January 2010) in DownBeat magazine for the Italy, conducting the Italian National Army Band. Casagrande Buselli/Wallarab release of “Basically Baker.” Buselli has over 40 was inducted into the prestigious American Bandmasters arrangements published for big bands, brass ensemble and Association in 2009. He has been published in The piano/trumpet. -
RFP2014565 Musical Instrument Repairs
James City County Purchasing Office 101-F Mounts Bay Road, Suite 300 Williamsburg, VA 23185 Phone: (757) 253-6648 Fax: (757) 253-6753 Email: [email protected] JAMES CITY COUNTY, VIRGINIA SEALED REQUEST FOR PROPOSAL 20-14565 Title: Musical Instrument Repair Services Issue Date: February 12, 2020 Due Date: March 12, 2020, NO LATER THAN 2:00 p.m., local time at the Purchasing Office, 101-F Mounts Bay Road, Suite 300, Williamsburg, Virginia 23185 Submit: One (1) Original and five (5) Copies Inquiries: All questions pertaining to this project should be directed to Linda Hodges, Senior Procurement Specialist in writing via email: [email protected] no later than 12:00 p.m. on February 27, 2020 an Addendum will be issued by James City County Purchasing. WILLIAMSBURG/JAMES CITY COUNTY PUBLIC SCHOOLS DOES NOT DISCRIMINATE IN THE SOLICITATION OR AWARDING OF CONTRACTS ON THE BASIS OF RACE, RELIGION, FAITH-BASED ORGANIZATIONS, COLOR, NATIONAL ORIGIN, AGE, DISABILITY OR ANY OTHER BASIS PROHIBITED BY STATE OR FEDERAL LAW. In compliance with this Sealed Request for Proposal and subject to all the conditions thereof, the undersigned offers to furnish the goods/services requested and certifies he/she has read, understands requirements of this bid and is authorized to contract on behalf of the firm named below. My signature on this solicitation constitutes certification that I or my designated representative have inspected the job site and am aware of the conditions under which the work must be accomplished. Claims, as a result of failure to inspect the job site, will not be considered by the school division. -
Pasic 2001 Marching Percussion Festival
TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed.